Misplaced Pages

Revision as of 20:05, 26 March 2013

Roman Polanski (born Rajmund Roman Thierry Polański; 18 August 1933) is a Polish-French film director, producer, writer, and actor. Having made films in Poland, the United Kingdom, France and the United States, he is considered one of the few "truly international filmmakers." Polanski's films have inspired diverse directors, including the Coen brothers, Wes Anderson, David Fincher, Atom Egoyan, Darren Aronofsky, Park Chan-wook, Abel Ferrara, and Wes Craven.

Born in Paris to Polish parents, he moved with his family back to Poland (Second Polish Republic) in 1937, shortly before the outbreak of World War II. He survived the Holocaust and was educated in Poland (People's Republic of Poland) and became a director of both art house and commercial films. Polanski's first feature-length film, Knife in the Water (1962), made in Poland, was nominated for a United States Academy Award for Best Foreign Language Film but was beaten by Federico Fellini's 8½. He has since received five more Oscar nominations, along with two Baftas, four Césars, a Golden Globe Award and the Palme d'Or of the Cannes Film Festival in France. In the United Kingdom he directed three films, beginning with Repulsion (1965). In 1968 he moved to the United States, and cemented his status by directing the horror film Rosemary's Baby (1968) for which Ruth Gordon won an Academy Award as Best Supporting Actress.

In 1969, Polanski's pregnant wife, Sharon Tate, was murdered by members of the Manson Family while staying at Polanski's Benedict Canyon home above Los Angeles. Following Tate's death, Polanski returned to Europe and spent much of his time in Paris and Gstaad, but did not direct another film until Macbeth (1971) in England. The following year he went to Italy to make What? (1973) and subsequently spent the next five years living near Rome. However, he travelled to Hollywood to direct Chinatown (1974). The film was nominated for eleven Academy Awards, was a critical and box-office success. Polanski's next film, The Tenant (1976), was shot in France, and completed the "Apartment Trilogy", following Repulsion and Rosemary's Baby.

In 1977, after a photo shoot in Los Angeles, Polanski was arrested for the statutory rape of a 13-year-old girl and pleaded guilty to the charge of unlawful sex with a minor. To avoid sentencing, Polanski fled to his home in London, eventually settling in France. More than 32 years later, in September 2009, he was temporarily arrested by Swiss police at the request of U.S. authorities, who also asked for his extradition. The Swiss rejected that request, and instead released him from custody, declaring him a "free man." During an interview for a later film documentary, he offered his apology to the woman, and in a separate interview with Swiss TV he said that he has regretted that episode for the last 33 years.

Polanski continued to make films such as The Pianist (2002), a World War II true story drama about Jewish-Polish musician Władysław Szpilman. The film won three Academy Awards including Best Director, along with numerous international awards. He also directed other films, including Oliver Twist (2005), a story which parallels his own life as a "young boy attempting to triumph over adversity. His most recent films are The Ghost Writer (2010), a thriller focusing on a ghostwriter working with a former British Prime Minister, and Carnage (2011), a comedy-drama starring Jodie Foster and Kate Winslet.

Early life

Polanski was born as Rajmund Roman Thierry Polański in Paris, France, the son of Bula and Ryszard Polański, a painter and manufacturer of sculptures, who had changed his family name from Liebling. His mother had a daughter, Annette, by her previous husband. Annette managed to survive Auschwitz, where her mother died, and left Poland forever for France. Polanski's Polish-born father was Jewish; Polanski's Russian-born mother had been raised Roman Catholic, and was of half Jewish ancestry. Polanski's parents were both agnostics.

World War II

The Polański family moved back to the Polish city of Kraków in 1936, and were living there when World War II began with the invasion of Poland. Kraków was soon occupied by the German forces, and Nazi racial purity laws made the Polańskis targets of persecution, forcing them into the Kraków Ghetto, along with thousands of the city's Jews. Around the age of five, he attended primary school for only a few weeks, until "all the Jewish children were abruptly expelled," writes biographer Christopher Sandford. That initiative was soon followed by requiring all Jewish children over the age of twelve to wear white armbands with a blue Star of David imprinted for visual identification. After he was expelled, he would not be allowed to enter another classroom for the next six years.

Polanski then witnessed both the ghettoization of Kraków's Jews into a compact area of the city, and the subsequent deportation of all the ghetto's Jews to concentration camps, including watching as his father was taken away. He remembers from age six, one of his first experiences of the terrors to follow:

I had just been visiting my grandmother . . . when I received a foretaste of things to come. At first I didn't know what was happening. I simply saw people scattering in all directions. Then I realized why the street had emptied so quickly. Some women were being herded along it by German soldiers. Instead of running away like the rest, I felt compelled to watch.

One older woman at the rear of the column couldn't keep up. A German officer kept prodding her back into line, but she fell down on all fours, . . . Suddenly a pistol appeared in the officer's hand. There was a loud bang, and blood came welling out of her back. I ran straight into the nearest building, squeezed into a smelly recess beneath some wooden stairs, and didn't come out for hours. I developed a strange habit: clenching my fists so hard that my palms became permanently calloused. I also woke up one morning to find that I had wet my bed.

His father was transferred, along with thousands of other Jews, to Mauthausen, a group of forty-nine German concentration camps in Austria. His mother was taken to Auschwitz and was killed soon after arriving. The mass forced exodus took place immediately after the German liquidation of the Krakow ghetto, after its failed rebellion, a true-life backdrop to Polanski's film, The Pianist (2002). Polanski, who was then in hiding from the Germans, remembered seeing his father being marched off with a long line of people. Polanski tried getting closer to his father to ask him what was happening, and managed to get within a few yards away. His father saw him, but afraid his son might be spotted by the German soldiers, whispered (in Polish,) "Get lost!"

Polański escaped the Kraków Ghetto in 1943 and survived by assuming the name Romek Wilk, with the help of some Polish Roman Catholic families who promised his father they would shelter him if necessary. Initially, that prearranged care-taking of young Polanski lasted only a few days, as the family complained that they "hadn't intended to give refuge to a 'little Jew'." The family evicted him, although they refused to return his suitcase of personal belongings.

Again in hiding without his parents, he succeeded in being sheltered by other Catholic families, where he attended church, learned to recite most Catholic prayers by heart, and behaved outwardly as a Roman Catholic, although he was never baptized. However, his efforts to assimilate into Catholic households as a member of the family often failed. In one instance, the parish priest visited the family and began to interrogate him, as Polanski recalls:

"Who exactly are you?" he asked. "Where were you baptized?" . . . "What was the name of your parish priest?" . . . He pursued his inquisition to the bitter end. "You're a little liar," he said finally. "You've never been baptized at all." He took me by the ear and led me over to the mirror. "Look at yourself. Look at those eyes, that mouth, those ears. You aren't one of us."

Writer Mitchell Glazer describes Polanski's difficult childhood:

Truth and myth about Polanski merge in a grisly, Jerzy Kosinskiesque tale: at six, slipping through the Cracow sewers with gangs of Jewish children to steal food for their families; having his mother hauled away before his eyes to perish in Auschwitz; at seven, being hidden by various non-Jews (for a fee) and finally being sent to a Polish farm to live with a peasant family. The stories become even darker: near fatal beatings (he has a metal plate in his head), starvation, night escapes across the freezing Polish countryside. And all this before he was twelve.

As he roamed the countryside trying to survive in a Poland now occupied by German troops, he witnessed many horrors, such as being "forced to take part in a cruel and sadistic game in which German soldiers took shots at him for target practice." Author Ian Freer concludes that his constant childhood fears and dread of violence have contributed to the "tangible atmospheres he conjures up on film."

By the time the war ended in 1945, a fifth of the Polish population had been killed, with the vast majority of the victims being civilians. Of those deaths, 3 million were of Polish Jews, 90% of the country's Jewish population. Although his mother perished at Auschwitz, his father survived and was later reunited with his son. According to Sandford, Polanski would use his memory of his mother, her dress and makeup style, as a physical model for Faye Dunaway's character in his film Chinatown (1974).

After the war

After the war he was reunited with his father, and moved back to Kraków. His father remarried 21 December 1946 to Wanda Zajączkowska (a woman Polanski had never liked) and died of cancer in 1984. Time repaired the family contacts, Polanski visited them in Kraków, and relatives visited him in Hollywood and Paris. Polanski recalls the villages and families he lived with as relatively primitive by European standards:

They were really simple Catholic peasants. This Polish village was like the English village in Tess. Very primitive. No electricity. The kids with whom I lived didn't know about electricity . . . they wouldn't believe me when I told them it was enough to turn on a switch!

He stated that "you must live in a Communist country to really understand how bad it can be. Then you will appreciate capitalism." He also remembered events at the war's end and his reintroduction to mainstream society when he was 12, forming friendships with other children, such as Roma Ligocka, Ryszard Horowitz and his family:

Richard was one of the very few children to have survived deportation from the Kraków ghetto and the only one to have survived the transit camp that followed. His father had hidden him in a latrine cesspool, neck-deep, while the other children were being rounded up for liquidation . . . Regina Horowitz was a typical Jewish mother, warm, resilient, and vital—a tower of strength. She always lit candles on Friday nights, and for the first time in my life I found myself in a household where Jewish rites were observed.

Introduction to movies

Polanski's fascination with cinema began very early, when he was around age four or five. He recalls this period in an interview:

Even as a child, I always loved cinema and was thrilled when my parents would take me before the war. Then we were put into the ghetto in Krakòw and there was no cinema, but the Germans often showed newsreels to the people outside the ghetto, on a screen in the market place. And there was one particular corner where you could see the screen through the barbed wire. I remember watching with fascination, although all they were showing was the German army and German tanks, with occasional anti-Jewish slogans inserted on cards.

After the war, he watched films, either at school or at a local cinema, using whatever pocket money he had. Polanski writes, "Most of this went on the movies, but movie seats were dirt cheap, so a little went a long way. I lapped up every kind of film." As time went on, movies became more than an escape into entertainment, as he explains:

Movies were becoming an absolute obsession with me. I was enthralled by everything connected with the cinema — not just the movies themselves but the aura that surrounded them. I loved the luminous rectangle of the screen, the sight of the beam slicing through the darkness from the projection booth, the miraculous synchronization of sound and vision, even the dusty smell of the tip-up seats. More than anything else, though I was fascinated by the actual mechanics of the process.

Early career

Polanski attended the National Film School in Łódź, the third-largest city in Poland. In the 1950s Polanski took up acting, appearing in Andrzej Wajda's Pokolenie (A Generation, 1954) and in the same year in Silik Sternfeld's Zaczarowany rower (Enchanted Bicycle or Magical Bicycle). Polanski's directorial debut was also in 1955 with a short film Rower (Bicycle). Rower is a semi-autobiographical feature film, believed to be lost, which also starred Polanski. It refers to his real-life violent altercation with a notorious Kraków felon, Janusz Dziuba, who arranged to sell Polanski a bicycle, but instead beat him badly and stole his money. In real life the offender was arrested while fleeing after fracturing Polanski's skull, and executed for three murders, out of eight prior such assaults, which he had committed. Several other short films made during his study at Łódź gained him considerable recognition, particularly Two Men and a Wardrobe (1958) and When Angels Fall (1959). He graduated in 1959.

Film director

1960s

Knife in the Water (1962)

Polanski's first feature-length film, Knife in the Water, was also the first significant Polish film after World War II that did not have a war theme. Scripted by Jerzy Skolimowski and Polanski, Knife in the Water is about a wealthy, unhappily married couple who decide to take a mysterious hitchhiker with them on a weekend boating excursion. A dark and unsettling work, Polanski's debut feature subtly evinces a profound pessimism about human relationships with regard to the psychological dynamics and moral consequences of status envy and sexual jealousy. Knife in the Water was a major commercial success in the West and gave Polanski an international reputation. The film also earned its director his first Academy Award nomination (Best Foreign Language Film, 1963). Leon Niemczyk, who played Andrzej, was the only professional actor in the film. Jolanta Umecka, who played Krystyna, was discovered by Polanski at a swimming pool.

Polanski left then-communist Poland and moved to France, where he had already made two notable short films in 1961: The Fat and the Lean and Mammals. While in France, Polanski contributed one segment ("La rivière de diamants") to the French-produced omnibus film, Les plus belles escroqueries du monde (English title: The Beautiful Swindlers) in 1964. However, Polanski found that in the early 1960s the French film industry was xenophobic and generally unwilling to support a rising filmmaker who was of foreign origin.

Repulsion (1965)

Polanski made three feature films in England, based on original scripts written by himself and Gérard Brach, a frequent collaborator. Repulsion (1965) is a psychological horror film focusing on a young Belgian woman named Carol (Catherine Deneuve), who is living in London with her older sister (Yvonne Furneaux). The film's themes, situations, visual motifs, and effects clearly reflect the influence of early surrealist cinema as well as horror movies of the 1950s – particularly Luis Buñuel's Un chien Andalou, Jean Cocteau's The Blood of a Poet, Henri-Georges Clouzot's Diabolique and Alfred Hitchcock's Psycho.

Cul-de-sac (1966)

Cul-de-sac (1966) is a bleak nihilist tragicomedy filmed on location in Northumberland. The general tone and the basic premise of the film owes a great deal to Samuel Beckett's Waiting for Godot, along with aspects of Harold Pinter's The Birthday Party.

The Fearless Vampire Killers/Dance of the Vampires (1967)

The Fearless Vampire Killers (1967) (known by its original title, "Dance of the Vampires" in most countries outside the US) is a parody of vampire films. The plot concerns a buffoonish professor and his clumsy assistant, Alfred (played by Polanski), who are traveling through Transylvania in search of vampires. The ironic and macabre ending is considered classic Polanski. The Fearless Vampire Killers was Polanski's first feature to be photographed in color with the use of Panavision lenses, and included a striking visual style with snow-covered, fairy-tale landscapes, similar to the work of Soviet fantasy filmmakers. In addition, the richly textured color schemes of the settings evoke the magical, kaleidoscopic paintings of the great Belarussian-Jewish artist Marc Chagall, who provides the namesake for the innkeeper in the film. The film was written for Jack MacGowran, who played the lead role of Professor Abronsius.

Polanski met Sharon Tate while the film was being made, where she played the role of the local innkeeper's daughter. They were married in London on 20 January 1968.

Rosemary's Baby (1968)

Paramount studio head Robert Evans brought Polanski to America ostensibly to direct the film Downhill Racer, but told Polanski that he really wanted to him to read the horror novel Rosemary's Baby by Ira Levin to see if a film could be made out of it. Polanski read it non-stop through the night and the following morning decided he wanted to write as well as direct it. He wrote the 272 page screenplay for the film in slightly longer than three weeks. The film, Rosemary's Baby (1968), was a box-office success and became his first Hollywood production, thereby establishing his reputation as a major commercial filmmaker. The film, a horror-thriller set in trendy Manhattan, is about Rosemary Woodhouse (Mia Farrow), a young housewife who is impregnated by the devil. Polanski's screenplay adaptation earned him a second Academy Award nomination.

On 9 August 1969, while Polanski was working in London, his wife, Sharon Tate, and four other people were murdered at the Polanskis' residence in Los Angeles.

1970s

Macbeth (1971)

Polanski abandoned his project and did not resume working until the production of a film version of Shakespeare's The Tragedy of Macbeth. Jon Finch and Francesca Annis played the main characters. He adapted Shakespeare's original text into a screenplay with the British National Theater literary manager and theater critic and Shakespeare expert Kenneth Tynan. Hugh Hefner and Playboy Productions funded the film, and it opened in New York and was screened in Playboy Theater. Hefner was also executive producer of the film and the film was listed as a "Playboy Production". The film was controversial because of Lady Macbeth's being nude in a scene., and received an X rating because of its graphic violence and nudity In his autobiography, Polanski wrote that he wanted to be true to the violent nature of the work, and that he had been aware that his first project following Tate's murder, would be subject to scrutiny and probable cricitism regardless of the subject matter; if he had made a comedy he would have been perceived as callous.

What? (1973)

Written by Polanski and previous collaborator Gérard Brach, What? (1973) is a mordant absurdist comedy loosely based on the themes of Alice in Wonderland and Henry James. The film is a rambling shaggy dog story about the sexual indignities that befall a winsome young American hippie woman hitchhiking through Europe.

Chinatown (1974)

Polanski returned to Hollywood in 1973 to direct Chinatown for Paramount Pictures. The film was nominated for 11 Academy Awards. The stars, Jack Nicholson and Faye Dunaway, both received Oscar nominations for their roles, and the script by Robert Towne won for Best Original Screenplay. Polanski appears in a cameo role.

The Tenant (1976)

Polanski returned to Paris for his next film, The Tenant (1976), which was based on a 1964 novel by Roland Topor, a French writer of Polish-Jewish origin. In addition to directing the film, Polanski also played a leading role of a timid Polish immigrant living in Paris. Together with his two earlier works, The Tenant can be seen as the third installment in a loose trilogy of films called the "Apartment Trilogy" that explore the themes of social alienation and psychic and emotional breakdown. In his autobiography, Polanski wrote: "I had a great admiration for American institutions and regarded the United States as the only truly democratic country in the world."

Tess (1979)

He dedicated his next film, Tess (1979), to the memory of his late wife, Sharon Tate. It was Tate who suggested to Polanski that he read it, as she felt it might make a good film. Tess was Polanski's first film since his 1977 arrest in Los Angeles, and because of the American-British extradition treaty, Tess was shot in the north of France instead of Hardy's England. Nastassja Kinski appeared in the title role opposite Peter Firth and Leigh Lawson.

The film became the most expensive made in France up to that time. Ultimately, Tess proved a financial success and was well received by both critics and the public. For Tess, Polanski won France's César Awards for Best Picture and Best Director and received his fourth Academy Award nomination (and his second nomination for Best Director). The film received three Oscars: best cinematography, best art direction and best costume design. In addition, Tess was nominated for best picture.

1980s

In 1981, Polanski directed and co-starred (as Mozart) in a stage production of Peter Shaffer's play Amadeus, first in Warsaw, then in Paris. The play was again directed by Polanski, in Milan, in 1999.

Pirates (1986)

Nearly seven years passed before Polanski's next film, Pirates, a lavish period piece starring Walter Matthau as Captain Red, which the director intended as an homage to the beloved Errol Flynn swashbucklers of his childhood. Captain Red's henchman, Jean Baptiste, was played by Cris Campion. The film is about a rebellion the two lead on a ship called the Neptune, in the seventeenth century. The screenplay was written by Polanski, Gerard Brach, and John Brownjohn. The film was shot on location in Tunisia, using a full sized pirate vessel constructed for the production. It was a financial and critical failure despite the fact that a lot of money had been spent on it. However, it was nominated for an Academy Award because of the costumes Anthony Powell made for it, which were viewed as beautiful.

Frantic (1988)

Frantic (1988) was Hitchcockian suspense-thriller starring Harrison Ford and the actress/model Emmanuelle Seigner, who later became Polanski's wife. The film follows an ordinary tourist in Paris whose wife is kidnapped. He attempts, hopelessly, to go through the Byzantine bureaucratic channels to deal with her disappearance, but finally takes matters into his own hands.

1990s

Polanski followed this with the dark psycho-sexual film Bitter Moon (1992), followed by a film of the acclaimed play Death and the Maiden (1994) starring Sigourney Weaver.

The Ninth Gate (1999)

The Ninth Gate is a thriller based on the novel El Club Dumas by Arturo Perez-Reverte and starring Johnny Depp. The movie's plot is based on the idea that an ancient text called "The Nine Gates of the Kingdom of Shadow", authored by Aristide Torchia along with Lucifer, are the key to raising Satan.

In 1997, Polanski directed a stage version of his 1967 film The Fearless Vampire Killers, which debuted in Vienna followed by successful runs in Stuttgart, Hamburg, Berlin, and Budapest. On 11 March 1998, Polanski was elected a member of the Académie des Beaux-Arts.

2000s

The Pianist (2002)

In 2001, Polanski filmed The Pianist, an adaptation of the World War II autobiography of the same name by Polish-Jewish musician Władysław Szpilman. Szpilman's experiences as a persecuted Jew in Poland during World War II were reminiscent of Polanski and his family. While Szpilman and Polanski escaped the concentration camps, their families did not, eventually perishing.

When Warsaw, Poland was chosen for the 2002 premiere of The Pianist, "the country exploded with pride." According to reports, numerous former communists came to the screening and "agreed that it was a fantastic film."

In May 2002, the film won the Palme d'Or (Golden Palm) award at the Cannes Film Festival, as well as Césars for Best Film and Best Director, and later the 2002 Academy Award for Directing. Because he would have been arrested once in the United States, Polanski did not attend the Academy Awards ceremony in Hollywood. After the announcement of the Best Director Award, Polanski received a standing ovation from most of those present in the theater. Actor Harrison Ford accepted the award for Polanski, and then presented the Oscar to him at the Deauville Film Festival five months later in a public ceremony. Polanski later received the Crystal Globe award for outstanding artistic contribution to world cinema at the Karlovy Vary International Film Festival in 2004.

Oliver Twist (2005)

Oliver Twist is an adaptation of Dickens's classic, written by The Pianist's Ronald Harwood and shot in Prague. Polanski said in interviews that he made the film as something he could show his children, and that the life of the young scavenger mirrored his own life, fending for himself in World War II Poland.

2010s

The Ghost Writer (2010)

The Ghost Writer, a thriller focusing on a ghostwriter working on the memoirs of a character based loosely on former British prime minister Tony Blair, swept the European Film Awards in 2010, winning six awards, including best movie, director, actor and screenplay. When it premiered at the 60th Berlinale in February 2010, Polanski won a Silver Bear for Best Director, and in February 2011, it won four César Awards, France’s version of the Academy Awards.

The cast includes Ewan McGregor as the writer and Pierce Brosnan as former British Prime Minister Adam Lang. The film was shot on locations in Germany.

In the U.S., film critic Roger Ebert included it in his top 10 pick for 2010, and states that "this movie is the work of a man who knows how to direct a thriller. Smooth, calm, confident, it builds suspense instead of depending on shock and action. " Co-star Ewan McGregor agrees, saying about Polanski that "he's a legend. . . I've never examined a director and the way that they work, so much before. He's brilliant, just brilliant, and absolutely warrants his reputation as a great director."

Carnage (2011)

Polanski shot Carnage in February/March 2011. The film is a screen version of Yasmina Reza’s play God of Carnage, a comedy about the relationship between two couples after their children get in a fight at school and the selfishness of everyone, which eventually leads to chaos. It stars Kate Winslet, Jodie Foster, Christoph Waltz and John C. Reilly. Though set in New York, it was shot in Paris due to Polanski's legal inability to travel to the US. The film had its world premiere on 9 September 2011 at the Venice Film Festival and was released in the US by Sony Pictures Classics on 16 December 2011.

Co-stars Jodie Foster and Kate Winslet commented about Polanski's directing style. According to Foster, "He has a very, very definitive style about how he likes it done. He decides everything. He decided every lens. Every prop. Everything. It’s all him." Winslet adds that "Roman is one of the most extraordinary men I’ve ever met. The guy is 77 years old. He has an effervescent quality to him. He’s very joyful about his work, which is infectious. He likes to have a small crew, to the point that, when I walked on the set, my thought was, ‘My God, this is it?’” Also noting that style of directing, New York Film Festival director Richard Pena, during the American premier of the film, called Polanski "a poet of small spaces . . . in just a couple of rooms he can conjure up an entire world, an entire society."

Venus in Fur (2013)

He is currently in post-production on a film adaptation of the award-winning play Venus in Fur, starring his wife Emmanuelle Seigner and Mathieu Amalric. Polanski worked with the play's author, David Ives on the screenplay. The film is being shot in French and is Polanski's first non-English language feature film in forty years.

D (2013)

Immediately after Venus in Fur, Polanski is preparing to shoot D, a film about the notorious Dreyfus Affair in the 19th century, in which one of the few Jewish members of the French Army's general staff was wrongly convicted of passing military secrets to Germany and sent to Devil's Island, only to finally be acquitted 12 years later. The film is written by Robert Harris, who is working with Polanski for the third time after The Ghost Writer and their abortive Pompeii, which was cancelled just before production in 2007.

Marriages and relationships

Barbara Lass

Polanski's first wife, Barbara Lass (née Kwiatkowska), was a Polish actress who also starred in Polanski's 1959 When Angels Fall. The couple were married in 1959 and divorced in 1961.

Sharon Tate

He met rising actress Sharon Tate while filming The Fearless Vampire Killers, and during the production the two of them began dating. On 20 January 1968, Polanski married Tate in London. In his autobiography, Polanski described his brief time with Tate as the best years of his life.

In August 1969, a year and a half after their marriage, while Polanski was in Europe working on a film, she was murdered along with four of their friends at their home in Los Angeles by members of Charles Manson's "family," a group of young, gullible, and mostly female followers. Tate was pregnant at the time of her murder.

Manson, along with members of his "family" were arrested in late 1969, and eventually tried and found guilty in 1971 of 27 counts, including first-degree murder, an event now called the Manson murders. Because at the time it was one of the most "horrific crimes in modern history," the crime and trial of Manson and his followers became a media sensation, leading to movies, documentaries and bestselling books.

Polanski has said that his absence on the night of the murders is the greatest regret of his life. In his autobiography, he wrote, "Sharon's death is the only watershed in my life that really matters", and commented that her murder changed his personality from a "boundless, untroubled sea of expectations and optimism" to one of "ingrained pessimism ... eternal dissatisfaction with life".

Polanski was also left with a very negative impression of the press, which he felt was interested in sensationalizing the lives of the victims, and indirectly himself, to attract readers. He was shocked by the lack of sympathy expressed in various news stories:

I had long known that it was impossible for a journalist to convey 100 percent of the truth, but I didn't realize to what extent the truth is distorted, both by the intentions of the journalist and by neglect. I don't mean just the interpretations of what happened; I also mean the facts. The reporting about Sharon and the murders was virtually criminal. Reading the papers, I could not believe my eyes. I could not believe my eyes! They blamed the victims for their own murders. I really despise the press. I didn't always. The press made me despise it.

Among the media-generated sensationalism were rumors that claimed Tate and her visitors were taking drugs, despite the coroner announcing that no traces of drugs or nicotine were found after Tate's autopsy. For years afterward, notes Sandford, "reporters openly speculated about the Polanskis' home life" and their personalities in order to create more media gossip about the private lives of Hollywood celebrities.

Nastassja Kinski

In 1976, Polanski started a romantic relationship with Nastassja Kinski, who starred in Tess. She was between 15 and 17 years old, and he was 43. Their relationship ended at the completion of filming. In an interview with David Letterman in 1982, she described their relationship and gave her opinion about his sexual assault case, claiming it was "ridiculous" and his residence in France was "a loss for America."

Emmanuelle Seigner

In 1989, Polanski married French actress Emmanuelle Seigner, 33 years his junior. They have two children, daughter Morgane and son Elvis. Polanski and his children speak Polish at home.

Legal history

Sexual abuse case

On 11 March 1977, Polanski, then 43 years old, was arrested in Los Angeles for the sexual assault of 13-year-old Samantha Geimer during a photo shoot for French Vogue magazine. Polanski was indicted on six counts of criminal behavior, including rape. At his arraignment he pled not guilty to all charges. Many executives in Hollywood came to his defense.

Geimer's attorney next arranged a plea bargain in which five of the six charges would be dismissed and Polanski accepted. Because Polanski fled the country before final sentencing, the charges were not dismissed and still remain pending.

As a result of the plea bargain, Polanski pled guilty to the charge of "Unlawful Sexual Intercourse with a minor," and was ordered to undergo 90 days of psychiatric evaluation at Chino State Prison. On release from prison after 42 days, Polanski understood that at the final sentencing he would be put on probation. However, he learned that the judge was planning to renege on his promise of no further jail time, and might even deport him. Polanski's attorney suggested that despite the fact that the prosecuting attorneys recommended probation, "the judge could no longer be trusted . . ." and the judge's representations were "worthless."

Upon learning of the judge's plans, Polanski fled to France on 1 February 1978, just hours before sentencing. As a French citizen, he has been protected from extradition and has lived mostly in France since then.

In an interview with Larry King, Geimer said that the police and media had been slow at the time of the assault to believe her account, which she attributed to the climate of the era. In 1988 she sued Polanski. Among other things, the suit alleged sexual assault, false imprisonment, seduction of a minor, and intentional infliction of emotional distress. In 1993 Polanski agreed to settle with Geimer. In August 1996 Polanski still owed her $604,416; Geimer and her lawyers later confirmed that the settlement was completed.

On 26 September 2009, Polanski was arrested while in Switzerland at the request of U.S. authorities. The arrest brought renewed attention to the case and stirred controversy, particularly in the U.S. and Europe. Polanski was defended by many prominent individuals, including Hollywood celebrities and European artists and politicians, who called for his release. American public opinion was reported to run against him, however, and polls in France and Poland showed strong majorities favored his extradition to the U.S.

Polanski was kept in jail near Zurich for two months, then put under house arrest at his home in Gstaad while awaiting decision of appeals fighting extradition. On 12 July 2010 the Swiss rejected the U.S. request, declared him a "free man" and released him from custody.

During a television interview on 10 March 2011, Geimer blamed the media, reporters, the court, and the judge for causing "way more damage to and her family than anything Roman Polanski has ever done," and stated that the judge was using her and a noted celebrity for his own personal gain from the media exposure.

Documentary films

In 2008 the documentary film, Roman Polanski: Wanted and Desired, was released in Europe and the U.S. where it won numerous awards. The film focuses on the judge in the case and the possible reasons why he changed his mind. It includes interviews with people involved in the case, including the victim, Geimer, and the prosecutor, Roger Gunson. Geimer said that the judge "didn't care what happened" to her or Polanski, but "was orchestrating some little show," while Gunson added, "I'm not surprised that Polanski left under those circumstances, . . . it was going to be a real circus."

Former DA David Wells, whose statements were the most damning against Polanski, and who said he advised the judge to imprison Polanski, admitted that he lied about those statements, and said that to the press to "play up" his own role.

In December 2009, a California appellate court discussed the film's allegations as it denied Polanski's request to have the case dismissed. While saying they "deeply concerned" the court, and were "in many cases supported by considerable evidence," it also found that “(e)ven in light of our fundamental concern about the misconduct. . . flight was not Polanski’s only option. It was not even his best option." It said dismissal of the case, which would erase Polanski's guilty plea, wouldn't be an "appropriate result," and that he still had other legal options.

In September 2011, the documentary film Roman Polanski: A Film Memoir, had its world premiere in Zurich, Switzerland. During an interview in the film, he offers his apology to Geimer: "She is a double victim: My victim, and a victim of the press."

Vanity Fair libel case

In 2004, Polanski sued Vanity Fair magazine in London for libel. A 2002 article in the magazine claimed that Polanski made sexual advances towards a young model while travelling to Tate's funeral. The trial included testimony of film producer Prudence Farrow and others, and it was concluded from the evidence that the event could not have happened. Polanski was awarded £50,000 in damages by the High Court in London.

Filmography

Director

*These movies are part of his 'Apartment Trilogy'.

Actor

• Trzy opowieści (aka Three Stories) as Genek 'The Little' (segment "Jacek", 1953)
• Zaczarowany rower (aka Magical Bicycle) as Adas (1955)
• Rower (aka Bicycle) as the Boy who wants to buy a bicycle (1955)
• Pokolenie (aka A Generation) as Mundek (1955)
• Nikodem Dyzma as the Boy at Hotel (1956)
• Wraki (aka The Wrecks, 1957)
• Koniec nocy (aka End of the Night) as the Little One (1957)
• Dwaj ludzie z szafą (aka Two Men and a Wardrobe) as the Bad boy (1958)
• Zadzwońcie do mojej żony? (aka Call My Wife) as a Dancer (1958)
• Gdy spadają anioły (aka When Angels Fall Down) as an Old woman (1959)
• Lotna as a Musician (1959)
• Zezowate szczęście (aka Bad Luck) as Jola's Tutor (1960)
• Do widzenia, do jutra (aka Good Bye, Till Tomorrow) as Romek (1960)
• Niewinni czarodzieje (aka Innocent Sorcerers) as Dudzio (1960)
• Ostrożnie, Yeti! (aka Beware of Yeti!, 1961)
• Gros et le maigre, Le (aka The Fat and the Lean) as The Lean (1961)
• Samson (1961)
• Nóż w wodzie (aka Knife in the Water) voice of Young Boy (1962)
• Repulsion as Spoon Player (1965)
• The Fearless Vampire Killers as Alfred, Abronsius' Assistant (1967)
• The Magic Christian as Solitary drinker (1969)
• What? as Mosquito (1972)
• Chinatown as Man with Knife (1974)
• Blood for Dracula (Andy Warhol) as Man in Tavern (1976)
• Locataire, Le (aka The Tenant) as Trelkovsky (1976)
• Chassé-croisé (1982)
• En attendant Godot (TV) as Lucky (1989)
• Back in the USSR as Kurilov (1992)
• Una pura formalità (aka A Pure Formality) as Inspector (1994)
• Grosse fatigue (aka Dead Tired) as Roman Polanski (1994)
• Hommage à Alfred (aka Tribute to Alfred Lepetit, 2000)
• Zemsta (aka The Revenge) as Papkin (2002)
• Rush Hour 3 as Detective Revi (2007)
• Caos Calmo as Steiner (2007)

Writer

• Script for A Taste for Women, (1964)
• Script for A Day at the Beach (1970) based on the 1962 novel of the same name by Simon Heere Heeresma.
• Polanski's autobiography, Roman by Polanski, sometimes known as Roman.

Awards and nominations

Other awards

New York Film Critics Circle Awards

• 1980: Tess nominated for Best Direction
• 1980: Tess nominated for Best Foreign Film
• 1974: Chinatown nominated for Best Film
• 1971: Macbeth nominated for Best Direction
• 1971: Macbeth nominated for Best Film
• 1965: Repulsion nominated for Best Direction
• 1965: Repulsion nominated for Best Screenwriting

Venice Film Festival

• 1966: Cul De Sac nominated for National Syndication of Italian Film Journalists
• 1962: Knife in the Water won for Fipresci Prize

References

Notes

1. "Monitor". Entertainment Weekly. No. 1220/1221. Aug 17/24, 2012. p. 28. {{cite news}}: Check date values in: |date= (help)
2. ^ Freer, Ian. Movie Makers, Quercus (2009) pp. 129–131
3. Josh Levine (1 January 2000). The Coen Brothers: The Story of Two American Filmmakers. ECW Press. p. 83. Retrieved 18 May 2012.
4. "A conversation with director Wes Anderson". charlierose.com. Retrieved 7 January 2013.
5. "In 'Dragon Tattoo,' Fincher taps another network". http://www.boston.com/. Retrieved 7 January 2013. {{cite web}}: External link in |publisher= (help)
6. Howell, Peter. "TIFF's salute to Roman Polanski, cinema's enfant terrible". Retrieved 22 December 2011.
7. Ditzian, Eric. "'Black Swan' Director Darren Aronofsky On Ballet, Natalie Portman And Lesbian Kisses". Retrieved 22 December 2011.
8. Tasker, Yvonne (2010). Fifty Contemporary Film Directors. London: Routledge. ISBN 0-415-55433-0.
9. Hays, Matthew. "Gun Crazy: Abel Ferrara on his gender-busting cult movie Ms. 45". Retrieved 22 December 2011.
10. Craven, Wes (26 October 2009). "10 Movies that Shook ME Up". Entertainment Weekly. Retrieved 22 December 2011.
11. Sokol, Stanley S. The Polish Biographical Dictionary: Profiles of Nearly 900 Poles Who Have Made Lasting Contributions to World Civilization Bolchazy Carducci Publishers Wauconda, Illinois 1992 page 313
12. "Law in Action: Polanski Libel Case". BBC Radio 4. 19 November 2004. Retrieved 14 September 2009.
13. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Santa Barbara California 2010 pages 38–40
14. "Roman Polanski: Wanted and Desired". Retrieved 25 January 2009.
15. ^ "Chinatown (1974) at IMDb". Retrieved January 2009. {{cite web}}: Check date values in: |accessdate= (help)
16. ^ Amanda Mae Meyncke (2 July 2008). "Roman Polanski's Apartment Trilogy Still As Artful As Ever". Film.com.
17. Cieply, Michael (11 October 2009). "In Polanski Case, '70s Culture Collides With Today". The New York Times.
18. ^ "Polanski arrested in connection with sex charge". CNN. 27 September 2009. Retrieved 27 September 2009.
19. ^ "A Tribute to ... Roman Polanski". Zurich Film Festival. Retrieved 29 September2009. {{cite web}}: Check date values in: |accessdate= (help)
20. ^ Pidd, Helen (28 September 2009). "Free Roman Polanski now, demand France and Poland". The Guardian. UK. Retrieved 22 May 2010.
21. ^ Cumming-Bruce, Nick; Cieply, Michael (12 July 2010). "Swiss Reject U.S. Request to Extradite Polanski". The New York Times.
22. ^ "Roman Polanski apologizes to victim in documentary", CNN, 29 September 2011
23. "Roman Polanski says child sex case led to 33 years of regret", Herald Sun, 2 October 2011
24. ^ Sandford, Christopher (2008). Roman Polanski: a biography. New York, NY: Palgrave MacMillan. p. 12. ISBN 978-0-230-60778-1. Retrieved 29 September 2009.
25. "Roman Polanski Biography". Filmreference.com. Retrieved 7 August 2009.
26. "Biography". Movies.yahoo.com. Retrieved 18 October 2009.
27. Bradshaw, Peter (15 July 2005). "profile: Roman Polanski, The Guardian, Guardian Unlimited". The Guardian. London. Retrieved 7 August 2009.
28. "Roman Polanski, UXL Newsmakers, Find Articles at BNET.com". Findarticles.com. 2005. Retrieved 7 August 2009.
29. ^ Roman, by Polanski, page 22 Cite error: The named reference "polanski" was defined multiple times with different content (see the help page).
30. http://archives.newyorker.com/default.aspx?iid=18554&startpage=page0000095
31. http://www.adherents.com/people/pp/Roman_Polanski.html
32. "Kraków Ghetto – Kraków Informer Travel Guide". Kraków-poland.com. Retrieved 18 October 2009.
33. ^ Roman by Polanski, p. 73
34. ^ Glazer, Mitchell. Rolling Stone magazine, 2 April 1981
35. U.S. Library of Congress statistics
36. Gilbert, Martin, Atlas of the Holocaust, New York: William Morrow and Company, Inc, (1993)
37. Roman by Polanski, p. 55
38. ^ Playboy magazine interview, Dec. 1971
39. Roman by Polanski, p. 37
40. Roman by Polanski, p. 37-38
41. ^ "Pwsftvit". Filmschool.lodz.pl. Retrieved 9 August 2009.
42. "Polanski Seeks Sex Case Dismissal – 3 December 2008". Thesmokinggun.com. 3 December 2008. Retrieved 18 October 2009.
43. Ain-Krupa Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 page 21
44. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Santa Barbara California 2010 page 21
45. Cronin, Paul edited Roman Polanski Interviews University Press of Mississippi 2005 page 105
46. Roman by Polanski, p. 292.
47. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Santa Barbara California 2010 page 64
48. Sandford, Christopher Polanski: A Biography 2008 Palgrave McMillan page 109
49. Sandford, Christopher Polanski: A Biography 2008 Palgrave McMillan page 110
50. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 page 64
51. Bugliosi, p. 19
52. ^ Bate, Jonath & Eric Rasmussen edited Macbeth by William Shakespeare The Royal Shakespeare Company page 132
53. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 page 79
54. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Santa Barbara California 2010 page 79
55. Macbeth and its Afterlife: Shakespeare Survey 57 Cambridge University Press 2004 Williams, Deanne Mick Jagger Macbeth page 145
56. Macbeth and its Afterlife Shakespeare Survey 57 Cambridge University Press 2004 page 145
57. Roman by Polanski, pp. 339–340
58. Polanski 1984 (Roman by Polanski), p. 403.
59. Sokol, Stanley S. The Polish Biographical Dictionary: Profiles of Nearly 900 Poles Who Have Made Lasting Contributions to World Civilization Bolchazy Carducci Publishers Wauconda, Illinois 1992 page 314
60. Darnton, Nina (21 July 1981). "Polanski On Polish Stage Amid Political Upheaval". The New York Times. Retrieved 4 August 2012.
61. Curti, Stefano (1 November 1999). "Roman Polanski-directed Amadeus Opens in Milan, Nov. 30 - Playbill.com". Playbill. Retrieved 4 August 2012.
62. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 pages 117–118
63. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 pages 118–119
64. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 page 119
65. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 page 122
66. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 pages 131–134
67. Paszylk, Bartlomiej The Pleasure and Pain of Cult Horror Films: An Historical Survey McFarland and Company Jefferson North Carolina page 101
68. "Entertainment, Polanski joins French elite". BBC News. 16 December 1999. Retrieved 7 August 2009.
69. "Revelations from Roman Polanski's Polish Secret Service File", Die Welt, Worldcrunch news, 13 May 2011
70. "Festival de Cannes: The Pianist". festival-cannes.com. Retrieved 25 October 2009.
71. "Harrison Ford Delivers Oscar To Polanski", Associated Press, 9 September 2003
72. Ain-Krupa, Julia Roman Polanski: A Life in Exile ABC Clio Publishing Santa Barbara California 2010 pages 152–153
73. ^ "European Film Awards gives Roman Polanski's 'Ghost Writer' prize for best director and best movie" New York Daily News, 5 December 2010
74. Booker, M. Keith Historical Dictionary of American Cinema Scarecrow Press 2011 page 285
75. "French Awards Favor Polanski ", New York Times, 27 February 2011
76. "Roman Polanski: "Studio Babelsberg has highly talented and enthusiastic crews": Studio Babelsberg AG". Studiobabelsberg.com. Retrieved 7 August 2009.
77. " Roger Ebert Reveals His List of the 10 Best Feature Films of 2010", "Firstshowing.net, 17 December 2010
78. "Ewan McGregor Interview For The Ghost" Articleslash, 2 January 2011
79. "Kate raises a glass to Polanski in Paris at end-of-filming party", Mail Online, 14 March 2011
80. "Interview with Jodie Foster," HollywoodChicago.com, 5 May 2011
81. "Winslet on working with Jodie Foster, Roman Polanski" Inquirer Entertainment, 28 May 2011
82. "NY Film Festival: Polanski gets his U.S. welcome wagon", Los Angeles Times, 1 October 2011
83. http://blogs.indiewire.com/theplaylist/mathieu-amalric-replaces-louis-garrel-in-roman-polanskis-venus-is-fur-20130117
84. http://www.deadline.com/2012/09/roman-polanski-to-helm-screen-version-of-venus-in-fur/
85. McClintock, Pamela (9 May 2012). "Roman Polanski to Direct Dreyfus Affair Drama 'D'". The Hollywood Reporter.
86. Roman Polanski at IMDb
87. Bugliosi, Vincent (1994). Helter skelter: the true story of the Manson murders (25, illustrated, annotated ed.). W. W. Norton & Company. p. 27. ISBN 978-0-393-08700-0. Retrieved August 2009. {{cite book}}: Check date values in: |accessdate= (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
88. McIntosh, Lindsay (19 July 2005). "She knew of my philandering". London: The Times Online. Retrieved 8 August 2009.
89. Statman, Alisa. Restless Souls: The Sharon Tate Family's Account of Stardom, the Manson Murders, and a Crusade for Justice, It Books (2012)
90. Norman, Neil (25 September 2005). "Roman Polanski: The artful dodger". The Independent. London: Independent News & Media. Retrieved 4 October 2009.
91. Roman by Polanski, p. 324
92. "Sharon Tate's family bares 'Restless Souls'", USA Today, 22 February 2012
93. Lester, Peter (13 April 1981). "After 'Tess' and Roman Polanski, Nastassia Kinski Trades Notoriety for L.A. Propriety". Time Magazine.
94. Goodwin, Christopher (13 April 2008). "Wanted and Desired: a film that has shone new light on a murky affair". The Times. London.
95. Nastassja Kinski interview on David Letterman Show, 1982
96. ^ Waiting to come in from the cold: Marked—perhaps scarred—by three terrible events, and having spent more than 30 years in self-imposed exile, there are indications that this master film-maker may soon be free to return to the United States Vanessa Thorpe, The Observer, 7 December2008.
97. "Piękna Francuzka czuje się Polką – Najnowsze informacje – Informacje – portal TVN24.pl – 02.05.2010". Tvn24.pl. Retrieved 24 October 2011. {{cite web}}: Text "~JG" ignored (help)
98. "The slow-burning Polanski saga". BBC News. BBC. 28 September 2009. Retrieved 10 October2009. {{cite news}}: Check date values in: |accessdate= (help)
99. "Polanski Pleads Not Guilty in Drug-Rape Case". Los Angeles Times. 16 April1977. Retrieved 11/01/2009. Movie director Roman Polanski pleaded not guilty Friday to a Los Angeles County Grand Jury indictment charging him with drugging and raping a 13-year-old {{cite news}}: Check date values in: |accessdate= and |date= (help)
100. Romney, Jonathan (5 October 2008). "Roman Polanski: The truth about his notorious sex crime". The Independent. UK. Retrieved 10 October 2009.
101. California Penal Code § 261.5
102. ^ Palmer, Brian (28 September2009). "What's "Unlawful Sexual Intercourse"?". Slate. Retrieved 10 October 2009. {{cite news}}: Check date values in: |date= (help)
103. Higgins, Alexander G. (19 October 2009). "Court Orders Polanski Kept in Jail". New York Times. Retrieved 19 October 2009.
104. ^ "Polanski loses bid to dismiss rape case" Associated Press, 22 December 2009
105. Cieply, Michael (2 October 2009). "How Polanski's Probation Officer Saw His Crime". The New York Times. Retrieved 12 October 2009.
106. ^ Inverviews in film Roman Polanski: Wanted and Desired
107. Allen, Peter (1 October2009). "French government drops support for director Roman Polanski as he faces extradition to the U.S. over child sex charge". Daily Mail. London. Retrieved 11 October 2009. {{cite news}}: Check date values in: |date= (help)
108. Dyer, Clare (29 September 2009). "How did the law catch up with Roman Polanski?". The Guardian. UK. Retrieved 16 October2009. {{cite news}}: Check date values in: |accessdate= (help)
109. ^ King, Larry (24 February 2003). "Interview With Samantha Geimer". CNN. Retrieved 16 October 2009.
110. Ryan, Harriet; Mozingo, Joe (3 October2009). "Roman Polanski said he'd pay to end victim's lawsuit". The Los Angeles Times. Retrieved 16 October 2009. {{cite news}}: Check date values in: |date= (help)
111. Agence France-Presse (27 September 2009). "Polanski arrested in Switzerland: festival organisers". AFP. Retrieved 27 September 2009.
112. "Outcry over Polanski's detention" BBC, 28 September 2009.
113. "In Roman Polanski case, is it Hollywood vs. Middle America?" Los Angeles Times, 1 October 2009.
114. "French support softens for Polanski, Hollywood divided" Reuters UK, 1 October 2009.
115. "Politicians face backlash over Polanski" Financial Times, 30 September 2009.
116. "Polanski in Poland: National Hero or Disgraced Icon?" ABC News, 29 September 2009
117. "Roman Polanski begins house arrest at his Swiss chalet". The BBC. 4 December 2009. Retrieved 4 December 2009.
118. "Polanski Victim Blames Media" ABC News video, 10 March 2011
119. Dargis, Manohla. "Roman Polanski: Wanted and Desired (2008)", New York Times movie review, 31 March 2008
120. "Roman Polanski: The truth about his notorious sex crime" The Independent, U.K. 5 October 2008
121. Goldsmith, Samuel (30 September 2009). "Former DA admits he lied in 'Roman Polanski: Wanted And Desired' film". NYDailyNews. New York.
122. O'Neill, Ann (6 January 2010). "Ex-prosecutor admits he lied about Polanski case". CNN.
123. "Court Rejects Roman Polanski Appeal" CBS News, 21 December 2009
124. "Polanski takes appeal to Lords". BBC News. 17 November 2004. Retrieved 12 October 2009.
125. "Polanski v Condé Nast Publications Ltd. [2003, [[EWCA Civ]] 1573". BAILII. Retrieved 7 August 2009. {{cite web}}: URL–wikilink conflict (help)
126. Polanski v Condé Nast Publications Ltd. UKHL 10.
127. Grossberg, Josh (22 July 2005). "Polanski's Victory Over "Vanity"". E! Online. Retrieved 25 November 2009.
128. Cronin, Paul; Polanski, Roman (2005). Roman Polanski: interviews. page xvi: University Press of Mississippi. p. 211. ISBN 978-1-57806-800-5. Retrieved 29 September 2009.{{cite book}}: CS1 maint: multiple names: authors list (link)
129. "The 36th Academy Awards (1964) Nominees and Winners". oscars.org. Retrieved 3 November 2011.
130. "Berlinale 1965: Prize Winners". berlinale.de. Retrieved 21 February 2010.
131. "Berlinale 1966: Prize Winners". berlinale.de. Retrieved 22 February 2010.
132. "Chinatown". The New York Times. Retrieved 29 December 2008.
133. "Tess". The New York Times. Retrieved 31 December 2008.
134. "'Pianist,' Kidman win BAFTAs" CNN, 24 February 2003
135. ", Berlinale, The Festival, Awards & Juries, Prizes International Jury". Berlinale.de. Retrieved 6 March 2010.
136. "Roman Polanski Wins Best Director, Best Screenplay at France's Lumiere Awards" Hollywood Reporter, 14 January 2010

Bibliography

• Bugliosi, Vincent, with Gentry, Kurt, (1974) Helter Skelter, The Shocking Story of the Manson Murders, Arrow, London. ISBN 0-09-997500-9
• Cronin, Paul (2005) Roman Polanski: Interviews, Mississippi: University Press of Mississippi. 200p
• Farrow, Mia (1997). What Falls Away: A Memoir, New York: Bantam.
• Feeney, F.X. (text); Duncan, Paul (visual design). (2006). Roman Polanski, Koln: Taschen. ISBN 3-8228-2542-5
• Jacke, Andreas (2010): Roman Polanski—Traumatische Seelenlandschaften, Gießen: Psychosozial-Verlag. ISBN 978-3-8379-2037-6, ISBN 978-3-8379-2037-6
• Kael, Pauline, 5001 Nights At The Movies, Zenith Books, 1982. ISBN 0-09-933550-6
• King, Greg, Sharon Tate and The Manson Murders, Barricade Books, New York, 2000. ISBN 1-56980-157-6
• Leaming, Barbara (1981). Polanski, The Filmmaker as Voyeur: A Biography. New York: Simon & Schuster. ISBN 0-671-24985-1.
• Moldes, Diego : Roman Polanski. La fantasía del atormentado, Ediciones JC Clementine, Madrid, 2005. ISBN 84-89564-44-2. (Spanish)
• Parker, John (1994). Polanski. London: Victor Gollancz Ltd. ISBN 0-575-05615-0.
• Polanski, Roman (1973) Roman Polanski's What? From the original screenplay, London: Lorrimer. 91p. ISBN 0-85647-033-3
• Polanski, Roman (1973) What?, New York: Third press, 91p, ISBN 0-89388-121-X
• Polanski, Roman (1975) Three film scripts: Knife in the water ; Repulsion ; Cul-de-sac , introduction by Boleslaw Sulik, New York: Fitzhenry and Whiteside, 275p, ISBN 0-06-430062-5
• Polanski, Roman (1984) Knife in the water, Repulsion and Cul-de-sac: three filmscripts by Roman Polanski, London: Lorrimer, 214p, ISBN 0-85647-051-1 (hbk) ISBN 0-85647-092-9 (pbk)
• Polanski, Roman (1984, 1985) Roman by Polanski, New York: Morrow. ISBN 0-688-02621-4, London: Heinemann. London: Pan. 456p. ISBN 0-434-59180-7 (hbk) ISBN 0-330-28597-1 (pbk)
• Polanski, Roman (2003) Le pianiste, Paris: Avant-Scene, 126p, ISBN 2-84725-016-6
• Visser, John J. 2008 Satan-el: Fallen Mourning Star (Chapter 5). Covenant People's Books. ISBN 978-0-557-03412-3
• Young, Jordan R. (1987) The Beckett Actor: Jack MacGowran, Beginning to End. Beverly Hills: Moonstone Press ISBN 0-940410-82-6

External links

• Roman Polanski at IMDb
• Roman Polanski's official webpage
• Interview with Charlie Rose, March 2000
• "Interview: Roman Polanski: 'Wanted and Desired
• Roman Polański at culture.pl

Template:Persondata

• Use dmy dates from October 2012
• 1933 births
• Living people
• 20th-century actors
• 21st-century actors
• 20th-century criminals
• 20th-century writers
• 21st-century writers
• Best Director BAFTA Award winners
• Best Director Academy Award winners
• Best Director César Award winners
• Best Director Golden Globe winners
• English-language film directors
• European Film Award for Best Director winners
• French film actors
• French film directors
• French film producers
• French Jews
• French people of Jewish descent
• French people of Polish descent
• French people of Russian descent
• French screenwriters
• French sex offenders
• Fugitives wanted by the United States
• Fugitives wanted on sex crime charges
• Holocaust survivors
• Kraków Ghetto inmates
• Members of the Académie des beaux-arts
• People from Łódź
• Actors from Paris
• Polish film actors
• Polish film directors
• Polish film producers
• Polish people of Jewish descent
• Polish screenwriters
• Polish sex offenders
• Silver Bear for Best Director recipients
• Statutory rapists
• David di Donatello winners
• National Film School in Łódź alumni