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| His father, Jean Conrad de Kock, a ] of Dutch extraction, victim of ], was guillotined in ] 24 March 1794. His mother, Anne-Marie Perret, née Kirsberger, was a widow from ]. Paul de Kock began life as a banker's clerk. For the most part he resided on the Boulevard St. Martin, and was one of the most inveterate of Parisians. | His father, Jean Conrad de Kock, a ] of Dutch extraction, victim of ], was guillotined in ] 24 March 1794. His mother, Anne-Marie Perret, née Kirsberger, was a widow from ]. Paul de Kock began life as a banker's clerk. For the most part he resided on the Boulevard St. Martin, and was one of the most inveterate of Parisians. | ||
| He began to write for the stage very early, and composed many operatic ]. His first novel, ''L'Enfant de ma femme'' (1811), was published at his own expense. In 1820 he began his long and successful series of novels dealing with Parisian life with ''Georgette, ou la Nièce du tabellion''. His period of greatest and most successful activity was the ] and the early days of ]. He was relatively less popular in France itself than abroad, where he was considered as the special painter of life in Paris. Major Pendennis' remark (in the novel "]" by the english author ]) that he had read nothing of the novel kind for thirty years except Paul de Kock, who certainly made him laugh, is likely to remain one of the most durable of his testimonials, and may be classed with the legendary question of a foreign sovereign to a Frenchman who was paying his respects, ''Vous venez de Paris et vous devez savoir des nouvelles. Comment se porte Paul de Kock?'' The disappearance of the grisette and of the cheap dissipation described by ] practically made Paul de Kock obsolete. But to the student of manners his portraiture of low and middle class life in the first half of the 19th century at Paris still has its value. | He began to write for the stage very early, and composed many operatic ]. His first novel, ''L'Enfant de ma femme'' (1811), was published at his own expense. In 1820 he began his long and successful series of novels dealing with Parisian life with ''Georgette, ou la Nièce du tabellion''. His period of greatest and most successful activity was the ] and the early days of ]. He was relatively less popular in France itself than abroad, where he was considered as the special painter of life in Paris. Major Pendennis' remark (in the novel "]" by the english author ]) that he had read nothing of the novel kind for thirty years except Paul de Kock, who certainly made him laugh, is likely to remain one of the most durable of his testimonials, and may be classed with the legendary question of a foreign sovereign to a Frenchman who was paying his respects, ''Vous venez de Paris et vous devez savoir des nouvelles. Comment se porte Paul de Kock?'' The disappearance of the ] and of the cheap dissipation described by ] practically made Paul de Kock obsolete. But to the student of manners his portraiture of low and middle class life in the first half of the 19th century at Paris still has its value. | ||
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Charles Paul de Kock (May 21, 1793 in Passy, Paris – April 27, 1871 in Paris) was a French novelist.
His father, Jean Conrad de Kock, a banker of Dutch extraction, victim of the Terror, was guillotined in Paris 24 March 1794. His mother, Anne-Marie Perret, née Kirsberger, was a widow from Basel. Paul de Kock began life as a banker's clerk. For the most part he resided on the Boulevard St. Martin, and was one of the most inveterate of Parisians.
He began to write for the stage very early, and composed many operatic libretti. His first novel, L'Enfant de ma femme (1811), was published at his own expense. In 1820 he began his long and successful series of novels dealing with Parisian life with Georgette, ou la Nièce du tabellion. His period of greatest and most successful activity was the Restoration and the early days of Louis Philippe. He was relatively less popular in France itself than abroad, where he was considered as the special painter of life in Paris. Major Pendennis' remark (in the novel "Pendennis" by the english author William Makepeace Thackeray) that he had read nothing of the novel kind for thirty years except Paul de Kock, who certainly made him laugh, is likely to remain one of the most durable of his testimonials, and may be classed with the legendary question of a foreign sovereign to a Frenchman who was paying his respects, Vous venez de Paris et vous devez savoir des nouvelles. Comment se porte Paul de Kock? The disappearance of the grisette and of the cheap dissipation described by Henri Murger practically made Paul de Kock obsolete. But to the student of manners his portraiture of low and middle class life in the first half of the 19th century at Paris still has its value.
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The works of Paul de Kock are very numerous. With the exception of a few not very felicitous excursions into historical romance and some miscellaneous works of which his share in La Grande yule, Paris (1842), is the chief, they are all stories of middle-class Parisian life, of guinguettes and cabarets and equivocal adventures of one sort or another. The most famous are André le Savoyard (1825) and Le Barbier de Paris (1826).
External links
- 1867 Caricature of Charles Paul de Kock by André Gill
- Works by Charles Paul de Kock at Project Gutenberg
This article incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. {{cite encyclopedia}}: Missing or empty |title= (help)