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| The main protagonist is referred to in the story as Kochan. Being raised during Japan’s era of right-wing militarism and Imperialism, he struggles from a very early age to fit into society. Like Mishima, Kochan was born with a less-than-ideal body in terms of physical fitness and robustness, and throughout the first half of the book (which generally details Kochan’s childhood) struggles intensely to fit into Japanese society.<ref name="kokugo">{{cite encyclopedia|encyclopedia=Nihon Kokugo Daijiten (日本国語大辞典) |title=仮面の告白 (Kamen no Kokuhaku) |url=http://rekishi.jkn21.com/ |accessdate=2012-04-14 |year=2012 |publisher=Shogakukan |location=Tokyo |language=ja |deadurl=yes |archiveurl=https://web.archive.org/web/20070825113418/http://rekishi.jkn21.com/ |archivedate=2007-08-25 |df= }}</ref> Due to his weakness, Kochan is kept away from boys his own age as he is raised, and is thus not exposed to the norm. This is what likely led to his future fascinations and fantasies of death, violence, and sex.<ref name="nipponika">{{cite encyclopedia|encyclopedia=Nihon Daihyakka Zensho (Nipponika) (日本大百科全書(ニッポニカ) |title=仮面の告白 (Kamen no kokuhaku) |url=http://rekishi.jkn21.com/ |accessdate=2012-04-14 |year=2012 |publisher=Shogakukan |location=Tokyo |language=ja |deadurl=yes |archiveurl=https://web.archive.org/web/20070825113418/http://rekishi.jkn21.com/ |archivedate=2007-08-25 |df= }}</ref> In this way of thinking, some have posited that Mishima is similar. | The main protagonist is referred to in the story as Kochan. Being raised during Japan’s era of right-wing militarism and Imperialism, he struggles from a very early age to fit into society. Like Mishima, Kochan was born with a less-than-ideal body in terms of physical fitness and robustness, and throughout the first half of the book (which generally details Kochan’s childhood) struggles intensely to fit into Japanese society.<ref name="kokugo">{{cite encyclopedia|encyclopedia=Nihon Kokugo Daijiten (日本国語大辞典) |title=仮面の告白 (Kamen no Kokuhaku) |url=http://rekishi.jkn21.com/ |accessdate=2012-04-14 |year=2012 |publisher=Shogakukan |location=Tokyo |language=ja |deadurl=yes |archiveurl=https://web.archive.org/web/20070825113418/http://rekishi.jkn21.com/ |archivedate=2007-08-25 |df= }}</ref> Due to his weakness, Kochan is kept away from boys his own age as he is raised, and is thus not exposed to the norm. This is what likely led to his future fascinations and fantasies of death, violence, and sex.<ref name="nipponika">{{cite encyclopedia|encyclopedia=Nihon Daihyakka Zensho (Nipponika) (日本大百科全書(ニッポニカ) |title=仮面の告白 (Kamen no kokuhaku) |url=http://rekishi.jkn21.com/ |accessdate=2012-04-14 |year=2012 |publisher=Shogakukan |location=Tokyo |language=ja |deadurl=yes |archiveurl=https://web.archive.org/web/20070825113418/http://rekishi.jkn21.com/ |archivedate=2007-08-25 |df= }}</ref> In this way of thinking, some have posited that Mishima is similar. | ||
| Kochan is homosexual,<ref name="enc"/> and in the context of Imperial Japan he struggles to keep it to himself. In the early portion of the novel, Kochan does not yet openly admit that he is attracted to men, but indeed professes that he admires masculinity and strength while having no interest in women. Some have argued that the admiration of masculinity is autobiographical of Mishima, himself having worked hard through a naturally weak body to become a superbly fit body builder and male model. | Kochan is homosexual,<ref name="enc"/> and in the context of Imperial Japan he struggles to keep it to himself. In the early portion of the novel, Kochan does not yet openly admit that he is attracted to men, but indeed professes that he admires masculinity and strength while having no interest in women. This includes an admiration for Roman sculptures and statues of men in dynamic physical positions. Some have argued that the admiration of masculinity is autobiographical of Mishima, himself having worked hard through a naturally weak body to become a superbly fit body builder and male model. | ||
| In the first chapter of the book, Kochan recalls a memory of a picture book from when he was four years old. Even at that young age, Kochan approached a single picture of a heroic-looking European knight on horseback almost as pornography, gazing at it longingly and hiding it away, embarrassed, when others come to see what he is doing. When his nurse tells him that the knight is actually ], Kochan, wanting the knight to be a paragon of manliness, is immediately and forever put off by the picture, annoyed that a woman would dress in man’s clothing. | In the first chapter of the book, Kochan recalls a memory of a picture book from when he was four years old. Even at that young age, Kochan approached a single picture of a heroic-looking European knight on horseback almost as pornography, gazing at it longingly and hiding it away, embarrassed, when others come to see what he is doing. When his nurse tells him that the knight is actually ], Kochan, wanting the knight to be a paragon of manliness, is immediately and forever put off by the picture, annoyed that a woman would dress in man’s clothing. | ||
Revision as of 15:24, 11 October 2018
 | This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Confessions of a Mask" – news · newspapers · books · scholar · JSTOR (March 2013) (Learn how and when to remove this message) |
 First edition (Japanese) | |
| Author | Yukio Mishima |
|---|---|
| Original title | Kamen no Kokuhaku (假面の告白) |
| Translator | Meredith Weatherby |
| Language | Japanese |
| Publisher | New Directions (US Eng. trans) |
| Publication date | 1949 |
| Publication place | Japan |
| Published in English | 1958 |
| Media type | Print (Hardback & Paperback) |
| Pages | 254 p. |
| ISBN | 0-8112-0118-X |
| OCLC | 759934 |
Confessions of a Mask (仮面の告白, Kamen no Kokuhaku) is Japanese author Yukio Mishima's second novel. First published in 1949, it launched him to national fame though he was only in his early twenties.
Plot
The main protagonist is referred to in the story as Kochan. Being raised during Japan’s era of right-wing militarism and Imperialism, he struggles from a very early age to fit into society. Like Mishima, Kochan was born with a less-than-ideal body in terms of physical fitness and robustness, and throughout the first half of the book (which generally details Kochan’s childhood) struggles intensely to fit into Japanese society. Due to his weakness, Kochan is kept away from boys his own age as he is raised, and is thus not exposed to the norm. This is what likely led to his future fascinations and fantasies of death, violence, and sex. In this way of thinking, some have posited that Mishima is similar.
Kochan is homosexual, and in the context of Imperial Japan he struggles to keep it to himself. In the early portion of the novel, Kochan does not yet openly admit that he is attracted to men, but indeed professes that he admires masculinity and strength while having no interest in women. This includes an admiration for Roman sculptures and statues of men in dynamic physical positions. Some have argued that the admiration of masculinity is autobiographical of Mishima, himself having worked hard through a naturally weak body to become a superbly fit body builder and male model.
In the first chapter of the book, Kochan recalls a memory of a picture book from when he was four years old. Even at that young age, Kochan approached a single picture of a heroic-looking European knight on horseback almost as pornography, gazing at it longingly and hiding it away, embarrassed, when others come to see what he is doing. When his nurse tells him that the knight is actually Joan of Arc, Kochan, wanting the knight to be a paragon of manliness, is immediately and forever put off by the picture, annoyed that a woman would dress in man’s clothing.
The word ‘mask’ comes from how Kochan develops his own false personality that he uses to present himself to the world. Early on, as he develops a fascination with his friend Omi’s body during puberty, he believes that everybody around him is also hiding their true feelings from each other, everybody participating in a ‘reluctant masquerade’. As he grows up, he tries to fall in love with a girl named Sonoko, but is continuously tormented by his latent homosexual urges, and is unable to ever truly love her.
References
- ^ "Confessions of a Mask". Encyclopedia of Japan. Tokyo: Shogakukan. 2012. Archived from the original on 2007-08-25. Retrieved 2012-04-14.
{{cite encyclopedia}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - "仮面の告白 (Kamen no Kokuhaku)". Nihon Kokugo Daijiten (日本国語大辞典) (in Japanese). Tokyo: Shogakukan. 2012. Archived from the original on 2007-08-25. Retrieved 2012-04-14.
{{cite encyclopedia}}: Unknown parameter|deadurl=ignored (|url-status=suggested) (help) - "仮面の告白 (Kamen no kokuhaku)". Nihon Daihyakka Zensho (Nipponika) (日本大百科全書(ニッポニカ) (in Japanese). Tokyo: Shogakukan. 2012. Archived from the original on 2007-08-25. Retrieved 2012-04-14.
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