Misplaced Pages

Marlene (1984 film): Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 08:40, 5 July 2015 editSer Amantio di Nicolao (talk | contribs)Autopatrolled, Administrators6,257,269 edits Cat-a-lot: Copying from Category:German documentary films to Category:German films← Previous edit Revision as of 21:29, 25 September 2015 edit undo87.122.125.3 (talk)No edit summaryNext edit →
Line 56: Line 56:
{{DEFAULTSORT:Marlene (1984 Film)}} {{DEFAULTSORT:Marlene (1984 Film)}}
] ]
]
]
] ]
] ]
] ]
] ]
]
]
] ]
]
] ]
] ]

Revision as of 21:29, 25 September 2015

1984 West Germany film
Marlene
Film poster
Directed byMaximilian Schell
Written byMaximilian Schell
Meir Dohnal
Produced byZev Braun
Karel Dirka
CinematographyHenry Hauck
Pavel Hispler
Ivan Slapeta
Edited byHeidi Genée
Dagmar Hirtz
Music byNicolas Economou
Distributed byFutura Film, Munich
Release date
  • 2 March 1984 (1984-03-02)
Running time94 minutes
CountryWest Germany
LanguagesEnglish
German
French

Marlene, also known in Germany as Marlene Dietrich - Porträt eines Mythos, is a 1984 documentary film made by Maximilian Schell about the legendary film star Marlene Dietrich. It was made by Bayerischer Rundfunk (BR) and OKO-Film and released by Futura Film, Munich and Alive Films, (USA).

Background

Marlene Dietrich and Maximilian Schell had worked together on Judgment at Nuremberg in 1961. Dietrich had become a virtual recluse in her Paris apartment on the Avenue Montaigne. Schell tried to persuade her for years to participate in a documentary about her life. She continuously refused. In 1982, she eventually agreed to participate in the project on condition that she did not appear. The film therefore consists of an audio commentary and the visuals illustrate her career by showing film clips and stills from her films, as well as newsreel footage. She was contracted for "40 hours of talking" as she reminds Schell during one of their exchanges. The film consists of voice interviews between Schell and Dietrich in which she often ignores his questions, makes acerbic comments about, among other things, some of the people she has worked with and some of the books written about her life and films. In the process, she touches on the subjects of life and death, reality and illusion and the nature of stardom. By her very reluctance to reveal much about herself, she gives one a much deeper understanding of her character than if she had participated in a more conventional format.

Film clips

The film contains clips from the following films:

Awards and nominations

The film was nominated for an Academy Award for Best Documentary (1986). It won the Best Production Award at the Bavarian Film Awards, the Outstanding Non-Feature Film at the German Film Awards and the Best Documentary Award from the New York Film Critics Circle Awards, the National Society of Film Critics Awards, USA and the Boston Society of Film Critics Awards.

External links

References

  1. NY Times
  2. "NY Times: Marlene". NY Times. Retrieved 2008-11-16.
Categories: