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| ==Early life== | ==Early life== | ||
| Sargent Johnson was the third of six children, born to a father of Swedish descent and mother of African American and ] ancestry. In 1902 his mom died the boys of the family were sent to an orphanage in Worcester, Massachusetts and the girls to a catholic school for African-American and native American girls in Pennsylvania. At a young age Sargent and his siblings went to live with their uncle, Sherman Jackson Williams and his wife, May Howard Jackson. May was a famous black sculptress specializing in Negro themes and undoubtedly she influenced Sargent Johnson at an early age. Apparently some of his sibling had troubles with identifying themselves as African-American and chose to live as either Native Americans or Causians though Sargent lived his life as an African American. Johnson’s transition from practicing artist to professional is largely undocumented, though some say he left from Boston to Chicago to live with some relatives and afterwards, in 1915, Sargent Johnson moved to the ] area. The ], which had an influence on the California art movement, took place shortly after his move. The same year, Sargent Johnson married Pearl Lawson and began studying drawing and painting at the A. W. Best School of Art. He attended the ] (now the ]) from 1919 to 1923, where his teachers included the sculptors ] and ]. Consuelo Kanaga, a photographer of that time, knew him well and had this to say about Johnson, “He was beautiful in his spirit, the way he talked, the way he thought, the way he worked, the way he felt. I don’t mean he didn’t have problems. He did – terrible problems – but he was still beautiful. It was his spirit, the way he looked at everything<ref>Bearden, Romare, and Harry Henderson. A History of African-American Artists From 1792 to the Present. 1st ed. N.p.: Pantheon, n.d. Print.</ref> | Sargent Johnson was the third of six children, born to a father of Swedish descent and mother of African American and ] ancestry. In 1902 his mom died the boys of the family were sent to an orphanage in Worcester, Massachusetts and the girls to a catholic school for African-American and native American girls in Pennsylvania. At a young age Sargent and his siblings went to live with their uncle, Sherman Jackson Williams and his wife, May Howard Jackson. May was a famous black sculptress specializing in Negro themes and undoubtedly she influenced Sargent Johnson at an early age. Apparently some of his sibling had troubles with identifying themselves as African-American and chose to live as either Native Americans or Causians though Sargent lived his life as an African American. Johnson’s transition from practicing artist to professional is largely undocumented, though some say he left from Boston to Chicago to live with some relatives and afterwards, in 1915, Sargent Johnson moved to the ] area. The ], which had an influence on the California art movement, took place shortly after his move. The same year, Sargent Johnson married Pearl Lawson and began studying drawing and painting at the A. W. Best School of Art. He attended the ] (now the ]) from 1919 to 1923, where his teachers included the sculptors ] and ]. Consuelo Kanaga, a photographer of that time, knew him well and had this to say about Johnson, “He was beautiful in his spirit, the way he talked, the way he thought, the way he worked, the way he felt. I don’t mean he didn’t have problems. He did – terrible problems – but he was still beautiful. It was his spirit, the way he looked at everything."<ref>Bearden, Romare, and Harry Henderson. A History of African-American Artists From 1792 to the Present. 1st ed. N.p.: Pantheon, n.d. Print.</ref> | ||
| ==Career== | ==Career== | ||
Revision as of 21:50, 8 March 2013
| Sargent Claude Johnson | |
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| Born | Sargent Claude Johnson (1888-10-07)October 7, 1888 Boston, Massachusetts |
| Died | October 10, 1967(1967-10-10) (aged 79) San Francisco, California |
| Nationality | American |
| Known for | Painting, sculpture, ceramics |
Sargent Claude Johnson (October 7, 1888 – October 10, 1967) was one of the first African-American artists working in California to achieve a national reputation. He was known for Abstract Figurative and Early Modern styles. He was a painter, potter, ceramist, printmaker, graphic artist, sculptor, and carver. He worked with a variety of media, including ceramic, clay, oil, stone, terra-cotta, watercolor, and wood. He was in the Communist Party for most of his life.
Early life
Sargent Johnson was the third of six children, born to a father of Swedish descent and mother of African American and Cherokee ancestry. In 1902 his mom died the boys of the family were sent to an orphanage in Worcester, Massachusetts and the girls to a catholic school for African-American and native American girls in Pennsylvania. At a young age Sargent and his siblings went to live with their uncle, Sherman Jackson Williams and his wife, May Howard Jackson. May was a famous black sculptress specializing in Negro themes and undoubtedly she influenced Sargent Johnson at an early age. Apparently some of his sibling had troubles with identifying themselves as African-American and chose to live as either Native Americans or Causians though Sargent lived his life as an African American. Johnson’s transition from practicing artist to professional is largely undocumented, though some say he left from Boston to Chicago to live with some relatives and afterwards, in 1915, Sargent Johnson moved to the San Francisco Bay area. The Panama-Pacific International Exposition, which had an influence on the California art movement, took place shortly after his move. The same year, Sargent Johnson married Pearl Lawson and began studying drawing and painting at the A. W. Best School of Art. He attended the California School of Fine Arts (now the San Francisco Art Institute) from 1919 to 1923, where his teachers included the sculptors Beniamino Bufano and Ralph Stackpole. Consuelo Kanaga, a photographer of that time, knew him well and had this to say about Johnson, “He was beautiful in his spirit, the way he talked, the way he thought, the way he worked, the way he felt. I don’t mean he didn’t have problems. He did – terrible problems – but he was still beautiful. It was his spirit, the way he looked at everything."
Career
Sargent Johnson began showing his work with the Harmon Foundation of New York in 1926. Through this distinguished foundation that supported African American art, he exhibited many of his pieces and became locally and then nationally known. He won numerous awards during his time with the Harmon Foundation. In the late 1930s, Sargent Johnson commissioned his work with the Federal Arts Project (FAP). As a member of the bohemian San Francisco Bay community and influenced by the New Negro Movement, Sargent Johnson's early work focused on racial identity. According to Johnson, "Negroes are a colorful race; they call for an art as colorful as they can be made." Beginning in 1945, and continuing through 1965, Sargent Johnson made a number of trips to Oaxaca and Southern Mexico and started incorporating the people and culture, particularly archeology, into his work. Other subjects included African American figures, animals, and Native Americans.
Auction Records
On February 23, 2010, Swann Galleries auctioned Sargent Claude Johnson’s Untitled (Standing Woman), a painted terra cotta sculpture, circa 1933-35, for $52,800 - an auction record at the time for the artist. In 2009 the University of California, Berkeley unwittingly sold a work by Johnson for $164.63, that was later valued at more than a million dollars. The twenty-two foot carved redwood relief panel was eventually purchased by the Huntington Library and will be displayed in its new American wing.
Notes
- SF MOMA Exhibition
- Ask Art
- ^ SF MOMA
- Bearden, Romare, and Harry Henderson. A History of African-American Artists From 1792 to the Present. 1st ed. N.p.: Pantheon, n.d. Print.
- Cartage.org
- New York Times
External links
Media related to Sargent Claude Johnson at Wikimedia Commons- Sargent Johnson in Voices and Images of California Art
