| Revision as of 21:59, 15 December 2005 editDschor (talk | contribs)811 editsm added stub tag← Previous edit | Revision as of 22:00, 15 December 2005 edit undoDschor (talk | contribs)811 editsm added jazz stub tagNext edit → | ||
| Line 7: | Line 7: | ||
| In 1935, Tucker reached the peak of his fame when he appeared in a short film called ]: ''A Rhapsody of Negro Life''. The film was based around a ] composition, and included clips of Ellington composing, as well as ] singing and Tucker doing the "Snakehips". | In 1935, Tucker reached the peak of his fame when he appeared in a short film called ]: ''A Rhapsody of Negro Life''. The film was based around a ] composition, and included clips of Ellington composing, as well as ] singing and Tucker doing the "Snakehips". | ||
| {{jazz-stub}} | |||
| {{Dance-stub}} | {{Dance-stub}} | ||
Revision as of 22:00, 15 December 2005
Earl "Snakehips" Tucker (1905-1937)
Mr. Tucker became known as the "Human Boa Constrictor," after the dance he created in the early 1930s called the "Snakehips".
Tucker frequented Harlem music clubs, and was a regular at the Savoy Ballroom. He built his reputation by exhibiting his odd style of dance, which involved a great deal of hip motion. He would make it appear that he was as flexible as a snake, and eventually the dance became his calling card. He became popular enough to eventually perform at Connie's Inn and the Cotton Club.
In 1935, Tucker reached the peak of his fame when he appeared in a short film called Symphony in Black: A Rhapsody of Negro Life. The film was based around a Duke Ellington composition, and included clips of Ellington composing, as well as Billie Holiday singing and Tucker doing the "Snakehips".
 | This jazz-related article is a stub. You can help Misplaced Pages by expanding it. |
 | This dance-related article is a stub. You can help Misplaced Pages by expanding it. |
References
http://artsedge.kennedy-center.org/exploring/harlem/faces/tucker_text.html
Categories: