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<blockquote>This isn’t a pantheon of heroes, but it is a celebration of manly beauty that you don’t need to be a beauty to make a beautiful picture. But it is also, to anyone who was alive in Britain in 1963, intensely evocative of that lost world. Steen is a pro — technically accomplished and unpretentious. There aren’t really any heroes in this book: Steen is palpably too perceptive and level-headed for hero-worship. But there are 100 fine photographs, intensely redolent of the period that produced them, and still looking good some 40 years on.<ref>''The Spectator'' 4.6.05</ref></blockquote> <blockquote>This isn’t a pantheon of heroes, but it is a celebration of manly beauty that you don’t need to be a beauty to make a beautiful picture. But it is also, to anyone who was alive in Britain in 1963, intensely evocative of that lost world. Steen is a pro — technically accomplished and unpretentious. There aren’t really any heroes in this book: Steen is palpably too perceptive and level-headed for hero-worship. But there are 100 fine photographs, intensely redolent of the period that produced them, and still looking good some 40 years on.<ref>''The Spectator'' 4.6.05</ref></blockquote>
==Photographs of The Famous==
Steen’s other subjects, featured in his published book of photographs, include: ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ] and ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, the Rolling Stones<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Pete Townshend<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, James Coburn<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Somerset Maugham<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Bill Wyman<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>,]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>,]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ] and IAL Diamond<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, El Cordobes<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Bobby Moore<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Alex ‘Hurricane’ Higgins<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Sir Ralph Richardson<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, Tom Stoppard<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, President Tito<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref>''Heroes+Villains'' (Genesis Publications, 2005)</ref><ref>{{cite web|author=Art Photography |url=http://www.telegraph.co.uk/culture/photography/6214641/Twiggy-interview-for-Twiggy-A-Life-in-Photographs-at-the-NPG.html |title=Twiggy interview for Twiggy: A Life in Photographs at the NPG |publisher=Telegraph |date= |accessdate=2012-06-06}}</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>, ]<ref name="heroes">Heroes+Villains (Genesis Publications, 2005)</ref>. One of Steen's pictures of Twiggy was used in her first autobiography, ''Twiggy By Twiggy'' <ref>''Twiggy By Twiggy''(ISBN 978-0-246-10895-1)</ref> and others in ''Twiggy: A Life in Photographs'' <ref>http://www.amazon.co.uk/Twiggy-Life-Photographs-Terence-Pepper/dp/185514414X/ref=sr_1_1?s=books&ie=UTF8&qid=1339582693&sr=1-1</ref>.


==Books== ==Books==

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David Steen
File:Headshot of David Steen.jpg
BornDavid Steen
(1936-02-16) 16 February 1936 (age 88)
London
NationalityBritish
OccupationPhotographer
Years active1953-present

David Steen (born 16 February 1936) is a British photographer. His subjects have included show business and sports stars, and politicians.

Early life

David Steen was born in St Bartholomew's Hospital in the City of London, one of two children (his sister Sheila was born in 1932). Much of his childhood was spent in the air-raid shelters of London and, also as a result of dyslexia, he was poorly schooled.

Early career

Steen recalls:

One day a woman called Paddy Brosnan went to Smithfields to buy some meat. My dad asked Paddy if there was a job for me. She was the secretary to Tom Hopkinson, the editor of Picture Post. She said I could work for her as an office boy. On 1 April 1951, at the age of 15, I started work. Picture Post carried staff writers and about eight staff photographers. I walked around the office delivering post and doing odd errands for the staff. One day I was in the photographers' rest room, where they had their lockers, when the picture editor Harry Deverson, came in. He said to one photographer, 'Come and talk to me about a job in Switzerland,' and to another photographer, 'Talk to me about a job in Tokyo'. I had rarely left Clerkenwell, certainly never been abroad. My ears started buzzing, and it was at that precise moment I decided that this photography game was for me. I soon started assisting the photographers.

One of those photographers, Bert Hardy, took Steen under his wing. Hardy taught him not just about taking photos but also the importance of punctuality, being smart, wearing clean shoes and, above all, the love of the job. Between the ages of 15 and 18, when Steen’s friends were going out to pubs and parties, he was out and about, with a borrowed camera taking pictures around London by day and by night.

On sunny days mothers would leave their babies in prams outside their homes and, to earn extra money, Steen would borrow a camera, photograph the babies, and have the pictures printed at a chemist shop. He would pay a shilling a print and then knock at the door of the mother and sell her a photo of her baby for two shillings.

At the age of 17, he was doing small assignments, and at 18 he undertook his first foreign assignment, travelling to Paris to photograph Otto Preminger. "I stayed at the Georges VI hotel, dined at Maxim’s, and went to the Crazy Horse nightclub. This was the beginning of a great adventure that would last for decades."

In June 1954, he began National Service, spending the first few months in Germany as an Army photographer. He was then despatched to Egypt where he was promoted to the rank of sergeant. "My mum and dad were very proud." From his base in Ismialia, Egypt, he was sent by the War Office to cover many stories in the Middle East; Cyprus, Libya, Aden and Somalia. By the time he was demobbed (in June 1956) Steen had accomplished an immense amount of travel and photography.

He returned to Picture Post, but a year later the magazine ceased publication but soon he was offered a job as a photographer on Britain’s first newspaper for women, Women's Sunday Mirror. The publication was started by Hugh Cudlipp, who gave Steen an assignment to photograph a woman delivering her own baby under hypnosis.

The pictures were amazing; the mother and her husband and me with a Rolleiflex in a small bedroom in north London. I entered a sequence of nine photos in the Encyclopædia Britannica Press Photographs of the Year Awards. I won first prize. I was 21, the youngest photographer to win.

The 60s

He joined the Daily Mail as a feature photographer for one year before moving to Queen magazine, where he took more of the sort of the photography he enjoyed: three or four pages to a story. "I needed to get out on my own, so I started to freelance for The Sunday Times colour magazine, the Telegraph magazine, Observer and foreign titles like Paris Match, Stern, Epoca and People. I was then getting big assignments around the world. The 60s were extraordinarily exciting." Trained on the maxim "every picture tells a story" he focused on film stars, actors, criminals, politicians, prime ministers and many men, women and children going about their everyday lives.

Heroes and Villains

Steen’s book, Heroes and Villains, was published in May 2005, by Genesis Publications. It contains 100 photographs of famous and infamous men who were photographed by Steen over the years and was also the subject of an exhibition. The Spectator said of the book:

This isn’t a pantheon of heroes, but it is a celebration of manly beauty that you don’t need to be a beauty to make a beautiful picture. But it is also, to anyone who was alive in Britain in 1963, intensely evocative of that lost world. Steen is a pro — technically accomplished and unpretentious. There aren’t really any heroes in this book: Steen is palpably too perceptive and level-headed for hero-worship. But there are 100 fine photographs, intensely redolent of the period that produced them, and still looking good some 40 years on.

Books

Heroes+Villains (Genesis Publications, 2005)

Photographs also appear in:

  • "Rolling Stones": Street Fighting Years
  • Twiggy: A Life in Photographs
  • Sensual Beauty
  • The 60s in Queen
  • For God's Sake Care
  • Ronnie Biggs: Odd Man Out - The Last Straw
  • Mandy

References

  1. ^ "David Steen Prints". Collectorsprints.co.uk. Retrieved 2012-06-06.
  2. Heroes+Villains (Genesis Publications, 2005)
  3. "Browse Books: Photographer - David Steen". Genesis Publications. Retrieved 2012-06-06.
  4. "David Steen - Exhibitions". Photography-now.com. Retrieved 2012-06-06.
  5. "News Archive 2004 - The Daily Telegraph Devotes Nearly Half A Page To Genesis Exhibition - 10 May 2004". Genesis Publications. 2004-05-10. Retrieved 2012-06-06.
  6. The Spectator 4.6.05

External links

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