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Cube
Theatrical release poster
Directed by	Vincenzo Natali
Written by	André Bijelic Graeme Manson Vincenzo Natali
Produced by	Mehra Meh Betty Orr
Starring	Nicole de Boer Nicky Guadagni David Hewlett Andrew Miller Julian Richings Wayne Robson Maurice Dean Wint
Cinematography	Derek Rogers
Edited by	John Sanders
Music by	Mark Korven
Production company	Cube Libre
Distributed by	Cineplex Odeon Films Trimark Pictures
Release dates	9 September 1997 (1997-09-09) (Toronto International Film Festival) 11 September 1998 (1998-09-11) (United States)
Running time	90 minutes
Country	Canada
Language	English
Budget	$350,000
Box office	$9 million

Cube is a 1997 Canadian independent science fiction horror film directed and co-written by Vincenzo Natali. A product of the Canadian Film Centre's First Feature Project, Nicole de Boer, Nicky Guadagni, David Hewlett, Andrew Miller, Julian Richings, Wayne Robson and Maurice Dean Wint star as individuals trapped in a bizarre and deadly labyrinth of cube-shaped rooms.

Cube has gained notoriety and a cult following, for its surreal atmosphere and Kafkaesque setting and concept of industrial, cube-shaped rooms. The film received generally positive reviews and led to a series of films. An American remake, currently on hold, is in development at Lionsgate, and a Japanese remake was released in 2021.

Plot

In a pre-credits sequence, a man (Alderson) dies in a gory manner in a cube-shaped room.

Five desperate people – Quentin, Worth, Holloway, Leaven, and Rennes – meet in another identical room. None of them knows how or why they have arrived. Quentin, who had been exploring, warns everyone that some rooms contain traps. Rennes, a convict who has escaped seven prisons, assumes the traps are triggered by motion detectors. He tests each room by throwing one of his boots first. The maze is beset by frequent tremors. Leaven notices numbers inscribed into the narrow passageways between rooms. Rennes enters a room that he thinks to be safe and is killed when he is sprayed in the face with acid. This indicates that each trap is triggered by different sensors.

Quentin believes each person was chosen to be there. He is a divorced police officer, Leaven is a young mathematics student, and Holloway is a free clinic doctor. Worth cagily describes himself as an office worker. Leaven hypothesizes that any room marked with a prime number is a trap, and they find an intellectually disabled man named Kazan, whom Holloway insists they bring along. Quentin injures his leg in a trapped room deemed safe by Leaven's calculations. Tensions rise over personal conflicts and the mystery over the maze's purpose. After being provoked by Quentin, Worth admits that he designed the maze's outer shell (also shaped like a cube) for a shadowy and uncaring bureaucracy. He guesses that its original purpose has been forgotten; they have been imprisoned within the maze simply to put it to use.

Worth's knowledge of the outer shell's dimensions allows Leaven to determine that each side of the Cube is 26 rooms across, making 17,576 rooms in total. She realizes that the numbers indicate the Cartesian coordinates of each room. The group moves toward the nearest edge as determined by her theory, but each of the rooms near the outer wall is trapped. Rather than backtrack, they travel silently through a room with a sound-activated trap. After Kazan makes a sound and nearly causes Quentin's death, Quentin threatens Kazan and clashes with Holloway, who defends Kazan and insinuates that Quentin may have been an abusive husband who likes young girls.

When the group reaches the edge, they find a bottomless abyss separating the maze from the outer shell. Holloway volunteers to scout the gap using a rope made out of the group's clothes. Holloway tries to swing towards the outer wall, but another tremor causes the group to lose grip of the rope. Quentin grabs hold of Holloway, but then she falls to her death when Quentin decides to let go of her.

Quentin has become more and more unhinged; he attempts to persuade Leaven to join him in abandoning the others and makes a sexual advance on her. She rejects him. Worth intervenes. Quentin beats him savagely and drops him into another room through a floor hatch. There, the group finds Rennes' corpse: they've wandered in circles. Worth then realizes that the rooms move places throughout the Cube, which is the cause of all the tremors. Leaven also deduces that traps are not tagged by prime numbers, but by powers of prime numbers, and Kazan reveals himself to be an autistic savant who can quickly do prime factorizations mentally. With his help, Leaven guides the group to the bridge room that will lead them out of the maze. Worth ambushes and apparently kills Quentin before leaving him behind. Kazan opens the final hatch, revealing a bright white light, but Worth declines to leave the Cube as he has lost his will to live.

As Leaven tries to convince the guilt-stricken Worth to join her, Quentin reappears, stabs and kills her with a hatch lever. He mortally wounds Worth while Kazan flees. As Quentin moves to kill Kazan, Worth pins Quentin in the narrow passageway as the rooms shift again. Quentin is torn apart. Worth crawls back to Leaven's corpse to die next to her.

Kazan wanders out into the bright light, his fate left unknown.

Cast

• Maurice Dean Wint as Quentin, a police officer. He is a gruff and aggressive man who takes charge and undertakes most of the dangerous tasks.
• Nicole de Boer as Leaven, a young student with mathematical skills.
• David Hewlett as David Worth, a chronic malcontent and cynic who unwittingly designed the outer shell of the Cube.
• Andrew Miller as Kazan, an intellectually disabled man with the ability to rapidly and accurately perform prime number calculations.
• Nicky Guadagni as Dr. Helen Holloway, a free clinic doctor.
• Wayne Robson as Rennes, also known as "the Wren", an escape artist who has broken out of seven prisons.
• Julian Richings as Alderson, a prisoner and a mysterious character. He woke up alone in another room and never encounters the rest of the group.

Each character's name is connected with a real-world prison.

Production

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Development

An episode of the original Twilight Zone television series, "Five Characters in Search of an Exit" (first aired 22 December 1961), was reportedly an inspiration for the film.

Though Vincenzo Natali had the initial inspiration to make a film "set entirely in hell" in 1990, it was not until 1994, when he was working as a storyboard artist's assistant at Canada's Nelvana animation studio, that he had completed the first script for Cube. The initial draft had a more comedic tone and featured surreal images, a cannibal, edible moss growing on the walls, and a monster that roamed the cube. Roommate and childhood filmmaking partner Andre Bijelic helped Natali strip the central idea – people avoiding deadly traps in a maze – down to its essence. Scenes that took place outside of the cube were jettisoned, and the identity of the victims themselves changed. In some drafts, they were accountants and in others criminals, with the implication being that their banishment to the cube was part of a penal sentence. One of the most important dramatic changes was the complete removal of food and water from the scenario; this created a sense of urgency for escape. After writing Cube, Natali developed and filmed a short entitled Elevated. The short was set in an elevator and was intended to give investors an idea of how Cube would hypothetically look and come across. While working on Elevated, cinematographer Derek Rogers developed strategies for shooting in the tightly confined spaces in which he would later work on Cube. The short eventually helped Cube procure financing. Cube was shot on a Toronto soundstage.

Filming

The film was shot in Toronto, Ontario.

The Cube design

The Cube device in the film was conceived by mathematician David W. Pravica, who also served as the film's math consultant. It consists of an outer cubical shell (the sarcophagus) and the inner cube. Each side of the outer shell is 434 feet (132 m) long. The inner cube consists of 26 = 17,576 cubical rooms (minus an unknown number of rooms to allow for movement, as shown in the film), each having a side length of 15.5 feet (4.7 m). There is a space of 15.5 feet (4.7 m) between the inner cube and the outer shell. Each room is labelled with three identification numbers, for example, 517 478 565. These numbers encode the starting coordinates of the room and the X, Y, and Z coordinates are the sums of the digits of the first, second, and third number, respectively. The numbers also determine the movement of the room - the subsequent positions are obtained by cyclically subtracting the digits from one another, and the resulting numbers are then successively added to the starting numbers.

Only one cube, with each of its sides measuring 14 feet (4.3 m) in length, was actually built, with only one working door that could actually support the weight of the actors. The colour of the room was changed by sliding panels. Since this was a time-consuming procedure, the film was not shot in sequence; all shots taking place in rooms of a specific color were shot one at a time. It was intended that there would be six colors of rooms to match the recurring theme of six throughout the film; five sets of gel panels, plus pure white. However, the budget did not stretch to the sixth gel panel, and so there are only five room colors in the film. Another partial cube was made for shots requiring the point of view of standing in one room and looking into another.

Release

This section needs expansion. You can help by adding to it. (January 2022)

Cube was shown at the Toronto International Film Festival on 9 September 1997 and released in Ottawa and Montreal on 18 September.

Reception

Box office

The film grossed $501,818 in the United States, and $8,479,845 in other territories, for a worldwide total of $8,981,663.

Critical response

On review aggregator Rotten Tomatoes, Cube holds an approval rating of 64%, based on 39 reviews, and an average rating of 6.3/10. The website's consensus reads: "Cube sometimes struggles with where to take its intriguing premise, but gripping pace and an impressive intelligence make it hard to turn away". On Metacritic, the film has a score 61 out of 100, based on 12 critics, indicating "generally favorable reviews".

Bob Graham of the San Francisco Chronicle was highly critical of the film: "If writer-director Vincenzo Natali, storyboard artist for Keanu Reeves's Johnny Mnemonic, were as comfortable with dialogue and dramatizing characters as he is with images, this first feature of his might have worked better". Nick Schager from Slant Magazine rated the film three out of five stars, noting that, while the film had an intriguing premise and initially chilling mood, it was undone by threadbare characterizations, and lack of a satisfying explanation for the cube's existence. Schager concluded his review by stating that the film "eventually winds up going nowhere fast".

Anita Gates of The New York Times was more positive of the film, stating, "Cube, the story in question, proves surprisingly gripping, in the best Twilight Zone tradition. The ensemble cast does an outstanding job on the cinematic equivalent of a bare stage... Everyone has his or her own theory about who is behind this peculiar imprisonment... The weakness in Cube is the dialogue, which sometimes turns remarkably trite... The strength is the film's understated but real tension. Vincenzo Natali, the film's fledgling director and co-writer, has delivered an allegory, too, about futility, about the necessity and certain betrayal of trust, about human beings who do not for a second have the luxury of doing nothing". Bloody Disgusting gave the movie a positive review: "Shoddy acting and a semi-weak script can't hold this movie back. It's simply too good a premise and too well-directed to let minor hindrances derail its creepy premise". Kim Newman from Empire Online gave the film 4/5 stars, writing: "Too many low-budget sci-fi films try for epic scope and fail; this one concentrates on making the best of what it's got and does it well".

Accolades

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The film won the award for Best Canadian First Feature Film at the 1997 Toronto International Film Festival and the Jury Award at the Brussels International Festival of Fantasy Film.

Sequel and prequel

After Cube achieved cult status, it was followed by a sequel, Cube 2: Hypercube, released in 2002, and a prequel, Cube Zero, released in 2004.

Remakes

In April 2015, The Hollywood Reporter wrote that Lionsgate Films was planning to remake the film, under the title Cubed, with Saman Kesh directing, Roy Lee and Jon Spaihts producing and a screenplay by Philip Gawthorne, based on Kesh’s original take.

A Japanese remake, also called Cube, was released on 22 October 2021.

Legacy

The song (Trapped Inside) The Cube, by Brazilian Thrash Metal band Blasthrash, is loosely based on the movie plot.

See also

• The Library of Babel
• Saw (2004 film)

References

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2. Eisner, Ken (20 October 1997). "Cube". Variety. Retrieved 5 December 2021.
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8. ^ Gates, Anita (11 September 1998). "Cube (1997) FILM REVIEW; No Maps, Compasses Or Faith". The New York Times. Archived from the original on 13 March 2018. Retrieved 1 March 2017.
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11. Armstrong, Derek. "Cube review". AllMovie. Archived from the original on 11 August 2017. Retrieved 12 June 2017. The wild card in the equation, as if there needed to be one, is Andrew Miller's autistic man.
12. A Chronicle of Current Events No 10, 31 October 1969 — 10.10 "The Kazan Special Psychiatric Hospital"
13. Van Fleet, James (3 October 2013). "HALLOWEEN: The Best Twilight Zone Movies - 12: "Five Characters..." / Cube". Horror Films 101. Archived from the original on 24 May 2014. Retrieved 23 May 2014. Imagine being dropped in an empty room. There's no exit... or if there is, the means of getting out are unknown. Imagine not being sure why you're there. Is there a purpose, or are you just being toyed with? Very quickly you learn about the people stuck with you. Very quickly the room becomes a prison... Five Characters in Search of an Exit has the benefit of brevity, but it also has an engaging episode-long "argument" between the gung-ho Major and the depressed Clown. Cube ... carries the same claustrophobia and mystery, and it amps up the potent allegory even further, becoming a microcosm of human existence. The characters define their identity, bring their talents to the problems at hand, and their environment - like the world - is as inscrutable as it is deadly.
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36. "Archived copy". Archived from the original on 2 May 2021. Retrieved 1 March 2021.{{cite web}}: CS1 maint: archived copy as title (link)

External links

• Template:Allmovie
• Cube at IMDb
• Cube at Metacritic
• Cube at Rotten Tomatoes
• Cube at the TCM Movie Database

• 1997 films
• 1997 horror films
• 1990s science fiction horror films
• Canadian horror thriller films
• Canadian independent films
• Canadian science fiction horror films
• English-language Canadian films
• English-language films
• Cube (film series)
• Films about autism
• Films about mathematics
• Films shot in Toronto
• 1990s psychological horror films
• Canadian Film Centre films
• Trimark Pictures films
• Films directed by Vincenzo Natali
• Films with screenplays by Vincenzo Natali
• Fictional cubes
• 1997 directorial debut films
• Social science fiction films