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| In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936. | In 1933 and in following years, Thorak joined ] as one of the two "official sculptors" of the ]. In his government-issued studio outside ], Thorak worked on statues intended to represent the folk-life of Germany under ] coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the ] of 1936. | ||
| ] referred to Thorak as "more or less "my" sculptor, who frequently designed statues and reliefs for my buildings" and "who created the group of figures for the German pavilion at the ]. <ref> Speer, Albert, Spandau: the Sevret Diaries’’, Macmillan Publishing Co., Inc. New York, 1976, p. 261 </ref> | |||
| Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some ] influences can be noticed in his ] style. | Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some ] influences can be noticed in his ] style. | ||
Revision as of 23:27, 17 August 2010
Josef Thorak (7 February 1889, Salzburg, Austria ; 26 February 1952, Hartmannsberg, Bavaria) was an Austrian-German sculptor.
In 1922 Thorak's reputation increased when he created Der sterbende Krieger, a statue in memory to the dead of World War I of Stolpmünde.
In 1933 and in following years, Thorak joined Arno Breker as one of the two "official sculptors" of the Third Reich. In his government-issued studio outside Munich, Thorak worked on statues intended to represent the folk-life of Germany under Nazi coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the Berlin Olympic Stadium of 1936.
Albert Speer referred to Thorak as "more or less "my" sculptor, who frequently designed statues and reliefs for my buildings" and "who created the group of figures for the German pavilion at the Paris World's Fair.
Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some expressionist influences can be noticed in his neoclassical style.
See also
Notes
- Speer, Albert, Spandau: the Sevret Diaries’’, Macmillan Publishing Co., Inc. New York, 1976, p. 261
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External links
Media related to Josef Thorak at Wikimedia Commons
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