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This article is about the musical group. For the film, see They Might Be Giants (film).

They Might Be Giants (commonly abbreviated to TMBG) is an American pop/rock duo consisting of John Linnell and John Flansburgh, collectively known as "the two Johns" or "John and John". Known for their experimental pop music, they have been popular on college campuses and earned a reputation for "intellectual rock" or "nerd rock." The band has maintained a loyal following over its 20+ years of existence, enough that fans rushed an online poll and got John Linnell voted one of People Magazine's "Most Beautiful People" in 1998.

TMBG's most famous songs are probably one single from each of their first three albums, "Don't Let's Start" (from They Might Be Giants), "Ana Ng" (from Lincoln), and "Birdhouse in Your Soul" (from Flood). Their appearance on the show Tiny Toon Adventures also gained recognition for their songs "Particle Man" and "Istanbul (Not Constantinople)". They are also known for their version of the Bob Mould song "Dog on Fire" (the theme song to The Daily Show), and "Boss of Me", the theme to the hit television comedy Malcolm in the Middle, for which they won a Grammy Award. They also provide the theme song for The Travel Channel's "Amazing Vacation Homes", Disney Channel's Higglytown Heroes, and Teletoon's The Wrong Coast. Two They Might Be Giants albums have been certified gold: Flood and Here Come the ABCs.

History

The two Johns first met as children in Lincoln, Massachusetts. They began writing songs together in high school, but they never officially formed a band. The two went to separate colleges after high school (Flansburgh attended Pratt Institute), and Linnell joined The Mundanes, a New Wave group from Rhode Island. The two finally reunited after moving to Brooklyn (to the same apartment building on the same day) to continue their career.

Then: The Earlier Years (1982–1989)

The band began performing their own music accompanied by a drum machine, and soon became fixtures on the Manhattan underground. Their early work has been described as a type of performance art, in which they used many innovative stage props, including giant cardboard cutout heads of William Allen White. Many of these props would later turn up in their first music videos.

Although they had a strong local following, they had a hard time getting a record deal. They did many live performances in New York, but when Linnell broke his wrist in a biking accident and Flansburgh's apartment was broken into and all his guitars were stolen, they set up the Dial-A-Song system with an answering machine hooked up to a tape of them playing popular songs. It soon caught the eye of Bar/None Records and earned them a review in People magazine.

The duo released their self-titled debut album in 1986, and it became a college radio hit. The video for "Don't Let's Start" became a hit on MTV, earning them a broader following.

In 1988, they released their second album, Lincoln. The album's artwork, featuring the famous podiums on the cover, marked a high point of the band's regular collaboration with Brooklyn musical inventor Brian Dewan. Beyond artwork, Dewan also performed and sang on many of their songs, both on their albums and live.

Lincoln caused a major shock within the US music industry when, in its first week of release, it knocked U2's The Joshua Tree off the top of the Billboard College Charts (the US music industry's equivalent to the "Alternative/Independent" charts elsewhere in the world) after only a one-week stay at the top. (Most were expecting U2 to be on top for the remainder of the year.) The first single from Lincoln, "Ana Ng", reached number 89 on the UK Billboard charts and was #1 in the College Charts, garnering the attention of major labels.

Signing to Elektra (1990–1992)

In 1989, they signed with Elektra Records, and released their third album Flood the following year. Flood earned them a gold album, largely thanks to "Birdhouse in Your Soul" (which reached number six in the UK charts) and "Istanbul (Not Constantinople)".

Further interest in the band was generated when two cartoon music videos were created by Warner Brothers for Tiny Toon Adventures: "Istanbul (Not Constantinople)" and "Particle Man". The videos reflected the high "kid appeal" that TMBG had, resulting from their often silly or absurd songs and poppy melodies.

In 1991, Bar/None Records released the B-sides compilation Miscellaneous T. The title referred to the section of the record store where TMBG releases were often found as well as to the overall eclectic nature of the tracks. Though consisting of previously released material (save for the "Purple Toupee" b-sides, which were not available publicly), it gave a chance for new fans to hear the Johns' earlier non-album work without having to hunt down the individual EPs.

In 1992, They Might Be Giants released Apollo 18. The heavy space theme coincided with TMBG being named Musical Ambassadors for International Space Year. Singles from the album included "The Statue Got Me High", "The Guitar (The Lion Sleeps Tonight)", and "I Palindrome I". Apollo 18 was also notable for being one of the first albums to take advantage of the CD player's shuffle feature. The track "Fingertips" were actually 21 separate tracks of short song snippets designed to play in between the full-length songs. Due to mastering errors, the UK and Australian versions of Apollo 18 contained "Fingertips" as one track.

Recruiting a band (1992-1998)

Following Apollo 18, Flansburgh and Linnell decided to move away from the two-guys-with-samples nature of their live show, and recruited a supporting band that consisted of former Pere Ubu bassist Tony Maimone and drummer Brian Doherty.

Through subsequent touring, the new "band" began to function as a collective unit, encouraging the Johns to record new albums in the band format. This decision caused much controversy amongst die-hard fans. Some went as far as to stand outside of the concerts discouraging people from watching the performance, claiming it wasn't the "true" They Might Be Giants.

John Henry was released in 1994, TMBG's first album as a full band. Influenced by their more conventional format as a band, this album marked a radical departure from their previous releases with more of a guitar-heavy sound. It was released to mixed reviews amongst fans and critics alike.

Their next album, Factory Showroom, was released in 1996 to little fanfare. The band had moved away from the feel of John Henry and includes the more diverse sounds of their earlier albums, despite the inclusion of two guitarists, the second being Eric Schermerhorn who provided several guitar solos.

They left Elektra after the duo refused to do a publicity show, amongst other exposure-related disputes.

Beyond Elektra (1999–2003)

In 1999, the ever-changing backing band lineup settled on "The Band of Dans", forming a full house line-up of Johns and Dans for almost five years. The Band of Dans was a trio of guys named Dan: guitarist Dan Miller, bassist Danny Weinkauf (both formerly of the band Lincoln) and drummer Dan Hickey. In 2004, however, Dan Hickey left the band and was subsequently replaced by Marty Beller, who had already played with TMBG for kids' shows and other projects.

For most of their career, TMBG have been on the forefront of activity on the Internet. As early as 1992, the band was sending news updates to their fans via Usenet newsgroups. In 1999, They Might Be Giants became the first band to release an entire album exclusively on the Internet with Long Tall Weekend, available through Emusic's "TMBG Unlimited" service. Five years later, the band started one of the first artist-owned online music stores, at which customers could buy MP3 copies of their music for US$10 an album. By creating their own store, the band could keep money that would otherwise go to record companies. (TMBG MP3 Music Store)

In 1999, the band contributed the song "Dr. Evil" to the motion picture Austin Powers: The Spy Who Shagged Me. Over their career, the band has performed on numerous movie and television soundtracks, including The Oblongs, the ABC News miniseries Brave New World and Ed and His Dead Mother. They also performed the theme music "Dog on Fire", composed by Bob Mould, for the Peabody Award-winning The Daily Show with Jon Stewart. More recently, they composed and performed the music for the TLC series Resident Life, the theme song for the Disney Channel program Higglytown Heroes, and a song about the cartoon Courage the Cowardly Dog.

During this time the band also worked on a project for McSweeney's, a publishing company and literary journal, where the band created +35 songs for an album that was meant to be listened to with the journal, with each track corresponding to a particular story or piece of artwork. Labeled They Might Be Giants vs. McSweeney's, the disk appears in McSweeney's issue #6.

Contributing the TMBG single "Boss of Me" as the theme song to the hit television series Malcolm in the Middle, as well as to the show's compilation CD, brought a new audience to the band. Not only did the band contribute the theme, songs from all of the Giants' previous albums were used on the show: for example, the infamous punching-the-kid-in-the-wheelchair scene from the first MITM episode was done to the strains of "Pencil Rain" from Lincoln. "Boss of Me" became the band's second top-40 hit in the UK, and in 2002, won the duo a Grammy Award.

On September 112001, they released the album Mink Car on Restless Records. It was their first full album release of new studio material since 1996, and their first since parting ways with Elektra. The making of that album, including a record signing event at a Manhattan Tower Records, was included in a 2003 documentary directed by AJ Schnack titled Gigantic (A Tale of Two Johns). The film, released in 2003, won rave reviews and several awards, and was featured in dozens of film festivals. The film was released on DVD in 2003.

Kids, Politics, and Spines (2002-Present)

In 2002, the band released their first album "for the entire family," No!. They followed it up in 2003 with their first book, an illustrated children's book with an included EP, Bed, Bed, Bed.

In 2004, the band released their first new "adult" rock work in three years, the EP Indestructible Object. They followed that up with a new album, The Spine, and an associated EP, The Spine Surfs Alone. For the album's first single, "Experimental Film", TMBG teamed up with Homestar Runner creators Matt and Mike Chapman to create an animated music video. The band's collaboration with the Brothers Chaps also included several Puppet Jam segments with puppet Homestar.

TMBG also became slightly involved with the electoral process by contributing a track to the Future Soundtrack For America compilation, a project compiled by John Flansburgh with the help of Spike Jonze and Barsuk Records. The band contributed "Tippecanoe and Tyler Too", a political campaign song from the presidential election of 1840. The compilation was released by Barsuk and featured indie, alternative, and high-profile acts such as Death Cab For Cutie, The Flaming Lips, and Bright Eyes. All proceeds went to progressive organizations such as Music For America and MoveOn.org.

Following the Spine on the Hiway Tour of 2004, the band announced that they would take an extended hiatus from performing to focus on other projects, such as a musical produced by Flansburgh and written by his wife, Robin "Goldie" Goldwasser, titled People Are Wrong!.

2005 saw the release of Here Come the ABCs, TMBG's follow-up to the successful children's album No!. The Disney Sound label released the CD and DVD separately on February 152005. To promote the album, Flansburgh and Linnell along with drummer Marty Beller embarked on a short tour, performing for free at many Borders Bookstore locations. Despite their success in the children's music genre, anyone under the age of 16 is currently barred from TMBG concerts (except, of course, shows intended for a younger audience). The reasons stated on their site mention a number of elements uncharacteristic of their typical concerts (such as pot smoking and violent, drunken audience members).

In November of 2005, Venue Songs was released as a two-disc CD/DVD set narrated by John Hodgman. It is a concept album based on all of the "venue songs" from their 2004 tour. They're currently working on a new album with longtime producer Pat Dillett (David Byrne) and The Dust Brothers (Beck, Beastie Boys), which has yet to be named, as well as a follow-up to the Here Come the ABCs album entitled Here Come the 1-2-3s. More can be found on their webpage, http://www.tmbg.com.

The band's name

The band takes its name from the 1971 movie They Might Be Giants starring George C. Scott and Joanne Woodward (based on the play of the same name written by James Goldman). The play (and movie) title is a reference to Don Quixote, who mistook windmills for giants. George C. Scott's character discusses man's ability to invent and analyze past the obvious, saying:

Of course, carried it a bit too far. He thought that every windmill was a giant. That's insane. But, thinking that they might be... Well, all the best minds used to think the world was flat. But, what if it isn't? It might be round. And bread mold might be medicine. If we never looked at things and thought of what they might be, why, we'd all still be out there in the tall grass with the apes.

This quote is usually summed up with a quote about Discordia:

A Discordian is anyone willing to look at windmills and concede that they might be giants.

In an interview Flansburgh said (paraphrasing) that the words "they might be giants" are just a very outward-looking forward thing, which they liked. In an earlier radio interview, Linnell described the phrase as "something very paranoid sounding".

People often mistakenly believe that They Might Be Giants chose their name to be self-referential — that the referents of the word "they" are supposed to be They Might Be Giants themselves. Early fans might have thought the self-referential interpretation reasonable even before John and John went and fulfilled their inadvertent prophecy by actually becoming musical giants — the name, after all, really only suggests an off chance that they might one day be giants. The Johns, however, did not mean to be so arrogant as to proclaim themselves giants, or giants-to-be, before they had even made their first demo tape; they were referring to the windmills and Don Quixote.

The band's name is parodied in Terry Pratchett's novel Soul Music by the dwarf "rock band", "We're Certainly Dwarfs".

Discography

Primary albums

• They Might Be Giants (aka The Pink Album) (1986)
• Lincoln (1988)
• Flood (1990)
• Apollo 18 (1992)
• John Henry (1994)
• Factory Showroom (1996)
• Long Tall Weekend (1999) (Internet release only)
• Mink Car (2001)
• No! (2002)
• The Spine (2004)
• Here Come the ABCs (2005)

EPs and singles

• Don't Let's Start (1987)
• (She Was A) Hotel Detective (1988)
• They'll Need a Crane (1989)
• Ana Ng (1989)
• Purple Toupee (1989)
• Birdhouse in Your Soul (1989)
• Istanbul (Not Constantinople) (1990)
• The Statue Got Me High (1992)
• The Guitar (The Lion Sleeps Tonight) (1992)
• I Palindrome I (1992)
• Why Does The Sun Shine? (The Sun Is a Mass of Incandescent Gas) (1993)
• O Tannenbaum (1993)
• Back to Skull (1994)
• S-E-X-X-Y (1996)
• Doctor Worm (1998)
• What We Did This Summer (1999)
• "I'm Sick (Of This American Life)" (1999) (appears on the first This American Life compilation CD set)
• Working Undercover for the Man (2000)
• Boss of Me (2000)
• Man, It's So Loud in Here (2001)
• They Might Be Giants in Holidayland (2001)
• Indestructible Object (2004)
• The Spine Surfs Alone (2004)
• Experimental Film (2004)
• "T-Shirt" (2005) (Single, exclusive to iTunes Music Store)

Compilations, online releases, other releases

• Miscellaneous T (1991)
• Live!! New York City 10/14/94 (1994)
• Then: The Earlier Years (1997)
• Severe Tire Damage (1998) (Mostly live album)
• Live (1999)
• CD soundtrack to McSweeney's magazine issue 6 (2001) (Contributions, and arrangement of music by others)
• They Got Lost (2002)
• Dial-A-Song: 20 Years Of They Might Be Giants (2002)
• Bed, Bed, Bed (2003)
• The Spine Hits The Road (2004) (Internet release only, live album)
• Almanac (2004) (Internet release only, live album)
• Venue Songs (2004) (Internet release only)
• A User's Guide to They Might Be Giants (2005)
• They Got Lost (2005) (Re-release)
• Venue Songs (re-release) (2005) (A re-release of Venue Songs in a CD/DVD combo pack with bonus material)

Charting Singles

Music videos

The band has made music videos for many of their songs, including:

• "Put Your Hand Inside the Puppet Head" (1986)
• "Don't Let's Start" (1986)
• "(She Was a) Hotel Detective" (1986)
• "Ana Ng" (1988)
• "Purple Toupee" (1988)
• "They'll Need a Crane" (1988)
• "Birdhouse in Your Soul" (1990)
• "Istanbul (Not Constantinople)" (animated) (1990)
• "The Statue Got Me High" (1992)
• "The Guitar" (1992)
• "Snail Shell" (1994)
• "Doctor Worm" (1998)
• "Boss of Me" (2001) (abridged version premiered on FOX, some airplay on MTV2 and other stations)

Other videos include:

• "Rabid Child" (1986) (home video, not released publicly, clip can be seen in Gigantic)
• "Istanbul (Not Constantinople)" (1990) (produced by and featured on Tiny Toons)
• "Particle Man" (1990) (produced by and featured on Tiny Toons)
• "Why Does the Sun Shine? (The Sun Is A Mass Of Incandecent Gas)" (1997) (animated/live action, premered on KaBlam!)
• "Doctor Worm" (1999?) (animated, premered on KaBlam!)
• "Courage the Cowardly Dog" (2002) (computer animated, aired on Cartoon Network)
• "Dee Dee and Dexter" (2003) (animated by Klasky-Csupo, aired on Cartoon Network)
• "Experimental Film" (2004) (animated, with Homestar Runner characters)
• "I'm All You Can Think About" (2004) (animated in Macromedia Flash)
• "Damn Good Times" (2005) (animated, appears on tmbg.com)
• "Bastard Wants to Hit Me" (2005) (animated, appears on tmbg.com)
• "Dallas", "Los Angeles", "Anaheim", "Vancouver" "Asheville" "Glasgow", "Albany", "Pittsburgh", "Asbury Park", "Brookln" and "Charlottesville" (2005, on the Venus Songs DVD)

Notes and references

1. Linnell, John. "They Might Be Nearsighted". New York Times. Retrieved 2006-02-26. {{cite web}}: Unknown parameter |publishyear= ignored (help)
2. Weiskopf, Myke. "THEY MIGHT BE GIANTS Early Years Handbook v3.0". Retrieved 2006-02-26.
3. McManus, Sean. "They Might Be Giants". They Might Be Giants interview. Retrieved 2006-02-26.
4. "TV And Movie Themes". This Might Be A Wiki. Retrieved 2006-02-26.
5. "Boss of Me by They Might Be Giants Songfacts". Songfacts. Retrieved 2006-04-03.
6. Jeckell, Barry A. (April 16, 2004). "TMBG Complete 10th Studio Album". Billboard. Retrieved 2006-02-26.{{cite web}}: CS1 maint: year (link)
7. "Mailing List Archive/2006-03-13". This Might Be A Wiki. Retrieved 2006-03-31.
8. "Rockin' Tots". Herald News. Retrieved 2006-03-31.
9. Levy, Mike (2000). "TMBG: FAQ (Frequently Asked Questions)". Answers to Frequently Asked Questions about They Might Be Giants. Retrieved 2006-02-26.
10. Relph, John. "Summary of Releases". They Might Be Giants Discography. Retrieved 2006-02-26.

See also

• List of bands from New York

External links

Official sites

• Official They Might Be Giants web page
• Official band-operated download site
• They Might Be Giants' Dial-a-Song
• The official Gigantic film web page
• The official TMBG Kids web page
• "Experimental Film" video on Homestarrunner.com

Unofficial fansites

• This Might Be A Wiki — a wiki about TMBG. As of January 4, 2006, it contained 2108 articles.
  • TMBW:Fan Communities — List of many TMBG internet discussion forums
• TMBG:UK - the only UK based fansite with media content
• Theynow.com - A fanmade TMBG podcast
• The unofficial They Might Be Giants site

Articles

• "They Might Be Giants release First MP3 Only Album" by Rich Menta, MP3 Newswire, 1999
• They Might Be Giants, Linnell, and Flansburgh at the Internet Movie Database

• American musical groups
• Grammy Award winners
• Rock music groups
• Songwriters
• They Might Be Giants
• Brooklynites
• HFStival acts