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| '''Marian Anderson''' (], ] - ],]) was an ] ], best remembered for her performance on ] Sunday, ] on the steps of the ] in ] The concert, which featured a stirring rendition of "]", was arranged by ] after the ] (DAR) |
'''Marian Anderson''' (], ] - ],]) was an ] ], best remembered for her performance on ] Sunday, ] on the steps of the ] in ] The concert, which featured a stirring rendition of "]", was arranged by ] after the ] (DAR) banned Marian from singing in ] because of her race. | ||
| Marian Anderson was born in ]. She joined a junior church ] at the age of six, and applied to an all-white music school after her graduation from ] in ], but was turned away because she was black. The woman working the admissions counter replied "We don't take colored" when she tried to apply. Consequently, she continued her singing studies with a private teacher. | Marian Anderson was born in ]. She joined a junior church ] at the age of six, and applied to an all-white music school after her graduation from ] in ], but was turned away because she was black. The woman working the admissions counter replied "We don't take colored" when she tried to apply. Consequently, she continued her singing studies with a private teacher. | ||
Revision as of 20:27, 18 June 2005
Marian Anderson (February 27, 1897 - April 8,1993) was an African-American contralto, best remembered for her performance on Easter Sunday, 1939 on the steps of the Lincoln Memorial in Washington D.C. The concert, which featured a stirring rendition of "God Bless America", was arranged by Eleanor Roosevelt after the Daughters of the American Revolution (DAR) banned Marian from singing in Constitution Hall because of her race.
Marian Anderson was born in Philadelphia, Pennsylvania. She joined a junior church choir at the age of six, and applied to an all-white music school after her graduation from high school in 1921, but was turned away because she was black. The woman working the admissions counter replied "We don't take colored" when she tried to apply. Consequently, she continued her singing studies with a private teacher.
She debuted at the New York Philharmonic on August 26, 1925 and scored an immediate success, also with the critics. In 1928, she sang for the first time at Carnegie Hall. Her reputation was further advanced by her tour though Europe in the early 1930s. Finnish composer Jean Sibelius dedicated his Solitude to her.
In 1955, Anderson broke the color barrier by becoming the first African-American to perform with the New York Metropolitan Opera. On that occasion, she sang the part of Ulrica in Giuseppe Verdi's Un ballo in maschera. The occasion was bittersweet as Anderson, at age 58, was no longer in her prime vocally.
In 1958 she was officially designated delegate to the United Nations, a formalization of her role as "goodwill ambassador" of the U.S. she played earlier, and in 1972 she was awarded the UN Peace Prize.
After an extensive farewell tour, she retired from singing in 1965. Her achievements were recognized and honored with many prizes, including a Grammy Award for Lifetime Achievement in 1991.
Marian Anderson died in 1993 at her nephew's home in Portland, Oregon. She is interred in the Eden Cemetery in Philadelphia.
The 1939 documentary film, Marian Anderson: the Lincoln Memorial Concert was selected for preservation in the United States National Film Registry.
On January 27, 2005, a commemorative U.S. postage stamp honored Marian Anderson with her image on the 37¢ issue as part of the "Black Heritage" series.
External links
- Biography of Marian Anderson, with images
- Another biography
- Yet another biography
- And one more at FemBio
- Online exhibition from the University of Pennsylvania Library, which holds her papers; includes audio and film archives