| Revision as of 02:09, 16 December 2024 editEdwinAlden.1995 (talk | contribs)Extended confirmed users5,947 edits After dedicating three intensive approximately 4 hours to thoroughgoing research, I meticulously penned an article about SOBEDI a prominent Belgian record company and manufacturer.Tags: citing a blog or free web host Visual edit | Revision as of 03:10, 16 December 2024 edit undoEdwinAlden.1995 (talk | contribs)Extended confirmed users5,947 edits Made a minor changesTag: Visual editNext edit → | ||
| Line 19: | Line 19: | ||
| === Post- World War II expansion and the African Series === | === Post- World War II expansion and the African Series === | ||
| After ], SOBEDI capitalized on renewed travel opportunities between Belgium and its colony, the ]. Fernand Janssens brought a portable ] machine to ] (modern-day ]), where SOBEDI technicians recorded traditional and emerging modern Congolese musicians.<ref name=":8" /> These recordings, including performances by ] and his Victoria Kin, Orchestre Odéon Kinois, Camille Feruzi, the Chanteurs à la Croix de Cuivre (singers of the copper cross, from the mines in ]), and even a ] language course, were pressed into 78 RPM records in Ghent under Olympia's African Series and related labels Kongo Bina and Lomeka.<ref name=":8" /> While initially targeted at Belgian audiences, these records gained significant popularity in the Belgian Congo itself.<ref name=":8" /> Olympia's success in the Belgian Congo revealed a burgeoning market for ], supported by Léopoldville's rapid ] and increasing sales of ].<ref name=":8" /> By 1948, Olympia's ] boasted over 200 recordings. SOBEDI established connections with local music ventures, including a partnership with ], providing recording equipment and pressing their releases in Belgium. However, its operations in |
After ], SOBEDI capitalized on renewed travel opportunities between Belgium and its colony, the ]. Fernand Janssens brought a portable ] machine to ] (modern-day ]), where SOBEDI technicians recorded traditional and emerging modern Congolese musicians.<ref name=":8" /> These recordings, including performances by ] and his Victoria Kin, Orchestre Odéon Kinois, Camille Feruzi, the Chanteurs à la Croix de Cuivre (singers of the copper cross, from the mines in ]), and even a ] language course, were pressed into 78 RPM records in Ghent under Olympia's African Series and related labels Kongo Bina and Lomeka.<ref name=":8" /> While initially targeted at Belgian audiences, these records gained significant popularity in the Belgian Congo itself.<ref name=":8" /> Olympia's success in the Belgian Congo revealed a burgeoning market for ], supported by Léopoldville's rapid ] and increasing sales of ].<ref name=":8" /> By 1948, Olympia's ] boasted over 200 recordings. SOBEDI established connections with local music ventures, including a partnership with ], providing recording equipment and pressing their releases in Belgium. However, its operations in Léopoldville ceased shortly before Congolese independence in 1960.<ref name=":8" /> | ||
| === Later years === | === Later years === | ||
Revision as of 03:10, 16 December 2024
Record label| SOBEDI | |
|---|---|
| Founded | Unknown |
| Founder | Fernand Janssens |
| Defunct | 1969 |
| Genre | Various |
| Country of origin |  Belgium |
| Location | Brussels, with additional facilities in Ghent |
SOBEDI (a contraction for Société Belge du Disque) was a prominent Belgian record company and manufacturer established by Fernand Janssens. Headquartered in Brussels, with ancillary facilities in Ghent for pressing, plating, and printing, SOBEDI played a significant role in the European and Congolese music industries. The company operated multiple record labels, including Olympia (alternatively styled as Disques Olympia, Olympia Platen, and sporadically Discos Olympia), NewTone Records, Beffroi-Halle Toren-Belfry, Kongo Bina, Lomeka, Piccolo, Regina, Rythme, Metrophone, and Novelty. These labels featured recordings by a diverse range of European—predominantly Belgian—and Congolese artists.
SOBEDI expanded its reach internationally through partnerships, including representation by London Records of Canada Ltd. in Canada and Pathé Marconi EMI in France. Beyond its proprietary labels, SOBEDI rendered pressing services for numerous record companies, such as Artone, CBS Records International, Polydor Records, and Ronnex Records. SOBEDI's operations extended to music publishing under its subsidiary, Fonogram, and distribution through its entity, Cobedi SA (Consortium Belge du Disque).
History
SOBEDI's founding date remains uncertain, but it was first described in the 1840 edition of Belgium's Annuaire officiel: Officieel jaarboek by the Ministère des Affaires Africaines as a company specializing in music record publishing, recording, and manufacturing sound recordings. Other sources attribute its founding to Belgian entrepreneur Fernand Janssens, though the exact date remains unknown.
In 1935, the company expanded its operations by acquiring a pressing and printing plant at Waalse Krook in Ghent, previously owned by Chantal and later Edison Bell following Chantal's bankruptcy in 1932. SOBEDI's flagship label, Olympia, became synonymous with its recording activities and lent its name to the Olympia Studio in Brussels, where its recording operations were based. Frans Verbeeck served as the label's A&R manager, overseeing artist and repertoire decisions.
Post- World War II expansion and the African Series
After World War II, SOBEDI capitalized on renewed travel opportunities between Belgium and its colony, the Belgian Congo. Fernand Janssens brought a portable direct-to-disc recording machine to Léopoldville (modern-day Kinshasa), where SOBEDI technicians recorded traditional and emerging modern Congolese musicians. These recordings, including performances by Antoine Wendo Kolosoy and his Victoria Kin, Orchestre Odéon Kinois, Camille Feruzi, the Chanteurs à la Croix de Cuivre (singers of the copper cross, from the mines in Katanga), and even a Lingala language course, were pressed into 78 RPM records in Ghent under Olympia's African Series and related labels Kongo Bina and Lomeka. While initially targeted at Belgian audiences, these records gained significant popularity in the Belgian Congo itself. Olympia's success in the Belgian Congo revealed a burgeoning market for African music, supported by Léopoldville's rapid urban growth and increasing sales of gramophones. By 1948, Olympia's catalog boasted over 200 recordings. SOBEDI established connections with local music ventures, including a partnership with Loningisa, providing recording equipment and pressing their releases in Belgium. However, its operations in Léopoldville ceased shortly before Congolese independence in 1960.
Later years
In 1969, SOBEDI was acquired by Brussels-based SA Fonior NV and was reorganized under Sobelpress SA, alongside SA Fabeldis and Discopress. EW Pelgrims de Bigard became the new president, while Georges Martens continued as executive manager. SOBEDI's studio at Boulevard Lemonnier, established in 1945 with a Universal Microphone Company cutting lathe and Charles Monsieur as its technician, remained active until at least 1974 under chief engineer Pierre Neirinckx. The last known reference to SOBEDI's Ghent plant as a separate entity dates to 1973.
References
- ^ Annuaire officiel: Officieel jaarboek [Official directory: Official yearbook] (in French). Brussels, Belgium: Belgium Ministère des Affaires Africaines. 1840. p. 1101.
- ^ Guide and Directory on Doing Business with Belgium and Luxembourg and the Belgian Congo. Economic Cooperation Administration. 1950. pp. 114–117.
- ^ Smith, Norman E. (1986). March Music Notes. Program Note Press. p. 426. ISBN 978-0-9617346-1-9.
- ^ Stewart, Gary (5 May 2020). Rumba on the River: A History of the Popular Music of the Two Congos. Verso Books. pp. 24–33. ISBN 978-1-78960-911-0.
- ^ Musique & instruments: revue du commerce & de l'industrie de la musique, Issues 209-220 [Music & instruments: Music Trade & Industry Review, Issues 209-220] (in French). Office Général de la Musique. 1927. p. 553.
- ^ Mbu-Mputu, Norbert X. (2018). L'autre Lumumba. Peuple du CONGO: Histoire, résistances, assassinats et victoires sur le front de la Guerre froide [The Other Lumumba. People of the CONGO: History, Resistance, Assassinations and Victories on the Cold War Front] (in French). p. 22. ISBN 978-0-244-77422-6.
- "Hot Club de Belgique: How a handful of jazz fans united Belgium's jazz scene (1939-1961)". Hot Club De Belgique. 4 July 2017. Retrieved 16 December 2024.
- Billboard. Nielsen Business Media, Inc. 20 July 1963. pp. 28–29.
- White, Bob W. (2002). "Congolese Rumba and Other Cosmopolitanisms (La rumba congolaise et autres cosmopolitismes)". Cahiers d'Études Africaines. 42 (168): 663–686. ISSN 0008-0055.
- Cahiers d'études africaines, Volume 42, Issues 165-168 (in English and French). Mouton. 2002. p. 671.
- Mpisi, Jean (2003). Tabu Ley "Rochereau": innovateur de la musique africaine [Tabu Ley "Rochereau": innovator of African music] (in French). Paris, France: Éditions L'Harmattan. p. 67. ISBN 978-2-7475-5735-1.