Misplaced Pages

127 film: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 06:35, 28 January 2003 editEgil (talk | contribs)Administrators20,816 edits The 120-similarity was mentioned twice. Simplified list of producers.← Previous edit Revision as of 07:53, 28 January 2003 edit undoEgil (talk | contribs)Administrators20,816 edits More infoNext edit →
Line 1: Line 1:
'''127''' is a ] ] for still ]. The nominal image format is a square 4 x 4 cm, but rectangular formats are also used. '''127''' is a ] ] for still ]. The image format is usually a square 4 x 4 cm, but rectangular 4 x 3 cmd and 4 x 6 cm are also standard. Oddly enough, ''Foth'' used 36 x 24 mm for their first ''Derby'' model.


The film is carried on a single ] with a protective outer ] layer. As images are taken, the film is rolled over to an identical but initially empty receiving bobbin. Frame number markings for three image formats are printed on the backing paper. When all images are taken, the film is not rewound. Instead, the now empty bobbin is moved ready to become the receiving spool for the next roll of film. The film is carried on a single ] with a protective outer ] layer. As images are taken, the film is rolled over to an identical but initially empty receiving bobbin. Frame number markings for three image formats are printed on the backing paper. When all images are taken, the film is not rewound. Instead, the now empty bobbin is moved ready to become the receiving spool for the next roll of film.


Using the 4 x 4 format, there are 12 exposures. Using the square format, there are 12 exposures, the rectangulars give 16 and 8, respectively.


Introduced by ] in ] as a smaller alternative to the ], the format was mainly used for ] cameras. The ''Baby'' ] is perhaps an exception. Introduced by ] in ], along with the ''Vest Pocket Kodak'' ], as a compact alternative to the ]. The folding ''127s'' were in fact smaller than most ] cameras today.

The format was mainly used for ] cameras, with the ] ] and the ''Baby'' ] as a possible exceptions.


Kodak stopped producing 127 film in ]. ] of ] and ] of ] are still producing 127 film. Kodak stopped producing 127 film in ]. ] of ] and ] of ] are still producing 127 film.

===External Links===
*http://www.photographyhistory.com/cc6.html

Revision as of 07:53, 28 January 2003

127 is a roll film format for still photography. The image format is usually a square 4 x 4 cm, but rectangular 4 x 3 cmd and 4 x 6 cm are also standard. Oddly enough, Foth used 36 x 24 mm for their first Derby model.

The film is carried on a single bobbin with a protective outer paper layer. As images are taken, the film is rolled over to an identical but initially empty receiving bobbin. Frame number markings for three image formats are printed on the backing paper. When all images are taken, the film is not rewound. Instead, the now empty bobbin is moved ready to become the receiving spool for the next roll of film.

Using the square format, there are 12 exposures, the rectangulars give 16 and 8, respectively.

Introduced by Kodak in 1912, along with the Vest Pocket Kodak folding camera, as a compact alternative to the 120. The folding 127s were in fact smaller than most 135 cameras today.

The format was mainly used for amateur cameras, with the Exacta SLR and the Baby Rolleiflex as a possible exceptions.

Kodak stopped producing 127 film in 1995. Efke of Croatia and Maco of Germany are still producing 127 film.

External Links