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| {{genrebox|name=Speed metal | {{genrebox|name=Speed metal | ||
| |color=#BB0022 | |color=#BB0022 | ||
| |bgcolor=white | |bgcolor=white | ||
| |stylistic_origins= |
|stylistic_origins=] - ] | ||
| |cultural_origins= |
|cultural_origins=Early-Mid ], ] | ||
| |instruments= |
|instruments=] – ] – ] | ||
| |popularity= |
|popularity=Moderate in the late 1970's, Slightly more popular until early 1990's, Underground ever since | ||
| |subgenrelist= | |subgenrelist=List of thrash metal genres | ||
| | |
|subgenres=] – ]| | ||
| |regional_scenes=] - ] | |||
| |subgenres= | |||
| ⚫ | |other_topics=] | ||
| |regional_scenes= | |||
| ⚫ | |other_topics= | ||
| }} | }} | ||
| '''Speed metal''' is a cross-genre reference to bands, mainly from the ] and ] genres. The term is mainly used to differentiate between bands of either genre who use tempos or beats that are faster than is normal for either genre, but also tends to refer to bands that combine aspects of the two genres. ''Thundersteel'' by Riot (CBS/Sony 1988) is widely considered to be a seminal speed metal album. Bands such as ] and ], although not typically cited as speed metal bands, are usually considered to be the main developers of the faster tempos common amongst speed metal bands. | |||
| '''Speed metal''' is a loosely defined sub-genre of heavy metal. The music uses traditional heavy metal song structures with faster tempos and driving rhythms. | |||
| Speed metal does not belong only to a genre of bands that possess a typical style ;for instance, some ] bands' and ] bands' songs can also be classified as speed metal. For example, titles like "Queen of the Reich" (]), "Slave to the Grind" (]), "Body Talk" (]), "Robotman" (]), "Paris is Burning" (]), "Live Wire" (]), "Tear it Loose" by (]), "Be Quick or Be Dead" (]), "Hell to Eternity" (]), "Badboys" (]), "Kill the King"' (]) and "Scream of Anger" (]) are speed metal songs. | |||
| Many speed metal bands also fall under other heavy metal sub-genres, most often ] and ]. This is mainly due to the influence speed metal had on those genres. Although ] was also used by some ] and ] groups during the 1980s. | |||
| ⚫ | Two of the earliest speed metal songs are ]'s "Highway Star" from their 1972 album '']'' and ]'s "Children of the Grave", from their 1972 album ''Master of Reality.'' Earlier efforts with a similar style include ]'s "Paranoid" (from the album of that name, 1970) and also Deep Purple's "Speed King" (from the 1970 ''In Rock'' LP) and "Fireball" (From the 1970 ''Fireball'' LP). However, it was "Highway Star" that introduced into heavy metal both the extreme speed of the single-note riffing and also the complex guitar and keyboard solos (performed by ] and ], respectively), borrowed from progressive rock of the '70s, but heavily influenced by ]. These features commonly went on to be associated with more modern ], but at the time, was typical of speed metal characteristics. | ||
| Alot of the ] ] bands from the 1990s to present are also described as Speed metal, this is largely due to a 1980s Speed metal band ] who are very influential on the ] movement. | |||
| ==History== | |||
| ===Origins=== | |||
| The origin of speed metal is hard to pinpoint due to the fact that it was never fully established as a sub-genre of heavy metal until the early 1980s. Many, however, consider the earliest speed metal song as being ]'s "]" from their 1972 album ]. | |||
| There were earlier efforts with a similar style including ]'s "]" from their 1970 album ] and also Deep Purple's "Speed King" from their 1970 album ] and "Fireball" from their 1971 album ]. | |||
| ⚫ | However, it was "Highway Star" that introduced into heavy metal both the extreme speed of the single-note riffing and the complex guitar and keyboard solos (performed by ] and ] respectively) borrowed from progressive rock of the |
||
| ===Evolution of speed metal=== | |||
| ] - '']'']]Although ] did not release a full on speed metal album until their 1990 album ], they contained many speed metal songs on their early material. One example of this is the song "Exciter" from their 1978 album ]. These songs had great impact on the speed metal explosion in the 1980s. | |||
| ] added primitive speed metal elements to their brand of heavy metal, while new bands emerged ready to focus in on the speed. The ] was in top gear at this stage and many embraced speed metal, such as ], who combined the style of Motörhead with a raw, harsh atmosphere. ] even produced a number of speed metal songs such as "]" and "Invaders". ], another NWOBHM band, used speed metal in their sound too. | |||
| The German heavy metal band ] also introduced speed metal elements to their sound at the start of the decade. The song "Fast As A Shark" on their 1982 album ] is an example of Accept's speed metal ideas. Accept's influence on the German heavy metal scene was huge. Bands such as ], ], ], ] and ] built upon the fast tempos of Accept to form the foundations of German speed metal. | |||
| ] - '']'']]Bands, who would later develop into thrash metal, started off with speed metal in their sound. ]’s debut album ], ]’s debut album ] and ]’s debut album ] as well as many other early albums by thrash metal bands contained speed metal riffs (from the NWOBHM) with some thrash riffs buried inside. These bands would later let the thrash riffs dominate their music causing the thrash explosion of the mid 80s. | |||
| Other bands decided to refine their speed metal sound. Bands such as ] and ] decided not to dive into the thrash metal sound but instead to carry on producing speed metal albums. | |||
| After their speed metal debut ], Helloween slowly paved the way for what power metal would become with their Keeper of the Seven Keys albums. The tempo became more varied throughout songs, alternating from fast sections to slower sections. Epic passages were added and the general intensity was toned down somewhat. | |||
| In 1990, ] released the album Painkiller, which was their first all out speed metal album. Instead of opting for a couple of fast paced numbers on an album, they decided to create a whole album full of them. Many people consider this album the best Judas Priest album as a result while others prefer their earlier "original" sound. | |||
| ==Speed metal today== | |||
| Speed metal today is a vastly less popular art form than it was in the 80s. The most notable speed metal bands are those which have carried on producing speed metal to this day, and more modern bands who were influenced by Judas Priest’s Painkiller album. | |||
| Notable modern bands playing speed metal are ], releasing the consistently speedy ] album in 1999, ] and ]. | |||
| ==Speed metal songs from non-speed metal bands and albums== | |||
| Speed metal has also been used by other metal subgenres during the ]. A lot of these were ] and ] bands. Notable speed metal songs from typically non-speed metal bands are; | |||
| * "Be Quick or Be Dead" by ] | |||
| * "Queen of the Reich" by ] | |||
| * "Slave to the Grind" by ] | |||
| * "Body Talk" by ] | |||
| * "Live Wire" by ] | |||
| * "Kill the King" by ] | |||
| * "Robotman" by ] | |||
| * "Tear it Loose" by ] | |||
| * "Hell to Eternity" by ] | |||
| * "Paris is Burning" by ] | |||
| ==Speed metal albums== | |||
| Specific speed metal albums include the following: | |||
| *]’s ] | |||
| *]’s Heavy Metal Maniac | |||
| *]’s Perfect Man | |||
| *]’s ] | |||
| *]’s ] | |||
| *]’s ] | |||
| *]’s Unstoppable Force | |||
| *]'s ] | |||
| *]’s Unification | |||
| *]’s ] | |||
| *]’s ] | |||
| *]’s Product Of Imagination | |||
| *]’s Vicious Attack | |||
| *]’s ] | |||
| *]’s Thundersteel | |||
| *]’s ] | |||
| ==Current use== | |||
| As speed metal helped in the creation of ] and ], a lot of newer speed metal bands have elements of these sub-genres in their sound. This has caused confusion between what is speed metal and what is not for people who are new to heavy metal music. The most common mistake is mixing the terms speed metal and thrash metal. A common way to differentiate the two styles of metal is to listen to an album of each, which is most representative of their style. This is commonly Judas Priest’s Painkiller or Helloween’s Walls Of Jericho and ]’s ] or ]’s ]. | |||
| Later speed metal includes ]'s ''Ill Kill You'' (1985), ]'s ''Walls of Jericho'' (1985), ]'s live album '']'' (1981), and the band ], who consider themselves as the "World's State-of-the-Art Speed Metal Band". Prior to joining Megadeth, ] colaborated with ] in the band ], who are often cited as speed metal. | |||
| The term "speed metal" is still used to glorify and differentiate bands with high-speed playing, though the term is branching out to include bands from both ] and ] as well. Some believe that '']'' (1990), the last album Judas Priest released before the departure of singer ] (who would later return in 2004), has set a new standard for speed metal. | |||
| ==See also== | ==See also== | ||
Revision as of 18:24, 16 June 2006
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Template:Totallydisputed
| Speed metal | |
|---|---|
| Stylistic origins | Power metal - Thrash metal |
| Cultural origins | Early-Mid 1970s, United kingdom |
| Typical instruments | Guitar – Bass guitar – Drums |
| Subgenres | |
| Thrash Metal – Groove metal | |
| Regional scenes | |
| United Kingdom - United States | |
| Other topics | |
| Extreme metal | |
Speed metal is a cross-genre reference to bands, mainly from the thrash metal and power metal genres. The term is mainly used to differentiate between bands of either genre who use tempos or beats that are faster than is normal for either genre, but also tends to refer to bands that combine aspects of the two genres. Thundersteel by Riot (CBS/Sony 1988) is widely considered to be a seminal speed metal album. Bands such as Judas Priest and Accept, although not typically cited as speed metal bands, are usually considered to be the main developers of the faster tempos common amongst speed metal bands.
Speed metal does not belong only to a genre of bands that possess a typical style ;for instance, some glam metal bands' and heavy metal bands' songs can also be classified as speed metal. For example, titles like "Queen of the Reich" (Queensrÿche), "Slave to the Grind" (Skid Row), "Body Talk" (Ratt), "Robotman" (Scorpions), "Paris is Burning" (Dokken), "Live Wire" (Mötley Crüe), "Tear it Loose" by (Twisted Sister), "Be Quick or Be Dead" (Iron Maiden), "Hell to Eternity" (W.A.S.P.), "Badboys" (Whitesnake), "Kill the King"' (Rainbow) and "Scream of Anger" (Europe) are speed metal songs.
Two of the earliest speed metal songs are Deep Purple's "Highway Star" from their 1972 album Machine Head and Black Sabbath's "Children of the Grave", from their 1972 album Master of Reality. Earlier efforts with a similar style include Black Sabbath's "Paranoid" (from the album of that name, 1970) and also Deep Purple's "Speed King" (from the 1970 In Rock LP) and "Fireball" (From the 1970 Fireball LP). However, it was "Highway Star" that introduced into heavy metal both the extreme speed of the single-note riffing and also the complex guitar and keyboard solos (performed by Ritchie Blackmore and Jon Lord, respectively), borrowed from progressive rock of the '70s, but heavily influenced by classical music. These features commonly went on to be associated with more modern metal genres, but at the time, was typical of speed metal characteristics.
Later speed metal includes X Japan's Ill Kill You (1985), Helloween's Walls of Jericho (1985), Motörhead's live album No Sleep 'til Hammersmith (1981), and the band Megadeth, who consider themselves as the "World's State-of-the-Art Speed Metal Band". Prior to joining Megadeth, Marty Friedman colaborated with Jason Becker in the band Cacophony, who are often cited as speed metal.
The term "speed metal" is still used to glorify and differentiate bands with high-speed playing, though the term is branching out to include bands from both gothic metal and progressive metal as well. Some believe that Painkiller (1990), the last album Judas Priest released before the departure of singer Rob Halford (who would later return in 2004), has set a new standard for speed metal.
