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''"Triumph of Christianity" by ] (]-]), ceiling painting in the ], ] Palace. Images like this one symbolize the destruction of ancient ] culture and the "victory" of Christianity.''
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during the Roman Empire, and the fact that Christianity, perceived by many Enlightenment intellectuals as a primitive, irrational belief system became the prevailing culture and institutional form during the period, led to the categorization "Dark Ages."

There are no clear starting or ending points for the Dark Ages, though the half-millennium period from the ] sack of ] (]) to the year ] is commonly used, although European politics were substantially stabilized with the crowning of ] as ] in ].

The negative connotations of the expression ''Dark Ages'' have made it unpopular among recent historians of this period. The term '']'' is often preferred. The continuities between Dark Age society and late imperial Rome have been stressed by some ]s, who wish to emphasise that medieval culture was already developing in the empire, and indeed continued to do so in the unconquered eastern (]) portion of the empire. However, many of the tribes who took over imperial land were initially ]. The development of a solidly ] Europe, in opposition to an ] empire based in North ] and the ], marks a major cultural and political first from the Persian Empire and later the Islamic takeover of the southern and eastern ].

The image of constant barbarian warfare amid the ruins of the Roman empire continues to depict popular conceptions of the Dark Ages, influencing the creation of characters such as ]. The literature of ] also emerges from this confused period, as civilised urban and Christian Roman cultures attempted to defend themselves against expanding pagan tribes. The struggle between Christian and magical-pagan belief systems in the Arthurian romances epitomises this.

]

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In ]'s ] ], the term '''''dark ages''''' radiation]] resulting from the "Big Bang" ].

Revision as of 04:30, 24 November 2003

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