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| Their first album, ''The Neverland Sessions'', was released independently, was recorded with ] at Neverland Studios. After signing to ] they put out the ''Whirlpool EP'' and started touring, while focusing on their first LP, ''Shawl'', released in 1993. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the ''Whirlpool" EP''.{{Citation needed|date=April 2015}} The band proudly distanced themselves from their past, announcing in album opener "Crawl" that "shine is dead", referring to their hit song ''Shine''.{{Citation needed|date=April 2015}} The album produced "Never Enough", "Fifty-Eight" (written in 5/8 time) and "Worm".{{Citation needed|date=April 2015}} "Crawl" and "Like I Was" were also released as a 7-inch single, with clips released for both.{{Citation needed|date=April 2015}} In April 1994, the band released their first live recording, recorded toward the end of the tour for ''Shawl'', that included a bonus tracks from the ''Shawl'' era.{{Citation needed|date=April 2015}} | Their first album, ''The Neverland Sessions'', was released independently, was recorded with ] at Neverland Studios. After signing to ] they put out the ''Whirlpool EP'' and started touring, while focusing on their first LP, ''Shawl'', released in 1993. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the ''Whirlpool" EP''.{{Citation needed|date=April 2015}} The band proudly distanced themselves from their past, announcing in album opener "Crawl" that "shine is dead", referring to their hit song ''Shine''.{{Citation needed|date=April 2015}} The album produced "Never Enough", "Fifty-Eight" (written in 5/8 time) and "Worm".{{Citation needed|date=April 2015}} "Crawl" and "Like I Was" were also released as a 7-inch single, with clips released for both.{{Citation needed|date=April 2015}} In April 1994, the band released their first live recording, recorded toward the end of the tour for ''Shawl'', that included a bonus tracks from the ''Shawl'' era.{{Citation needed|date=April 2015}} | ||
| After extensive national and international shows they started working on their final album, ''Mercury'', which was released in 1995. Campuzano said, "When we were were discussing this record, a lot of people said ''Shawl'' was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band.<ref>''HM Magazine'' issue #53 (May/June 1995), page 11</ref> Taber says "before ''Mercury'', I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different."<ref> http://www.crosswalk.com/culture/music/the-lost-tim-taber-interview-540222.html</ref> The band also stated that they did not want to become the "the new ]."<ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb | The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=April 9, 2015}}</ref> They changed their sound not wanting to repeat their earlier work.<ref>''HM Magazine issue #96 (July/August 2002), page 58</ref> Producer Steve Hindalong is credited by the band as helping bring the project together. <ref>Hm magazine issue #53 (May/June 1995), page 8 </ref> | After extensive national and international shows they started working on their final album, ''Mercury'', which was released in 1995. Campuzano said, "When we were were discussing this record, a lot of people said ''Shawl'' was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band.<ref>''HM Magazine'' issue #53 (May/June 1995), page 11</ref> Taber says "before ''Mercury'', I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different."<ref>{{cite web|url=http://www.crosswalk.com/culture/music/the-lost-tim-taber-interview-540222.html|title=The Lost Tim Taber Interview|work=Crosswalk.com|accessdate=April 9, 2015}}</ref> The band also stated that they did not want to become the "the new ]."<ref name="The Prayer Chain's Bandcamp page">{{cite web|url=http://theprayerchain.bandcamp.com/album/humb |title=Humb | The Prayer Chain |publisher=Theprayerchain.bandcamp.com |date=August 31, 1994 |accessdate=April 9, 2015}}</ref> They changed their sound not wanting to repeat their earlier work.<ref>''HM Magazine issue #96 (July/August 2002), page 58</ref> Producer Steve Hindalong is credited by the band as helping bring the project together. <ref>Hm magazine issue #53 (May/June 1995), page 8 </ref> | ||
| Their first version of the album, initially titled ''Humb'', was rejected the label, and the band were asked to produce more a commerical product.<ref name="The Prayer Chain's Bandcamp page" |
Their first version of the album, initially titled ''Humb'', was rejected the label, and the band were asked to produce more a commerical product.<ref name="The Prayer Chain's Bandcamp page"/> The band then wrote "Sky High". Themes on the album include distance ("Mercury", "Creole", "Shiver", "Waterdogs") and disconnection ("Grylliade") as well as love ("Manta Rae" and "Bendy Line") and worship ("Humb", "Sky High" and "Sun Stoned").<ref>''HM Magazine'' issue #53 (May/June 1995), page 11 </ref> | ||
| Some releases which included rare recordings followed. The band has since done a reunion show in ] in 1998, the ] tribute show in 2000, some local ] shows and 2003 reunion shows at ] and the ] in the Netherlands.<ref name="Postma">{{cite journal |last=Postma |first=Mike |date=January–February 2007 |title=The Prayer Chain |journal=] |issue=123 |pages=50–53 }}</ref> | Some releases which included rare recordings followed. The band has since done a reunion show in ] in 1998, the ] tribute show in 2000, some local ] shows and 2003 reunion shows at ] and the ] in the Netherlands.<ref name="Postma">{{cite journal |last=Postma |first=Mike |date=January–February 2007 |title=The Prayer Chain |journal=] |issue=123 |pages=50–53 }}</ref> | ||
Revision as of 06:42, 9 April 2015
| The Prayer Chain | |
|---|---|
| Origin | California, US |
| Genres | Christian alternative rock |
| Years active | 1991–1995 |
| Labels | Reunion, Rode Dog |
| Past members | Tim Taber Andrew Prickett Eric Campuzano Wayne Everett |
| Website | www |
The Prayer Chain was a 1990s Christian alternative rock band. The band has been called "the epitome of the Christian underground". The Prayer Chain was known for producing moody, angst-ridden music which was, in turn, the result of creative differences within the band and with their record label.
History
The Prayer Chain formed in February 1990 when Campuzano & Prickett's band Laughing Boy broke up at the same time as Taber's band Tapestry broke up. Campuzano knew Taber through a Bible study group. Taber both sang and played drums originally, though drum machines were also used. The band auditioned Everett to play drums later that year at a Prayer Chain show in California.
Their first album, The Neverland Sessions, was released independently, was recorded with Steve Hindalong at Neverland Studios. After signing to Reunion Records they put out the Whirlpool EP and started touring, while focusing on their first LP, Shawl, released in 1993. The album showed a more aggressive side of the band compared to the upbeat poppier sound of the Whirlpool" EP. The band proudly distanced themselves from their past, announcing in album opener "Crawl" that "shine is dead", referring to their hit song Shine. The album produced "Never Enough", "Fifty-Eight" (written in 5/8 time) and "Worm". "Crawl" and "Like I Was" were also released as a 7-inch single, with clips released for both. In April 1994, the band released their first live recording, recorded toward the end of the tour for Shawl, that included a bonus tracks from the Shawl era.
After extensive national and international shows they started working on their final album, Mercury, which was released in 1995. Campuzano said, "When we were were discussing this record, a lot of people said Shawl was a negative album, so we all kinda wanted to do this real drony 'get lost in the music' type record -- only with praise songs. But we really started just disliking each other, so that didn't allow us to fully praise God, because there's just too much disconnection in the band. Taber says "before Mercury, I wanted to record a more worshipful album. Eric Campuzano did too, but when we came together, the dynamic in the band produced something different." The band also stated that they did not want to become the "the new Petra." They changed their sound not wanting to repeat their earlier work. Producer Steve Hindalong is credited by the band as helping bring the project together.
Their first version of the album, initially titled Humb, was rejected the label, and the band were asked to produce more a commerical product. The band then wrote "Sky High". Themes on the album include distance ("Mercury", "Creole", "Shiver", "Waterdogs") and disconnection ("Grylliade") as well as love ("Manta Rae" and "Bendy Line") and worship ("Humb", "Sky High" and "Sun Stoned").
Some releases which included rare recordings followed. The band has since done a reunion show in Chicago in 1998, the Gene Eugene tribute show in 2000, some local California shows and 2003 reunion shows at Cornerstone Festival and the Flevo Festival in the Netherlands.
The band has released some of their work and rarities on the Bandcamp website. Most notably, they released the original version of their album Mercury, titled Humb, ending years of speculation between fans regarding the original album. The most evident differences between Mercury and Humb are the absence of "Sky High" on Humb, which along with "Friend or Foe" was written after the record label rejected the original version of the album, and the inclusion of "Chalk", "Antarctica" and "Loverboy" on Humb, all which eventually appeared on Antarctica. Humb also had a different track order. The somewhat different mixing on the original album is considered to be darker.
In April 2015, the band announced they would be releasing Mercury on double vinyl through Kickstarter to mark the 20th anniversary of the album. Funding for the album was achieved within three hours of the announcement, evidence of the band's enduring cult following.. It is due to be released in July 2015.
Members
- Tim Taber - vocals, founder of Floodgate Records (Cool Hand Luke, The Myriad), Transparent Productions, and Transparent Artists (Jeremy Edwardson)
- Andrew Prickett - guitar, now plays with CUSH and does extensive recording/producing/engineering, has also played with The Violet Burning, My Brother's Mother, OneRepublic and others.
- Eric Campuzano - bass guitar, now plays guitar for The Lassie Foundation & Stranger Kings. He's also released two drone solo projects under the moniker Charity Empressa. He also plays bass with CUSH, and has played with Starflyer 59.
- Wayne Everett - drums, now playing guitar and started The Lassie Foundation, has played in Starflyer 59 and CUSH, has done some producing, also released a solo album titled KingsQueens in 2003 on Northern Records.
Discography
Full-length albums
- The Neverland Sessions (1992)
- Shawl (1993)
- Mercury (1995)
- Antarctica (1996)
- Humb (2011)
EPs
- 4 Song Demo (1990)
- Whirlpool (1992)
- Live (4-song version) (1994)
- Live (8-song version) (1994)
- Live at CBGB's (2005)
Singles (7-inch vinyl)
- Shine (1992)
- Crawl/Like I Was (1993)
Two-disc sets
- Mercury & Mercurios Tin: Limited Edition Collector's Set (1995)
- So Close...Yet So Far (Retrospective & B-sides) (1998)
Double Vinyl
- Mercury (20th anniversary re-release) (2015)
Compilations
- Live at the Strand (1997)
- A Live Tribute Recording for Gene Eugene (2000)
- Here Comes the Rust (retrospective) (2003)
References
- Powell, Mark Allan (2002). Encyclopedia of Contemporary Christian Music (First printing ed.). Peabody, Massachusetts: Hendrickson Publishers. pp. 724–726. ISBN 1-56563-679-1.
- Roth, J. Peter (September–October 1995). "The Last Prayer Chain Story". 7ball (2). Archived from the original on December 27, 1996.
- HM Magazine issue #96 (July/August 2002), page 58
- Liner notes for "So Close...Yet So Far"
- HM Magazine issue #53 (May/June 1995), page 11
- "The Lost Tim Taber Interview". Crosswalk.com. Retrieved April 9, 2015.
- ^ "Humb | The Prayer Chain". Theprayerchain.bandcamp.com. August 31, 1994. Retrieved April 9, 2015. Cite error: The named reference "The Prayer Chain's Bandcamp page" was defined multiple times with different content (see the help page).
- HM Magazine issue #96 (July/August 2002), page 58
- Hm magazine issue #53 (May/June 1995), page 8
- HM Magazine issue #53 (May/June 1995), page 11
- Postma, Mike (January–February 2007). "The Prayer Chain". HM Magazine (123): 50–53.
- "The Prayer Chain 20th Anniversary Mercury Vinyl". Kickstarter. Retrieved April 3, 2015.