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	'''Herbert Marshall McLuhan''' (], ] - December 31]], ])		'''Herbert Marshall McLuhan''' (], ] - ], ])

	Marshall McLuhan was born to Elsie and Herbert in Edmonton, Alberta Canada of Scottish-Irish heritage. A conservative Catholic Canadian academic who was one of the founders of critical ]. He became a pop culture figure in the 1960's with the publication of <i>Understanding Media: The Extensions of Man</i> (], 1964) and <i>The Medium is the Massage: An Inventory of Effects</i> (with designer Quentin Fiore, Random House, 1967). Famous for coining the phrases "The medium is the message" and "the global village," McLuhan was one of the early purveyors of the sound bite. He asserted that each different medium affects the individual and society in distinct and pervasive ways, further classifying some media as "hot"--media which engaged one's senses in a high intensity, exclusive way, such as typography, radio, and film--and "cool"--media which were of lower resolution or intensity, and therefore required more interaction from the viewer, such as the telephone and the television. While many of his pronouncements and theories were impenetrable, if not absurd, McLuhan's central message that to understand today's world, one must actively study the effects of media, remains ever more true in the Electronic Age.		Marshall McLuhan was born to Elsie and Herbert in Edmonton, Alberta Canada of Scottish-Irish heritage. A conservative Catholic Canadian academic who was one of the founders of critical ]. He became a pop culture figure in the 1960's with the publication of <i>Understanding Media: The Extensions of Man</i> (], 1964) and <i>The Medium is the Massage: An Inventory of Effects</i> (with designer Quentin Fiore, Random House, 1967). Famous for coining the phrases "The medium is the message" and "the global village," McLuhan was one of the early purveyors of the sound bite. He asserted that each different medium affects the individual and society in distinct and pervasive ways, further classifying some media as "hot"--media which engaged one's senses in a high intensity, exclusive way, such as typography, radio, and film--and "cool"--media which were of lower resolution or intensity, and therefore required more interaction from the viewer, such as the telephone and the television. While many of his pronouncements and theories were impenetrable, if not absurd, McLuhan's central message that to understand today's world, one must actively study the effects of media, remains ever more true in the Electronic Age.

	McLuhan died ], ] of a cerebral stroke which plagued the last year of his life.		McLuhan died ], ] of a cerebral stroke which plagued the last year of his life.

Revision as of 17:36, 21 May 2002

Herbert Marshall McLuhan (July 21, 1911 - December 31, 1980)

Marshall McLuhan was born to Elsie and Herbert in Edmonton, Alberta Canada of Scottish-Irish heritage. A conservative Catholic Canadian academic who was one of the founders of critical media studies. He became a pop culture figure in the 1960's with the publication of Understanding Media: The Extensions of Man (McGraw-Hill, 1964) and The Medium is the Massage: An Inventory of Effects (with designer Quentin Fiore, Random House, 1967). Famous for coining the phrases "The medium is the message" and "the global village," McLuhan was one of the early purveyors of the sound bite. He asserted that each different medium affects the individual and society in distinct and pervasive ways, further classifying some media as "hot"--media which engaged one's senses in a high intensity, exclusive way, such as typography, radio, and film--and "cool"--media which were of lower resolution or intensity, and therefore required more interaction from the viewer, such as the telephone and the television. While many of his pronouncements and theories were impenetrable, if not absurd, McLuhan's central message that to understand today's world, one must actively study the effects of media, remains ever more true in the Electronic Age.

McLuhan died December 31, 1980 of a cerebral stroke which plagued the last year of his life.

Bibliography

1951 The Mechanical Bride: Folklore of Industrial Man (Vanguard Press)
1962 The Gutenberg Galaxy: The Making of Typographic Man (University of Toronto Press)
1964 Understanding Media: The Extensions of Man (McGraw-Hill)
1967 Verbi-Voco-Visual Explorations (Something Else Press)
1967 Medium is the Massage: An Inventory of Effects, with Quentin Fiore (Random House/1989 Simon and Schuster)
1968 War and Peace in the Global Village, with Quentin Fiore (McGraw-Hill/1989 Simon and Schuster)
1968 Through the Vanishing Point: Space in Poetry and in Painting, with Harley Parker (Harper and Row: World Perspective Series Vol 37)
1969 Counterblast, with Harley Parker (McClelland and Stewart)
1970 From Cliche to Archetype *with Wilfred Watson (Viking)
1970 Culture is Our Business (McGraw-Hill)
1972 Take Today: The Executive as Drop-out (Harcourt Brace Jovanovich)
1977 City as Classroom: Understanding Language and Media, with Kathryn Hutchon and Eric McLuhan (Book Society of Canada Limited)

Posthumous books

1988 Laws of Media: The New Science, with Eric McLuhan (University of Toronto Press)
1989 The Global Village: Transformations in World Life and Media in the 21st Century, with Bruce R. Powers (Oxford University Press)