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Sokurov was born in ] into a military officer's family. He graduated from the History Department of the ] University in 1974 and entered one of the ] studios the following year. There he made friendship with Tarkovsky and was deeply influenced by his '']''. Most of Sokurov's early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with ] and a reportage about ]'s flat in ]. Sokurov was born in ] into a military officer's family. He graduated from the History Department of the ] University in 1974 and entered one of the ] studios the following year. There he made friendship with Tarkovsky and was deeply influenced by his '']''. Most of Sokurov's early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with ] and a reportage about ]'s flat in ].


'']'' (1996) was his first internationally acclaimed feature film. It was mirrored by '']'' (2003) which baffled the critics with its implicit ] (though Sokurov himself has criticized this particular interpretation. In the Wellspring DVD release, critic Armond White cited Sokurov's defense of the film against charges that it is "homoerotic". White explicated Sokurov's artistic and spiritual style, noting "To accept Sokurov's images without fear or limitation--to think love not smut--points lust in the direction of progress".{{Citation needed|date=March 2008}} '']'' (1996) was his first internationally acclaimed feature film. It was mirrored by '']'' (2003) which baffled the critics with its implicit ] (though Sokurov himself has criticized this particular interpretation. In the Wellspring DVD release, critic Armond White cited Sokurov's defense of the film against charges that it is "homoerotic". White explicated Sokurov's artistic and spiritual style, noting "To accept Sokurov's images without fear or limitation--to think love not smut--points lust in the direction of progress".{{Citation needed|date=March 2008}}


Sokurov has also filmed the first three installments of a planned ] on prominent 20th-century rulers: '']'' (1999) about ], '']'' (2000) about ], and '']'' (2004) about Emperor ]. Sokurov is a ] regular, with four of his movies having debuted there. His most commercially and critically successful effort to date has been a semi-documentary '']'' (2002), acclaimed primarily for its visually hypnotic images and single, unedited, shot. Sokurov has also filmed the first three installments of a planned ] on prominent 20th-century rulers: '']'' (1999) about ], '']'' (2000) about ], and '']'' (2004) about Emperor ]. Sokurov is a ] regular, with four of his movies having debuted there. His most commercially and critically successful effort to date has been a semi-documentary '']'' (2002), acclaimed primarily for its visually hypnotic images and single, unedited, shot.
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*'']'' (Телец, 2000) *'']'' (Телец, 2000)
*'']'' (Русский ковчег, 2002) *'']'' (Русский ковчег, 2002)
*'']'' (Отец и сын, 2003) *'']'' (Отец и сын, 2003)
*'']'' (Солнце, 2004) *'']'' (Солнце, 2004)
*'']'' (Александра, 2007) *'']'' (Александра, 2007)

Revision as of 16:51, 25 April 2010

Alexander Nikolayevich Sokurov (Template:Lang-ru) (b. June 14, 1951, Podorwikha, Irkutsk Oblast) is a Russian filmmaker from St Petersburg who has been hailed as successor to renowned director Andrei Tarkovsky.

Career

Sokurov was born in Siberia into a military officer's family. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. There he made friendship with Tarkovsky and was deeply influenced by his Mirror. Most of Sokurov's early features were banned by Soviet authorities. During his early period, he produced numerous documentaries, including an interview with Aleksandr Solzhenitsyn and a reportage about Grigori Kozintsev's flat in St Petersburg.

Mother and Son (1996) was his first internationally acclaimed feature film. It was mirrored by Father and Son (2003) which baffled the critics with its implicit homoeroticism (though Sokurov himself has criticized this particular interpretation. In the Wellspring DVD release, critic Armond White cited Sokurov's defense of the film against charges that it is "homoerotic". White explicated Sokurov's artistic and spiritual style, noting "To accept Sokurov's images without fear or limitation--to think love not smut--points lust in the direction of progress".

Sokurov has also filmed the first three installments of a planned tetralogy on prominent 20th-century rulers: Moloch (1999) about Hitler, Taurus (2000) about Lenin, and The Sun (2004) about Emperor Hirohito. Sokurov is a Cannes Film Festival regular, with four of his movies having debuted there. His most commercially and critically successful effort to date has been a semi-documentary Russian Ark (2002), acclaimed primarily for its visually hypnotic images and single, unedited, shot.

Filmography

See also: Category:Films directed by Alexander Sokurov

Fiction films

Documentaries

  • Maria (Peasant Elegy) (1978–1988)
  • Sonata for Hitler (1979–1989)
  • Sonata for Viola. Dmitri Shostakovitch (1981)
  • And Nothing More (1982–1987)
  • Evening Sacrifice (1984–1987)
  • Patience of Labour (1985–1987)
  • Elegy (1986)
  • Moscow Elegy (1986–1988)
  • Petersburg Elegy (1990)
  • Soviet Elegy (1990)
  • To The Events In Transcaucasia (1990)
  • A Simple Elegy (1990)
  • A Retrospection of Leningrad (1957–1990) (1990)
  • An Example of Intonation (1991)
  • Elegy from Russia (1992)
  • Soldier's Dream (1995)
  • Spiritual Voices (1995)
  • Oriental Elegy (1996)
  • Hubert Robert. A Fortunate Life (1996)
  • A Humble Life (1997)
  • The St. Petersburg Diary: Inauguration of a monument to Dostoevsky (1997)
  • The St. Petersburg Diary: Kosintsev's Flat (1998)
  • Confession (1998)
  • The Dialogues with Solzhenitsyn (1998)
  • dolce… (1999)
  • Elegy of a Voyage (2001)
  • The St. Petersburg Diary: Mozart. Requiem (2004)
  • Elegy of a life: Rostropovich, Vishnevskaya (2006)

External links

Categories: