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| The ''']''' has appeared numerous times '''in popular media'''. The independently iconic television series '']'', with LAPD Detective ] as the primary character, was the first major media representation of the department. Real LAPD operations inspired ] to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station. | |||
| The ''']''' has appeared numerous times '''in''' the popular '''media'''. | |||
| Due to ''Dragnet'''s popularity, LAPD chief ] "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation." In the 1960s, when the LAPD under Chief ] expanded its community relations division and began efforts to reach out to the black community, ''Dragnet'' followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.<ref>* Michael J. Hayde, ''My Name's Friday: The Unauthorized but True Story of Dragnet and the Films of Jack Webb'', Cumberland House, 2001, ISBN 1-581-82190-5, quote at p. 192.</ref> | |||
| The LAPD was the subject of several books specifically about the force, including: ''Boot: An L.A.P.D. Officer's Rookie Year'' (1996), by William C. Dunn; ''One Time: The Story of A South Central Los Angeles Police Officer'' (1997), by ]; ''] (1992), by ]; and ''Political Sabotage: The LAPD Experience; Attitudes Toward Understanding Police Use of Force'' (1994), by Richard Melville Holbrook. | |||
| It has also been the subject of several |
It has also been the subject of several novels, probably the most famous of which is '']'', a novel by ] that was made into a ]. Both chronicled mass-murder and corruption inside and outside the force. Critic ] indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.<ref>Roger Ebert, (review), '']'', September 19, 1997.</ref> | ||
| ''L.A. Confidential'' is part of a modern trend of more negative portrayals of the department that started with the ]. | |||
| Additionally, the LAPD was key to several major films, such as '']'', about a bloody battle between police and gangsters, the '']'' series, and the provocative '']''. On television, media representation of the department is led by the independently iconic '']'', with LAPD Detective ] as the primary character. The LAPD also makes many appearances in a litany of video games and music. | |||
| == References == | == References == | ||
Revision as of 03:52, 31 August 2007
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The Los Angeles Police Department has appeared numerous times in popular media. The independently iconic television series Dragnet, with LAPD Detective Joe Friday as the primary character, was the first major media representation of the department. Real LAPD operations inspired Jack Webb to create the series and close cooperation with department officers let him make it as realistic as possible, including authentic police equipment and sound recording on-site at the police station.
Due to Dragnet's popularity, LAPD chief Parker "became, after J. Edgar Hoover, the most well known and respected law enforcement official in the nation." In the 1960s, when the LAPD under Chief Thomas Reddin expanded its community relations division and began efforts to reach out to the black community, Dragnet followed suit with more emphasis on internal affairs and community policing than solving crimes, the show's previous mainstay.
It has also been the subject of several novels, probably the most famous of which is L.A. Confidential, a novel by James Ellroy that was made into a film of the same name. Both chronicled mass-murder and corruption inside and outside the force. Critic Roger Ebert indicates that the film's characters (from the 1950s) "represent the choices ahead for the LAPD": assisting Hollywood limelight, aggressive policing with relaxed ethics, and a "straight arrow" approach.
L.A. Confidential is part of a modern trend of more negative portrayals of the department that started with the Rodney King beating and subsequent riots.
References
- * Michael J. Hayde, My Name's Friday: The Unauthorized but True Story of Dragnet and the Films of Jack Webb, Cumberland House, 2001, ISBN 1-581-82190-5, quote at p. 192.
- Roger Ebert, L.A. Confidential (review), Chicago Sun-Times, September 19, 1997.