Misplaced Pages

Kyrie–Gloria Masses, BWV 233–236: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 13:25, 20 March 2018 editFrancis Schonken (talk | contribs)Extended confirmed users68,468 editsm Francis Schonken moved page Missa, BWV 233 to Kyrie–Gloria masses, BWV 233–236: preparing to reboot as separate page while conserving page history from before this had been turned into a redirect, see Talk:Bach's church music in Latin#Kyrie–Gloria masses, BWV 233–236: proposed split← Previous edit Revision as of 13:45, 20 March 2018 edit undoFrancis Schonken (talk | contribs)Extended confirmed users68,468 edits importing content from Bach's church music in Latin; reboot as separate articleTag: Removed redirectNext edit →
Line 1: Line 1:
] castle, possibly the location of performances of BWV 233 to 236]]
#redirect]
Apart from the 1733 Mass for the Dresden court (later incorporated in the Mass in B minor), Bach wrote four further Kyrie–Gloria Masses. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the ] and the ]), have been indicated as ] (Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39.<ref>]: ''Johann Sebastian Bach'', 2nd edition 2007. S. Fischer, Frankfurt, {{ISBN|978-3-596-16739-5}}</ref> Possibly they were written for Count ] or performed by him in ].<ref>{{cite web |url=http://www.baroquemusic.org/bqxsporck.html |title=Count Frantisek Antonin von Sporck |accessdate=20 September 2010 |publisher=baroquemusic.org}}</ref>

Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three ]s for different ]s. The music consists mostly of ] of earlier cantata movements.<ref name="LCM">{{cite web |url=http://www.aucx96.dsl.pipex.com/Lbsdb/LBSDB_LC_INTRO.html |title=Bach's Latin Church Music |author=Margaret Steinitz |accessdate=16 September 2010 |publisher=London Bach Society}}</ref> Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation. The opening chorus of ], became the final movement of the Missa in G minor, ''Cum sancto spiritu''. Occasionally he switched a voice part, for example he asked for a ] in the ''Quoniam'' of that Missa, a parody of the ] aria ''Halt ich nur fest an ihm'' of that cantata.

==Compositions==
===<span id="BWV 233">Kyrie–Gloria Mass in F major, BWV 233</span>===
For the {{lang|la|Missa}} in ], BWV 233, scored for horns, oboes, bassoon, strings, ], and ],<ref> on bach-cantatas.com</ref> Bach derived most of the six movements from earlier cantatas as ].<ref name="BWV1998p234–250">{{link language|de}} {{Wikicite|ref={{harvid|Schmieder, Dürr, and Kobayashi|1998}}|reference=], ], and Yoshitake Kobayashi (eds.). 1998. Wiesbaden: ]. {{ISBN|978-3765102493}}}}, pp.&nbsp;234–250</ref>

{| class="wikitable"
|- style="background-color:#E0E0E0;"
! No.
! Title
! Voice
! Base
|-
| &nbsp; 1
| ''{{lang|grc|Kyrie eleison – Christe eleison – Kyrie eleison}}''
| Chorus
| Kyrie "Christe, du Lamm Gottes" in F major, BWV 233a (], 6 April 1708?)<ref name="BDW0292">Work {{BDW|0292}} at ] website.</ref>
|-
| &nbsp; 2
| ''{{lang|la|Gloria in excelsis}}''
| Chorus
|
|-
| &nbsp; 3
| ''{{lang|la|Domine Deus}}''
| Bass
| possibly ]/6<ref>{{link language|it}} ]. ''Frau Musika: La vita e le opere di J. S. Bach'', Volume 2: Turin: EDT, 1983. {{ISBN|88-7063-028-5}}, </ref>
|-
| &nbsp; 4
| ''{{lang|la|Qui tollis}}''
| Soprano
| ]/3
|-
| &nbsp; 5
| ''{{lang|la|Quoniam}}''
| Alto
| ]/5
|-
| &nbsp; 6
| ''{{lang|la|Cum sancto Spiritu}}''
| Chorus
| ]/1
|}

===<span id="BWV 234">Kyrie–Gloria Mass in A major, BWV 234</span>===
For the {{lang|la|Missa}} in ], BWV 234, scored for flute, strings, SATB, and basso continuo, Bach parodied music from at least four earlier cantatas.<ref name="BWV1998p234–250" />

{| class="wikitable"
|- style="background-color:#E0E0E0;"
! No.
! Title
! Voice
! Base
|-
| &nbsp; 1
| ''Kyrie eleison – Christe eleison – Kyrie eleison''
| Chorus
|
|-
| &nbsp; 2
| ''Gloria in excelsis''
| Chorus
| ]/6
|-
| &nbsp; 3
| ''Domine Deus''
| Bass
|
|-
| &nbsp; 4
| ''Qui tollis''
| Soprano
| ]/5
|-
| &nbsp; 5
| ''Quoniam''
| Alto
| ]/2
|-
| &nbsp; 6
| ''Cum sancto Spiritu''
| Chorus
| Vivace part: Opening chorus of ]
|}

In 1818 this was one of a very few of Bach's compositions for voices and orchestra to appear in print prior the ] complete edition in the second half of the 19th century.<ref name="Terry1920pxvii">]. "Introduction" of '']''. London: Constable (1920), </ref>

===<span id="BWV 235">Kyrie–Gloria Mass in G minor, BWV 235</span>===
For the {{lang|la|Missa}} in ], BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.<ref name="BWV1998p234–250" />

{| class="wikitable"
|- style="background-color:#E0E0E0;"
! No.
! Title
! Voice
! Base
|-
| &nbsp; 1
| ''Kyrie eleison – Christe eleison – Kyrie eleison''
| Chorus
| ]/1
|-
| &nbsp; 2
| ''Gloria in excelsis''
| Chorus
| ]/1
|-
| &nbsp; 3
| ''Gratias''
| Bass
| ]/4
|-
| &nbsp; 4
| ''Domine Fili''
| Alto
| ]/3
|-
| &nbsp; 5
| ''Qui tollis'' – ''Quoniam''
| Tenor
| ]/5
|-
| &nbsp; 6
| ''Cum sancto Spiritu''
| Chorus
| ]/1
|}

===<span id="BWV 236">Kyrie–Gloria Mass in G major, BWV 236</span>===
For the {{lang|la|Missa}} in ], BWV 236, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.<ref name="BWV1998p234–250" />

{| class="wikitable"
|- style="background-color:#E0E0E0;"
! No.
! Title
! Voice
! Base
|-
| &nbsp; 1
| ''Kyrie eleison – Christe eleison – Kyrie eleison''
| Chorus
| ]/1
|-
| &nbsp; 2
| ''Gloria in excelsis''
| Chorus
| ]/1
|-
| &nbsp; 3
| ''Gratias''
| Bass
| ]/5
|-
| &nbsp; 4
| ''Domine Deus''
| Soprano, alto
| ]/5
|-
| &nbsp; 5
| ''Quoniam''
| Tenor
| ]/3
|-
| &nbsp; 6
| ''Cum sancto Spiritu''
| Chorus
| ]/1
|}

==Discography==
*''J.S. Bach: Missae Breves'', ], ], ], ], ], ], ], Renaissance / Baroque Music Club early 1950s?
*''J.S. Bach: Masses'', ], ], ], ], ], ], ], ], Intercord 1967
*''J.S. Bach: Missae Breves'', ], ], ], ], ], ], ], ], ], Philips 1965, 1970
*''Bach: Messen BWV 233-236'', ], ], ], ], ], ], ], Eterna 1972 — re-issued Brilliant Classics 99361/3 and 4
*''The Great Choral Masterpieces'', ], ], ], ], ], ], ], Philips 1991
*''J.S. Bach: Missae Breves BWV 233-236'', ], ], ], ], ], ], ], Eufoda 2000
*''J.S. Bach: Complete Cantatas Vol. 22'', ], ], ], ], ], ], Antoine Marchand 2005
*''Bach: Lutheran Masses, BWV 233-236'', ], ], ], ], ], ], ], Eufoda 2005<ref>{{cite web |url=http://www.bach-cantatas.com/Vocal/BWV233-242-Rec1.htm |title=Missae Breves & Sanctus BWV 233-242 Recordings - Part 1 |accessdate=20 September 2010 |publisher=bach-cantatas.com}}</ref>

==References==
<references />

==External links==
* {{IMSLP2|work=Template:Masses_and_Magnificats_(Bach,_Johann_Sebastian)|cname=Masses and Magnificats by Johann_Sebastian Bach}}
* : history, scoring, sources for text and music, translations to various languages, discography, discussion, ''bach-cantatas'' website
* : performance by the ] (video and background information)

]
]
]

Revision as of 13:45, 20 March 2018

Lysa castle, possibly the location of performances of BWV 233 to 236

Apart from the 1733 Mass for the Dresden court (later incorporated in the Mass in B minor), Bach wrote four further Kyrie–Gloria Masses. These compositions, consisting of the first two sections of the Mass ordinary (i.e. the Kyrie and the Gloria), have been indicated as Missae breves (Latin for "short masses") or Lutheran Masses. They seem to have been intended for liturgical use, considering a performance time of about 20 minutes each, the average duration of a Bach cantata. They may have been composed around 1738/39. Possibly they were written for Count Franz Anton von Sporck or performed by him in Lysá.

Each of the Kyrie-Gloria Masses is in six movements: the Kyrie is one choral movement (with Kyrie/Christe/Kyrie subdivisions) and the Gloria is in five movements. The first and last movement of the Gloria are also choral, framing three arias for different voice types. The music consists mostly of parodies of earlier cantata movements. Bach changed the music slightly to adjust to the Latin words, but kept the original instrumentation. The opening chorus of Es wartet alles auf dich, BWV 187, became the final movement of the Missa in G minor, Cum sancto spiritu. Occasionally he switched a voice part, for example he asked for a tenor in the Quoniam of that Missa, a parody of the soprano aria Halt ich nur fest an ihm of that cantata.

Compositions

Kyrie–Gloria Mass in F major, BWV 233

For the Missa in F major, BWV 233, scored for horns, oboes, bassoon, strings, SATB, and basso continuo, Bach derived most of the six movements from earlier cantatas as parodies.

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus Kyrie "Christe, du Lamm Gottes" in F major, BWV 233a (Good Friday, 6 April 1708?)
  2 Gloria in excelsis Chorus
  3 Domine Deus Bass possibly BWV Anh. 18/6
  4 Qui tollis Soprano BWV 102/3
  5 Quoniam Alto BWV 102/5
  6 Cum sancto Spiritu Chorus BWV 40/1

Kyrie–Gloria Mass in A major, BWV 234

For the Missa in A major, BWV 234, scored for flute, strings, SATB, and basso continuo, Bach parodied music from at least four earlier cantatas.

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus
  2 Gloria in excelsis Chorus BWV 67/6
  3 Domine Deus Bass
  4 Qui tollis Soprano BWV 179/5
  5 Quoniam Alto BWV 79/2
  6 Cum sancto Spiritu Chorus Vivace part: Opening chorus of BWV 136

In 1818 this was one of a very few of Bach's compositions for voices and orchestra to appear in print prior the Bach Gesellschaft complete edition in the second half of the 19th century.

Kyrie–Gloria Mass in G minor, BWV 235

For the Missa in G minor, BWV 235, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus BWV 102/1
  2 Gloria in excelsis Chorus BWV 72/1
  3 Gratias Bass BWV 187/4
  4 Domine Fili Alto BWV 187/3
  5 Qui tollis – Quoniam Tenor BWV 187/5
  6 Cum sancto Spiritu Chorus BWV 187/1

Kyrie–Gloria Mass in G major, BWV 236

For the Missa in G major, BWV 236, scored for oboes, strings, SATB, basso continuo, Bach derived all six movements from cantatas as parodies.

No. Title Voice Base
  1 Kyrie eleison – Christe eleison – Kyrie eleison Chorus BWV 179/1
  2 Gloria in excelsis Chorus BWV 79/1
  3 Gratias Bass BWV 138/5
  4 Domine Deus Soprano, alto BWV 79/5
  5 Quoniam Tenor BWV 179/3
  6 Cum sancto Spiritu Chorus BWV 17/1

Discography

References

  1. Christoph Wolff: Johann Sebastian Bach, 2nd edition 2007. S. Fischer, Frankfurt, ISBN 978-3-596-16739-5
  2. "Count Frantisek Antonin von Sporck". baroquemusic.org. Retrieved 20 September 2010.
  3. Margaret Steinitz. "Bach's Latin Church Music". London Bach Society. Retrieved 16 September 2010.
  4. Missae Breves & Sanctus BWV 233–242 on bach-cantatas.com
  5. ^ Template:Link language Schmieder, Wolfgang, Alfred Dürr, and Yoshitake Kobayashi (eds.). 1998. Bach-Werke-Verzeichnis: Kleine Ausgabe (BWV). Wiesbaden: Breitkopf & Härtel. ISBN 978-3765102493, pp. 234–250
  6. Work 00292 at Bach Digital website.
  7. Template:Link language Alberto Basso. Frau Musika: La vita e le opere di J. S. Bach, Volume 2: Lipsia e le opere de la maturità (1723–1750). Turin: EDT, 1983. ISBN 88-7063-028-5, p. 518
  8. Charles Sanford Terry. "Introduction" of Johann Sebastian Bach: His Life, Art, and Work. London: Constable (1920), p. xvii
  9. "Missae Breves & Sanctus BWV 233-242 Recordings - Part 1". bach-cantatas.com. Retrieved 20 September 2010.

External links

Categories: