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{{Short description|British-Nigerian architect}}
{{COI|date=January 2019}}{{Notability|date=January 2019}}{{db|Author appears COI and even stated this article should be submitted for SPEEDY which leads me to believe he or she will use a puppet account to validate this article and remove SPEEDY.}}
'''Alan Vaughan-Richards''' (1925–1989) was a British-Nigerian architect who was active in the post-colonial architecture industry of ]. He engaged architects on the potential influence of African forms in architectural design through publication of the journal ''West Africa Builder and Architect''.<ref>{{cite book|url=https://books.google.com/books?id=YhEBDQAAQBAJ&pg=PA420|page=420|title=Architecture and Urbanism in the British Empire (Oxford History of the British Empire companion series|author= G. A. Bremner|publisher=Oxford University Press|year=2016|isbn=9780198713326}}</ref>


⚫ Vaughan-Richards incorporated the works of Nigerian artists in many of his projects. Trained in modern architecture in England, he then studied cultural uses of architecture in Nigeria, and many of his commissions were hybrids of both influences.<ref name="roux">{{Cite journal|last=Roux|first=Hannah Le|date=2004|title=Modern Architecture in Post-Colonial Ghana and Nigeria|journal=Architectural History|language=en|volume=47|pages=361–392|doi=10.1017/S0066622X00001805|issn=2059-5670}}</ref>


==Education==
⚫ '''Alan Vaughan-Richards''' was a British-Nigerian architect who was active in the post-colonial architecture industry of ]. He engaged architects on the potential influence of African forms in architectural design through publication of the journal ''West Africa Builder and Architect''. Vaughan-Richards incorporated the works of Nigerian artist in many of his projects. Trained in modern architecture in England, he then studied cultural uses of architecture in Nigeria, and many of his commissions were hybrids of both influences .<ref name="roux">{{Cite journal|last=Roux|first=Hannah Le|date=2004|title=Modern Architecture in Post-Colonial Ghana and Nigeria|url=https://www.cambridge.org/core/journals/architectural-history/article/modern-architecture-in-postcolonial-ghana-and-nigeria/010C140429BF494DCB6281FFB76B9363|journal=Architectural History|language=en|volume=47|pages=361–392|doi=10.1017/S0066622X00001805|issn=2059-5670}}</ref>
Vaughan-Richards was educated at ] (now ]) where he obtained a diploma in architecture in 1950. He also enrolled for a newly created course on Tropical Architecture<ref name=":0">Daniel Immerwahr (2007) The politics of architecture and urbanism in postcolonial Lagos, 1960–1986, Journal of African Cultural Studies, 19:2, 165-186, DOI: 10.1080/13696810701760450</ref> at ], ] in 1956.<ref>{{Cite journal|url=http://oxfordindex.oup.com/view/10.1093/gao/9781884446054.article.T088304|title=Vaughan-Richards, Alan (1925 - 1989), architect : Grove Art Online - oi|volume=1|website=oxfordindex.oup.com|language=en|doi=10.1093/gao/9781884446054.article.t088304|access-date=2019-01-23|year=2003|last1=Aradeon|first1=David}}</ref>


== Life == ==Career==
Vaughan-Richards began his career in the 1950s working for Architect Co-Partnership in London, the firm was engaged in the design of a newly reconstructed Bristol Hotel and housing for oil and gas companies in Lagos. In the course of the project, Vaughan-Richards was involved in preliminary design and as a site supervisor visited Nigeria during tours of the projects.<ref name="roux" /> When Architect Co-Partnership pulled out of Nigeria, Vaughan-Richards stayed in the country. His house in ] close to the ] and which was influenced by forms in Hausa village and designed in a modern style was used as his office. Many of his commissions included private houses and a staff housing facility for University of Lagos. He gained recognition among his private clients with his designs of generous shared or public spaces and broad corridors in his commissions.<ref name="roux" /> Vaughan-Richards began his career in the 1950s working with the Architect Development Board in Iraq<ref>{{cite book|author=Ola Uduku|author-link1=Ola Uduku|title=The Alan Vaughan Richards archive|chapter=The Alan Vaughan-Richards archive|pages=178–187|doi=10.4324/9780429506765-16|isbn=9780429506765|year=2019|s2cid=213377865}}</ref> and subsequently Architect Co-Partnership in London. The firm was engaged in the design of a newly reconstructed Bristol Hotel and housing for oil and gas companies in Lagos. In the course of the project, Vaughan-Richards was involved in preliminary design and as a site supervisor visited Nigeria during tours of the projects.<ref name="roux" /> When Architect Co-Partnership pulled out of Nigeria, Vaughan-Richards stayed in the country and became a Nigerian citizen.<ref name=edinburgh/> His house in ] close to the ] and which was influenced by forms in Hausa village and designed in a modern style was used as his office. Many of his commissions included private houses and a staff housing facility for University of Lagos. He gained recognition among his private clients with his designs of generous shared or public spaces and broad corridors in his commissions.<ref name="roux" />

American novelist Elaine Neil Orr described Vaughan-Richards' architectural style, writing that he "consistently applied curvilinear geometries in his designs, sometimes as adornment but often as integral elements of walls and rooms. Modular designs were his staple, initially from blocks and roof sheeting, and then from timber framing".<ref>Elaine Neil Orr, ''Swimming Between Worlds'' (2018), p. 170.</ref>


Vaughan-Richards co-founded and edited the ''West African Builder and Architect'' to provide information about architecture in Africa and later co-wrote ''Building Lagos'' with Kunle Akinsemoyin, a book documenting the development of Lagos.<ref name="roux" /> Vaughan-Richards co-founded and edited the ''West African Builder and Architect'' to provide information about architecture in Africa and later co-wrote ''Building Lagos'' with Kunle Akinsemoyin, a book documenting the development of Lagos.<ref name="roux" />


Vaughan-Richards merged with ]<nowiki/>s Roye Ibru and Co, his commissions included Jaja Hall, ], University of Lagos master plan and modern design with tropical and West African forms such as Olaoluwakitan House and Alan Vaughan-Richards house.<ref>{{Cite journal|last=Uduku|date=2006-09-01|title=Modernist architecture and ‘the tropical’ in West Africa: The tropical architecture movement in West Africa, 1948–1970|url=https://www.sciencedirect.com/science/article/pii/S0197397505000020|journal=Habitat International|language=en|volume=30|issue=3|pages=396–411|doi=10.1016/j.habitatint.2004.11.001|issn=0197-3975}}</ref> Many of his works were neglected or poorly maintained.<ref name="roux" /> He married Ayo-Vaughan-Richards (nee Vaughan) daughter of an hotelier from the ] family of Lagos.<ref>Gavron, D. (1988, May 29). AYO VAUGHAN-RICHARDS 'I WAS TAUGHT THAT I CAN DO WHATEVER A MAN CAN DO'. Chicago Tribune (Pre-1997 Fulltext) Retrieved from https://search.proquest.com</ref> Vaughan-Richards merged with ] Roye Ibru and Co. He was supervisor of the Architecture department of the ] where his commissions included Jaja Hall, ], University of Lagos master plan; modern designs with tropical and West African forms such as Olaoluwakitan House and Alan Vaughan-Richards house.<ref name=":1">{{Cite journal|last=Uduku|date=2006-09-01|title=Modernist architecture and 'the tropical' in West Africa: The tropical architecture movement in West Africa, 1948–1970|journal=Habitat International|language=en|volume=30|issue=3|pages=396–411|doi=10.1016/j.habitatint.2004.11.001|issn=0197-3975}}</ref> Many of his works were neglected or poorly maintained.<ref name="roux" />

In the 1980s, he was involved in writing an inventory of ] houses in Lagos for use by a preservation movement.<ref>{{Cite web|url=https://www.chicagotribune.com/news/ct-xpm-1987-09-06-8703080006-story.html|title=BRAZILIAN HOUSES IN NIGERIA ARE A LEGACY OF THOUSANDS OF FREED|last=Service|first=James Brooke, New York Times News|website=chicagotribune.com|language=en-US|access-date=2019-01-23}}</ref>
In the 1950s, new construction projects designed from adopted modern European architectural forms with consideration for Nigerian climate and which was led by ] and London trained Nigerian architects began to emerge as the dominant style in Lagos.<ref name=":1" /><ref name=":0" /> Vaughan-Richards was among the ], but he wanted more exploration with the adoption of existing African forms, African art and use of materials such as timber.<ref name=":0" /> He was an advocate of incorporating African cultural forms and lifestyles in modern Nigerian architecture,<ref>{{Cite journal|last=Okoye|first=Ikem|date=1993|title=Good news for modern man?: architecture as evangelical mission in southern Nigeria|journal=Passages|hdl=2027/spo.4761530.0006.009}}</ref> a departure of the orthodox styles emerging in the 1950s that largely incorporated adaptation to the climatic conditions in Africa.<ref>{{Cite journal|title=The networks of tropical architecture|journal = The Journal of Architecture|volume = 8|issue = 3|pages = 337–354|last=le Roux|first=Hannah|date=2003|doi=10.1080/1360236032000134835|s2cid = 219639485}}</ref> His personal house built in the 1960s was an experimentation of traditional West African architectural forms with modern architecture principles such as the use of curvi-linear and circular geometries.<ref>{{Cite web|url=http://www.littlemissarchitect.com/2014/01/one-photo-sunday-modernist-african.html|title=Architecture in Africa - a modernist African interior {{!}} ONE PHOTO SUNDAY|last=Antończyk|first=Katarzyna|language=en-US|access-date=2019-01-23}}</ref> Other projects such as the Ola-oluwakitan House stood out for the consideration given to African forms <ref name=":1" /> and originality, and later served as a model for other private houses.<ref>{{Cite book|title=Lagos : a cultural and historical imagination|last=Kaye|first=Whiteman|isbn=9781908493897|location=Exeter, UK|oclc=868916695|date = 2013-10-21}}</ref>

==Personal life==
He married Ayo Vaughan-Richards (née Vaughan), a nurse who was the daughter of a hotelier from the ] of Lagos.<ref name=edinburgh>{{cite web|url=https://sites.eca.ed.ac.uk/avrarchive/|title=Alan Vaughan-Richards African Modernism Archive|website=Edinburgh College of Art satellite sites|date=August 6, 2012|accessdate=February 10, 2019}}</ref><ref>{{cite news |id={{ProQuest|282492015|890379420}} |last1=Gavron |first1=Darlene |title=AYO VAUGHAN-RICHARDS |url=https://www.chicagotribune.com/news/ct-xpm-1988-05-29-8801030310-story.html |work=Chicago Tribune |date=29 May 1988 |page=E3 }}</ref> They had four children including the filmmaker ].

== Publications==
* "Le Nigeria" in Rives coloniales : architectures, de Saint-Louis à Douala. 1993. {{ISBN|2863640569}}.
* Editor. <nowiki>''</nowiki>West African Builder and Architect. Journal. 1963 - 1967.
* Co-author. Building Lagos. 1977. Pengrail Ltd


== References == == References ==
{{reflist}} {{Reflist}}

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Latest revision as of 00:20, 20 October 2023

British-Nigerian architect

Alan Vaughan-Richards (1925–1989) was a British-Nigerian architect who was active in the post-colonial architecture industry of Nigeria. He engaged architects on the potential influence of African forms in architectural design through publication of the journal West Africa Builder and Architect.

Vaughan-Richards incorporated the works of Nigerian artists in many of his projects. Trained in modern architecture in England, he then studied cultural uses of architecture in Nigeria, and many of his commissions were hybrids of both influences.

Education

Vaughan-Richards was educated at London Polytechnic (now University of Westminster) where he obtained a diploma in architecture in 1950. He also enrolled for a newly created course on Tropical Architecture at Architectural Association, London in 1956.

Career

Vaughan-Richards began his career in the 1950s working with the Architect Development Board in Iraq and subsequently Architect Co-Partnership in London. The firm was engaged in the design of a newly reconstructed Bristol Hotel and housing for oil and gas companies in Lagos. In the course of the project, Vaughan-Richards was involved in preliminary design and as a site supervisor visited Nigeria during tours of the projects. When Architect Co-Partnership pulled out of Nigeria, Vaughan-Richards stayed in the country and became a Nigerian citizen. His house in Ikoyi close to the Lagos lagoon and which was influenced by forms in Hausa village and designed in a modern style was used as his office. Many of his commissions included private houses and a staff housing facility for University of Lagos. He gained recognition among his private clients with his designs of generous shared or public spaces and broad corridors in his commissions.

American novelist Elaine Neil Orr described Vaughan-Richards' architectural style, writing that he "consistently applied curvilinear geometries in his designs, sometimes as adornment but often as integral elements of walls and rooms. Modular designs were his staple, initially from blocks and roof sheeting, and then from timber framing".

Vaughan-Richards co-founded and edited the West African Builder and Architect to provide information about architecture in Africa and later co-wrote Building Lagos with Kunle Akinsemoyin, a book documenting the development of Lagos.

Vaughan-Richards merged with Felix Ibru's Roye Ibru and Co. He was supervisor of the Architecture department of the University of Lagos where his commissions included Jaja Hall, University of Lagos, University of Lagos master plan; modern designs with tropical and West African forms such as Olaoluwakitan House and Alan Vaughan-Richards house. Many of his works were neglected or poorly maintained.

In the 1980s, he was involved in writing an inventory of Brazilian houses in Lagos for use by a preservation movement. In the 1950s, new construction projects designed from adopted modern European architectural forms with consideration for Nigerian climate and which was led by Maxwell Fry and London trained Nigerian architects began to emerge as the dominant style in Lagos. Vaughan-Richards was among the modernist architect, but he wanted more exploration with the adoption of existing African forms, African art and use of materials such as timber. He was an advocate of incorporating African cultural forms and lifestyles in modern Nigerian architecture, a departure of the orthodox styles emerging in the 1950s that largely incorporated adaptation to the climatic conditions in Africa. His personal house built in the 1960s was an experimentation of traditional West African architectural forms with modern architecture principles such as the use of curvi-linear and circular geometries. Other projects such as the Ola-oluwakitan House stood out for the consideration given to African forms and originality, and later served as a model for other private houses.

Personal life

He married Ayo Vaughan-Richards (née Vaughan), a nurse who was the daughter of a hotelier from the Vaughan family of Lagos. They had four children including the filmmaker Remi Vaughan-Richards.

Publications

  • "Le Nigeria" in Rives coloniales : architectures, de Saint-Louis à Douala. 1993. ISBN 2863640569.
  • Editor. ''West African Builder and Architect. Journal. 1963 - 1967.
  • Co-author. Building Lagos. 1977. Pengrail Ltd

References

  1. G. A. Bremner (2016). Architecture and Urbanism in the British Empire (Oxford History of the British Empire companion series. Oxford University Press. p. 420. ISBN 9780198713326.
  2. ^ Roux, Hannah Le (2004). "Modern Architecture in Post-Colonial Ghana and Nigeria". Architectural History. 47: 361–392. doi:10.1017/S0066622X00001805. ISSN 2059-5670.
  3. ^ Daniel Immerwahr (2007) The politics of architecture and urbanism in postcolonial Lagos, 1960–1986, Journal of African Cultural Studies, 19:2, 165-186, DOI: 10.1080/13696810701760450
  4. Aradeon, David (2003). "Vaughan-Richards, Alan (1925 - 1989), architect : Grove Art Online - oi". oxfordindex.oup.com. 1. doi:10.1093/gao/9781884446054.article.t088304. Retrieved 2019-01-23.
  5. Ola Uduku (2019). "The Alan Vaughan-Richards archive". The Alan Vaughan Richards archive. pp. 178–187. doi:10.4324/9780429506765-16. ISBN 9780429506765. S2CID 213377865.
  6. ^ "Alan Vaughan-Richards African Modernism Archive". Edinburgh College of Art satellite sites. August 6, 2012. Retrieved February 10, 2019.
  7. Elaine Neil Orr, Swimming Between Worlds (2018), p. 170.
  8. ^ Uduku (2006-09-01). "Modernist architecture and 'the tropical' in West Africa: The tropical architecture movement in West Africa, 1948–1970". Habitat International. 30 (3): 396–411. doi:10.1016/j.habitatint.2004.11.001. ISSN 0197-3975.
  9. Service, James Brooke, New York Times News. "BRAZILIAN HOUSES IN NIGERIA ARE A LEGACY OF THOUSANDS OF FREED". chicagotribune.com. Retrieved 2019-01-23.{{cite web}}: CS1 maint: multiple names: authors list (link)
  10. Okoye, Ikem (1993). "Good news for modern man?: architecture as evangelical mission in southern Nigeria". Passages. hdl:2027/spo.4761530.0006.009.
  11. le Roux, Hannah (2003). "The networks of tropical architecture". The Journal of Architecture. 8 (3): 337–354. doi:10.1080/1360236032000134835. S2CID 219639485.
  12. Antończyk, Katarzyna. "Architecture in Africa - a modernist African interior | ONE PHOTO SUNDAY". Retrieved 2019-01-23.
  13. Kaye, Whiteman (2013-10-21). Lagos : a cultural and historical imagination. Exeter, UK. ISBN 9781908493897. OCLC 868916695.{{cite book}}: CS1 maint: location missing publisher (link)
  14. Gavron, Darlene (29 May 1988). "AYO VAUGHAN-RICHARDS". Chicago Tribune. p. E3. ProQuest 282492015, 890379420.
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