| Revision as of 19:53, 5 May 2009 editTiptoety (talk | contribs)47,300 editsm moved Macedonian literature (ethnic group) to Ethnic Macedonian literature over redirect: Per Misplaced Pages:Requests for arbitration/Macedonia 2#Temporary injunction← Previous edit | Revision as of 00:41, 6 June 2009 edit undoAekos (talk | contribs)486 editsm POV and wikifyNext edit → | ||
| Line 1: | Line 1: | ||
| {{wikify|date=December 2008}} | |||
| {{refimprove|date=December 2008}} | {{refimprove|date=December 2008}} | ||
| {{Ethnic Macedonians}} | {{Ethnic Macedonians}} | ||
| ⚫ | |||
| ==History== | |||
| ⚫ | The Macedonian language was not officially recognized until the establishment of Macedonia as a constituent republic of communist Yugoslavia in 1946. ] in his ''Za Makedonskite raboti'' (1903; “In Favour of Macedonian Literary Works”) and in the literary periodical ''Vardar'' (established 1905) helped to create the foundations of ethnic Macedonian language and literature. These efforts were continued after World War I by ], who wrote mainly poetry in Macedonian and propagated its use through the literary journals of the 1930s. Racin's poems in ''Beli mugri'' (1939; White Dawns), which include many elements of oral folk poetry, were prohibited by the government of pre-World War II Yugoslavia because of their realistic and powerful portrayal of the exploited and impoverished Macedonian people {{citation}}. Some writers, such as ], worked and published abroad because of political pressure. | ||
| ==Modern Literature== | |||
| After World War II, under the new republic of Macedonia, the scholar ] and others were charged with the task of standardizing Macedonian as the official literary language. With this new freedom to write and publish in its own language, Macedonia produced many literary figures in the postwar period. Poetry was represented in the work of ], ], Blaze Koneski, and ]. Janevski was also a distinguished prose writer and the author of the first Macedonian novel, ''Selo zad sedumte jaseni'' (1952; “The Village Beyond the Seven Ash Trees”). His most ambitious work was a cycle of six novels that deals with Macedonian history and includes ''Tvrdoglavi'' (1965; “The Stubborn Ones”), a novel articulating the Macedonian people's myths and legends of remembering and interpreting their history. Prewar playwrights, such as Vasil Iljoski, continued to write, and the theatre was invigorated by new dramatists, such as Kole Cašule, Tome Arsovski, and Goran Stefanovski. Cašule also wrote several novels. A main theme of his work is the defeat of idealists and idealism. His play ''Crnila'' (1960; “Black Things”) deals with the early 20th-century murder of a Macedonian national leader by other Macedonians and with the characters of both executioners and victim. | After World War II, under the new republic of Macedonia, the scholar ] and others were charged with the task of standardizing Macedonian as the official literary language. With this new freedom to write and publish in its own language, Macedonia produced many literary figures in the postwar period. Poetry was represented in the work of ], ], Blaze Koneski, and ]. Janevski was also a distinguished prose writer and the author of the first Macedonian novel, ''Selo zad sedumte jaseni'' (1952; “The Village Beyond the Seven Ash Trees”). His most ambitious work was a cycle of six novels that deals with Macedonian history and includes ''Tvrdoglavi'' (1965; “The Stubborn Ones”), a novel articulating the Macedonian people's myths and legends of remembering and interpreting their history. Prewar playwrights, such as Vasil Iljoski, continued to write, and the theatre was invigorated by new dramatists, such as Kole Cašule, Tome Arsovski, and Goran Stefanovski. Cašule also wrote several novels. A main theme of his work is the defeat of idealists and idealism. His play ''Crnila'' (1960; “Black Things”) deals with the early 20th-century murder of a Macedonian national leader by other Macedonians and with the characters of both executioners and victim. | ||
Revision as of 00:41, 6 June 2009
 | This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Macedonian literature" – news · newspapers · books · scholar · JSTOR (December 2008) (Learn how and when to remove this message) |
| Part of a series on |
| Macedonians |
|---|
 |
| By region or country |
| Macedonia (region) |
| Diaspora |
|
|
|
|
|
Subgroups and related groups |
| Culture |
| Religion |
| Other topics |
History
The Macedonian language was not officially recognized until the establishment of Macedonia as a constituent republic of communist Yugoslavia in 1946. Kosta P. Misirkov in his Za Makedonskite raboti (1903; “In Favour of Macedonian Literary Works”) and in the literary periodical Vardar (established 1905) helped to create the foundations of ethnic Macedonian language and literature. These efforts were continued after World War I by Kosta Racin, who wrote mainly poetry in Macedonian and propagated its use through the literary journals of the 1930s. Racin's poems in Beli mugri (1939; White Dawns), which include many elements of oral folk poetry, were prohibited by the government of pre-World War II Yugoslavia because of their realistic and powerful portrayal of the exploited and impoverished Macedonian people {{citation}}: Empty citation (help). Some writers, such as Kole Nedelkovski, worked and published abroad because of political pressure.
Modern Literature
After World War II, under the new republic of Macedonia, the scholar Blaze Koneski and others were charged with the task of standardizing Macedonian as the official literary language. With this new freedom to write and publish in its own language, Macedonia produced many literary figures in the postwar period. Poetry was represented in the work of Aco Šopov, Slavko Janevski, Blaze Koneski, and Gane Todorovski. Janevski was also a distinguished prose writer and the author of the first Macedonian novel, Selo zad sedumte jaseni (1952; “The Village Beyond the Seven Ash Trees”). His most ambitious work was a cycle of six novels that deals with Macedonian history and includes Tvrdoglavi (1965; “The Stubborn Ones”), a novel articulating the Macedonian people's myths and legends of remembering and interpreting their history. Prewar playwrights, such as Vasil Iljoski, continued to write, and the theatre was invigorated by new dramatists, such as Kole Cašule, Tome Arsovski, and Goran Stefanovski. Cašule also wrote several novels. A main theme of his work is the defeat of idealists and idealism. His play Crnila (1960; “Black Things”) deals with the early 20th-century murder of a Macedonian national leader by other Macedonians and with the characters of both executioners and victim.
Among the best-known writers of prose is Zivko Cingo, whose collections of stories Paskvelija (1962) and Nova Paskvelija (1965; “New Paskvelija”) are about an imaginary land where clashes and interactions between old traditions and revolutionary consciousness are enacted. His novel Golemata voda (1971; “The Great Water”), set in an orphanage, shows the grandness and sadness of childhood. Other notable writers include Vlada Uroševic (Sonuvacot i prazninata (1979; “The Dreamer and the Emptiness”)) and Jovan Pavlovski (Sok od prostata (1991; “Prostate Gland Juice”)).
References
- Makedonska književnost (“Macedonian Literature”). Tome Sazdov, Vera Stojčevska-Antić, Dragi Stefanija, Georgij Stalev, Borislav Pavlovski. Školska knjiga. Zagreb, 1988. (in sl)