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<font size=6>''DON'T BELIEVE EVERYTHING YOU SEE IN PRINT.''</font size> <font size=6>''DON'T BELIEVE EVERYTHING YOU SEE IN PRINT.''</font size>


]an artist ], 4th quarter, 20th century).]] ]an artist ], 4th quarter, 20th century).]]

Revision as of 14:56, 11 October 2006

sudancampaign.com



savedarfur.org



hurricane Katrina relief,



I am deeceevoice.


A Caveat

Misplaced Pages is a technology-driven enterprise. As a result, it is skewed toward a white, male, under-50 demographic -- and any hack with a computer and Internet access can edit virtually anything. This has resulted in both misinformation and disinformation; appalling subject matter deficits; and various biases vis-à-vis subject matter treating people of color, the Third World and, most notably, African peoples. The nature of such biases runs the gamut from simply naivete and a kind of youth-driven myopia/provincialism, to a pervasive Eurocentrism/cultural bias, to racism (both mindless and calculated, subtle and blatant/virulent). I have found the project's self-policing mechanisms likewise riddled with some of the same problems, resulting in governance structures the members of which often function without integrity or accountability, who are often hostile, antagonistic, hypocritical and unjustly and unfairly punitive. And when the admins abuse their authority in the most blatant and egregious fashion, they are not held accountable -- while those guilty of lesser offenses often are dealt with excessively harshly.

In short, Misplaced Pages is all too often an unreliable source riddled with systemic bias.

Personally, I do not believe Misplaced Pages is an effective venue for treating fairly or accurately subjects related to African peoples. I have found the site to be virulently racist and hostile; however, I continue to edit from time to time in an attempt to set the record straight on the race.

Misplaced Pages is a noble idea, but inherently and fatally flawed. It has its pluses, but plenty of minuses as well. Don't believe the hype and proceed with caution.

So, in short, dear reader, I give you fair warning:


DON'T BELIEVE EVERYTHING YOU SEE IN PRINT.

File:Chidongo.JPG
This is my Nomo, a figural representation of The Ancestors, those who made for us "a way outta no way." My guides, my guardians, my protectors. My altar. Libations! Praises! *Lighting a candle and bowing low in reverence and respect* (Medium: wood. Attributed to Zimbabwean artist Gideon Chidongo, 4th quarter, 20th century).