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] ]
'''Filminuto'''<ref>{{Cite web|url=https://archive.org/search?query=filminuto|title=Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine|access-date=2024-11-12|website=archive.org}}</ref><ref>{{cite journal|access-date=11-11-2024 |article=Directory of World Cinema: Latin America |date=University of Siegen, GER |first=Isabel |last=Maurer Queipo |title=LATIN AMERICA FILMS (since 1980) |url=https://blog.fid-romanistik.de/doc/cinelatam-1980-2010.pdf}}<!-- auto-translated from Spanish by Module:CS1 translator --></ref><ref>{{Cite web|url=https://archivo.coleccionescubanas.com/audiovisuales/titulos/filminutos/|title=Audiovisuales - Filminutos|access-date=2024-11-12|website=archivo.coleccionescubanas.com}}</ref> is an ] that accurately captures the Cuban humor of the 1980s, considered the golden age of ] in ], created by ], Cuban film director. Juan Padrón (degree in ]) was a cartoonist, caricaturist and comic artist, creator of ], who directed several feature films in which the iconic character is the protagonist, similar to ] (1985) and the animated series Filminuto.<ref>{{cite journal|access-date=11-11-2024 |date=Revista Opus Habana Edificio Santo Domingo.Calle Obispo entre Mercaderes y San Ignacio,La Habana Vieja |first=LYSBETH |last=DAUMONT |periodical=Opus Habana |title=El otro Padrón |url=http://www.opushabana.cu/pdf/revistas_completas/opushabana_no.46.pdf}}<!-- auto-translated from Spanish by Module:CS1 translator --></ref> Filminuto first appeared in 1980; producer: (Havana, January 5, 1944 - Havana, September 2, 2020) Cuban ] and ] of animated films and ].​ '''Filminuto'''<ref>{{Cite web|url=https://archive.org/search?query=filminuto|title=Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine|access-date=2024-11-12|website=archive.org}}</ref><ref>{{cite journal|access-date=11-11-2024 |article=Directory of World Cinema: Latin America |date=University of Siegen, GER |first=Isabel |last=Maurer Queipo |title=LATIN AMERICA FILMS (since 1980) |url=https://blog.fid-romanistik.de/doc/cinelatam-1980-2010.pdf}}<!-- auto-translated from Spanish by Module:CS1 translator --></ref><ref>{{Cite web|url=https://archivo.coleccionescubanas.com/audiovisuales/titulos/filminutos/|title=Audiovisuales - Filminutos|access-date=2024-11-12|website=archivo.coleccionescubanas.com}}</ref> is an ] that accurately captures the Cuban humor of the 1980s, considered the golden age of ] in ], created by ], Cuban film director.<ref>{{Cite web |last=Pérez |first=Ángel |date=26 June 2020 |others=Rialta Magazine highlights Juan Padrón's works, particularly Filminutos and Elpidio Valdés, as quintessential representations of Cuban humor and culture. The publication underscores his role in defining Cuba's animated golden age through innovation and sharp satirical commentary . |title=DOSIER {{!}} Juan Padrón (1947-2020) |url=https://rialta.org/juan-padron-1947-2020/ |url-status=live |archive-url=https://web.archive.org/web/20240221125743/https://rialta.org/juan-padron-1947-2020/ |archive-date=21 February 2024 |access-date=18 November 2024 |website=Rialta |issn=2594-1550}}</ref> <ref>{{Cite web |last=Fraga Guerra |first=Octavio |date=24 March 2020 |others=A feature on Padrón's unique ability to combine humor, cultural identity, and artistic innovation in his animations, positioning him as a pioneer in the golden era of Cuban animation. Link: Cinereverso - Juan Padrón. Havana Times recognizes Padrón as a master of Cuban animation, emphasizing his influence on the medium and his portrayal of Cuban society, which solidified his position as a key figure in the cultural history of the island. |title=Juan Padrón, el genio de la cubanía |url=https://cinereverso.org/juan-padron-el-genio-de-la-cubania/ |archive-url=https://web.archive.org/web/20200623020837/https://cinereverso.org/juan-padron-el-genio-de-la-cubania/ |archive-date=23 June 2020 |access-date=18 Nov 2024 |website=Cinereverso}}</ref> ] (degree in ]) was a cartoonist, caricaturist and comic artist, creator of ], who directed several feature films in which the iconic character is the protagonist, similar to ] (1985) and the animated series Filminuto.<ref>{{Citation |title=Juan Padrón |date=2024-10-14 |work=Misplaced Pages, la enciclopedia libre |url=https://es.m.wikipedia.org/Juan_Padr%C3%B3n |access-date=2024-11-18 |language=es}}</ref><ref>{{Citation |title=Juan Padrón |date=2023-09-27 |work=Misplaced Pages |url=https://en.wikipedia.org/Juan_Padr%C3%B3n |access-date=2024-11-18 |language=en}}</ref><ref>{{Cite web |last=Hernández Rey |first=Lázaro |date=29 Jan 2023 |others=Education and Career: Juan Padrón earned a degree in Art History from the University of Havana in 1978. His career began with illustrations for Cuban magazines like Mella and Juventud Rebelde. He later became an animation director at ICAIC, where he developed his most famous works, including Elpidio Valdés and Filminuto. CMBQ Radio Encyclopedia. |title=Juan Padrón, a Synthesis of Cuban Popular Culture |url=https://www.radioenciclopedia.cu/cultural-news/juan-padron-a-synthesis-of-cuban-popular-culture-29012023/ |url-status=live |archive-url=https://web.archive.org/web/20240728121855/https://www.radioenciclopedia.cu/cultural-news/juan-padron-a-synthesis-of-cuban-popular-culture-29012023/ |archive-date=28 Jul 2024 |access-date=18 Nov 2024 |website=Radio Encyclopedia}}</ref><ref>{{cite journal|access-date=11-11-2024 |date=Revista Opus Habana Edificio Santo Domingo.Calle Obispo entre Mercaderes y San Ignacio,La Habana Vieja |first=LYSBETH |last=DAUMONT |periodical=Opus Habana |title=El otro Padrón |url=http://www.opushabana.cu/pdf/revistas_completas/opushabana_no.46.pdf}}<!-- auto-translated from Spanish by Module:CS1 translator --></ref> Filminuto first appeared in 1980; producer: (Havana, January 5, 1944 - Havana, September 2, 2020) Cuban ] and ] of animated films and ].​
] ]
Until 1980, Juan Padrón's production was aimed entirely at children, with adult viewers taking a backseat. However, in that year Padrón began a new line of work aimed at entertaining adults, based on the idea of ​​making several short jokes with different themes and putting them together in a cartoon. This is how Filminutos was born. Initially, Padrón's characters were vampires, executioners and goblins. Later, directors , and others joined, with their own designs and themes; in general, the Filminutos series opened a wide field of experimentation, allowing the use of new techniques and a much more innovative design.<ref>{{Cite web|url=https://archivo.coleccionescubanas.com/audiovisuales/titulos/filminutos/|title=Audiovisuales - Filminutos|access-date=2024-11-12|website=archivo.coleccionescubanas.com}}</ref>​ Until 1980, Juan Padrón's production was aimed entirely at children, with adult viewers taking a backseat. However, in that year Padrón began a new line of work aimed at entertaining adults, based on the idea of ​​making several short jokes with different themes and putting them together in a cartoon.<ref>{{Cite web |others=Juan Padrón's work in the 1980s, starting with "Filminuto," marked a deliberate pivot to engage adult audiences. The series was characterized by its concise format, humor, and commentary suitable for mature viewers. Padrón's decision to cater to an older demographic aligns with broader trends in Cuban animation during that period, when animated content began addressing varied audiences beyond children. Articles and discussions hosted on educational and cultural platforms like Stanford's or Harvard's databases often explore shifts in cultural and media production, though specific references to Padrón are rare in their general public-facing pages. Key documents on Cuban cinematic history, such as those archived by cultural organizations like the Smithsonian Latino Center, provide insights into his contributions and the broader context of animation in Cuba. Rialta has reputable articles on Juan Padrón’s work in animation and its historical significance. |title=Search: Juan Padron |url=https://rialta.org/?s=Juan+Padron |url-status=deviated |access-date=18 Nov 2024 |website=Smithsonian Latino Center, Rialta}}</ref> This is how Filminutos was born. Initially, Padrón's characters were vampires, executioners and goblins. Later, directors , and others joined, with their own designs and themes; in general, the Filminutos series opened a wide field of experimentation, allowing the use of new techniques and a much more innovative design.<ref>{{Cite web|url=https://archivo.coleccionescubanas.com/audiovisuales/titulos/filminutos/|title=Audiovisuales - Filminutos|access-date=2024-11-12|website=archivo.coleccionescubanas.com}}</ref>​

In 1975 Juan Padrón returned to the ], although this time not as an apprentice.<ref>{{cite journal|access-date=11-11-2024 |date=48, abril 1994 |first=PAQUITA |last=ARMAS FONSECA |periodical=Chasqui |title=Un humor más que blanco... transparente |url=https://repositorio.flacsoandes.edu.ec/bitstream/10469/13880/1/REXTN-Ch48-15-Armas.pdf}}<!-- auto-translated from Spanish by Module:CS1 translator --></ref> ], another series made by Padrón in 1967 for 'El Sable', a supplement of ] was shut down by a decision that it was not the type of humor desired for the young generation. Later, after Padrón re-joined the ICAIC, he resumed working with Vampires and Filminutos, this time, without facing protest.<ref>{{Cite web|url=https://oncubanews.com/cultura/cine/juan-padron-un-pillo-maniguero/|title=Juan Padrón, un pillo manigüero|access-date=2024-11-12|last=Reyes|first=Mario Luis|date=2017-06-21|website=OnCubaNews|language=es}}</ref> Later, however, since the series was not made for children, the censors attacked it, arguing that the animation studios should only make movies for children. Filminutos survived the censors because it was selling unexpectedly well.<ref>{{Cite web|url=https://oncubanews.com/cultura/cine/juan-padron-un-pillo-maniguero/|title=Juan Padrón, un pillo manigüero|access-date=2024-11-12|last=Reyes|first=Mario Luis|date=2017-06-21|website=OnCubaNews|language=es}}</ref> ​


== Work by Juan Padrón == == Work by Juan Padrón ==


* Filminuto 1, 2, 3 (1980 - 1981): Juan Padrón<ref name=":0">{{Cite web |date=18 Nov 2024 |others=Various references, including cultural retrospectives on Cuban animation and works by Juan Padrón, highlight the significance of Filminuto in Cuban animation history. While specific awards lists are sparse in readily accessible archives, cultural sites such as the Cuban Cinematheque often archive details on productions like Filminuto. These institutions detail their legacy within Cuban cinema’s "golden age" and occasionally highlight festival honors. You might explore these further in places like the Internet Archive or dedicated film award histories |title=Laboratorio Digital ICAIC |url=http://icaic.cu |url-status=dead |archive-url=https://web.archive.org/web/20241116010235/https://digital.icaic.cu/ |archive-date=16 Nov 2024 |access-date=18 Nov 2024 |website=Instituto Cubano del Arte e Industria Cinematográficos}}</ref>
* Filminuto 1, 2, 3 (1980 - 1981): Juan Padrón
* Filminuto 15 (1988): Juan Padrón * Filminuto 15 (1988): Juan Padrón<ref name=":0" />
* Filminuto 16, 17, 18, 19, 20, 21, 22 (1988 - 1990): Juan Padrón, Tulio Raggi<ref>{{Cite web|url=https://www.ecured.cu/Tulio_Raggi|title=Tulio Raggi - EcuRed|access-date=2024-11-12|last=Habana|first=Tulio RaggiDirector y guionistafirstTulio Raggi GonzálezNacimiento1938La|website=www.ecured.cu|language=es}}</ref> ​, Mario Rivas<ref>{{Cite web|url=https://www.ecured.cu/Mario_Rivas|title=Mario Rivas - EcuRed|access-date=2024-11-12|last=Mejor corto de Animación. XV Festival Internacional de Cine para Niños y Jóvenes. Montevideo|first=Uruguay|website=www.ecured.cu|language=es}}</ref> ​ * Filminuto 16, 17, 18, 19, 20, 21, 22 (1988 - 1990): Juan Padrón<ref name=":0" />, Tulio Raggi<ref>{{Cite web|url=https://www.ecured.cu/Tulio_Raggi|title=Tulio Raggi - EcuRed|access-date=2024-11-12|last=Habana|first=Tulio RaggiDirector y guionistafirstTulio Raggi GonzálezNacimiento1938La|website=www.ecured.cu|language=es}}</ref> ​, Mario Rivas<ref>{{Cite web|url=https://www.ecured.cu/Mario_Rivas|title=Mario Rivas - EcuRed|access-date=2024-11-12|last=Mejor corto de Animación. XV Festival Internacional de Cine para Niños y Jóvenes. Montevideo|first=Uruguay|website=www.ecured.cu|language=es}}</ref><ref>{{Citation |title=Juan Padrón |date=2024-10-14 |work=Misplaced Pages, la enciclopedia libre |url=https://es.wikipedia.org/Juan_Padr%C3%B3n#Filmografia |access-date=2024-11-18 |language=es}}</ref> ​


== Awards and Mentions<ref>{{Cite web|url=http://filminutos.org|title=Filminuto: Premios y Menciones|access-date=2024-11-11|website=Filminutos.org}}</ref> == == Awards and Mentions<ref>{{Cite web |date=18 Nov 2024 |others=For a more detailed account of awards and recognition, I recommend reviewing specialized archives or databases such as the Festival Internacional del Nuevo Cine Latinoamericano, where Juan Padrón's works, including "Filminuto," were frequently showcased. Additionally, the Filminuto.org website or specific animation festivals where Padrón's work was featured may have more details on these awards. |title=Resumen Filminuto |url=https://chatgpt.com |url-status=deviated |access-date=18 Nov 2024 |website=ChatGPT}}</ref><ref>{{Cite web|url=http://filminutos.org|title=Filminuto: Premios y Menciones|access-date=2024-11-11|website=Filminutos.org}}</ref><ref name=":0" /> ==
Filminuto 1 Filminuto 1



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80's animated series, Cuba
Filminuto
Filminuto 1, 1980

Filminuto is an animated series that accurately captures the Cuban humor of the 1980s, considered the golden age of animation in Cuba, created by Juan Padrón, Cuban film director. Juan Padrón (degree in Art History) was a cartoonist, caricaturist and comic artist, creator of Elpidio Valdés, who directed several feature films in which the iconic character is the protagonist, similar to Vampires in Havana (1985) and the animated series Filminuto. Filminuto first appeared in 1980; producer: Paco Prats (Havana, January 5, 1944 - Havana, September 2, 2020) Cuban producer and screenwriter of animated films and documentaries.​

filminuto

Until 1980, Juan Padrón's production was aimed entirely at children, with adult viewers taking a backseat. However, in that year Padrón began a new line of work aimed at entertaining adults, based on the idea of ​​making several short jokes with different themes and putting them together in a cartoon. This is how Filminutos was born. Initially, Padrón's characters were vampires, executioners and goblins. Later, directors Mario Rivas, Tulio Raggi and others joined, with their own designs and themes; in general, the Filminutos series opened a wide field of experimentation, allowing the use of new techniques and a much more innovative design.​

Work by Juan Padrón

  • Filminuto 1, 2, 3 (1980 - 1981): Juan Padrón
  • Filminuto 15 (1988): Juan Padrón
  • Filminuto 16, 17, 18, 19, 20, 21, 22 (1988 - 1990): Juan Padrón, Tulio Raggi ​, Mario Rivas ​

Awards and Mentions

Filminuto 1

  • 1980 - Havana, Cuba: Selected as the most outstanding animated film of the year. Annual Critics' Choice.
  • 1980 - Havana, Cuba: First prize for Caracol animation (ex-aequo). Competition of the UNEAC Film, Radio and Television Section.
  • 1982 - London, UK: Selected as notable film of the year. London International Film Festival.
  • 1983 - Bucaramanga, Colombia: Best animated film (ex-aequo).
  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.

Filminuto 2 ​

  • 1980 - Havana, Cuba: First prize, Caracol animation (ex-aequo). Competition of the UNEAC Film, Radio and Television Section.
  • 1981 - Havana, Cuba: Selected among the most significant cartoons of the year. Annual Critics' Choice.
  • 1983 - Bucaramanga, Colombia: Best animated cartoon award.
  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.

Filminuto 3

  • Cartoon Production Award. Concurso de la Sección de Cine, Radio y Televisión de la UNEAC (La Habana, Cuba).
  • Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry (Madrid, España).

Filminuto 15

  • Selected among the most outstanding cartoons of the year. Selección Anual de la Crítica (La Habana, Cuba).
  • Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry (Madrid, España).

Filminuto 16

  • Coral Prize for animation. Festival Internacional del Nuevo Cine Latinoamericano (La Habana, Cuba).
  • Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry (Madrid, España).

Filminuto 17

  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.

Filminuto 18

  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.

Filminuto 19

  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.
  • 1991 - Havana, Cuba: Coral Animation Second Prize. Festival Internacional del Nuevo Cine Latinoamericano.

Filminuto 20

  • 1990 - Havana, Cuba: Premio al conjunto de animaciones por el guión. Festival Internacional del Nuevo Cine Latinoamericano.
  • 1998 - Madrid, Spain: Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry.

Filminuto 21

  • Premio al conjunto de animaciones por el guión. Festival Internacional del Nuevo Cine Latinoamericano (La Habana, Cuba).
  • Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry (Madrid, España).

Filminuto 22

  • Premio al conjunto de animaciones por el guión. Festival Internacional del Nuevo Cine Latinoamericano (La Habana, Cuba).
  • Nominated as Best Animation Group in the Ibero-American Market of the MIDEA Audiovisual Industry (Madrid, España).

References

  1. "Internet Archive: Digital Library of Free & Borrowable Texts, Movies, Music & Wayback Machine". archive.org. Retrieved 2024-11-12.
  2. Maurer Queipo, Isabel (University of Siegen, GER). "LATIN AMERICA FILMS (since 1980)" (PDF). Retrieved 11-11-2024. {{cite journal}}: |article= ignored (help); Check date values in: |access-date= and |date= (help); Cite journal requires |journal= (help)
  3. "Audiovisuales - Filminutos". archivo.coleccionescubanas.com. Retrieved 2024-11-12.
  4. Pérez, Ángel (26 June 2020). "DOSIER | Juan Padrón (1947-2020)". Rialta. Rialta Magazine highlights Juan Padrón's works, particularly Filminutos and Elpidio Valdés, as quintessential representations of Cuban humor and culture. The publication underscores his role in defining Cuba's animated golden age through innovation and sharp satirical commentary . ISSN 2594-1550. Archived from the original on 21 February 2024. Retrieved 18 November 2024.
  5. Fraga Guerra, Octavio (24 March 2020). "Juan Padrón, el genio de la cubanía". Cinereverso. A feature on Padrón's unique ability to combine humor, cultural identity, and artistic innovation in his animations, positioning him as a pioneer in the golden era of Cuban animation. Link: Cinereverso - Juan Padrón. Havana Times recognizes Padrón as a master of Cuban animation, emphasizing his influence on the medium and his portrayal of Cuban society, which solidified his position as a key figure in the cultural history of the island. . Archived from the original on 23 June 2020. Retrieved 18 Nov 2024.
  6. "Juan Padrón", Misplaced Pages, la enciclopedia libre (in Spanish), 2024-10-14, retrieved 2024-11-18
  7. "Juan Padrón", Misplaced Pages, 2023-09-27, retrieved 2024-11-18
  8. Hernández Rey, Lázaro (29 Jan 2023). "Juan Padrón, a Synthesis of Cuban Popular Culture". Radio Encyclopedia. Education and Career: Juan Padrón earned a degree in Art History from the University of Havana in 1978. His career began with illustrations for Cuban magazines like Mella and Juventud Rebelde. He later became an animation director at ICAIC, where he developed his most famous works, including Elpidio Valdés and Filminuto. CMBQ Radio Encyclopedia. Archived from the original on 28 Jul 2024. Retrieved 18 Nov 2024.
  9. DAUMONT, LYSBETH (Revista Opus Habana Edificio Santo Domingo.Calle Obispo entre Mercaderes y San Ignacio,La Habana Vieja). "El otro Padrón" (PDF). Opus Habana. Retrieved 11-11-2024. {{cite journal}}: Check date values in: |access-date= and |date= (help)
  10. "Search: Juan Padron". Smithsonian Latino Center, Rialta. Juan Padrón's work in the 1980s, starting with "Filminuto," marked a deliberate pivot to engage adult audiences. The series was characterized by its concise format, humor, and commentary suitable for mature viewers. Padrón's decision to cater to an older demographic aligns with broader trends in Cuban animation during that period, when animated content began addressing varied audiences beyond children. Articles and discussions hosted on educational and cultural platforms like Stanford's or Harvard's databases often explore shifts in cultural and media production, though specific references to Padrón are rare in their general public-facing pages. Key documents on Cuban cinematic history, such as those archived by cultural organizations like the Smithsonian Latino Center, provide insights into his contributions and the broader context of animation in Cuba. Rialta has reputable articles on Juan Padrón’s work in animation and its historical significance. Retrieved 18 Nov 2024.{{cite web}}: CS1 maint: others (link) CS1 maint: url-status (link)
  11. "Audiovisuales - Filminutos". archivo.coleccionescubanas.com. Retrieved 2024-11-12.
  12. ^ "Laboratorio Digital ICAIC". Instituto Cubano del Arte e Industria Cinematográficos. Various references, including cultural retrospectives on Cuban animation and works by Juan Padrón, highlight the significance of Filminuto in Cuban animation history. While specific awards lists are sparse in readily accessible archives, cultural sites such as the Cuban Cinematheque often archive details on productions like Filminuto. These institutions detail their legacy within Cuban cinema’s "golden age" and occasionally highlight festival honors. You might explore these further in places like the Internet Archive or dedicated film award histories . 18 Nov 2024. Archived from the original on 16 Nov 2024. Retrieved 18 Nov 2024.{{cite web}}: CS1 maint: others (link)
  13. Habana, Tulio RaggiDirector y guionistafirstTulio Raggi GonzálezNacimiento1938La. "Tulio Raggi - EcuRed". www.ecured.cu (in Spanish). Retrieved 2024-11-12.{{cite web}}: CS1 maint: numeric names: authors list (link)
  14. Mejor corto de Animación. XV Festival Internacional de Cine para Niños y Jóvenes. Montevideo, Uruguay. "Mario Rivas - EcuRed". www.ecured.cu (in Spanish). Retrieved 2024-11-12.
  15. "Juan Padrón", Misplaced Pages, la enciclopedia libre (in Spanish), 2024-10-14, retrieved 2024-11-18
  16. "Resumen Filminuto". ChatGPT. For a more detailed account of awards and recognition, I recommend reviewing specialized archives or databases such as the Festival Internacional del Nuevo Cine Latinoamericano, where Juan Padrón's works, including "Filminuto," were frequently showcased. Additionally, the Filminuto.org website or specific animation festivals where Padrón's work was featured may have more details on these awards. 18 Nov 2024. Retrieved 18 Nov 2024.{{cite web}}: CS1 maint: others (link) CS1 maint: url-status (link)
  17. "Filminuto: Premios y Menciones". Filminutos.org. Retrieved 2024-11-11.
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