Misplaced Pages

Revision as of 00:18, 24 July 2008

Dance: Ballet

This article is within the scope of WikiProject Dance, a collaborative effort to improve the coverage of Dance and Dance-related topics on Misplaced Pages. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.DanceWikipedia:WikiProject DanceTemplate:WikiProject DanceDance This article is supported by WikiProject Ballet. WikiProject Ballet To-do list: Here are some tasks awaiting attention: Article requests : See the Image requests page. Articles: Choo Chiat Goh, Vladimir Bourmeister, Columbia City Ballet, Michael Cook (ballet), Peter Schaufuss, Cyril Atanassoff, Post-structuralist ballet Cleanup : Ballet Fantastique, NYCB/cast lists, re-write the whole Russian ballet article Copyedit : Rasta Thomas, Ballet (marked as in need of immediate attention) Disambiguation : Moscow Ballet Expand : French ballet, Balanchine method, Cecchetti method, Original Ballet Russe, Royal Swedish Ballet, Bloch (dancewear), Turnout (ballet), Opera ballet, English ballet, Italian ballet NPOV : Capezio Stubs : Pas de deux, ballet tutu, Nicolai Legat, John Neumeier, Miami City Ballet, more Unreferenced : Miami City Ballet, Oklahoma City Ballet Wikify : Moscow Ballet (United States), Oklahoma City Ballet (in need of sections and references) Other : Review recent changes to ballet articles.

France B‑class Mid‑importance

This article is within the scope of WikiProject France, a collaborative effort to improve the coverage of France on Misplaced Pages. If you would like to participate, please visit the project page, where you can join the discussion and see a list of open tasks.FranceWikipedia:WikiProject FranceTemplate:WikiProject FranceFrance B This article has been rated as B-class on Misplaced Pages's content assessment scale. Mid This article has been rated as Mid-importance on the project's importance scale.

Biography: Actors and Filmmakers B‑class

This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Misplaced Pages's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography B This article has been rated as B-class on Misplaced Pages's content assessment scale. This article is supported by WikiProject Actors and Filmmakers (assessed as Mid-importance).

LGBTQ+ studies B‑class

This article is of interest to WikiProject LGBTQ+ studies, which tries to ensure comprehensive and factual coverage of all LGBTQ-related issues on Misplaced Pages. For more information, or to get involved, please visit the project page or contribute to the discussion.LGBTQ+ studiesWikipedia:WikiProject LGBTQ+ studiesTemplate:WikiProject LGBTQ+ studiesLGBTQ+ studies B This article has been rated as B-class on Misplaced Pages's content assessment scale.

Improving Comment and links

I would like to know if it is fine to have videoartworld as an external link for this page. On his article there is a nice focus on the orpheus trilogy and a rich media content...I am an teacher and art critic collaborating with www.videoartworld.com (for free). Videoartworld is a non profit site, having only banners of non profit entities (Green Peace, WWF, British Art Council...). As i i am writing for them, it looks like there is a conflict of interest according to Misplaced Pages Guidelines. One moderator deleted every links thinking at first i might be a spammer. Which mean i need to 1st talk with people on the discussion page. please do not hesitate to give me advices as i am quite new in wikipedia, but as an Art lover and Cinema teacher, i would love to be more involved....

PS: in Videoartworld, more than 40 critics from every continents are collaborating to give high levels of critics (we all do it for free, no business at all, no spam. To keep this Art alive....) I hope it will be appreciated by all the people working on Cinema, "art et essais," Experimental video art..... If you have advices as well about adding new contemporary artists, please tell it to me.... Thanks a lot for your answers and your advices. Jjcolmax 11:19, 21 September 2007 (UTC).

Surrealist?

"As a leading member of the surrealist movement, he had great influence on the work of others": this is a flat-out lie! Cocteau was never a member of the surrealist movement and the surrealists repeatedly expressed their contempt for him! --Daniel C. Boyer

Um, actually he was great friends with people like Dali and Elsa Schiaparelli, both very active in the surrealist movement...

Have you seen his first film, the blood of a poet? --concerned art patron —Preceding unsigned comment added by 24.37.86.130 (talk) 06:09, January 28, 2005 (UTC)

I have changed the expression 'leader of the surrealist movement' to important exponent of surrealism.

I've seen blood of a poet and yes I think there is a surrealist sensibility and aesthetic... So i would say that Cocteau is without a doubt a surrealist artist. But I have a problem with the expression "surrealist movement" which to me refers to the social/artistic group which revolved around Breton, with people like Elouard and Aragon and many others (from which Dali was notoriously expelled) which held -apart from a certain aesthetic- an emphasis on political/social commentary as expressed in Breton's manifestos. There is a section in Luis Bunuel's autobiography (Mi Ultimo Suspiro) where he comments the internal functioning of the group and he makes a precise distinction between a surrealist aesthetic (which -he said- had transcended onto the rest of the arts) and the surrealist movement (which -he said- intended primarily to transform the world, not the arts. He states regretfully that the movement failed).

(Luis Buñuel. Mi Último Suspiro. Ed. Debolsillo. 2003. pp. 115-143, esp. 139-140.) —Preceding unsigned comment added by 200.91.139.158 (talk) 07:35, December 9, 2005 (UTC)

While Cocteau was friends with many in the Surrealist movement, he was not himself a proponent of it. In fact, he was known for his resistance to it. He refused to be held down by the rules of the movement. A closer look would suggest that while he might be a "participant" in the movement, he was not a "proponent."

Mysticfeline 23:28, 6 February 2006 (UTC)Mysticfeline

In addition, its widely noted in academic studies that the surrealists themselves disregarded Cocteau's work, because of his bourgois connections. See Rosemont, Franklin (ed)., What Is Surrealism? (Pathfinder: New York) 1978, 2002 -Book One p62 etc.

Cocteau himself might have used Surrealist techniques and lauded the likes of Bunuel, but cannot be credited as a member of the surealist movement proper.

Prof Nebulous 19:48, 7 May 2006 (UTC)

"The word Surrealism was coined, in fact, by Guillaume Apollinaire to describe Parade, a work which was initially not well-received."

As this is not generally thought of as the origin of the term, I suggest that the following citation be added to provide further proof: http://www.nytimes.com/books/first/b/brandon-surreal.html

While not noted here, the more common history offered is that Apollinaire's play Les mamelles de Tiresias (indeed the french language wiki stub for Apollinaire's play as well as my college profs agree on this) is the first usage of the term, in the form "surrealiste." The above New York Times article provides sufficient proof that the word was used for the first time in reference to Parade, something a lot of people wouldn't agree with (I didn't until I read the NY Times article above). Tropbavard 16:14, 17 July 2007 (UTC)

Removing the references to Raymond Radiguet and Marie-Laure de Noailles

I am removing this because there is no evidence that Cocteau and Radiguet had a sexual relationship. In his "Portrait Souvenir de Jean Cocteau" (ed. Tallandier 1989 pp 60-68), Roger Stéphane transcribes an interview given at the French Radio by Jean Cocteau in 1963 (six months before his death) where he discusses his relationship with Radiguet, who spent most of his evenings either at the appartment of Juan Gris or at the appartment of Max Jacob, where he usually slept either on the floor or on the kitchen table. Cocteau also mentions Radiguet's girlfriend who later married the French film maker Réné Clair. Cocteau does not suggest that he was interested in anything other than Radiguet's talent as a writer. And is one trip to Arcachon with Auric and Mr and Mrs Valentin Hugo and a few nights at La Boeuf sur le Toit during a period of about two years really that important? Cocteau seemed to think that it was worth two pages out of one hundred and thirty in this book.....

I have also removed the following statement: "To Cocteau's distress and Paley's life-long regret, the fetus was aborted due to the intervention of Marie-Laure de Noailles, the eccentric arts patron who had loved Cocteau as a young woman and was determined to ruin his new romance." What is the source of this material? I have read quite a bit about Madame de Noailles and know people who knew her. I have never heard of this, other than Madame de Noailles friendship with Cocteau. Please provide a source! Musikfabrik 08:55, 19 April 2006 (UTC)

I Don't Think So

could somebody explain why the passage "Self-proclaimed Surrealism leader André Breton, nonetheless, declared Cocteau a "notorious false poet, a versifier who happens to debase rather than to elevate everything he touches" (Breton, 1953)" appears in the EARLY LIFE section for jean cocteau?

the passage isn't only irrelevant, it's contradictory: a 1953 quote for the "early years" of a man born in 1889. —Preceding unsigned comment added by 128.119.132.42 (talk) 20:06, June 21, 2006 (UTC)

About the article

It looks like an yellow press article but not encyclopedic one. It deals more with who he slept with than with his artistic activities. —Preceding unsigned comment added by Lucius S (talk • contribs) 11:19, June 24, 2006

Was he a supporter of Franco during the Spanish Civil war?

Orwell accuses him of being one in his essay,"Looking back at the Spanish Civil war". —Preceding unsigned comment added by Mallu78 (talk • contribs) 08:06, July 26, 2006

Priory of Sion

Dont we need to mention Priory of Sion and Coctrau's alleged relationship with this institution here??? What say??? —Preceding unsigned comment added by 125.18.49.67 (talk) 13:14, September 3, 2006 (UTC)

is there any inconclusive evidence involving the hoax of the priory of sion, is it just a hoex? —Preceding unsigned comment added by 203.49.150.82 (talk) 06:25, October 31, 2006 (UTC)

It is 100%, unambiguously, a hoax. Some guy made it up to justify his bogus claim to the throne of France.

By the way, I don't really know the formatting, or I'd fix it myself, but shouldn't the bulk of the article be removed from the table? It's been that way for months and is plainly a mistake. —Preceding unsigned comment added by Volfied (talk • contribs) 19:11, December 15, 2006

Other alleged famous grand masters of the order in recent years, apart from Cocteau are Victor Hugo and Claude Debussy. Leonardo da Vinci and Isaac Newton were earlier famous grand master. All this according to the book Holy Blood, Holy Grail. __meco 16:44, 19 March 2007 (UTC)

Radiguet redux

The material below was deleted from Historical pederastic relationships by an editor who found it too long for that article. However, it would be a pity to have the material go to waste, as it is well sourced. Any objections if I integrate into the section on the friendship between the two? Haiduc 01:46, 22 September 2007 (UTC)

Cocteau met the young poet in 1918 at 29, when the boy was 15 years old. The two collaborated extensively, socialized, and undertook many journeys and vacations together. Cocteau got the youth exempted from military service and exerted his influence to garner the "Nouveau Monde" literary prize for Radiguet's novel, Le Diable au Corps. Some sources suggest that their friendship was loving and sexual. Their relationship has been placed in the context of "a series of younger lovers and collaborators". An anecdote told by Ernest Hemingway has an enraged Cocteau charging Radiguet (known in the Parisian literary circles as "Monsieur Bébé") with decadence for his tryst with a model: "Bébé est vicieuse. Il aime les femmes." ("Baby is depraved. He likes women." ). Radiguet, Hemingway implies, employed his sexuality to advance his career, being a writer "who knew how to make his career not only with his pen but with his pencil," a salacious and phallic allusion. Cocteau however was guarded in his discussion of his relationships: "Cocteau never put his name to an openly, unashamedly homosexual text and invariably alluded to his male lovers - the most celebrated being the precocious novelist Raymond Radiguet and the actors Jean Marais and Edouard Dermit - as his 'adopted sons' (in the case of Dermit, even formally adopting him)". In 1919 Radiguet's father discovered a "compromising correspondence" between Cocteau and his son, giving rise to an exchange of letters in November of that year between the two adults in which Cocteau compared the youth to Rimbaud. In mid-March 1921 he hastened from Paris to join Radiguet (among others, including Georges Auric and Monsieur et Madame Hugo Valentin), who had left alone for Carqueiranne. On the 30th of the same month he replied to his mother, who had commented on this voyage: "Have you not yet understood that my life is spent releasing my instincts, watching them, sorting them once they are out, and forging them to my advantage?" After Radiguet's death (of typhoid fever), Cocteau did not attend the funeral. However, in this version of the story, Cocteau takes to his bed prostrated with grief (see below to see what happened according to Cocteau) After the death of Radiguet, Cocteau began to use opium, to which he became addicted. The people who wish to say that Cocteau and Radiguet had a relationship say that this was the direct result of Radiguet's death, but this reading of the story is contradicted by Cocteau himself (see below)
Others contest this interpretation, claiming that it has not been confirmed in any correspondence or writings by Cocteau or those close to both of them, and that Radiguet had any number of well-documented liaisons with women and generally spent his nights alone at the apparments of Max Jacob and Juan Gris, sleeping on the kitchen table or the floor. Cocteau, speaking about Radiguet in a transcription of a television interview made three months before Cocteau's death claimed that he did not particularly care for Radiguet personally and only respected his talent as a writer. Upon Radiguet's death, which was due to typhoid fever complicated by heavy drinking, Cocteau was, in his own words, "paralyzed with stupor and disgust". He did not attend the funeral -- Cocteau did not attend anyone's funeral, as a rule -- but instead immediately left Paris with Sergei Diaghilev for Monte Carlo for a performance of Les Fâcheux by Auric and Les Biches by Poulenc. While Cocteau began to smoke opium after Radiguet's death, to which he became addicted, he himself said that this was pure coincidence and had nothing to do with Radiguet's death.

1. François Bott, Radiguet, Flammarion, 1995;
2. Michel Larivière, Homosexuels et bisexuels célèbres, Delétraz, 1997
3. Thurston, Michael: "Genre, Gender, and Truth in Death in the Afternoon," The Hemingway Review, Spring 1998
4. Ernest Hemingway, Death in the Afternoon, p.71
5. Gilbert Adair, "Comfortable in hell, The Back Half" in The New Statesman, Monday 23rd February 2004
6. Touzot, Jean. Jean Cocteau. Lyon: La Manufacture, 1989
7. Roger Stéphane "Portrait Souvenir de Jean Cocteau" Tallandier 1989

I think the summary you ended up putting in the article is both inaccurate, cherry picks its sources, and misrepresents the source you did choose to quote. If you are going to follow this thread, I think you should try "writing" for the other side, in order to counterbalance your natural tendency to see what you are looking for. Nandesuka (talk) 11:01, 23 July 2008 (UTC)

The man said black on white that their romantic relationship failed. That sounds pretty plain to me. The article also mentions that Cocteau was "devastated" by Radiguet's death.
I was amused by your inclusion of Cocteau's letter to Radiguet's father. Did he not compare the son to Rimbaud? I am sure you are not insensitive to that implication. I will have to look it up. Haiduc (talk) 11:31, 23 July 2008 (UTC)

I find it tragic that your world is so small that you imagine the only reason one man might be devastated by a beloved friend's death is if there was erotic regard between them. That you believe such a statement is proof of sexual desire speaks volumes about your inability to maintain a neutral point of view on this topic. Nandesuka (talk) 11:38, 23 July 2008 (UTC)

Are you really an administrator here?! Is this what administrators are supposed to be doing, denigrating the world view of contributors? Or putting words in my mouth? Who keeps you people in check, anyway? Haiduc (talk) 11:46, 23 July 2008 (UTC)

On this article, I am acting as an editor, and I'm perfectly happy to take issue with the opinions of others when they are negatively impacting our articles as, in this case, I believe yours are. If you are unhappy with my characterization of your views, I encourage you to seek input from other editors, or perhaps open a request for comment. Nandesuka (talk) 12:00, 23 July 2008 (UTC)

Unfortunately you cannot change skins as easily as all that. Please do not project your ideas of me upon me, and restrict yourself to the topic at hand. Let's talk about Cocteau and Radiguet, they are much more interesting people than you or I. Haiduc (talk) 12:03, 23 July 2008 (UTC)

When an editor presents the extraordinary thesis that a man being "devastated" at the death of his beloved friend is proof positive of sexual regard of that friend, that editor has made himself the topic at hand. If this is the lens through which you read sources, then I think other editors are going to have to fact-check your work much more extensively, because it casts doubt on every summary you have written on this topic. Nandesuka (talk) 12:08, 23 July 2008 (UTC)

Your incessant insistence that "'a man being "devastated' at the death of his beloved friend is proof positive of sexual regard of that friend" originates with me is aberrant. It originates with you. It is an example of the defamatory style of debate that seems to be your stock in trade.
The article in the GLR counters two assertions of the anti-relationship proponents. It counters the assertion that their friendship was not romantic by calling it romantic (albeit failed). And it counters the psychologically implausible claim that Cocteau did not give a damn about Radiguet's death and went off to the ballet instead.
Next time you think I said something as mind-numbingly stupid as what you claimed I said, check with me first. I suggest that you apologize and go around retracting your absurd accusations wherever you seem to have plastered them. I must say that these administrators who have latched on to the pederasty topic, you and Brenermann and a couple of others, are behaving in a very immature and provocative fashion, and you have become a disgrace and a liability to Misplaced Pages. You are showing up this project as an out-of-control anarchy, and making a laughing stock of yourselves and the rest of us. Haiduc (talk) 23:42, 23 July 2008 (UTC)

Your protests are noted, although I think your use of the "devastated" quote is perfectly clear, if not transparent (if you weren't talking about a relationship between Cocteau and Radiguet, then what in the Seven Hills could you possibly have been talking about?) But be that as it may, I encourage you to open a request for comments if you believe you have been ill-treated. Returning to Cocteau (remember him?) we find that mainstream reliable sources, namely the most well-researched biographies, such as Seegmuller -- which make no attempt to avoid discussing Cocteau's acknowledged homosexuality -- are unconvinced that Cocteau and Radiguet's relationship was an erotic one. Yes, there were snide insinuations at the time, as well as some fringe theories from lesser sources. Fortunately for our readers, we are forbidden to prefer fringe sources in preference to the mainstream of academic discourse by WP:UNDUE. Nandesuka (talk) 00:09, 24 July 2008 (UTC)

<undent> "My protests are noted???" I feel sorry for you, and for your concept of what healthy social relations consist of. The only thing you have working in your favor is your age, and I am sure (or I hope, for your sake) that as you mature you will blush to think of the things you said and did in your "glory days." So far you have given proof of a very rigid mind, forcing me and the source material into tight little straightjackets. But I think you are mistaken on both counts. I do not think that GLR is fringe, and I have ordered the book they reviewed. I do not know who will have the last laugh here, but I certainly hope you have not forgotten how to laugh. Haiduc (talk) 00:18, 24 July 2008 (UTC)

"Astonish me"

Diaghilev did not tell Cocteau to "astonish me"; those words were given to either Stravinsky or Nijinsky. It was later written that the words "astonish me" were a source of great inspiration to Jean Cocteau. —Preceding unsigned comment added by Mochsner (talk • contribs) 05:17, 22 April 2008 (UTC)

Cocteau's Catholicism

Shouldn't there be some mention of Cocteau's definite conversion to Catholicism, which I just learned about by reading Art and Faith, a book of letters between Cocteau and Jacques Maritain?

• WikiProject Ballet articles
• WikiProject Dance articles
• B-Class France articles
• Mid-importance France articles
• All WikiProject France pages
• B-Class biography articles
• B-Class biography (actors and filmmakers) articles
• Mid-importance biography (actors and filmmakers) articles
• Actors and filmmakers work group articles
• WikiProject Biography articles
• B-Class LGBTQ+ studies articles
• WikiProject LGBTQ+ studies articles