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| Johnny and Aurora | |||
| The Kazakhstan Horsemen who were already on the team. | |||
| were Horses @$$es to Aurora. Trying to impress her with scenes. | |||
| Yet from across the ocean came a player of Texas hockey | |||
| An Enigmatic Mystery. Johnny Cross. Will Adrian Snag HER Rocky? | |||
| She Commenced a a sticky web to spin | |||
| For her Johnny Boy, and only him | |||
| The Black Widow Queen, Her Beloved King. | |||
| One who proved he was a REAL DEAL jockey. | |||
| Her Truest Love, From Now till end. | |||
| ------------- | |||
| Johnny and Aurora 2 | |||
| Traveling over the east, giving the fans their moneys worth | |||
| The greatest show in the Orient, the Ruffian Side of Earth. | |||
| Under the watchful tyrant gaze of Petrovic Peering Eyes | |||
| That Serpent was a poisonous viper. Looked so truthful, but was only lies. | |||
| A murderer and Monster Evil harsh and cold. | |||
| Napoleon and Pharaoh fused, a brute without a soul | |||
| Would death come forth from what sprang from loveliest of birth? | |||
| Was it worth surrendering? Would they give up without perseverance try? | |||
| Would they allow themselves to be enslaved programmed and controlled? | |||
| -------------- | |||
| Johnny and Aurora 3 | |||
| Ridley and Johnny Across the Gobi did Race the Whole Night Long | |||
| Trying to reach The Russian Frontier. For they knew the game was wrong. | |||
| One would die,,and one would live. 'YOU BETTER MAKE IT' Ridley said. | |||
| And Johnny saw his best friend Marcus ridley in cold blood shot dead. | |||
| Aurora he asked traded Away, Thinking it to be the move best | |||
| But Petrovic was a clever serpent. Again Petrovic put them to test | |||
| One is weaker than two. Two are twice as strong. | |||
| Poor Johnny Saw Brutal Petrovic Blast off Ridley's head. | |||
| Aurora was Traded to the Golden Horde. Again Petrovic at Power Quest. | |||
| ------------ | |||
| Johnny and Aurora 4 | |||
| Johnny Saw Aurora in that Awful Horde Uniform | |||
| A love had turned ice cold that once was sweet and warm | |||
| But they talked while camera was away. He told her of his woe. | |||
| 'Cry on my shoulder all you wish. Johnny I still love you so.' | |||
| We sill rise against the tyrant Beast This night and kill the Brute. | |||
| Lies will sink to damnable fire. Again will reign love's truth. | |||
| The Final Game would be Ben Hur Revisited, The Bloodiest Storm | |||
| If they survived. Heaven would be theirs. Never to revert or backward go. | |||
| And again would be made manifest Spring time's effervescent youth. | |||
| ---------- | |||
| Johnny and Aurora 5 | |||
| The Rule Book has Been Thrown Away. Big Deal Says Johnny Cross. | |||
| Rules are too inhibitive. Life Or Death , Win Or Loss. | |||
| This is for My Aurora, Who I have to get back no matter what. | |||
| For she is an angel, A Golden Goddess, SHE IS NOT PETORVIC'S $LUT! | |||
| And they rose against the tyrant Beasts in the Final game that night. | |||
| And it was Bloody and it was brutal and it was monstrous fight. | |||
| he had to get Black Widow Back Regardless of the cost. | |||
| AND HE GOT AURORA BACK, BECAUSE HE HAD THE GUTS! | |||
| And all was well. Heaven Came FORTH from hell. Everything turned out all right. | |||
| ---------------------- | |||
| These 5 poems are known as trines | |||
| The trine consists of nine lines - three rhyming couplets | |||
| followed by a three-line stanza that links the above couplets | |||
| with its rhyme scheme in that the first line of the last stanza | |||
| rhymes with the first couplet, the second line rhymes with the | |||
| second couplet, and the third line rhymes with the third | |||
| couplet. Therefore, the rhyme scheme of the trine is as | |||
| follows: aa bb cc abc | |||
| http://www.rollerball.com | |||
Revision as of 09:44, 21 April 2005
Rollerball was a 2002 remake of the 1975 science fiction film also titled Rollerball. Unconsciously embodying two themes of the original Rollerball, an updated 'remake' of the film was released, directed by John McTiernan with a much greater concentration on action and more muted social and political overtones.
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