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=== Remixing of David Coverdale's solo albums === | === Remixing of David Coverdale's solo albums === | ||
Coverdale's first two solo albums were remixed using advanced audio-separation software using |
Coverdale's first two solo albums were remixed using advanced audio-separation software using ], allowing them to be separated into their individual multi-track stems using ] (AI).<ref>{{cite web |title=DAVID COVERDALE's Three Solo Albums To Be Made Available With Remixes, Remasters And Previously Unreleased Tracks |url=https://blabbermouth.net/news/david-coverdales-three-solo-albums-to-be-made-available-with-remixes-remasters-and-previously-unreleased-tracks |website=Blabbermouth |access-date=17 August 2024 |date=16 August 2024}}</ref><ref name="Intothelightpress"/> The original ] were lost for two decades and could not be located, largely because both of those albums were out-of-print on the label ], alongside early Whitesnake material,<ref>{{cite magazine |date=20 July 1994 |title= All White My Luvs! |magazine=] |pages=64 |publisher=] |location=London, England }}</ref> which is now owned by ]. Many of the out-takes from the album remain accessible.<ref name="Reissuenotes"/> For five years, audio engineers at "Hook City Studios", named after Whitesnake, experimented with open-source software to separate two of the releases.<ref>{{cite web |title=Time & Again (DC & Hook City Strings) |url=https://whitesnake.com/time-again-strings/ |website=Whitesnake.com |publisher=] |access-date=14 October 2024 |date=25 September 2024}}</ref> | ||
To remix ''White Snake'', the production team unmixed the record by exporting the stems using AI software, selecting the best-available mixes for comparison and approval.<ref name="Reissuenotes"/> Digital artefacts posed a challenge, which the team addressed by overlaying enhanced versions of individual stems to reinforce the overall sound. Despite this, whilst remixing, they had limited control over the volume and tone, particularly with the lead and background vocals, and the original track's reverb. The team mitigated these issues by incorporating modern remixes of the drums and resamping the guitars and bass through amplifiers to achieve an authentic, contemporary sound. The tape speed was slightly inaccurate but this was digitally corrected to ensure any new instruments were in tune with the rest of the record.<ref name="Reissuenotes"/> | |||
The remixing process for ''Northwinds'' was originally inspired by a ] known as MAL (machine-assisted learning), which had been developed as an audio restoration technology for ] 2021 documentary '']''.<ref>{{cite news |last=Sisario |first=Ben |date=11 November 2021 |title=Know How the Beatles Ended? Peter Jackson May Change Your Mind. |language=en-US |work=] |url=https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html |access-date=13 October 2024 |issn=0362-4331 |archive-url=https://web.archive.org/web/20211111102004/https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html |archive-date=11 November 2021 |url-status=live}}</ref> MAL was originally named after the Beatles' former road manager, ].<ref>{{Cite web |last=Sparkes |first=Matthew |date=24 December 2021 |title=Beatles documentary Get Back used custom AI to strip unwanted sound |url=https://www.newscientist.com/article/2302552-beatles-documentary-get-back-used-custom-ai-to-strip-unwanted-sound/ |url-access=subscription |access-date=13 October 2024 |website=] |archive-date=30 October 2023 |archive-url=https://web.archive.org/web/20231030142329/https://www.newscientist.com/article/2302552-beatles-documentary-get-back-used-custom-ai-to-strip-unwanted-sound/ |url-status=live }}</ref> This process was used to separate ]'s home demo recording from the late 1970s, utilising a digital copy provided by ], which was of higher quality than the third-generation source the three surviving members of The Beatles had used in 1995.<ref>{{Cite web |title=The Last Beatles Songs |url=https://www.thebeatles.com/announcement |url-status=live |archive-url=https://web.archive.org/web/20231026125709/https://www.thebeatles.com/announcement |archive-date=26 October 2023 |access-date=13 October 2024 |publisher=TheBeatles.com}}</ref><ref>{{Cite web |title=Eras - The Beatles - Episode 6 - Now and Then |url=https://www.bbc.co.uk/sounds/play/m001rzkp |access-date=13 October 2024 |publisher=BBC Sounds |archive-date=2 November 2023 |archive-url=https://web.archive.org/web/20231102174053/https://www.bbc.co.uk/sounds/play/m001rzkp |url-status=live }}</ref> This restoration preserved the clarity of every multi-track stem, culminating in the release of "]" in late 2023 and also the ] of ]. Audio engineer and producer Tom Gordon, who was working on the remixes for ''Northwinds'', was impressed by this restoration approach and contacted ]'s company, ], which had utilised the MAL technology for various music and film restorations, including The Beatles' archives. However, his request was declined as the technology was exclusive to The Beatles project and was "bespoken for" at the time. Gordon then approached Dr. Paris Smaragdis in an attempt to develop a similar version of MAL software, but due to time constraints and limited resources, this was not possible.<ref name="Reissuenotes"/> | The remixing process for ''Northwinds'' was originally inspired by a ] known as MAL (machine-assisted learning), which had been developed as an audio restoration technology for ] 2021 documentary '']''.<ref>{{cite news |last=Sisario |first=Ben |date=11 November 2021 |title=Know How the Beatles Ended? Peter Jackson May Change Your Mind. |language=en-US |work=] |url=https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html |access-date=13 October 2024 |issn=0362-4331 |archive-url=https://web.archive.org/web/20211111102004/https://www.nytimes.com/2021/11/11/arts/music/beatles-get-back-peter-jackson.html |archive-date=11 November 2021 |url-status=live}}</ref> MAL was originally named after the Beatles' former road manager, ].<ref>{{Cite web |last=Sparkes |first=Matthew |date=24 December 2021 |title=Beatles documentary Get Back used custom AI to strip unwanted sound |url=https://www.newscientist.com/article/2302552-beatles-documentary-get-back-used-custom-ai-to-strip-unwanted-sound/ |url-access=subscription |access-date=13 October 2024 |website=] |archive-date=30 October 2023 |archive-url=https://web.archive.org/web/20231030142329/https://www.newscientist.com/article/2302552-beatles-documentary-get-back-used-custom-ai-to-strip-unwanted-sound/ |url-status=live }}</ref> This process was used to separate ]'s home demo recording from the late 1970s, utilising a digital copy provided by ], which was of higher quality than the third-generation source the three surviving members of The Beatles had used in 1995.<ref>{{Cite web |title=The Last Beatles Songs |url=https://www.thebeatles.com/announcement |url-status=live |archive-url=https://web.archive.org/web/20231026125709/https://www.thebeatles.com/announcement |archive-date=26 October 2023 |access-date=13 October 2024 |publisher=TheBeatles.com}}</ref><ref>{{Cite web |title=Eras - The Beatles - Episode 6 - Now and Then |url=https://www.bbc.co.uk/sounds/play/m001rzkp |access-date=13 October 2024 |publisher=BBC Sounds |archive-date=2 November 2023 |archive-url=https://web.archive.org/web/20231102174053/https://www.bbc.co.uk/sounds/play/m001rzkp |url-status=live }}</ref> This restoration preserved the clarity of every multi-track stem, culminating in the release of "]" in late 2023 and also the ] of ]. Audio engineer and producer Tom Gordon, who was working on the remixes for ''Northwinds'', was impressed by this restoration approach and contacted ]'s company, ], which had utilised the MAL technology for various music and film restorations, including The Beatles' archives. However, his request was declined as the technology was exclusive to The Beatles project and was "bespoken for" at the time. Gordon then approached Dr. Paris Smaragdis in an attempt to develop a similar version of MAL software, but due to time constraints and limited resources, this was not possible.<ref name="Reissuenotes"/> |
Revision as of 03:00, 17 December 2024
2024 compilation album by Whitesnake
Into the Light: The Solo Albums | ||||
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Compilation album by Whitesnake | ||||
Released | 25 October 2024 (2024-10-25) | |||
Recorded | 3–17, 25–30 August 1–7 September 1976 (Mixing) (Whitesnake) 21 March–6 April 1977; 10–19 April 1976 (Northwinds) c. Late 1990s–2000 (Into the Light) c. 2020s (2024 Remix) | |||
Genre | ||||
Label | Rhino | |||
Producer |
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Whitesnake chronology | ||||
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David Coverdale chronology | ||||
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Singles from Into the Light: The Solo Albums | ||||
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Into the Light: The Solo Albums is a compilation album by the English hard rock band Whitesnake that was released via Rhino Records on 25 October 2024 and in Japan on 13 November the same year. The compilation includes tracks from the solo albums of David Coverdale, the band's founder and-singer-songwriter: White Snake (1977), Northwinds (1978) and Into the Light (2000). The collection also includes "revisited, remixed and remastered" versions of material from these solo albums.
Coverdale recorded White Snake and Northwinds after the dissolution of Deep Purple in 1976, before forming Whitesnake. Decades later, following Whitesnake's temporary hiatus, Coverdale resumed his solo career with Into the Light, exploring a more-reflective and blues-influenced sound. Advanced technology was used to remix the albums; tracks from White Snake and Northwinds were separated into their multi-track stems using advanced artificial intelligence (AI) software, while Into the Light was digitally remixed.
Background
Between 1977 and 1978, after the dissolution of Deep Purple, vocalist David Coverdale recorded two solo albums: White Snake and Northwinds. He also reissued multiple compilations, most recently The Early Years (2003). Decades later, after the temporary disbandment of Whitesnake, Coverdale resumed his solo career. The resulting album Into the Light (2000) was commercially and critically his most-successful solo album, charting in six countries.
According to Coverdale, his early work, including his first two solo albums and material from Whitesnake, had been digitally archived and could be restored and remastered, but at that time, they could not be remixed due to the 2008 Universal Studios fire, which destroyed the band's material belonging to Geffen Records, although some of the masters were found safe at the Iron Mountain Storage Facility in Pennsylvania. Purple Records, a sub-division of EMI at that time, retained the masters of Coverdale's first two solo albums, which had long been out of print.
History and production
Into the Light: The Solo Albums features the work of musicians who participated on David Coverdale's solo albums. Coverdale's first album White Snake was released on 20 February 1977 in mainland Europe and on 6 May in the UK; it features the work of guitarist Micky Moody, whom Coverdale met in Teesside. As his first solo album, Coverdale said the record is "a very inward-looking, reflective and low-key affair in many ways, written and recorded as it was in the aftermath of the collapse of Deep Purple".
The album's title, or the song name, was meant for Deep Purple, but Coverdale presented it to Deep Purple's former bassist Roger Glover to play and produce the album with him after the group dissolved. Deep Purple's management were pressured to support Coverdale and Hughes, and the two were each paid $10,000 to create their own solo albums. According to Coverdale, the concept for the eponymous title track was created between 1975 and 1976, "after Come Taste the Band, or while we were touring, promoting that album ... I thought it would be a fun Purple track. The track's name was later used as the official title of Coverdale's formation of the group after his follow-up release. It was followed by its successor Northwinds, released on 10 March 1978. The album, which is viewed as blues-based and R&B-influenced rock followed as an "antithesis" of Whitesnake (1987). It was also largely viewed as sounding "absolutely nothing like Led Zeppelin", a band with which Whitesnake had often been compared. Into the Light was released on 25 September 2000; this album has a more stripped-down and blues-influenced sound Coverdale said "felt appropriate" in his songwriting.
Both White Snake and Northwinds were produced by Roger Glover, while Into the Light was produced by Coverdale, and Doug Bossi, Bjorn Thorsrud, John X. Volaitis and Michael McIntyre were credited as associate producers.
Remixing of David Coverdale's solo albums
Coverdale's first two solo albums were remixed using advanced audio-separation software using Audioshake, allowing them to be separated into their individual multi-track stems using artificial intelligence (AI). The original master tapes were lost for two decades and could not be located, largely because both of those albums were out-of-print on the label EMI, alongside early Whitesnake material, which is now owned by Universal Music Group. Many of the out-takes from the album remain accessible. For five years, audio engineers at "Hook City Studios", named after Whitesnake, experimented with open-source software to separate two of the releases.
To remix White Snake, the production team unmixed the record by exporting the stems using AI software, selecting the best-available mixes for comparison and approval. Digital artefacts posed a challenge, which the team addressed by overlaying enhanced versions of individual stems to reinforce the overall sound. Despite this, whilst remixing, they had limited control over the volume and tone, particularly with the lead and background vocals, and the original track's reverb. The team mitigated these issues by incorporating modern remixes of the drums and resamping the guitars and bass through amplifiers to achieve an authentic, contemporary sound. The tape speed was slightly inaccurate but this was digitally corrected to ensure any new instruments were in tune with the rest of the record.
The remixing process for Northwinds was originally inspired by a neural network known as MAL (machine-assisted learning), which had been developed as an audio restoration technology for The Beatles 2021 documentary The Beatles: Get Back. MAL was originally named after the Beatles' former road manager, Mal Evans. This process was used to separate John Lennon's home demo recording from the late 1970s, utilising a digital copy provided by Sean Lennon, which was of higher quality than the third-generation source the three surviving members of The Beatles had used in 1995. This restoration preserved the clarity of every multi-track stem, culminating in the release of "Now and Then" in late 2023 and also the 2022 remix of Revolver. Audio engineer and producer Tom Gordon, who was working on the remixes for Northwinds, was impressed by this restoration approach and contacted Peter Jackson's company, WingNut Films, which had utilised the MAL technology for various music and film restorations, including The Beatles' archives. However, his request was declined as the technology was exclusive to The Beatles project and was "bespoken for" at the time. Gordon then approached Dr. Paris Smaragdis in an attempt to develop a similar version of MAL software, but due to time constraints and limited resources, this was not possible.
After the initial attempts with MAL failed, Whitesnake audio engineers were under pressure to find an alternative audio isolation technology that could successfully separate the tracks from their original stems. For "Time & Again", Coverdale's vocals were recorded on the same multi-track alongside with the Rhodes electric piano. According to Gordon, Coverdale wanted to "ditch the Rhodes" and add string arrangements in the remix. However, when the Northwinds album was processed through various open-source audio separation software, the results included digital artefacts, rendering the remixes unusable as "the vocal was so exposed". The team eventually turned to an emerging software called "Audioshake", which was in its beta stage at the time. The software produced results that were deemed acceptable, allowing the remix of "Time & Again" to proceed.
For the remix of Into the Light, the album was originally recorded digitally through Pro Tools. Several tracks from the record were later remixed and included in the Red, White, Blues compilation trilogy, released between 2020 and 2021. The original recording utilised the now obsolete "Sound Designer II" format, which is incompatible with modern systems. However, the engineering team successfully transferred and converted the tracks using legacy equipment. To prevent data loss or corruption during the current project, the digital multitrack stems were re-aligned with their original time codes. The remixing was held entirely by Christopher Collier, who worked with the group since the late 2010s, while remixing for White Snake and Northwinds were handled by Tom Gordon and Alex Breckenridge.
Release and promotion
Although the three albums were recorded entirely by Coverdale as a solo artist, he now regards them as Whitesnake albums. He stated, "As I'm recognized as 'Mr. Whitesnake', I thought, Why not? They're all Whitesnake albums to me... we've remixed them to stand proudly alongside any Whitesnake album." 1997's Restless Heart was at first originally viewed as a solo album, but was eventually grouped as a "David Coverdale & Whitesnake" album due to EMI's contract demands. This, along with Into the Light, was envisioned as "brother and sister albums", respectively due to their similar sound in comparison to Whitesnake's other recordings. The first appearance of David Coverdale's solo work within Whitesnake was on Snakebite, which is considered the band's first official release. Initially issued as an EP, it was later expanded into a double EP, featuring four tracks from Northwinds album: "Keep on Giving Me Love", "Queen of Hearts", "Only My Soul", and "Breakdown".
On the morning of 16 August 2024, Coverdale announced the upcoming compilation on his Twitter/X page. That same day, a promotional music video for the track "Midnight Blue" from the album Into the Light was also released. Into the Light: The Solo Albums was released via Rhino Entertainment on 25 October 2024 as a multi-disc box set, featuring remastered and remixed versions of the solo albums, as well as previously unreleased demos. The collection will also feature music videos and a 60-page booklet containing photographs and an interview with Coverdale. Additionally, the set will be released as a double vinyl album, featuring tracks exclusively from Into the Light, marking its first release on vinyl format. Separately, the 2024 remixes of White Snake and Northwinds will also be reissued in the same format, pressed on translucent vinyl, released on 4 October for "RHINO Rocktober" sales event, following a Japanese release on 13 November. Snippets of the remixed tracks "Lady" and "Northwinds" are featured in their respective promotional videos. On 5 September, a remixed track of "Wherever You May Go" was premiered, following with another promotional music video of the song. "Time & Again" was released on 26 September with a promotional video featuring "Hook City Strings" arrangements. The unboxing of the compilation set was premiered on 17 October, followed by a "River Song" video release on 23 October. "Love Is Blind," featuring a video recorded in the early 2000s and an audio track updated with a modern remix, was uploaded on the release date of the compilation. Subsequently, two videos, "Yours for the Asking" and "She Give Me", were uploaded, followed by a video for "Too Many Tears", which featured a different production style compared to the version from Restless Heart.
Commercial performance
The complication charted at number fourteen on the UK Rock & Metal chart, while it only charted at number 98 in Scotland. It eventually charted in one country outside the group's native, debuting at number 90 in Switzerland.
Track listing
All tracks are written by David Coverdale, except where noted.
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "She Give Me" | 4:12 | |
2. | "River Song" | 6:42 | |
3. | "Don't You Cry" | 5:28 | |
4. | "Love Is Blind" | Coverdale, Earl Slick | 5:44 |
5. | "Slave" | Coverdale, Slick | 4:52 |
6. | "Cry for Love" | Coverdale, Doug Bossi, Slick | 5:34 |
7. | "Living on Love" | Coverdale, Bossi, Slick | 6:09 |
8. | "Midnight Blue" | Coverdale, Slick | 4:47 |
9. | "Too Many Tears" | Coverdale, Adrian Vandenberg | 6:07 |
10. | "Don't Lie to Me" | Coverdale, Slick | 4:42 |
11. | "All the Time in the World" | 5:27 | |
12. | "Wherever You May Go" | 3:57 | |
13. | "Yours for the Asking" | 4:26 | |
14. | "Let’s Talk It Over" | 8:12 | |
Total length: | 76:19 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Love Is Blind (Band Version)" | Coverdale, Slick | 5:26 |
2. | "As Long as I Have You" | Coverdale, Slick | 4:03 |
3. | "With All of My Heart" | 5:36 | |
4. | "Wherever You May Go (Strings Version)" | Coverdale, Earl Slick | 1:14 |
5. | "Love Is Blind (Strings Version)" | Coverdale, Slick | 3:31 |
No. | Title | Length |
---|---|---|
6. | "Lust" | 3:39 |
7. | "Oh No! Not the Blues Again" | 3:30 |
8. | "Into the Light" (intro) | 1:04 |
9. | "Into the Light" | 4:02 |
10. | "You Make It Hard on Me" | 3:56 |
11. | "Would You Be Happy" | 4:20 |
12. | "Fooling Yourself" | 3:58 |
13. | "Make The Best Of It" | 4:28 |
14. | "Veda of Cassandra Blues" | 4:11 |
15. | "I Can See the Light" | 4:01 |
16. | "Another Fallen Angel" | 4:15 |
17. | "Itchy Finger" | 4:52 |
No. | Title | Length |
---|---|---|
18. | "Crazy 'Bout Cha" (Original version of "Whipping Boy Blues") | 4:27 |
19. | "If You Want Me" | 4:21 |
20. | "Lay Your Love On Me" (Original version of "Lay Down Your Love") | 4:10 |
Total length: | 81:54 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Keep On Giving Me Love" | Coverdale, Micky Moody | 5:08 |
2. | "Sweet Mistreater" | 3:26 | |
3. | "Northwinds" | 6:01 | |
4. | "Give Me Kindness" | 4:32 | |
5. | "Queen of Hearts" | Coverdale, Moody | 5:15 |
6. | "Only My Soul" | 4:06 | |
7. | "Time & Again" (Strings version) | 4:02 | |
8. | "Say You Love Me" | 4:18 | |
9. | "Shame the Devil, Tell the Truth" | 3:35 | |
10. | "Breakdown" | Coverdale, Moody | 5:12 |
11. | "Time & Again" (Piano version) | 4:02 | |
12. | "Time & Again" (Strings only) | 4:01 | |
Total length: | 53:50 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lady" | Coverdale, Moody | 3:46 |
2. | "Blindman" | 5:36 | |
3. | "Goldies Place" | 4:40 | |
4. | "Time On My Side" | Coverdale, Moody | 4:24 |
5. | "Peace Lovin' Man" | 4:43 | |
6. | "Sunny Days" | 3:59 | |
7. | "Hole in the Sky" | 3:58 | |
8. | "Whitesnake" | Coverdale, Moody | 4:19 |
9. | "Celebration" | Coverdale, Moody | 3:42 |
No. | Title | Length |
---|---|---|
10. | "Sunny Days" | 4:59 |
11. | "Love Me In the Morning" | 2:32 |
12. | "I Will Love You" | 3:26 |
13. | "Moment In Time" | 3:12 |
14. | "It Would Be Nice" | 2:41 |
15. | "There Was a Time" | 2:56 |
16. | "Why?" | 4:04 |
17. | "I Still Love You" | 1:20 |
Total length: | 71:12 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "She Give Me" | 4:12 | |
2. | "River Song" | 7:17 | |
3. | "Don't You Cry" | 5:50 | |
4. | "Love Is Blind" | Coverdale, Slick | 5:45 |
5. | "Slave" | Coverdale, Slick | 4:53 |
6. | "Cry for Love" | Coverdale, Bossi, Slick | 4:53 |
7. | "Living on Love" | Coverdale, Bossi, Slick | 6:34 |
8. | "Midnight Blue" | Coverdale, Slick | 4:57 |
9. | "Too Many Tears" | Coverdale, Vandenberg | 5:59 |
10. | "Don't Lie to Me" | Coverdale, Slick | 4:44 |
11. | "Wherever You May Go" | 4:00 | |
Total length: | 52:20 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Lady" | Coverdale, Moody | 3:44 |
2. | "Blindman" | 6:00 | |
3. | "Goldies Place" | 5:00 | |
4. | "Time On My Side" | Coverdale, Moody | 4:24 |
5. | "Peace Lovin' Man" | 4:49 | |
6. | "Sunny Days" | 3:27 | |
7. | "Hole in the Sky" | 3:20 | |
8. | "Whitesnake" | Coverdale, Moody | 4:20 |
9. | "Celebration" | Coverdale, Moody | 4:04 |
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Keep On Giving Me Love" | Coverdale, Moody | 5:15 |
2. | "Northwinds" | 6:04 | |
3. | "Give Me Kindness" | 4:33 | |
4. | "Time & Again" | 3:56 | |
5. | "Queen of Hearts" | Coverdale, Moody | 5:13 |
6. | "Only My Soul" | 4:34 | |
7. | "Say You Love Me" | 4:19 | |
8. | "Breakdown" | Coverdale, Moody | 5:13 |
Total length: | 78:15 |
Personnel
Credits are adapted from the original album's liner notes, including White Snake, Northwinds and Into the Light.
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Charts
Chart (2024) | Peak position |
---|---|
Swiss Albums (Schweizer Hitparade) | 90 |
Scottish Albums (OCC) | 98 |
UK Rock & Metal Albums (OCC) | 14 |
References
Footnotes
- ^ Into the Light: The Solo Albums (booklet). Whitesnake. Rhino Entertainment. 2024. 603497824489.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ Northwinds (booklet). David Coverdale. Purple Records, Eagle Rock Entertainment. 2000. 8 26992 02412 7.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - Valdivia, Victor (16 October 2011). "David Coverdale: White Snake / North Winds". PopMatters. Retrieved 17 August 2024.
- "Too Old to Rock and Roll - Too Young to Die?". Metal Hammer. Vol. 14, no. 7. Berlin, Germany: ZAG Zeitschriften-Verlag. 1997. pp. 126–127.
- Jeffries, Neil (22 September 2021). "Every David Coverdale and Whitesnake album, ranked from worst to best". Classic Rock. Louder. Retrieved 17 August 2024.
- Llewellyn, Siân (18 September 2000). "David Coverdale – Into the Light (EMI/Chrysalis - advance CD)". Classic Rock. London, England: Future. p. 63.
- Mineur, Matthias (2000). "David Coverdale - Into the Light (EMI)". Metal Hammer. Vol. 17, no. 10. Munich, Germany: AS Young Mediahouse GmbH. p. 86.
- McNeice, Andrew J. "David Coverdale – Into the Light Interview". MelodicRock. Retrieved 17 August 2024.
- Bliss, Karen (24 July 2009). "Whitesnake Reissuing Classic Albums With Extras". Noisecreep. Retrieved 14 October 2024.
- The Blues Album (booklet). Whitesnake. RHINO. 2021. 0 190295 156169.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - ^ White Snake (booklet). David Coverdale. Purple Records. 2000. 6 70211 50752 2.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - Popoff, Martin (2016). The Deep Purple Family (2nd ed.). Wymer Publishing. p. 221. ISBN 978-1-908724-42-7.
- DeRiso, Nick (19 July 2021). "45 Years Ago: David Coverdale Quits As Deep Purple Disintegrate". Ultimate Classic Rock. Townsquare Media. Retrieved 17 August 2024.
- Popoff, Martin (2016). The Deep Purple Family (2nd ed.). Wymer Publishing. p. 234. ISBN 978-1-908724-42-7.
- Adams, Bret. "David Coverdale – Northwinds review". AllMusic. Retrieved 17 August 2024.
- Jeffries, Neil (5 January 2021). "David Coverdale: a guide to his best albums". Classic Rock. Louder. Retrieved 17 August 2024.
- Valdivia, Victor (16 October 2011). "David Coverdale: White Snake / North Winds". PopMatters. Retrieved 17 August 2024.
- "Coverdale fills multiple roles on his Dragonshead solo set". Daily Press. Victorville, California, United States. 10 June 1994. p. 13. Retrieved 17 August 2024 – via Newspapers.com.
- ^ Into The Light (booklet). David Coverdale. EMI. 2000. 7243 5 28124 2 4.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link) - "DAVID COVERDALE's Three Solo Albums To Be Made Available With Remixes, Remasters And Previously Unreleased Tracks". Blabbermouth. 16 August 2024. Retrieved 17 August 2024.
- ^ "Into the Light: The Solo Albums". Whitesnake.com. 16 August 2024. Retrieved 17 August 2024.
- "All White My Luvs!". Raw. London, England: EMAP publications. 20 July 1994. p. 64.
- "Time & Again (DC & Hook City Strings)". Whitesnake.com. Whitesnake. 25 September 2024. Retrieved 14 October 2024.
- Sisario, Ben (11 November 2021). "Know How the Beatles Ended? Peter Jackson May Change Your Mind". The New York Times. ISSN 0362-4331. Archived from the original on 11 November 2021. Retrieved 13 October 2024.
- Sparkes, Matthew (24 December 2021). "Beatles documentary Get Back used custom AI to strip unwanted sound". New Scientist. Archived from the original on 30 October 2023. Retrieved 13 October 2024.
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- "Coverdale fills multiple roles on his Dragonshead solo set". Daily Press. Victorville, California, United States. 10 June 1994. p. 13. Retrieved 13 October 2024 – via Newspapers.com.
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- Chirazi, Steffan (25 March 2011). "The Growing Pains Of Whitesnake's David Coverdale". Louder. Classic Rock. Retrieved 17 August 2024.
- Snakebite ad: "David Coverdale's Whitesnake and their debut album Snakebite.". Billboard (16 September 1978) - p. 1. Retrieved on 13 October 2024.
- Coverdale, David (16 August 2024). "Into the Light: The Solo Albums announcement reveal video". Twitter/X. Retrieved 17 August 2024.
- ^ "Into The Light: The Solo Albums (6CD)". Rhino.
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- Coverdale, David (31 August 2024). "WHITESNAKE NorthWinds LP (2024 Remix) Pre-Order Now - Release October 4". Instagram. Retrieved 31 August 2024.
- Coverdale, David (31 August 2024). ""White Snake" promo video". Instagram. Whitesnake. Retrieved 31 August 2024.
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- Coverdale, David (4 September 2024). ""Oh…& Don't Forget…See YOU At 9 am PCT TOMORROW!!!"". Twitter/X. Retrieved 5 September 2024.
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- "Whitesnake - Time & Again (DC & Hook City Strings - Official Video 2024 Remix)". YouTube. Whitesnake. 26 September 2024. Retrieved 26 September 2024.
- "Whitesnake - River Song (Official Video 2024 Remix)". YouTube. Whitesnajke. 23 October 2024. Retrieved 23 October 2024.
- "Whitesnake - Unboxing The Solo Albums: Into The Light, WhiteSnake MCMLXXVII and Northwinds". YouTube. Whitesnake. 17 October 2024. Retrieved 22 October 2024.
- "WHITESNAKE's DAVID COVERDALE Releases "Love Is Blind" (Official Video 2024 Remix); Into The Light: The Solo Albums Out Now". Bravewords. 25 October 2024. Retrieved 25 October 2024.
- "Whitesnake's David Coverdale Releases "Too Many Tears" (Official Video 2024 Remix)". Bravewords. 11 December 2024. Retrieved 16 December 2024.
- ^ "Official Rock & Metal Albums Chart Top 40". Official Charts Company. Retrieved 1 November 2024.
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Book sources
- Popoff, Martin (2016). The Deep Purple Family (2nd ed.). Wymer Publishing. ISBN 978-1-908724-42-7.