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==Analysis and criticism== | ==Analysis and criticism== | ||
REALITY HAS BECOME A COMMODITY | |||
Part of reality television's appeal is due to its ability to place ordinary people in extraordinary situations. For example, on the ABC show, '']'', an eligible male dates a dozen women simultaneously, traveling on extraordinary dates to scenic locales. Reality television also has the potential to turn its participants into national celebrities, outwardly in talent and performance programs such as ''Pop Idol'', though frequently ''Survivor'' and ''Big Brother'' participants also reach some degree of celebrity. | |||
===Is "reality" a misnomer?=== | ===Is "reality" a misnomer?=== | ||
REALITY HAS BECOME A COMMODITY | |||
Some commentators have said that the name "reality television" is an inaccurate description for several styles of program included in the genre. In competition-based programs such as ''Big Brother'' and ''Survivor'', and other special-living-environment shows like ''The Real World'', the producers design the format of the show and control the day-to-day activities and the environment, creating a completely fabricated world in which the competition plays out. Producers specifically select the participants, and use carefully designed scenarios, challenges, events, and settings to encourage particular behaviors and conflicts. ], creator of ''Survivor'' and other reality shows, has agreed with this assessment, and avoids the word "reality" to describe his shows; he has said, "I tell good stories. It really is not reality TV. It really is unscripted drama." | |||
Even in docusoap series following people in their daily life, producers may be highly deliberate in their editing strategies, able to portray certain participants as heroes or villains, and may guide the drama through altered chronology and selective presentation of events. Some participants have stated afterwards that they altered their behavior to appear more crazy or emotional in order to get more camera time. | |||
Several former reality show participants have spoken publicly about their experiences and the strategies used on reality shows. ] from '']'' has done public speaking tours about the negative and misleading aspects of reality TV. In 2004, ] aired a program called ''"Reality TV Secrets Revealed"'' that detailed various misleading tricks of reality TV producers. It was revealed that programs '']'' and '']'' had at times recreated incidents that had actually occurred but were not properly recorded by cameras to the required technical standard, or had not been recorded at all. In order to get the footage, the event was restaged for the cameras. Other shows (most notably '']'') combined audio and video from different times, or different sets of footage, to make it look like participants were doing something they were not. | |||
Some shows have faced speculation that the participants themselves are involved in fakery, acting out storylines that were planned in advance by producers. The show '']'' is one notable example; one TV critic wrote that the show's "situations and dialogue come straight from a page." On the show '']'', it has been speculated that the customers eating meals prepared by the contestants are in fact paid actors. Nevertheless, there has been no direct evidence presented yet that any such program has been scripted or "rigged," as with the 1950s television ]. | |||
===Political impact=== | ===Political impact=== | ||
REALITY HAS BECOME A COMMODITY===Other=== | |||
Reality television's global success has been, in the eyes of some analysts, an important political phenomenon. In some ] countries, reality television voting represents the first time many citizens have voted in any free and fair wide-scale elections. In addition, the frankness of the settings on some reality shows present situations that were formerly taboo in certain orthodox cultures, like the ] version of '']'', which shows men and women living together. Matt Labash of '']'', noting both of these issues, wrote that "the best hope of little Americas developing in the Middle East could be Arab-produced reality TV." Similarly, in ], after the finale of the 2005 season of '']'' (the local version of '']'') drew an audience of around 400 million people, and 8 million ] votes, the state-run English-language newspaper '']'' ran the front-page headline "Is Super Girl a Force for Democracy?" The government has threatened to censor the show, citing both its democratic nature and its excessive vulgarity, or "worldliness". . | |||
REALITY HAS BECOME A COMMODITY | |||
===Other=== | |||
In Australia, following an ] shown live on the web streamed version of '']'', there was a political and media backlash that prompted the Australian Government to commission a report on the incident. | |||
==Popularity and ratings== | ==Popularity and ratings== |
Revision as of 05:02, 30 January 2007
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Reality television is a genre of television programming which presents supposedly unscripted dramatic or humorous situations, documents actual events, and features ordinary people instead of professional actors. Although the genre has existed in some form or another since the early years of television, the current explosion of popularity dates from around 2000. Documentaries, and nonfictional programming such as the news and sports shows are usually not classified as reality shows.
Many of the older secret-based shows, which derived much of their entertainment value from debate over how real they were or what the trick was, have been demystified. For instance, numerous magic tricks have been exposed. Professional Wrestling has left the kayfabe era, and the majority of Harlem Globetrotter games are known fakes . Reality television serves as a replacement in many ways to those types of entertainment.
Reality television covers a wide range of television programming formats, from game or quiz shows which resemble the frantic, often demeaning shows produced in Japan in the 1980s and 1990s (a modern example is Gaki no tsukai), to surveillance- or voyeurism-focused productions such as Big Brother.
Critics say that the term "reality television" is somewhat of a misnomer. Such shows frequently portray a modified and highly influenced form of reality, with participants put in exotic locations or abnormal situations, sometimes coached to act in certain ways by off-screen handlers, and with events on screen manipulated through editing and other post-production techniques.
Origins of reality television
the Colbert report is the only TV show to watch REALITY HAS BECOME A COMMODITY
Types of reality TV
There are a number of sub-categories of reality television.
REALITY HAS BECOME A COMMODITY
REALITY HAS BECOME A COMMODITY
Self-improvement/makeover
REALITY HAS BECOME A COMMODITY
Dating shows
Some shows, such as Blind Date, show people going out on dates with no element of competition. Antecedents may be found in The Dating Game from the 1960s.
Talk shows
REALITY HAS BECOME A COMMODITY
Hidden cameras
Another type of reality programming features hidden cameras rolling when random passersby encounter a staged situation. Candid Camera, which first aired on television in 1948, pioneered the format. Modern variants of this type of production include Just Kidding!, Punk'd and Trigger Happy TV. The series Scare Tactics is another recent program in which the goal is to frighten contestants rather than just befuddle or amuse them.
Hoaxes
REALITY HAS BECOME A COMMODITY
Analysis and criticism
REALITY HAS BECOME A COMMODITY
Is "reality" a misnomer?
REALITY HAS BECOME A COMMODITY
Political impact
REALITY HAS BECOME A COMMODITY===Other=== REALITY HAS BECOME A COMMODITY
Popularity and ratings
Network executives have expressed concern in the media that reality-television programming is limited in its appeal for DVD reissue and syndication, although it remains lucrative for short-term profits. This concern has been shown to be misguided as DVDs for reality shows have sold briskly. Laguna Beach: The Real Orange County, The Amazing Race, Project Runway and America's Next Top Model have all ranked in the top DVDs sold on Amazon.com. DVDs of The Simple Life have outranked scripted shows like The O.C. and Desperate Housewives. Additionally, many reality shows have been successfully syndicated, including (among others) The Amazing Race, America's Next Top Model, The Real World and, beginning in September 2006, American Idol Rewind. Moreover, COPS has had huge success in syndication, direct response sales and DVD. A FOX staple since 1989, "COPS" is currently (2006) in its 19th season, having well outlasted scripted police shows like NYPD Blue and Hill Street Blues.
In late 2004-early 2005, the genre's popularity seemed to be waning in America, with long-running reality shows such as The Apprentice scoring lower-than-expected ratings. The Will became one of a handful of series in television history to be cancelled after only one broadcast. However, this may have been only a temporary blip in the genre's popularity: the finale of VH1's Flavor of Love drew 6 million viewers in 2006, making it the highest-rated show in the history of that network. Similarly, UPN's number one-rated show in 2006 was the reality show America's Next Top Model. And in March 2006, a fifth-season episode of American Idol drew some of the show's best ratings yet, overshadowing even important events such as the 2006 Winter Olympics, NBA Playoffs, March Madness, and the 2006 Stanley Cup Playoffs.
Currently there are at least two television channels devoted exclusively to reality television: Fox Reality in the United States, and Zone Reality in the UK.
Predictors in popular culture
A number of works beginning in the 1940s anticipated elements of reality television that would later appear. These harbingers tended to be set in a dystopian future, with subjects being recorded against their will, and they often involved violence.
- Nineteen Eighty-Four (1949), a book by George Orwell, depicted a world in which two-way television screens are fitted in every room, so that people's actions are monitored at all times. (The all-seeing authority figure in the book, "Big Brother", inspired the name of the pioneering reality series Big Brother.)
- Survivor (1965), a science fiction story by Walter F. Moudy, depicted the 2050 Olympic War Games between Russia and the United States. The games are fought to show the world the futility of war and thus deter further conflict. Each side has one hundred soldiers who fight with rifles, mortars and machine guns in a large natural arena. The goal is for one side to wipe out the other; the few who survive the battle become heroes and win 100 billion dollars in "reparations" for their country. The games are televised, complete with color commentary discussing the tactics, the soldiers' personal backgrounds, and slow-motion replays of their deaths.
- "The Prize of Peril" (1958) was a short story by science-fiction author Robert Sheckley about a television show in which a contestant volunteers to be hunted for a week by trained killers, with a large cash prize if he survives. It was adapted in 1970 as the German TV movie Das Millionenspiel , and again in 1983 as the French movie Le Prix du Danger.
- Bread and Circuses (1968) was an episode of the TV show Star Trek in which the crew visits a planet resembling the Roman Empire, but with 20th century technology. The planet's "Empire TV" features regular gladiatorial games, with the announcer urging viewers at home to vote for their favorites, stating, "This is your program. You pick the winner." The show included several jabs at real-world television, such as a praetorian threatening, "You bring this network's ratings down, Flavius, and we'll do a special on you!"
- The Year of the Sex Olympics (1968) was a BBC television play in which a dissident in a dictatorship is forced onto a secluded island and taped for a reality show in order to keep the masses entertained.
- The Continuous Katherine Mortenhoe (1974), a novel by D.G. Compton (also published as The Unsleeping Eye), was about a woman dying of cancer whose last days are recorded without her knowledge for a television show. It was later adapted as the 1980 French movie "La Mort en Direct" (released in the USA as "Deathwatch").
- Network (1976) was a film predictive of a number of trends in broadcast television, including reality programming. One subplot featured network executives negotiating with an urban terrorist group for the production of a weekly series, each episode of which was to feature an act of terrorism.
- Shock Treatment (1981), the sequel to The Rocky Horror Picture Show, places the action in a town that has been entirely transformed into a TV studio.
- The Running Man (1982) was a book by Stephen King depicting a game show in which a contestant flees around the world from "hunters" trying to chase him down and kill him; it has been speculated that the book was inspired by Robert Sheckley's The Prize of Peril. The book was loosely adapted as a 1987 movie of the same name (see entry for both). The movie removed most of the reality-TV element of the book: its competition now took place entirely within a large TV studio, and more closely resembled an athletic competition (though a deadly one).
- Vengeance on Varos (1985) was an episode of the TV show Doctor Who in which the population of a planet watches the torture and executions of those who oppose the government on live television. The planet's political system is based on the leaders themselves facing disintegration if the population votes 'no' to their propositions. This episode is often credited as the origins of "voting someone off".
Pop culture references
Some scripted works have used reality television as a plot device:
- Real Life (1979) is a comedic film about the creation of a show similar to An American Family gone horribly wrong.
- Louis the 19th, King of the Airwaves (1994) is a Quebecois film about a man who signs up to star in a 24-hour-a-day reality TV show. It was later remade as Edtv (1999).
- The Truman Show (1998) is a film about a man who discovers that his entire life is being staged and filmed for a 24-hour-a-day reality TV show.
- Series 7: The Contenders (2001) is a film about a reality show in which contestants have to kill each other to win.
- Tomb of the Werewolf (2004) is a film about a man searching for treasure while being followed by a reality show film crew, but he encounters a werewolf and a vampire instead.
- Bad Wolf (2005) is an episode of the TV show Doctor Who in which the characters find themselves trapped in various real-life reality television shows.
- The Comeback (2005) satirizes the indignity of reality TV by presenting itself as "raw footage" of a new reality show documenting the attempted comeback of has-been star Valerie Cherish.
- American Dreamz (2006) is a film set partially on an American Idol-like show.
In addition, a number of scripted television shows have taken the form of documentary-type reality TV shows, in "mockumentary" style. The first such show was the BBC series Operation Good Guys, which premiered in 1997. Other examples include People Like Us, Trailer Park Boys, The Office, Drawn Together and Reno 911!.
Hypodermic Syringe Theory
The Hypodermic Syringe Theory is influences on a particular audience (mainly young children) and then go out and use those influences in real life. The media uses this through reality TV in the sense that children will watch a programme such as "power rangers" and go out into the real world and perform such actions (attempting martial arts, in this instance). There have been many debates over the years on this theory yet little has been done about it.
Reality films
Several reality-TV-style films have been produced; these films differ from conventional documentaries in that they create new, sometimes artificial, situations instead of simply trying to document life as it is. Allen Funt, a pioneer in conventional reality television with Candid Camera, was also a pioneer in the "reality film" genre with the hidden camera movie What Do You Say to a Naked Lady? in 1970. The TV show Jackass spawned two films: Jackass: The Movie in 2001 and Jackass: Number Two in 2006. A similar Finnish show, Extreme Duudsonit, was adapted for the film The Dudesons Movie in 2006. The producers of The Real World created The Real Cancun in 2003. Games People Play: New York was released in 2004; it was possibly the first reality-TV-style film without a basis in a television series.
See also
Further reading
- How To Create A Reality Show
- Hill, Annette (2005). Reality TV: Audiences and Popular Factual Television. Routledge. ISBN 0-415-26152-X.
- Murray, Susan, and Laurie Ouellette, eds. (2004). Reality TV: Remaking Television Culture. New York University Press. ISBN 0-8147-5688-3
- Nichols, Bill (1994). Blurred Boundaries: Questions of Meaning in Contemporary Culture. Indiana University Press. ISBN 0-253-34064-0.
- Godard, Ellis (2004). "Reel Life: The Social Geometry of Reality Shows". pages 73-96 in Survivor Lessons, edited by Matthew J. Smith and Andrew F. Wood. Jefferson, N.C.: McFarland & Company, Inc.
- Lord of the fly-on-the-walls - Observer article: Paul Watson's UK & Australian docusoaps
- Big Brother - Why Bother? - Graham Barnfield's Spiked commentary
- Zeven werklozen samen op zoek naar een baan by Raymond van den Boogaard, NRC Handelsblad, September 28, 1996 (Dutch) - about Nummer 28 being the inspiration for The Real World
External links
- Pitch A Reality TV Show Idea To Producers
- Reality TV Forum - Free friendly forum for members to discuss the shows.
- Reality TV casting tips - an article with interviews from reality TV casting directors about how to audition for a reality TV show.
- Unreality TV - UK reality TV site - news, gossip and community
- Reality TV Magazine - Blog focusing exclusively on American reality TV shows and stars
- Reality Blurred: the reality TV news digest - Daily summaries of American reality TV news and gossip
- Television Without Pity - Recaps of many American reality TV shows
- RealityBlogs.com - A blog about watching reality TV; perspective on what's real and what's "reality"