Revision as of 23:47, 25 April 2020 editHasteur (talk | contribs)31,857 edits Cleaning up submission (AFCH 0.9)← Previous edit | Latest revision as of 21:27, 3 April 2023 edit undoTom.Reding (talk | contribs)Autopatrolled, Extended confirmed users, Page movers, Template editors3,802,620 editsm +{{Authority control}} (9 IDs from Wikidata), WP:GenFixes onTag: AWB | ||
(17 intermediate revisions by 10 users not shown) | |||
Line 1: | Line 1: | ||
{{Short description|Serbian photojournalist}} | |||
{{AFC submission|||u=216.174.71.7|ns=118|ts=20200125162255}} <!-- Do not remove this line! --> | |||
] | |||
'''Rista Marjanović''' (], ], 1 March 1885 |
'''Rista Marjanović''' (], ], 1 March 1885 – ], ], 7 April 1969), the first Serbian photo-reporter, author of photographs from the ], ] and ]. | ||
==Biography== | ==Biography== | ||
He was the son of a prosperous grain merchant Dragojlo Marjanović, originally from ] in the ] municipality. He had an older brother, Dušan (1882-1958), a professor of mathematics, and a younger brother Kosta, a pharmacist.<ref>{{Cite web|url=http://www.politika.rs/sr/clanak/343520/Srbija/Dragojlovi-skolci-i-junaci|title=Dragojlovi školci i junaci|first=Miomir|last=Filipović|website=Politika Online}}</ref> | He was the son of a prosperous ] Dragojlo Marjanović, originally from ] in the ] municipality. He had an older brother, Dušan (1882-1958), a professor of mathematics, and a younger brother Kosta, a pharmacist.<ref>{{Cite web|url=http://www.politika.rs/sr/clanak/343520/Srbija/Dragojlovi-skolci-i-junaci|title=Dragojlovi školci i junaci|first=Miomir|last=Filipović|website=Politika Online}}</ref> | ||
In his native Šabac, he attended primary and secondary schools. He learned the art of photography at the ] from ] in Belgrade, |
In his native Šabac, he attended primary and secondary schools. He learned the art of photography at the ] from ] in Belgrade,<ref>{{Cite book|url=https://books.google.com/books?id=nA5IAQAAIAAJ&q=Rista+Marjanovi%C4%87:+biography|title=Encyclopédie Internationale Des Photographes de 1839 À Nos Jours|first1=Michèle|last1=Auer|first2=Michel|last2=Auer|date=January 1, 1985|publisher=Editions Camera obscura|isbn=9782903671068|via=Google Books}}</ref> where he also attended the Kiril Kutlik's Serbian School of Drawing and Painting. | ||
Prior to the First Balkan War of 1912, he worked as an illustrations editor at the European edition of the American ], based in ].<ref>http://www.kodkicosa.com/rista_marjanovic.htm</ref>He took a leave of absence from his job in order to return to Serbia and document the ].<ref>{{Cite |
Prior to the First Balkan War of 1912, he worked as an illustrations editor at the European edition of the American ], based in ].<ref>{{Cite web|url=http://www.kodkicosa.com/rista_marjanovic.htm|title=Rista Marjanović}}</ref> He took a leave of absence from his job in order to return to Serbia and document the ].<ref>{{Cite book|url=https://books.google.com/books?id=3knjAAAAMAAJ&q=Rista+Marjanovi%C4%87|title=Ратни албум Ристе Марјановића 1912-1915|first=Rista|last=Marjanović|date=January 25, 1987|publisher=Дечје нобине|isbn=9788636700785|via=Google Books}}</ref> During World War I, he recorded battles of ], ], and others, followed by the ] of the Serbian army through ]. In 1915, the Supreme Command sent him to ], where he published battlefield footage.<ref>{{Cite book|url=https://books.google.com/books?id=Fnx7DwAAQBAJ&q=%22Rista+Marjanovi%C4%87%22&pg=PA181|title=Photography and Cultural Heritage in the Age of Nationalisms: Europe's Eastern Borderlands (1867–1945)|first=Ewa|last=Manikowska|date=November 29, 2018|publisher=Bloomsbury Publishing|isbn=9781472585677|via=Google Books}}</ref> | ||
At the 1916 Paris War Photography Exhibition, he displayed his paintings, which were later shown in the ] and the ]. On the Thessaloniki Front, he was again tasked with recording and reporting from the battlefield. | At the 1916 Paris War Photography Exhibition, he displayed his paintings, which were later shown in the ] and the ]. On the Thessaloniki Front, he was again tasked with recording and reporting from the battlefield. | ||
Line 20: | Line 20: | ||
== References == | == References == | ||
{{Reflist}} | |||
<!-- Inline citations added to your article will automatically display here. See en.wikipedia.org/WP:REFB for instructions on how to add citations. --> | |||
{{reflist}} | |||
{{Authority control}} | |||
{{DEFAULTSORT:Marjanović, Rista}} | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] | |||
] |
Latest revision as of 21:27, 3 April 2023
Serbian photojournalistRista Marjanović (Šabac, Kingdom of Serbia, 1 March 1885 – Belgrade, Yugoslavia, 7 April 1969), the first Serbian photo-reporter, author of photographs from the Balkan Wars, World War I and World War II.
Biography
He was the son of a prosperous grain merchant Dragojlo Marjanović, originally from Radenković in the Sremska Mitrovica municipality. He had an older brother, Dušan (1882-1958), a professor of mathematics, and a younger brother Kosta, a pharmacist.
In his native Šabac, he attended primary and secondary schools. He learned the art of photography at the Photographic Studio of Milan Jovanović from Milan Jovanović in Belgrade, where he also attended the Kiril Kutlik's Serbian School of Drawing and Painting.
Prior to the First Balkan War of 1912, he worked as an illustrations editor at the European edition of the American New York Herald, based in Paris. He took a leave of absence from his job in order to return to Serbia and document the First Balkan War. During World War I, he recorded battles of Cer, Kolubara, and others, followed by the great retreat of the Serbian army through Albania. In 1915, the Supreme Command sent him to France, where he published battlefield footage. At the 1916 Paris War Photography Exhibition, he displayed his paintings, which were later shown in the United Kingdom and the United States. On the Thessaloniki Front, he was again tasked with recording and reporting from the battlefield.
After World War I, he was employed by Avala news agency, the central press bureau, and the foreign affairs press department.
In 1941, he refused to cooperate with the Germans and continued to record on film in secret. In October 1944, he recorded the entry of the Red Army and the partisans in Belgrade, marking the end of the Kingdom of Yugoslavia and free elections.
After World War II he worked at the Tanjug news agency.
In 2019, a documentary was made about him: Rado ide Srbin u vojnike (Gladly a Serb goes soldiering).
References
- Filipović, Miomir. "Dragojlovi školci i junaci". Politika Online.
- Auer, Michèle; Auer, Michel (January 1, 1985). Encyclopédie Internationale Des Photographes de 1839 À Nos Jours. Editions Camera obscura. ISBN 9782903671068 – via Google Books.
- "Rista Marjanović".
- Marjanović, Rista (January 25, 1987). Ратни албум Ристе Марјановића 1912-1915. Дечје нобине. ISBN 9788636700785 – via Google Books.
- Manikowska, Ewa (November 29, 2018). Photography and Cultural Heritage in the Age of Nationalisms: Europe's Eastern Borderlands (1867–1945). Bloomsbury Publishing. ISBN 9781472585677 – via Google Books.
- "Belgrade in Photos by Rista Marjanović 1941–1945 - Belgrade City Museum". www.mgb.org.rs.
- "Документарац о Ристи Марјановићу, фотографу српске војске у Великом рату". Politika Online.