Greek hip-hop: Difference between revisions

Browse history interactively ← Previous edit Next edit →Content deleted Content addedVisual WikitextInline

Revision as of 06:35, 16 January 2021 editClueBot NG (talk \| contribs)Bots, Pending changes reviewers, Rollbackers6,438,354 editsm Reverting possible vandalism by 213.127.78.88 to version by Ira Leviton. Report False Positive? Thanks, ClueBot NG. (3868567) (Bot)Tags: Rollback Reverted← Previous edit		Revision as of 06:36, 16 January 2021 edit undo213.127.78.88 (talk) →History Tag: Manual revert Next edit →
Line 14:		Line 14:
	] came to Greece in 1997 with the group ] (Ζωντανοί Νεκροί; ''Living Dead''). In 1999 the group Paremvoles (Παρεμβολές) released the first ] CD named ''En Opsi'' (Εν όψει; ''In consideration of''). In 2000 the group Alfa Gama (Άλφα Γάμα ) continued with the CD named ''Agnostofovia'' (Αγνωστοφοβία; ''Fear of the unknown''). ] and Goin' Through made Greek hip-hop famous in the mainstream Greek audience. Goin' Through changed their way of music from hip hop to a kind of ] or ]. The political issues and the society also invaded to this type of music. Terror X Crew introduced a new style of rapping with their CD's "I Polis Ealo" (1997) and "Essetai Imar" (2001). These albums are ethnocentric and for the first time ] is involved to the hip-hop music. For this, the then president of the ], ] awards them as "they try to wake up the Greek nation".		] came to Greece in 1997 with the group ] (Ζωντανοί Νεκροί; ''Living Dead''). In 1999 the group Paremvoles (Παρεμβολές) released the first ] CD named ''En Opsi'' (Εν όψει; ''In consideration of''). In 2000 the group Alfa Gama (Άλφα Γάμα ) continued with the CD named ''Agnostofovia'' (Αγνωστοφοβία; ''Fear of the unknown''). ] and Goin' Through made Greek hip-hop famous in the mainstream Greek audience. Goin' Through changed their way of music from hip hop to a kind of ] or ]. The political issues and the society also invaded to this type of music. Terror X Crew introduced a new style of rapping with their CD's "I Polis Ealo" (1997) and "Essetai Imar" (2001). These albums are ethnocentric and for the first time ] is involved to the hip-hop music. For this, the then president of the ], ] awards them as "they try to wake up the Greek nation".

	Nowadays Greek hip hop covers a broad spectrum, all the way from hardcore hip hop to ], and has managed to transform from an underground musical genre to one that tops the charts in Greece. Some of the artists that top the charts are ], LEX, Midenistis, Ipohthonios, Kanon, Thitis, Phyrosun, N.O.E and Joker/Two Face, Mikros Kleftis, Thodoris Cortes, Zoro&Buzz, Rationalistas, Bong Da City, Vita Pis, Thanasimos, FullFace, Pansel.		Nowadays Greek hip hop covers a broad spectrum, all the way from hardcore hip hop to ], and has managed to transform from an underground musical genre to one that tops the charts in Greece. Some of the artists that top the charts are ], LEX, Midenistis, Ipohthonios, Kanon, Thitis, Phyrosun, N.O.E and Joker/Two Face, Mikros Kleftis, Thodoris Cortes, Zoro&Buzz, Rationalistas, Bong Da City, Mr.YO, Vita Pis, Thanasimos, FullFace, Pansel.

	==References==		==References==

Revision as of 06:36, 16 January 2021

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)

This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Greek hip-hop" – news · newspapers · books · scholar · JSTOR (May 2009) (Learn how and when to remove this message)

This article possibly contains original research. Please improve it by verifying the claims made and adding inline citations. Statements consisting only of original research should be removed. (May 2016) (Learn how and when to remove this message)

You can help expand this article with text translated from the corresponding article in Greek. (July 2020) Click for important translation instructions.

Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Misplaced Pages.
Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Greek Misplaced Pages article at ]; see its history for attribution.
You may also add the template {{Translated|el|Ελληνικό hip hop}} to the talk page.
For more guidance, see Misplaced Pages:Translation.

(Learn how and when to remove this message)

Music of Greece

General topics

Genres

Specific forms

Media and performance

Music awards
Arion Awards MAD Video Music Awards
Music charts
Greek Albums Chart Foreign Albums Chart Singles Chart
Music festivals
Athens Festival Epidaurus Festival Olympus Festival Thessaloniki Song Festival
Music media
MAD TV (MAD World) MTV Greece

Nationalistic and patriotic songs

National anthem
"Hymn to Liberty"

Regional music

Related areas
Macedonia Peloponnese Thessaly
Other regions
Aegean Islands Crete Cyprus, Epirus (polyphonic song) Ionian Islands Thrace

Greek hip hop (Template:Lang-el, pronounced [eliniˈko hip hop]), is the chief genre of rap music in Greece.

History

The earliest indications of the localized genre date back to 1987 the Maxi-single Deejays's with the group FF.C, though native language albums did not appear until the mid-1990s. The first hip hop album was Diamartiria (protest) in 1993 of Active Member along with "Σκληροί καιροί" by FF.C though many can argue that the album Modern Fears "Η Αναμέτρηση" (circa 1992) by Aris Thomas was the first hip hop influenced record in Greece. Then FF.C followed with Σημεία των καιρών, and TXC (now Artemis/Efthimis) with their single Terror X Crew in 1995.

Gangsta rap came to Greece in 1997 with the group Zontani Nekri (Ζωντανοί Νεκροί; Living Dead). In 1999 the group Paremvoles (Παρεμβολές) released the first hardcore CD named En Opsi (Εν όψει; In consideration of). In 2000 the group Alfa Gama (Άλφα Γάμα ) continued with the CD named Agnostofovia (Αγνωστοφοβία; Fear of the unknown). Imiskoumbria and Goin' Through made Greek hip-hop famous in the mainstream Greek audience. Goin' Through changed their way of music from hip hop to a kind of R&B or Pop music. The political issues and the society also invaded to this type of music. Terror X Crew introduced a new style of rapping with their CD's "I Polis Ealo" (1997) and "Essetai Imar" (2001). These albums are ethnocentric and for the first time Greek nationalism is involved to the hip-hop music. For this, the then president of the Hellenic Front, Makis Voridis awards them as "they try to wake up the Greek nation".

Nowadays Greek hip hop covers a broad spectrum, all the way from hardcore hip hop to urban pop, and has managed to transform from an underground musical genre to one that tops the charts in Greece. Some of the artists that top the charts are Taki Tsan, LEX, Midenistis, Ipohthonios, Kanon, Thitis, Phyrosun, N.O.E and Joker/Two Face, Mikros Kleftis, Thodoris Cortes, Zoro&Buzz, Rationalistas, Bong Da City, Mr.YO, Vita Pis, Thanasimos, FullFace, Pansel.

References

Hip-hop

Culture

History

Subgenres

General	Alternative Hipster hop Boom bap Bounce British Road rap Chipmunk soul Chopped and screwed Chopper Cloud rap Comedy Crunk Crunkcore East Coast Freestyle rap Hyphy Jerkin' Instrumental Latin Chicano rap Lofi Miami bass Mumble rap Nerdcore Chap hop Political Conscious Progressive rap Religious Christian Jewish Snap music Southern Turntablism Underground
Hardcore	Dirty rap Gangsta rap Mafioso rap G-funk Horrorcore Memphis rap
Trap music	Afro trap Drill Brooklyn drill Jersey drill Sample drill UK drill Latin trap Phonk Plugg Rage Tread UK trap

Fusion genres

General	Country rap Electro Emo rap Hip-hop soul Hip house Industrial Jazz rap New jack swing Pop rap Psychedelic rap Punk rap Ragga Rap opera Rap rock Trip hop
Rap metal	Trap metal Nu metal
Regional	Afroswing Bongo Flava Boomba music Cumbia rap Genge Hip-hop galsen Hipco Hiplife Igbo rap Kwaito Low bap Motswako Nā mele paleoleo Nuyorican rap Romani hip-hop Songo-salsa Scam rap Stronda Urban Pasifika Vigilante rap Zenji flava

Derivatives

Electronic	Breakbeat Baltimore club Florida breaks Ghetto house Ghettotech Glitch hop Grime Illbient Freestyle Wonky
Other	Funk carioca Reggaeton Alternative reggaeton

Regional scenes

African	Algerian Angolan Beninese Botswana Gambian Ghanaian Ivorian Kenyan Malawian Mauritian Moroccan Namibian Nigerian Port Harcourt Nigerien Senegalese South African Tanzanian Togolese Zambian Zimbabwean
Asian	Armenian Azerbaijani Bangladeshi Burmese Chinese Indian Desi Indonesian Japanese Korean Malaysian Mongolian Nepalese Pakistani Philippine Singapore Sri Lankan Taiwanese Thai
European	Albanian Austrian Belgian Bosnian and Herzegovinian British Celtic Scottish Bulgarian Croatian Czech Dutch Finnish French German Greek Portuguese Hungarian Icelandic Irish Italian Macedonian Montenegrin Norwegian Polish Romanian Romani Russian Serbian Slovak Slovenian Spanish Swedish Swiss Ukrainian
Middle Eastern	Arabic Egyptian Iranian Israeli Lebanese Palestinian Saudi Arabian Tunisian Turkish Yemeni
North American	United States: East Coast Baltimore New Jersey New York City Philadelphia Washington, D.C. Midwestern Chicago Detroit Minneapolis/St. Paul Milwaukee Omaha Southern Atlanta Memphis Miami West Coast Northwest Alaska Asian American Latin Native American Outside the US: Canadian Cuban Dominican Haitian Mexican Salvadoran
Oceanian	Australian New Zealand Samoan
South American	Brazilian Brasília Chilean Colombian