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| {{Article for deletion/dated|page=Mari Ness|timestamp=20200420184827|year=2020|month=April|day=20|substed=yes|help=off}} | |||
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| {{short description|American poet and author}} | {{short description|American poet and author}} | ||
| {{Infobox Writer | {{Infobox Writer | ||
| | name = Mari Ness | | name = Mari Ness | ||
| | image = | | image = Mari 2020.jpg | ||
| | imagesize = | | imagesize = | ||
| | caption = | | caption = Mari Ness in January 2020 | ||
| | pseudonym = | | pseudonym = | ||
| | birth_date = |
| birth_date = {{circa|1971}} | ||
| | birth_place = | | birth_place = | ||
| | death_date = | | death_date = | ||
| | death_place = | | death_place = | ||
| | occupation = |
| occupation = Writer | ||
| | nationality =American | | nationality = American | ||
| | period = | | period = | ||
| | genre =Science fiction and fantasy | | genre = Science fiction and fantasy | ||
| | subject = | | subject = | ||
| | movement = | | movement = | ||
| | debut_works = | | debut_works = | ||
| | influences = | | influences = | ||
| | influenced = | | influenced = | ||
| | signature = | | signature = | ||
| | website =https://marikness.wordpress.com | | website = {{URL|https://marikness.wordpress.com}} | ||
| | footnotes = | | footnotes = | ||
| }} | }} | ||
| '''Mari Ness''' (born |
'''Mari Ness''' (born {{circa|1971}}) is an American poet, author, and critic. She has multiple publications in various ] and ] magazines and anthologies.<ref name="Nightmare Magazine">{{Cite web |url=http://www.nightmare-magazine.com/nonfiction/author-spotlight-mari-ness/ |title=Author Spotlight: Mari Ness |date=16 July 2014 |website=Nightmare Magazine |access-date=2020-04-20}}</ref> Her work has been published in '']'',<ref name="Apex Magazine 2015">{{Cite web |url=https://www.apex-magazine.com/interview-with-mari-ness/ |title=Interview with Mari Ness |date=2015-06-02 |website=Apex Magazine |access-date=2020-04-20}}</ref> '']'', '']'',<ref name="Macmillan" /> '']'',<ref name="Macmillan">{{Cite web |url=https://us.macmillan.com/author/mariness |title=Mari Ness Authors |website=US Macmillan |access-date=20 April 2020}}</ref> ''Fireside Magazine'',<ref name="Work in Fireside 2018">{{Cite web |url=https://firesidefiction.com/mari-ness |title=Mari Ness |date=2018-09-25 |website=Work in Fireside |access-date=2020-04-20}}</ref> ],<ref name="Lightspeed Magazine 2017">{{Cite web |url=http://www.lightspeedmagazine.com/nonfiction/author-spotlight-mari-ness-2/ |title=Author Spotlight: Mari Ness |date=2017-12-28 |website=Lightspeed Magazine |access-date=2020-04-20}}</ref> '']'', '']'',<ref name="Macmillan" /><ref name="Ness 2019">{{Cite web |url=http://strangehorizons.com/poetry/gretels-bones/ |title=Gretel's Bones |last=Ness |first=About Mari |date=2019-12-03 |website=Strange Horizons |access-date=2020-04-20}}</ref> '']'',<ref name="Tor.com 1970">{{Cite web |url=https://www.tor.com/members/maricats/ |title=MariCats |date= |website=Tor.com |access-date=2020-04-20}}</ref> and '']''.<ref name="Uncanny Magazine 2014">{{Cite web |url=https://uncannymagazine.com/authors/mari-ness/ |title=Mari Ness |date=2014-12-19 |website=Uncanny Magazine |access-date=2020-04-20}}</ref> In ], Paula Guran said of ''The Girl and the House'' that Ness: "subverts and glorifies the clichés and tropes of every gothic novel ever written, in less than 1,800 words"<ref>{{Cite web |url=https://locusmag.com/2019/08/paula-guran-reviews-short-fiction-uncanny-black-static-the-dark-nightmare-and-tor-com/ |title=Paula Guran Reviews Short Fiction: Uncanny, Black Static, The Dark, Nightmare, and Tor.com |last=Guran |first=Paula |date=2019-08-02 |publisher=] |access-date=2020-04-28}}</ref> | ||
| She has been a panelist and guest at a number of ]s, most notably ] 2019 in ].<ref>{{cite web |title=Programme participants |url=https://dublin2019.com/whos-coming/programme-participants/ |website=Dublin 2019 |publisher=WorldCon |accessdate=20 April 2020}}</ref> She has also appeared at | |||
| ⚫ | OASIS 2019 in ],<ref>{{ |
||
| ==Career== | |||
| She currently lives in central ], though she has lived in upstate ] previously. Ness is a wheelchair user due to positional ] and ].<ref name="Walsh 2019">{{cite web | last=Walsh | first=Aoife | title='They had no idea where my wheelchair was' | website=independent | date=2019-08-13 | url=https://www.independent.ie/irish-news/they-had-no-idea-where-my-wheelchair-was-aer-lingus-customers-slam-airline-amid-complaints-over-lost-luggage-38400113.html | access-date=2020-04-20}}</ref> On occasion her experience with these informs her characters and stories but so too can her interests in technology and mythology and how they can resolve or cause issues. | |||
| Ness has been a panelist and guest at a number of ]s, most notably ] 2019 in ].<ref>{{Cite web |url=https://dublin2019.com/whos-coming/programme-participants/ |title=Programme participants |website=Dublin 2019 |publisher=WorldCon |access-date=20 April 2020}}</ref> One reviewer of the Worldcon panel where she participated, "The golden age of animated SF," commented that the members of the panel "meandered and didn’t really answer the question it posed, digressing into questions such as ‘what is genre?’ and ‘what is animation?’ before getting to some light discussion of the eponymous topic in the last 15 minutes."<ref>{{Cite web |url=https://www.chickensinenvelopes.net/2019/09/dublin-2019/ |title=Dublin 2019: An Irish Worldcon |last=Coxon |first=John |date=2019-09-01 |publisher=Chickens in Envelopes |access-date=2020-04-28}}</ref> She has also appeared at | |||
| ⚫ | OASIS 2019 in ],<ref>{{Cite web |url=https://oasfis.org/oasis/all-guests/ |title=All Guests |date=27 March 2020 |website=OASIS |publisher=Orlando Area Science Fiction Society |access-date=20 April 2020}}</ref> and was scheduled to appear at CoNZealand 2020 in ].<ref>{{Cite web |url=https://conzealand.nz/programme-events/confirmed-participants |title=Confirmed Participants CoNZealand |date=29 October 2019 |website=CoNZealand |language=en-NZ |access-date=20 April 2020}}</ref> | ||
| Ness is also noted for her critical reassessment of classic literary works.<ref name="Bray 2017 p. 40">{{Cite book |last=Bray |first=S. |url=https://books.google.com/books?id=is67DQAAQBAJ&pg=PT40 |title=Dimensions of Madeleine L'Engle: New Critical Approaches |publisher=McFarland, Incorporated, Publishers |year=2017 |isbn=978-1-4766-2798-4 |page=40 |access-date=2020-04-21}}</ref><ref name="Bustle 2018">{{Cite web |url=https://www.bustle.com/p/10-fairy-tale-princesses-whose-stories-are-way-more-hardcore-than-you-realized-8969754 |title=10 Fairy Tale Princesses Whose Stories Are Way More Hardcore Than You Realized |date=2018-05-17 |website=Bustle |access-date=2020-04-21}}</ref><ref name="Business Insider Singapore 2018">{{Cite web |url=https://www.businessinsider.sg/worst-classic-books-2018-11 |title=12 classic books that don't deserve their praise, sorry |date=2018-11-02 |website=Business Insider Singapore |access-date=2020-04-21}}</ref> Among other analysis, she critiques the presence or lack of an appropriate disability narrative in works where characters have obvious disabilities.<ref name="Eyler 2013 pp. 319–334">{{Cite journal |last=Eyler |first=Joshua R. |date=2013-08-09 |title=Disability and Prosthesis in L. Frank Baum's The Wonderful Wizard of Oz |url=https://muse.jhu.edu/article/516871 |journal=Children's Literature Association Quarterly |volume=38 |issue=3 |pages=319–334 |doi=10.1353/chq.2013.0042 |issn=1553-1201 |access-date=2020-04-21}}</ref> Her column on '']'', "Disney Read-Watch," which discussed ] animated films and the classic tales that underlaid them,<ref>{{cite web |last1=Ness |first1=Mari |title=Disney Read-Watch |url=https://www.tor.com/tag/disney-read-watch/ |website=Tor.com |accessdate=30 April 2020 |format=Column}}</ref> was a finalist for one of ]'s 2016 "Stabby" Awards, given by the r/Fantasy subreddit for works related to the genre.<ref>{{cite web |title=Announcing the 2016 Best of r/Fantasy Stabby Award Winners! |url=https://www.reddit.com/r/Fantasy/comments/5ngd95/announcing_the_2016_best_of_rfantasy_stabby_award/ |website=Reddit |accessdate=30 April 2020}}</ref><ref>{{cite web |last1=Glyer |first1=Mike |title=2016 Stabby Award Winners |url=http://file770.com/2016-stabby-award-winners/ |website=File 770 |accessdate=30 April 2020 |date=12 January 2017}}</ref> | |||
| ==Bibliography== | |||
| Her work has appeared in several anthologies, some of which have been reviewed in '']''.<ref>{{Cite web |url=https://www.publishersweekly.com/978-0-9573975-8-3 |title=Fae Visions of the Mediterranean |website=Publishers weekly}}</ref><ref>{{Cite web |url=https://www.publishersweekly.com/978-1-60701-353-2 |title=Future Lovecraft |website=publishers weekly}}</ref> Her novelette, "The Ceremony", published in '']'' in 2018, was on ] recommended reading list in 2018.<ref name="Locus Online 2019">{{Cite web |url=https://locusmag.com/2019/02/2018-locus-recommended-reading-list/ |title=2018 Locus Recommended Reading List |date=2019-02-01 |website=Locus Online |access-date=2020-04-21}}</ref> Her fiction that appeared in ''Lightspeed'' was noted favorably by ''Locus'' in 2017.<ref name="Locus Online – The Magazine of the Science Fiction and Fantasy Field 2018">{{Cite web |url=https://locusmag.com/2018/03/2017-year-in-review-by-gardner-dozois/ |title=2017 Year-in-Review by Gardner Dozois |date=2018-03-20 |website=Locus Online – The Magazine of the Science Fiction and Fantasy Field |access-date=2020-04-21}}</ref> | |||
| ==Personal life== | |||
| She lives in central ], though she has lived in upstate ] previously. Ness is a wheelchair user due to ] and ].<ref name="Walsh 2019">{{Cite web |url=https://www.independent.ie/irish-news/they-had-no-idea-where-my-wheelchair-was-aer-lingus-customers-slam-airline-amid-complaints-over-lost-luggage-38400113.html |title=They had no idea where my wheelchair was |last=Walsh |first=Aoife |date=2019-08-13 |website=independent |access-date=2020-04-20}}</ref><ref name="File 770 2019">{{Cite web |url=http://file770.com/tag/mari-ness/ |title=Mari Ness – File 770 |date=2019-05-07 |website=File 770 |access-date=2020-04-24}}</ref> On occasion her experience with these informs her characters and stories and so too does her interests in technology and mythology and how they can resolve or cause issues.<ref name="SF Signal 2010">{{Cite web |url=https://www.sfsignal.com/archives/2010/04/exclusive_interview_mari_ness/ |title=EXCLUSIVE INTERVIEW: Mari Ness |date=2010-04-06 |website=SF Signal |access-date=2020-04-21}}</ref><ref>{{Cite web |url=http://dergipark.org.tr/en/download/article-file/800833 |title=THE FAIRY TALE AS ONE OF THE MANIFESTATIONS OF POLITICAL DISCOURSE |publisher=IJASOS- International E-Journal of Advances in Social Sciences, Vol. V, Issue 14, August 2019}}</ref> She also uses her position to call out events which are insufficiently accessible for people with disabilities.<ref name="File 770 2015">{{Cite web |url=http://file770.com/mari-ness-posts-world-fantasy-report-and-a-new-personal-policy/ |title=Mari Ness Posts World Fantasy Report and a New Personal Policy |date=2015-11-11 |website=File 770 |access-date=2020-04-23}}</ref><ref>{{Cite web |url=https://www.dailydot.com/parsec/fandom/world-fantasy-con-white-male-panels/ |title=Sci-fi fans blast world's biggest fantasy convention for lack of diversity |date=28 October 2013 |website=The Daily Dot |access-date=28 April 2020}}</ref> | |||
| ==Works== | |||
| ;Print anthologies: | |||
| {{div col}} | {{div col}} | ||
| * "The heart of the flame" (Poetry, 2016) in Vitale, Valeria, and Djibril al-Ayad. ''Fae Visions of the Mediterranean: An Anthology of Horrors and Wonders of the Sea''.].<ref>{{cite book |last1=Vitale |first1=Valeria |last2=al-Ayad |first2=Djibril |title=Fae visions of the Mediterranean: an anthology of horrors and wonders of the sea |url=https://www.worldcat.org/oclc/950738205 |via=WorldCat |accessdate=28 April 2020 |language=English |date=2016|oclc=950738205 }}</ref> | |||
| * "Memories and wire." (Short Story, 2014) in Clarke, Neil. ''Upgraded'' Stirling, New Jersey: ].<ref>{{cite book |last1=Clarke |first1=Neil |title=Upgraded |url=https://www.worldcat.org/oclc/886490089 |via=WorldCat |accessdate=28 April 2020 |language=English |date=2014|oclc=886490089 }}</ref> | |||
| * "And the Hollow Space Inside" (Short Story, 2012) republished in Clarke, Neil, and Sean Wallace, ''Clarkesworld Year Six'' (2014). Stirling, New Jersey: ].<ref>{{cite book |last1=Clarke |first1=Neil |last2=Wallace |first2=Sean |title=Clarkesworld Year Six |url=https://www.worldcat.org/oclc/900199274 |via=WorldCat |accessdate=28 April 2020 |language=English |date=2014|oclc=900199274 }}</ref> | |||
| * "Do Not Imagine" (Short story, 2012) in Moreno-Garcia, Silvia, and Paula R. Stiles, ''Future Lovecraft''. Gaithersburg, MD: ].<ref>{{cite book |last1=Moreno-Garcia |first1=Silvia |last2=Stiles |first2=Paula R |title=Future Lovecraft |url=https://www.worldcat.org/oclc/788296758 |via=WorldCat |publisher=Prime Books |accessdate=28 April 2020 |language=English |date=2012|oclc=788296758 }}</ref> | |||
| * "Snowmelt" (Poetry, 2011) republished in Gardner, Lyn C. A., et al., ''The 2012 Rhysling Anthology: The Best Science Fiction, Fantasy, and Horror Poetry of 2011.'' (2012) Covina, CA: Science Fiction Poetry Association.<ref>{{cite book |last1=Gardner |first1=Lyn C. A |last2=Ness |first2=Mari |title=The 2012 Rhysling anthology: the best science fiction, fantasy, and horror poetry of 2011 |url=https://www.worldcat.org/oclc/798838113 |via=WorldCat |publisher=Science Fiction Poetry Association in cooperation with Hadrosaur Productions |accessdate=28 April 2020 |language=English |date=2012|oclc=798838113 }}</ref> | |||
| * "Twittering the Stars" (Short Story, 2010) in De Vries, Jetse, and Jason Andrew, ''Shine: an anthology of near-future, optimistic science fiction.'' Oxford: ].<ref>{{cite book |last1=De Vries |first1=Jetse |last2=Andrew |first2=Jason |title=Shine: an anthology of near-future, optimistic science fiction |url=https://www.worldcat.org/oclc/460061212 |via=WorldCat |publisher=Solaris |accessdate=28 April 2020 |language=English |date=2010|oclc=460061212 }}</ref> | |||
| {{div col end}} | |||
| ⚫ | ;Novellas | ||
| *''In the Greenwood: a tor.com original.'' (2014) New York: Tor.<ref>{{cite book |last1=Ness |first1=Mari |title=In the greenwood: a tor.com original |url=https://www.worldcat.org/oclc/897480907 |via=WorldCat |publisher=Tor |accessdate=28 April 2020 |language=English |date=2014|oclc=897480907 }}</ref> | |||
| ;Collections | ;Collections | ||
| ⚫ | *''Through Immortal Shadows Singing'' (lyric poetry, 2017) West Yorkshire, UK: ] | ||
| *''Tongues of Fire'' (2002) | *''Tongues of Fire'' (Short stories, 2002) Shadowwater Press | ||
| ⚫ | *''Through Immortal Shadows Singing'' ( |
||
| ⚫ | |||
| ⚫ | ;Short Fiction | ||
| *''In the Greenwood'' (2013) | |||
| {{div col}} | |||
| ⚫ | |||
| *''Letter to an Overly Ambitious Alien Chef of the Future'' (2005) | *''Letter to an Overly Ambitious Alien Chef of the Future'' (2005) | ||
| *''Kittensplodge and the Awful Correspondence'' (2006) | *''Kittensplodge and the Awful Correspondence'' (2006) | ||
| Line 50: | Line 66: | ||
| *''Rumpled Skin'' (2009) | *''Rumpled Skin'' (2009) | ||
| *''Ravens'' (2010) | *''Ravens'' (2010) | ||
| *''Twittering the Stars'' (2010) | |||
| *''Sparks'' (2010) | *''Sparks'' (2010) | ||
| *''Mademoiselle and the Chevalier'' (2010) | *''Mademoiselle and the Chevalier'' (2010) | ||
| Line 60: | Line 75: | ||
| *''Trickster'' (2011) | *''Trickster'' (2011) | ||
| *''Twelve Days of Dragons'' (2011) | *''Twelve Days of Dragons'' (2011) | ||
| *''And the Hollow Space Inside'' (2012) | |||
| *''Copper, Iron, Blood and Love'' (2012) | *''Copper, Iron, Blood and Love'' (2012) | ||
| *''A Different Rain'' (2012) | *''A Different Rain'' (2012) | ||
| Line 87: | Line 101: | ||
| *''Death and Death Again'' (2014) | *''Death and Death Again'' (2014) | ||
| *''Beans and Lies'' (2014) | *''Beans and Lies'' (2014) | ||
| *''Memories and Wire'' (2014) | |||
| *''The Knot'' (2015) | *''The Knot'' (2015) | ||
| *''The Fox Bride'' (2015) | *''The Fox Bride'' (2015) | ||
| Line 126: | Line 139: | ||
| *''The Wolf'' (2019) | *''The Wolf'' (2019) | ||
| *''Transformation, Afterwards'' (2019) | *''Transformation, Afterwards'' (2019) | ||
| {{div col end}} | |||
| ;;Poems | |||
| ;Poetry | |||
| {{div col}} | |||
| *''Waiting'' (2008) | *''Waiting'' (2008) | ||
| *''Ino'' (2009) | *''Ino'' (2009) | ||
| Line 132: | Line 148: | ||
| *''Sleep'' (2010) | *''Sleep'' (2010) | ||
| *''Quoth the Cultist'' (2010) | *''Quoth the Cultist'' (2010) | ||
| *''Snowmelt'' (2011) | |||
| *''Grandma and the Puka'' (2011) | *''Grandma and the Puka'' (2011) | ||
| *''Nile Song'' (2011) | *''Nile Song'' (2011) | ||
| Line 158: | Line 173: | ||
| *''After the Dance'' (2015) | *''After the Dance'' (2015) | ||
| *''The Thirteenth Child'' (2015) | *''The Thirteenth Child'' (2015) | ||
| *''The Heart of the Flame'' (2016) | |||
| *''After Midnight'' (2016) | *''After Midnight'' (2016) | ||
| *''Ice'' (2016) | *''Ice'' (2016) | ||
| Line 167: | Line 181: | ||
| *''Expecting a Dinosaur'' (2018) | *''Expecting a Dinosaur'' (2018) | ||
| {{div col end}} | {{div col end}} | ||
| ==References== | ==References== | ||
| {{reflist}} | {{reflist}} | ||
Latest revision as of 20:42, 24 January 2024
American poet and author| Mari Ness | |
|---|---|
 Mari Ness in January 2020 | |
| Born | c. 1971 |
| Occupation | Writer |
| Nationality | American |
| Genre | Science fiction and fantasy |
| Website | |
| marikness | |
Mari Ness (born c. 1971) is an American poet, author, and critic. She has multiple publications in various science fiction and fantasy magazines and anthologies. Her work has been published in Apex Magazine, Clarkesworld, Daily Science Fiction, Fantasy Magazine, Fireside Magazine, Lightspeed, Nightmare Magazine, Strange Horizons, Tor.com, and Uncanny Magazine. In Locus, Paula Guran said of The Girl and the House that Ness: "subverts and glorifies the clichés and tropes of every gothic novel ever written, in less than 1,800 words"
Career
Ness has been a panelist and guest at a number of science fiction conventions, most notably Worldcon 2019 in Dublin. One reviewer of the Worldcon panel where she participated, "The golden age of animated SF," commented that the members of the panel "meandered and didn’t really answer the question it posed, digressing into questions such as ‘what is genre?’ and ‘what is animation?’ before getting to some light discussion of the eponymous topic in the last 15 minutes." She has also appeared at OASIS 2019 in Orlando, Florida, and was scheduled to appear at CoNZealand 2020 in Wellington, New Zealand.
Ness is also noted for her critical reassessment of classic literary works. Among other analysis, she critiques the presence or lack of an appropriate disability narrative in works where characters have obvious disabilities. Her column on Tor.com, "Disney Read-Watch," which discussed Disney animated films and the classic tales that underlaid them, was a finalist for one of Reddit's 2016 "Stabby" Awards, given by the r/Fantasy subreddit for works related to the genre.
Her work has appeared in several anthologies, some of which have been reviewed in Publishers Weekly. Her novelette, "The Ceremony", published in Fireside Quarterly in 2018, was on Locus's recommended reading list in 2018. Her fiction that appeared in Lightspeed was noted favorably by Locus in 2017.
Personal life
She lives in central Florida, though she has lived in upstate New York previously. Ness is a wheelchair user due to postural orthostatic tachycardia syndrome and vertigo. On occasion her experience with these informs her characters and stories and so too does her interests in technology and mythology and how they can resolve or cause issues. She also uses her position to call out events which are insufficiently accessible for people with disabilities.
Works
- Print anthologies
- "The heart of the flame" (Poetry, 2016) in Vitale, Valeria, and Djibril al-Ayad. Fae Visions of the Mediterranean: An Anthology of Horrors and Wonders of the Sea.Futurefire.net Publishing.
- "Memories and wire." (Short Story, 2014) in Clarke, Neil. Upgraded Stirling, New Jersey: Wyrm Publishing.
- "And the Hollow Space Inside" (Short Story, 2012) republished in Clarke, Neil, and Sean Wallace, Clarkesworld Year Six (2014). Stirling, New Jersey: Wyrm Publishing.
- "Do Not Imagine" (Short story, 2012) in Moreno-Garcia, Silvia, and Paula R. Stiles, Future Lovecraft. Gaithersburg, MD: Prime Books.
- "Snowmelt" (Poetry, 2011) republished in Gardner, Lyn C. A., et al., The 2012 Rhysling Anthology: The Best Science Fiction, Fantasy, and Horror Poetry of 2011. (2012) Covina, CA: Science Fiction Poetry Association.
- "Twittering the Stars" (Short Story, 2010) in De Vries, Jetse, and Jason Andrew, Shine: an anthology of near-future, optimistic science fiction. Oxford: Solaris.
- Novellas
- In the Greenwood: a tor.com original. (2014) New York: Tor.
- Collections
- Through Immortal Shadows Singing (lyric poetry, 2017) West Yorkshire, UK: Papaveria Press
- Tongues of Fire (Short stories, 2002) Shadowwater Press
- Short Fiction
- Letter to an Overly Ambitious Alien Chef of the Future (2005)
- Kittensplodge and the Awful Correspondence (2006)
- Assistant (2007)
- End of Time (2007)
- The Shadow in the Mirror (2008)
- Wooden Apologies (2009)
- Playing with Spades (2009)
- Rumpled Skin (2009)
- Ravens (2010)
- Sparks (2010)
- Mademoiselle and the Chevalier (2010)
- In the Pits of Isfhan (2011)
- Dreams of Elephants and Ice (2011)
- Sister and Bones (2011)
- Love in the Absence of Mosquitoes (2011)
- Green (2011)
- Trickster (2011)
- Twelve Days of Dragons (2011)
- Copper, Iron, Blood and Love (2012)
- A Different Rain (2012)
- Nameless (2012)
- The Agreement (2012)
- A Cellar of Terrible Things (2012)
- Shattered Amber (2012)
- Labyrinth (2012)
- Safe (2012)
- Marmalette (2013)
- Palatina (2013)
- The Godmother (2013)
- The Princess and Her Tale (2013)
- Stronger Than the Wind, Stronger Than the Sea (2013)
- Seaweed (2013)
- The Gifts: Part One (2013)
- The Gifts: Part Two (2013)
- The Gifts: Part Three (2013)
- An Assault of Color (2013)
- In the Greenwood (2013)
- The Dragon and the Bond (2013)
- Ink (2014)
- Toads (2014)
- Undone (2014)
- Coffin (2014)
- Death and Death Again (2014)
- Beans and Lies (2014)
- The Knot (2015)
- The Fox Bride (2015)
- Inhabiting Your Skin (2015)
- The Dollmaker's Rage (2015)
- Sometimes Heron (2015)
- The Petals (2015)
- Sea Dreams (2015)
- The Forge (2015)
- The Huntsmen (2016)
- Cat Play (2016)
- The Game (2016)
- My Own Damn Heaven (2016)
- Deathlight (2016)
- Mistletoe and Copper, Water and Herbs (2016)
- The Middle Child's Practical Guide to Surviving a Fairy Tale (2016)
- Coffee, Love and Leaves (2016)
- Dragonbone (2016)
- Nine Songs (2016)
- The Cat Signal (2016)
- Souls (2016)
- Hundreds (2016)
- The Lion (2017)
- We Need to Talk About the Unicorn in Your Back Yard (2017)
- The Witch in the Tower (2017)
- Stealing Tales (2017)
- Gingerbread Smoke (2017)
- You Will Never Know What Opens (2017)
- Pipers Piping (2017)
- Purchases (2018)
- Shadows and Bells (2018)
- The Sword (2018)
- Memories of Monsters (2018)
- The Ceremony (2018)
- Mercy (2018)
- Feather Ties (2019)
- The Girl and the House (2019)
- The Wolf (2019)
- Transformation, Afterwards (2019)
- Poetry
- Waiting (2008)
- Ino (2009)
- Dancing (2010)
- Sleep (2010)
- Quoth the Cultist (2010)
- Grandma and the Puka (2011)
- Nile Song (2011)
- Soul Streets (2011)
- Encantada (2011)
- Raven Singing (2011)
- Silence (2011)
- Petals (2011)
- Frenzy (2011)
- Cold Comfort (2011)
- Do Not Imagine (2011)
- Tongueless (2012)
- Laurels (2012)
- Moondance (2012)
- Sisters (2012)
- Gleaming (2013)
- Walking Home (2013)
- The Loss (2013)
- Feather (2014)
- The Restoration of Youth (2014)
- Bone Song (2014)
- Nausicca's Mother Explains It All (2014)
- The Silver Comb (2014)
- Demands (2014)
- After the Dance (2015)
- The Thirteenth Child (2015)
- After Midnight (2016)
- Ice (2016)
- The Study (2017)
- O Ippos (2017)
- Through Immortal Shadows Singing (2017)
- Hunter (2017)
- Expecting a Dinosaur (2018)
References
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