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| Earl "Snakehips" Tucker (1905-1937) | '''Earl "Snakehips" Tucker''' (]-]) became known as the "Human Boa Constrictor," after the dance he created in the early 1930s called the "]". | ||
| Mr. Tucker became known as the "Human Boa Constrictor," after the dance he created in the early 1930s called the "]". | |||
| Tucker frequented ] music clubs, and was a regular at the ]. He built his reputation by exhibiting his odd style of dance, which involved a great deal of hip motion. He would make it appear that he was as flexible as a snake, and eventually the dance became his calling card. He became popular enough to eventually perform at ] and the ]. | Tucker frequented ] music clubs, and was a regular at the ]. He built his reputation by exhibiting his odd style of dance, which involved a great deal of hip motion. He would make it appear that he was as flexible as a snake, and eventually the dance became his calling card. He became popular enough to eventually perform at ] and the ]. | ||
Revision as of 00:20, 19 April 2006
Earl "Snakehips" Tucker (1905-1937) became known as the "Human Boa Constrictor," after the dance he created in the early 1930s called the "Snakehips".
Tucker frequented Harlem music clubs, and was a regular at the Savoy Ballroom. He built his reputation by exhibiting his odd style of dance, which involved a great deal of hip motion. He would make it appear that he was as flexible as a snake, and eventually the dance became his calling card. He became popular enough to eventually perform at Connie's Inn and the Cotton Club.
In 1935, Tucker reached the peak of his fame when he appeared in a short film called Symphony in Black: A Rhapsody of Negro Life. The film was based around a Duke Ellington composition, and included clips of Ellington composing, as well as Billie Holiday singing and Tucker doing the "Snakehips".
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References
http://artsedge.kennedy-center.org/exploring/harlem/faces/tucker_text.html
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