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Revision as of 11:02, 20 October 2006
The Indian subcontinent is home to a variety of martial arts, including Pehlwani, Kalarippayattu, Vajra Mushti and Gatka.
Introduction
Ancient India was one of the centres of several martial traditions and practices. Most of the centers were in the Southern region, including present-day Kerala and the ancient Kingdom of Tamilakam. Some of the older traditions include organised martial systems as practiced by the Kshatriya caste of Hinduism, these systems include armed and unarmed combat and aspects such as meditation, conditioning etc. Many ancient hindu temples have statues of deities and warriors in various postures related to combat.
Organised martial arts in India include the ancient martial art of Malla-yuddha (more commonly known as Mallayuddha), a form of combat wrestling codified into four forms, which is described in the Indian epics as the fighting style of warriors such as Bhima. The art is supposed to have gained maximum prominence in ancient India at the time when the oral tradition of the Mahabharata epic was conceived, the Mahabharata was compiled in textual form during the 5th century BC, the epic's setting has a historical precedent in Vedic India, where the Kuru kingdom was the center of political power in the late 2nd and early 1st millennia BCE. It is believed that mallayuddha was regarded as a prominent martial art in that era.
Martial arts of the Indian subcontinent are diverse in nature and have origins of different times from various different ethnic groups. A number of ancient and sophisticated Dravidian martial arts were developed in South India, including Kuttu Varisai (empty hand combat), Varma Kalai (the art of vital points) in Tamil Nadu, Kalari Payattu (way of the arena) and Adithada (Hit And Block), in Kerala.
Influence of Indian martial arts
Further information: Indian influence on Chinese martial artsThe martial arts of India have influenced the martial arts of other countries, particularly within the Indosphere, those regions outside India influenced by Indian culture. Examples of such arts include Bando, Silat, Escrima and Muay Thai.
The Indian wrestling form of Pehlwani has influenced both catch wrestling and it's derivative system of shoot wrestling. Karl Istaz travelled to India to train with Indian wrestlers and incorporated their training methods in shoot wrestling, wrestlers like Yoshiaki Fujiwara have applied these methods to train shoot wrestlers around the world.
The conditioning methods of Indian martial arts have also been applied to contemporary mixed martial arts.
India has also influenced the Portuguese martial art of Jogo do Pau. Tamil immigrants to Malaysia brought with them the staff fighting art Silambam.
K. Voroshilov travelled to India, under the employ of NKVD physical training center, "Dinamo", to observe its native matial arts. The collection of techniques from martial arts of various countries — including India — formed the basis of the Russian martial art Sambo.
In addition, modern martial arts such as Brazilian Jiu Jitsu credit India to be the origin of their fighting principles.
Indian martial arts under colonialism
Indian martial arts declined as Western colonialism disrupted the livelihoods of India's martial castes.
Rajputs who sought service with rulers as their ancestors had done found their sources of patronage limited by British restrictions; unable to find employment in their traditional line of work, some joined the Pindari.
Kalarippayattu underwent a period of decline after the introduction of firearms and especially after the full establishment of British colonial rule in the 19th century.
More European modes of organizing police, armies and governmental institutions, and the increasing use of firearms, gradually eroded the need for traditional martial training associated with caste-specific duties.
The British Raj banned kalarippayattu in 1804 in response to a series of revolts.
The resurgence of public interest in kalarippayattu began in the 1920s in Tellicherry as part of a wave of rediscovery of the traditional arts throughout South India which characterized the growing reaction against British colonial rule.
Various Indian martial arts
- Adithada (Kickboxing)
- Advanced commando combat system
- Bothati
- But Marma Atti / Marma Adi
- Chakram
- Gatka
- Inbuan Wrestling
- Kabaddi
- Kalarippayattu (Way of the Arena)
- Kuttu Varisai (Empty Hand Combat)
- Lathi
- Mallak-rida
- Malla-yuddha
- Mizo Inchai
- Mukna
- Niyuddha-kride
- Pancavarunum
- Pata
- Pehlwani
- Shastar Vidiya
- Silambam Nillaikalakki
- Savasu
- Thang Ta
- Varma Kalai (The Art of Vital Points)
- Vajra Mushti / Vajra Mukti (Diamond Fist)
Indian martial arts in popular culture
- In the television series, Xena: Warrior Princess, Xena is shown carrying the "chakram of darkness". Xena also gets a new chakram in the second episode of the 5th seson called Chakram
- Dhalsim, a popular character from the Street Fighter series practices a martial form of Yoga as his fighting style.
- Pullum Purna is a video game character from the Street Fighter EX fighting game series. She is Indian by nationality.
- Celsius (comics) is the superhero alias of Arani Desai, a fictional character in the DC Comics series, Doom Patrol. In addition to the elemental control of fire and ice, Indian mysticism and monastery training have made her a martial artist.
- Virgo Shaka is a character from manga-ka Masami Kurumada's hit series, Saint Seiya. He has grown up in India and received training at the "basin of the Ganges."
- In the video game Shadow Hearts: Covenant, Gama appears as the mentor of Joachim Valentine, one of the characters who joins the player's party. Throughout the game, Joachim can challenge Gama to one-on-one matches in order to learn new wrestling moves.
- James Jensen, the protagonist from Richard Branson's Virgin Comics series The Sadhu, learns obscure Indian martial arts of the sadhus.
- In the Street Fighter EX video game series, character Darun Mister is modelled after The Great Gama.
- Lord Hanuman is shown in mallayuddha combat in the animated motion picture Warrior Prince, The Legend of Prince Rama, directed and conceived by Japanese filmmaker Yugo Sako.
- The classic martial arts film Master of the Flying Guillotine depicts a silent Indian fighter using a yoga based fighting style and having an unnatural ability to extend his limbs to attack.
- In the Soul Calibur fighting video games series, the character Voldo uses a pair of Indian katars called "Manas" and "Ayus."
- Naseeruddin Shah plays Captain Nemo in the film The League of Extraordinary Gentlemen (film), released in 2003. He's shown to practice the Sikh martial art of Gatka.
- The epic mallayuddha fight between Bhima and Jarasandha is shown in the popular Indian television series, Mahabharata.
- A practitioner of Pehlwani is shown tossing Aamir Khan in the Bollywood motion picture, Rang De Basanti, the motion picture is India's official entry for the 2006 academy awards.
- Kamal Hassan plays the main protagonist, a silent old ex Indian National Army veteran trained in "Marma Shastra" in the bollywood motion picture Indian (film).
- Hadji Singh, a popular character from the animated series Jonny Quest is an expert in martial arts. He also uses methods like the Indian rope trick and yoga meditation in addition of his abilities. He is shown to display the tricks he learnt from Pasha the peddlar, his past mentor, which are further honed by one of his current mentors, Race Bannon.
- Indian motion picture Muthu, released in Japan under the name of "The Dancing Maharaja" shows actor Rajnikant in martial arts fight sequences. French filmmaker Alain Chabat’s Prete Moi Ta Main (Lend Me Your Hand) features one of the fight sequences from the south Indian motion picture.
- A Katar was seen in the James Bond motion picture Octopussy wielded by one of Kamal Khan's henchmen during the New Delhi Street Chase scene.
- In Square Enix's video game, Final Fantasy VIII, the character Kiros uses katars, though the game spells it "katal" (literally meaning murder in Hindustani language) due to poor romanization of its Japanese language form.
- The Myth (Chinese: 神话; pinyin: Shenhua) is a 2005 film starring Jackie Chan, which depicts Indian martial arts. Mallika Sherawat plays Mallika, whose father is a master of Indian martial arts.
- Films on Kalarippayattu
External links
- History of Jiu-Jitsu
- Thamizhar Martial Arts
- Enter the Dragon ? Wrestling with martial arts phenomenon
- Women in martial arts
- Filipino Martial Arts: Cabales Serrada Escrima
- Club Swinging:An Ancient Restorative Art for the Modern Martial Artist
- Jogo do Pau: Origins and Evolution
- Weapons and Fighting Arts of Indonesia
- The Malay Art Of Self-defense: Silat Seni Gayong
- VICTORY GOES OVER A BRIDGE!
- Rickson Gracie - Exploring Genius
- Jogo Do Pau
- My Christmas with Karl Gotch by Jake Shannon
- Martial arts info.com Silat
- History of Pentjak Silat
- Bando at realmartialarts.com
- Muay Thai:Merit, Meditation and Chanting
- One Workout That Changed My Life Forever - Matt Furey
- The complete catch wrestler package
- Hindu training methods
- Fujiwara's Sub-Mission Master DVD
- Karl Gotch's Conditioning For Combat Sports II
- http://www.mattfurey.com/conditioning_book.html
- Frank Shamrock's warrior Yoga
- WARRIOR YOGA - YOGA FOR THE MARTIAL ATHLETE
- Sambo:Soviet System of Sport and Combat
- The History of Sombo
- What is Sambo?
- Gama fitness program
References
- Bayly, C.A. (2002) . Indian Society and the making of the British Empire (Sixth printing ed.). Cambridge: Cambridge University Press. p. 103. ISBN 0521386500.
- Zarrilli, P. (1992). "To heal and/or harm: The vital spots (marmmam/varmam) in two south Indian martial traditions--Part I: Focus on Kerala's kalarippayattu". Journal of Asian Martial Arts. 1 (1).
- Zarrilli, Phillip B. (1998). When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art. Oxford: Oxford University Press.
- Luijendijk, D.H. (2005). Kalarippayat: India's Ancient Martial Art. Boulder: Paladin Press. ISBN 1581604807.
- Zarrilli 1998
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