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John Bernard Adie Barton was born November 26, 1928, in ], ]. He is the son of Sir Harold Montagu and Lady Joyce (nee Wale) Barton; he married Anne Righter (a university lecturer) in 1968. John was ] educated and began his directing career while teaching there. He created a 12-part series for ] on the medievil Mysteries, inspired by the ]. '''John Bernard Adie Barton''' (born ], ] in ], ]) is a theatrical director. He is the son of Sir Harold Montagu and Lady Joyce (nee Wale) Barton; he married Anne Righter (a university lecturer) in 1968. Barton was ] educated and began his directing career while teaching there. He created a 12-part series for ] on the medieval Mysteries, inspired by the ].


In 1960, along with ], they founded ] where John has been an active director for over 40 years. He has directed over 50 productions either on his own or as a collaborator with the likes of Sir Peter Hall and ]. Some landmark productions at RSC include 1969's ] with ] as Viola, and 1970's ] with ] as Oberon. Currently, John serves at the RSC as Company Advisory Director. In 1960, along with ], they founded the ] where Barton has been an active director for over 40 years. He has directed over 50 productions either on his own or as a collaborator with the likes of Sir Peter Hall and ]. Some landmark productions at RSC include 1969's '']'' with ] as Viola, and 1970's '']'' with ] as Oberon. Currently, he serves at the RSC as Company Advisory Director.


In 1982, John, while working with 21 RSC company members, including Dame ], ], ], ], just to name a few, recorded 9 workshop sessions for London Weekend Television by The RSC. These recordings were aired in 1984 and became the source of his best-selling book, "Playing Shakespeare"; a popular guide and tool used by many actors who are working with and training in Shakespeare. He is quoted in an article by ] as saying, "I... think the success or failure of the RSC depends on the quality of the actors. If I've learned anything in my time, it is that if you get the right combination of actors, a production will generally work... But one should always remember that no theatre company is immortal and ] could still chuck a thunder-bolt at any moment." In 1982, Barton, while working with 21 RSC company members, including ], ], ], ], just to name a few, recorded 9 workshop sessions for London Weekend Television by The RSC. These recordings were aired in 1984 and became the source of his best-selling book, ''Playing Shakespeare''; a popular guide and tool used by many actors who are working with and training in Shakespeare. He is quoted in an article by ] as saying, "I... think the success or failure of the RSC depends on the quality of the actors. If I've learned anything in my time, it is that if you get the right combination of actors, a production will generally work... But one should always remember that no theatre company is immortal and ] could still chuck a thunder-bolt at any moment."


Barton possesses an encyclopedic knowledge of Shakespeare and is known to be able to announce one of his plays from just hearing a single line of text. He is a legend in the classical theater world, rumored to have chewed razor blades during long rehearsals early in his career. A story is told of Barton getting so into his directorial work giving notes one night, that he fell into the orchestra pit, climbed out, and dusted himself off before resuming. A great deal of the success of RSC is attributed to Barton and his unrivaled wisdom of language, verse and character. Barton possesses an encyclopedic knowledge of Shakespeare and is known to be able to identify one of his plays from a single line of text. He is a legend in the classical theater world, rumored to have chewed razor blades during long rehearsals early in his career. A story is told of Barton getting so into his directorial work giving notes one night, that he fell into the orchestra pit, climbed out, and dusted himself off before resuming. A great deal of the success of RSC is attributed to Barton and his unrivaled wisdom of language, verse and character.


John still holds these workshops and even conducts Master Classes at BADA ] during their Summer in Oxford training programs. Barton still holds these workshops and even conducts Master Classes at BADA (]) during their Summer in Oxford training programs.




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== References == == References ==


*Barton, John. ]. London: Methuen, 1984. *Barton, John. ''Playing Shakespeare''. London: Methuen, 1984.


*Greenwald, Michael L. ]. Cranbury: Associated University Press, 1985 *Greenwald, Michael L. ''Directions by Indirections (John Barton of the Royal Shakespeare Company)''. Cranbury: Associated University Press, 1985


*http//www.imdb.com *http://www.imdb.com/


*Billington, Michael. 'George Galloway? He's a brilliant Shakespearean.' ]. February, 2006. *Billington, Michael. 'George Galloway? He's a brilliant Shakespearean.' ]. February, 2006.
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Revision as of 07:38, 13 October 2007

John Bernard Adie Barton (born November 26, 1928 in London, England) is a theatrical director. He is the son of Sir Harold Montagu and Lady Joyce (nee Wale) Barton; he married Anne Righter (a university lecturer) in 1968. Barton was Cambridge educated and began his directing career while teaching there. He created a 12-part series for BBC radio on the medieval Mysteries, inspired by the Norse Sagas.

In 1960, along with Peter Hall, they founded the Royal Shakespeare Company where Barton has been an active director for over 40 years. He has directed over 50 productions either on his own or as a collaborator with the likes of Sir Peter Hall and Trevor Nunn. Some landmark productions at RSC include 1969's Twelfth Night with Judi Dench as Viola, and 1970's A Midsummer Night's Dream with Patrick Stewart as Oberon. Currently, he serves at the RSC as Company Advisory Director.

In 1982, Barton, while working with 21 RSC company members, including Judi Dench, Ian McKellen, Patrick Stewart, Ben Kingsley, just to name a few, recorded 9 workshop sessions for London Weekend Television by The RSC. These recordings were aired in 1984 and became the source of his best-selling book, Playing Shakespeare; a popular guide and tool used by many actors who are working with and training in Shakespeare. He is quoted in an article by Michael Billington as saying, "I... think the success or failure of the RSC depends on the quality of the actors. If I've learned anything in my time, it is that if you get the right combination of actors, a production will generally work... But one should always remember that no theatre company is immortal and Zeus could still chuck a thunder-bolt at any moment."

Barton possesses an encyclopedic knowledge of Shakespeare and is known to be able to identify one of his plays from a single line of text. He is a legend in the classical theater world, rumored to have chewed razor blades during long rehearsals early in his career. A story is told of Barton getting so into his directorial work giving notes one night, that he fell into the orchestra pit, climbed out, and dusted himself off before resuming. A great deal of the success of RSC is attributed to Barton and his unrivaled wisdom of language, verse and character.

Barton still holds these workshops and even conducts Master Classes at BADA (British American Drama Academy) during their Summer in Oxford training programs.


Filmography

1984 - Playing Shakespeare (TV - Special)

As writer:

  • 1965 - War of the Roses (TV - mini-series)
  • 1970 - Hallmark Hall of Fame - Hamlet (adaptation) (TV)
  • 1984 - Morte d'Arthur (adaptation) (TV)
  • 1991 - The War That Never Ends (TV)

As director:

  • 1965 - War of the Roses (TV - mini-series)
  • 1968 - All's Well That Ends Well (TV)

As actor:

  • 1984 - Morte d'Arthur - Sir Thomas Malory

References

  • Barton, John. Playing Shakespeare. London: Methuen, 1984.
  • Greenwald, Michael L. Directions by Indirections (John Barton of the Royal Shakespeare Company). Cranbury: Associated University Press, 1985
  • Billington, Michael. 'George Galloway? He's a brilliant Shakespearean.' Guardian Unlimited. February, 2006.
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