| Revision as of 12:05, 24 August 2010 edit86.185.230.33 (talk)No edit summary← Previous edit | Revision as of 12:05, 24 August 2010 edit undo86.185.230.33 (talk)No edit summaryNext edit → | ||
| Line 9: | Line 9: | ||
| He was well known for his "gargantuan monuments" and once when a visitor to Thorak's studio asked an assistant where the sculptor was, he received the reply, "Up in the left ear of the horse." <ref> Rhodes, Anthony, ‘’Propaganda: The Art of Persuasion: World War II’’ Chelsea House Publishers, New York, 1976 , p. 28 </ref> | He was well known for his "gargantuan monuments" and once when a visitor to Thorak's studio asked an assistant where the sculptor was, he received the reply, "Up in the left ear of the horse." <ref> Rhodes, Anthony, ‘’Propaganda: The Art of Persuasion: World War II’’ Chelsea House Publishers, New York, 1976 , p. 28 </ref> | ||
| ] referred to Thorak as "more or less "my" sculptor, who frequently designed statues and reliefs for my buildings" and "who created the group of figures for the German pavilion at the ]. <ref> Speer, Albert, Spandau: the |
] referred to Thorak as "more or less "my" sculptor, who frequently designed statues and reliefs for my buildings" and "who created the group of figures for the German pavilion at the ]. <ref> Speer, Albert, Spandau: the Secret Diaries’’, Macmillan Publishing Co., Inc. New York, 1976, p. 261 </ref> | ||
| Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some ] influences can be noticed in his ] style. | Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some ] influences can be noticed in his ] style. | ||
Revision as of 12:05, 24 August 2010
Josef Thorak (7 February 1889, Salzburg, Austria ; 26 February 1952, Hartmannsberg, Bavaria) was an Austrian-German sculptor.
In 1922 Thorak's reputation increased when he created Der sterbende Krieger, a statue in memory to the dead of World War I of Stolpmünde.
In 1933 and in following years, Thorak joined Arno Breker as one of the two "official sculptors" of the Third Reich. In his government-issued studio outside Munich, Thorak worked on statues intended to represent the folk-life of Germany under Nazi coordination; these works tended to be heroic in scale, up to 65 feet (20 meters) in height. His official works from this period included a number of sculptures at the Berlin Olympic Stadium of 1936.
He was well known for his "gargantuan monuments" and once when a visitor to Thorak's studio asked an assistant where the sculptor was, he received the reply, "Up in the left ear of the horse."
Albert Speer referred to Thorak as "more or less "my" sculptor, who frequently designed statues and reliefs for my buildings" and "who created the group of figures for the German pavilion at the Paris World's Fair.
Because of his preference for muscular neo-classical nude sculpture, Thorak was known among some as "Professor Thorax". Some expressionist influences can be noticed in his neoclassical style.
See also
Notes
- Rhodes, Anthony, ‘’Propaganda: The Art of Persuasion: World War II’’ Chelsea House Publishers, New York, 1976 , p. 28
- Speer, Albert, Spandau: the Secret Diaries’’, Macmillan Publishing Co., Inc. New York, 1976, p. 261
 | This article does not cite any sources. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Josef Thorak" – news · newspapers · books · scholar · JSTOR (March 2009) (Learn how and when to remove this message) |
External links
Media related to Josef Thorak at Wikimedia Commons
 | This article about an Austrian artist is a stub. You can help Misplaced Pages by expanding it. |
 | This article about a German artist is a stub. You can help Misplaced Pages by expanding it. |
 | This sculptor-related article is a stub. You can help Misplaced Pages by expanding it. |