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==Criticisms== ==Criticisms==
Elwood's significant presence in the genre anthology field in the mid seventies is not without its detractors, whose criticisms range from professional to ad hominem. Many of them are summarised in senior editor ]'s original essay on Elwood, which was for some time the basis for this article <ref> (also ) by ]; also </ref>. Elwood's significant presence in the genre anthology field in the mid seventies is not without its detractors, whose criticisms range from professional to ad hominem. Many of them are summarised in senior editor ]'s original essay on Elwood, which was for some time the basis for this article <ref> (also ) by ].


===Market flooding=== ===Market flooding===
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===Professionalism=== ===Professionalism===
Elwood is reported to have underpaid authors <ref> on Teresa Nielsen Haynden's blog </ref>. Additionally, Nielsen Hayden discusses speculation about the financial details of some of Elwood's projects "that by all indications should have had generous budgets" but were "peculiarly long on authors who had slight or nonexistent publishing credentials outside of Roger Elwood projects." Elwood is reported to have underpaid authors. Additionally, Nielsen Hayden discusses speculation about the financial details of some of Elwood's projects "that by all indications should have had generous budgets" but were "peculiarly long on authors who had slight or nonexistent publishing credentials outside of Roger Elwood projects."


Elwood's eight-volume ] ] ''Lerner SF Library'' (1974), with three or four stories per volume, includes stories from three authors whose only recorded sale, according to the ], was to that book; two more authors who only ever sold stories to Roger Elwood; and one whose only first sale was to Roger Elwood, but who had the story picked up for republication elsewhere. Elwood's eight-volume ] ] ''Lerner SF Library'' (1974), with three or four stories per volume, includes stories from three authors whose only recorded sale, according to the ], was to that book; two more authors who only ever sold stories to Roger Elwood; and one whose only first sale was to Roger Elwood, but who had the story picked up for republication elsewhere.

Revision as of 23:46, 27 May 2007

Roger Elwood (born 1933) is an American science fiction writer and editor, perhaps best known for having edited a large number of anthologies and collections for a variety of publishers in the early 1970s.

Biography

This section needs expansion. You can help by adding to it.

Born and raised in Southern New Jersey, Roger Elwood started his professional writing career shortly after graduating from high school.

Elwood edited two wrestling magazines, "The Big Book of Wrestling" and "Official Wrestling Guide", on a contract basis in 1971–72 for Jalart House, an Arizona publisher, and regularly photographed matches (wrestling magazines placed a premium on photos rather than text). He became a regular with locker room access at some shows on the East Coast, which might seem to contradict rumours that he had become disillusioned with wrestling when it came to his attention that some pro wrestling matches were fixed. This period produced some fictional confessional stories (eg. "I Killed a Man in the Ring") that Elwood claimed were based on "a blending of interviews." He abruptly left the job in between late 1972 and early 1973, telling writers the wrestling magazines were too much work for too little compensation.

Elwood was published by four different publishers in the first six years as an SF anthologist. During the following few years he would contract with over a dozen other publishers to produce many dozens of individual books and two anthology series, the four-book Continuum and two-book Frontiers. The Encyclopedia of Science Fiction observes that "At one time it was estimated that Roger Elwood alone constituted about one quarter of the total market for SF short stories".

Around the time the SF anthology market was bottoming out, Elwood moved on to Laser Books, an ultimately unsuccessful attempt by romance publishing giant Harlequin Books to systematize and regularize SF into a uniform series of novels by diverse authors. He then effectively left the mainline science fiction/fantasy field in the late 1970s.

Elwood's biography on the Fantastic Fiction website omits all mention of his work in the mainline science fiction/fantasy field and identifies him as a Writer-in-Residence (or occasionally a "professor of literature") at a bible college in the mid-west. The biography also claims that "12 of his novels have won Excellence in Media awards for best book of the year", although the Silver Angels award website includes only a general "Print" category, and does not list Elwood's name .

Criticisms

Elwood's significant presence in the genre anthology field in the mid seventies is not without its detractors, whose criticisms range from professional to ad hominem. Many of them are summarised in senior editor Teresa Nielsen Hayden's original essay on Elwood, which was for some time the basis for this article Cite error: A <ref> tag is missing the closing </ref> (see the help page)..

While declining to accuse Elwood of dishonesty, Nielsen Hayden suggests that:

there are no very creditable explanations for his flood of anthologies in the mid-1970s; that the publishers who bought them would never have done so if they'd had any idea that he was carpet-bombing SF publishing with anthology projects; that many of his anthologies (if not all the stories in them) were well below par in terms of their quality; and that the subsequent collapse of the anthology and story-collection market did long-term damage to science fiction as a whole.
Elwood professed to be as surprised as anyone when the anthology market collapsed — an odd claim, considering he'd been a working anthologist for a decade or more — and lightly departed the SF field to pursue other interests.

Bibliography

Short work

Elwood's Fantastic Fiction biography claims that he has sold "a thousand articles and a few short stories" to publications including Ladies Home Companion, Mike Shayne's Mystery Magazine, Edgar Wallace Mystery Magazine, Photoplay, Grit and Weekly Reader.

Anthologies

  • Alien Worlds (1964)
  • Invasion of the Robots (1965)
  • The Time Curve (1968) (with Sam Moskowitz)
  • Alien Earth: And Other Stories (1969)
  • The Little Monsters (1969) (with Vic Ghidalia)
  • Other Worlds, Other Times (1969) (with Sam Moskowitz)
  • Horror Hunters (1971) (with Vic Ghidalia)
  • And Walk Now Gently Through the Fire: And Other Science Fiction Stories (1972)
  • Young Demons (1972) (with Vic Ghidalia)
  • Beware the Beasts (1973) (with Vic Ghidalia)
  • Demon Kind (1973)
  • Future Quest (1973)
  • Way Out (1973)
  • The Berserkers (1973)
  • Future City (1973)
  • The Other Side of Tomorrow (1973)
  • Monster Tales: Vampires Werewolves and Things (1973)
  • Children of Infinity: Original Science Fiction Stories for Young Readers (1973)
  • Androids, Time Machines, and Blue Giraffes: A Panorama of Science Fiction (1973)
  • Flame Tree Planet: And Other Stories (1973)
  • Saving Worlds (1973) (with Virginia Kidd)
  • Showcase (1973)
  • Ten Tomorrows (1973)
  • Omega (1974)


  • Crisis: Ten Original Stories of Science Fiction (1974)
  • Chronicles of a Comer: And Other Religious Science Fiction Stories (1974)
  • The Killer Plants: And Other Stories (1974)
  • Night of the Sphinx: and Other Stories (1974)
  • Strange Gods (1974)
  • Survival from Infinity: Original Science Fiction Stories for Young Readers (1974)
  • The Far Side of Time (1974)
  • Future Kin: Eight Science Fiction Stories (1974)
  • Horror Tales: Spirits, Spells and the Unknown (1974)
  • The Learning Maze: and Other Science Fiction (1974)
  • The Wounded Planet (1974)
  • Dystopian Visions (1975)
  • Future Corruption (1975)
  • The Gifts of Asti: And Other Stories of Science Fiction (1975)
  • Tomorrow: New Worlds of Science Fiction (1975)
  • Epoch (1975)
  • Six Science Fiction Plays (1975)
  • The Fifty-meter Monsters: And Other Horrors (1976)
  • Visions of Tomorrow (1976)
  • Futurelove (1977)
  • Science Fiction Tales(1978)
  • Spine-Chillers: Unforgettable Tales of Terror (1978) (with Howard Goldsmith)
  • More Science Fiction Tales (1978)

Anthology Series

Frontiers:

  • Frontiers 1: Tomorrow's Alternatives (1973)
  • Frontiers 2: The New Mind (1973)

Continuum:

  • Continuum 1 (1974)
  • Continuum 2 (1974)
  • Continuum 3 (1974)
  • Continuum 4 (1975)
Novel Series

Angelwalk:

  1. Angelwalk (1988)
  2. Fallen Angel (1990)
  3. Stedfast Guardian Angel (1992)
  • Darien: Guardian Angel of Jesus (1994)
  • The Angelwalk Trilogy: Angelwalk / Fallen Angel / Stedfast (omnibus) (1995)
  • Darien's Angelwalk for Children (1995)
  • Angels in Atlantic City (1998)
  • Wendy's Phoenix (1999)
  • Where Angels Dare (1999)
  • On Holy Ground (2001)


Bartlett Brothers:

  • Disaster Island (1992)
  • Nightmare at Skull Junction (1992)

Oss Chronicles:

  1. Wolf's Lair (1993)
  2. Deadly Sanction (1993)
  3. Code Name Bloody Winter (1993)

Without the Dawn:

  1. How Soon the Serpent (1997)
  2. Valley of the Shadow (1997)
  3. The Judas Factor (1997)
  4. Bright Phoenix (1997)

Novels
  • Long Night of Waiting (1974)
  • Remnant (1989)
  • The Christening (1989)
  • The Wandering (1990)
  • Children of the Furor (1990)
  • Dwellers (1990)
  • Sorcerers of Sodom (1991)
  • Sudden Fear (1991)
  • Terror Cruise (1991)
  • Dark Knight (1991)
  • Forbidden River (1991)


  • Frankenstein Projects (1991)
  • Wise One (1991)
  • Soaring : An Odyssey of the Soul (1992)
  • Maggie's Song (1993)
  • Circle of Deception (1993)
  • The Road to Masada (1994)
  • Shawn Hawk: A Novel of the 21st Century (1995)
  • Act of Sacrifice: Vol. 3 (1997)
  • Ashes of Paradise (1997) (which explains how to reconcile Confederate slaveholding and Christian ideals)
  • Stephen the Martyr (1998)

Other

References

  1. Angel Awards website; search for Elwood's name.

See also

  • Sam Moskowitz
  • Vic Ghidalia
  • The book Science Fiction and Market Realities, proceedings of the conference from an Eaton Conference, ed. George Slusser, Gary Westfahl, and Eric S. Rabkin, Athens : University of Georgia Press, c1996, ISBN 0820317268, has one or more essays that discuss the effect of Elwood on the science fiction market in some detail.

External links

Categories: