Misplaced Pages

Requiem (Duruflé): Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 17:04, 4 January 2015 edit108.21.63.129 (talk) Added a mention of the piece's genesis as a commission from the Vichy regime← Previous edit Revision as of 17:18, 4 January 2015 edit undo108.21.63.129 (talk)No edit summaryNext edit →
Line 1: Line 1:
{{refimprove|date=July 2014}} {{refimprove|date=July 2014}}
] ]
The '''Requiem''', op. 9, by ] was published in 1947 by the French music publisher Durand. Commissioned in 1941 by the ] ],<ref>http://mauricedurufle.com/index.php/excerpts#sixteen</ref> Duruflé finished the piece late, in 1947, dedicating it in memory of his father. The work is for SATB ] with ] and ] ]s. It exists in three ]s: one for ] alone, one for organ with ] and optional ]s, ] and ], and one for organ and full ]. The '''Requiem''', op. 9, by ] was published in 1947 by the French music publisher Durand. Commissioned in 1941 by the ] ],<ref>http://mauricedurufle.com/index.php/excerpts#sixteen</ref> Duruflé was still working on the piece at the time of the regime's ] in 1944, and completed it in 1947, dedicating it to the memory of his father. The work is for SATB ] with ] and ] ]s. It exists in three ]s: one for ] alone, one for organ with ] and optional ]s, ] and ], and one for organ and full ].


At the time of commission, Duruflé was working on an organ suite using themes from ]s. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead."<ref>{{cite web|url=http://www.choirs.org.uk/prognotes/Durufle%20Requiem.htm|title=Requiem – Maurice Duruflé (1902 - 1986)|first=Barry|last=Creasy|website=Collegium Musicum of London|publisher=British Choirs on the Net|accessdate=26 July 2014}}</ref> Nearly all the thematic material in the work comes from chant. At the time of commission, Duruflé was working on an organ suite using themes from ]s. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead."<ref>{{cite web|url=http://www.choirs.org.uk/prognotes/Durufle%20Requiem.htm|title=Requiem – Maurice Duruflé (1902 - 1986)|first=Barry|last=Creasy|website=Collegium Musicum of London|publisher=British Choirs on the Net|accessdate=26 July 2014}}</ref> Nearly all the thematic material in the work comes from chant.

Revision as of 17:18, 4 January 2015

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Requiem" Duruflé – news · newspapers · books · scholar · JSTOR (July 2014) (Learn how and when to remove this message)
The start of Movement II, Kyrie, in the composer's own arrangement for choir and organ. The plainchant influence is clearly evident, particularly in the bass lead to this section.

The Requiem, op. 9, by Maurice Duruflé was published in 1947 by the French music publisher Durand. Commissioned in 1941 by the collaborationist Vichy regime, Duruflé was still working on the piece at the time of the regime's collapse in 1944, and completed it in 1947, dedicating it to the memory of his father. The work is for SATB choir with mezzo-soprano and baritone soloists. It exists in three orchestrations: one for organ alone, one for organ with string orchestra and optional trumpets, harp and timpani, and one for organ and full orchestra.

At the time of commission, Duruflé was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian "Mass for the Dead." Nearly all the thematic material in the work comes from chant.

Structure

The work is set in nine movements. Like many requiems, Duruflé's omits the Gradual and the Tract. The Dies irae text, perhaps the most famous portion of the Requiem mass, is not set (although the first words of the Dies irae are included in the Libera me.) Duruflé's omission of this text and inclusion of others (Pie Jesu, Libera me, In Paradisum, from the burial service, mirroring Fauré), makes the composition calmer and more meditative than some other settings. In the full score, the fifth movement, Pie Jesu, has the only solo for the mezzo-soprano; in addition, even in the "organ-only" version of the Requiem, there is an obbligato cello solo. The baritone soloist has parts in the third movement, Domine Jesu Christe, and the penultimate movement, Libera me. Duruflé left indications in the score that, for the baritone soloist at least, it was preferable to have the choir sing the solos instead. This has resulted in various forces being used in different performances, some with both soloists, some with only the mezzo-soprano, and some (such as Robert Shaw's Telarc recording) using no soloists at all.

  1. Introit (Requiem Aeternam)
  2. Kyrie eleison
  3. Offertory (Domine Jesu Christe)
  4. Sanctus – Benedictus
  5. Pie Jesu
  6. Agnus Dei
  7. Communion (Lux aeterna)
  8. Libera me
  9. In Paradisum

Instrumentation

The full orchestra version is scored for 3 flutes (2nd and 3rd doubling piccolo), 2 oboes (2nd doubling 2nd cor anglais), cor anglais, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, tamtam, celesta, harp, organ, and strings (violins, violas, cellos, and double basses).

The reduced orchestra version is scored for 3 trumpets, timpani, harp, organ, and strings (violins, violas, cellos, and double basses). The organ part used in the reduced version is different from the organ part used in the version for choir and organ.

Discography

  • Guy Janssens, A history of the Requiem - Part III, Laudantes Consort, Benoît Mernier, Organ - CD: Cypres CYP 1654, 2006 (with Anton Bruckner’s Requiem)
  • Stetson University Concert Choir, "Requiem", Alan Raines Conducting, Boyd Jones Organ- CD: Publisher Information
  • "Requiem Æternam", The Choir of Somerville College, Oxford (David Crown, conductor; Tristan Mitchard, organ), Stone Records 5060192780208, 2012 (with Robin Milford’s Mass for Five Voices)

References

  1. http://mauricedurufle.com/index.php/excerpts#sixteen
  2. Creasy, Barry. "Requiem – Maurice Duruflé (1902 - 1986)". Collegium Musicum of London. British Choirs on the Net. Retrieved 26 July 2014.
  3. "Concert Choir Recordings". Stetson University. Retrieved 27 December 2012.

External links

Categories: