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	A '''multimedia franchise''' (or a '''transmedia franchise''') is a ] for which installments exist in multiple forms of ], such as ]s, ]s, ], ], ] and ]s. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through ]s, with respect to ] in the franchise's characters and settings,<ref>See, e.g., Barry Langford, ''Post-classical Hollywood: Film Industry, Style and Ideology Since 1945'', p. 207, {{ISBN\|074863858X}}: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".</ref> although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.<ref name="Brown">Harry J. Brown, ''Videogames and Education'' (2008), p. 41, {{ISBN\|0765629496}}:		A '''multimedia franchise''' (or a '''transmedia franchise''') is a ] for which installments exist in multiple forms of ], such as ]s, ]s, ], ], ] and ]s. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through ]s, with respect to ] in the franchise's characters and settings,<ref>See, e.g., Barry Langford, ''Post-classical Hollywood: Film Industry, Style and Ideology Since 1945'', p. 207, {{ISBN\|074863858X}}: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".</ref> although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.<ref name="Brown">Harry J. Brown, ''Videogames and Education'' (2008), p. 41, {{ISBN\|0765629496}}:

Revision as of 04:35, 19 June 2022

A multimedia franchise (or a transmedia franchise) is a media franchise for which installments exist in multiple forms of media, such as books, comics, films, television series, animated series and video games. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through licensing agreements, with respect to intellectual property in the franchise's characters and settings, although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.

In order to qualify for these lists, a franchise must have works in at least three forms of media, and must have two or more separate works in at least two of those forms of media (a television series or comic book series is considered a single work for purposes of this list; multiple spin-off series or reboots of a previously ended series are considered multiple works). For example, a television series that spawned one film and one novelization would not qualify; a television series that had a spin-off series, or was remade as a new series, and which spawned two films and one novelization does qualify. These lists do not include public domain works from which adaptations have been made in multiple media, but which do not involve licensing or other means by which an author or owner controls the franchise. A franchise may be included if it obtained multimedia franchise status prior to works within the collection entering the public domain.

Following are lists of multimedia franchises, divided by media characteristics:

List of multimedia franchises originating in print, including literary works, comics, and printed cartoons
List of multimedia franchises originating in television series, both animated and live-action
List of multimedia franchises originating in films, both animated and live-action
List of multimedia franchises originating in games, toys, and merchandise

References

See, e.g., Barry Langford, Post-classical Hollywood: Film Industry, Style and Ideology Since 1945, p. 207, ISBN 074863858X: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".
Harry J. Brown, Videogames and Education (2008), p. 41, ISBN 0765629496:
In one of the most celebrated ventures in media convergence, Larry and Andy Wachowski, creators of The Matrix trilogy, produced the game Enter the Matrix (2003) simultaneously with the last two films of the trilogy, shooting scenes for the game on the movie's sets with the movie s actors, and releasing the game on the same day as The Matrix: Reloaded. Likewise, on September 21, 2004, Lucasfilm jointly released a new DVD box set of the original Star Wars trilogy with Star Wars: Battlefront, a combat game in which players can reenact battles from all six Star Wars films. In 2005, Peter Jackson likewise produced his blockbuster film King Kong (2005) in tandem with a successful King Kong game designed by Michael Ancel and published by Ubisoft. In the last several years, numerous licensed videogame adaptations of major summer and holiday blockbusters were released a few days before or a few days after their respective films, including: all three Star Wars films (1999–2005); all five Harry Potter films (2001–2008); all three Spider-Man films (2002–2007); Hulk (2002); The Lord of the Rings: The Two Towers (2002); The Lord of the Rings: The Return of the King (2003); The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe (2005); Pirates of the Caribbean: Dead Man's Chest (2006); Pirates of the Caribbean: At World's End (2007); and Transformers (2007). These multimedia franchises have made it more difficult to distinguish the production of films and videogames as separate enterprises.

v t e Media franchises
Media series	Animated series anime series Book series Comic book series manga series Film franchise Film series Media mix Radio program Streaming television Television show Video game franchise Web series
Media lists	Multimedia franchises print television series films games, toys, and merchandise Animated series anime direct-to-video films Internet television Comic book series manga Film series Television shows most watched Video game franchises Web series
Highest-grossing	Media franchises Film series
Best-selling	Comic book series manga series Video game franchises
Category

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Revision as of 04:35, 19 June 2022 editBD2412 (talk \| contribs)Autopatrolled, IP block exemptions, Administrators2,450,133 editsm Protected "Lists of multimedia franchises": Persistent vandalism ( (expires 04:35, 19 August 2022 (UTC)))Tag: Twinkle ← Previous edit		Revision as of 04:35, 19 June 2022 edit undoBD2412 (talk \| contribs)Autopatrolled, IP block exemptions, Administrators2,450,133 edits Adding {{pp-vandalism}}Tag: Twinkle Next edit →
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	{{Short description\|None}}		{{Short description\|None}}
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	A '''multimedia franchise''' (or a '''transmedia franchise''') is a ] for which installments exist in multiple forms of ], such as ]s, ]s, ], ], ] and ]s. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through ]s, with respect to ] in the franchise's characters and settings,<ref>See, e.g., Barry Langford, ''Post-classical Hollywood: Film Industry, Style and Ideology Since 1945'', p. 207, {{ISBN\|074863858X}}: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".</ref> although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.<ref name="Brown">Harry J. Brown, ''Videogames and Education'' (2008), p. 41, {{ISBN\|0765629496}}:		A '''multimedia franchise''' (or a '''transmedia franchise''') is a ] for which installments exist in multiple forms of ], such as ]s, ]s, ], ], ] and ]s. Multimedia franchises usually develop due to the popularization of an original creative work, and then its expansion to other media through ]s, with respect to ] in the franchise's characters and settings,<ref>See, e.g., Barry Langford, ''Post-classical Hollywood: Film Industry, Style and Ideology Since 1945'', p. 207, {{ISBN\|074863858X}}: "For the studios, a home-run is a film from which a multimedia 'franchise' can be generated; the colossally expensive creation of cross-media conglomerates predicated on synergistic rewards provides an obvious imperative to develop such products".</ref> although the trend later developed wherein franchises would be launched in multiple forms of media simultaneously.<ref name="Brown">Harry J. Brown, ''Videogames and Education'' (2008), p. 41, {{ISBN\|0765629496}}:

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