Misplaced Pages

Revision as of 05:26, 3 May 2019

Guy Michael Webster (born on September 14, 1939 - Died on February 5, 2019) was one of the early innovators of rock ‘n’ roll photography. His fifty year career spanned the worlds not only of music but film and politics. While shooting album covers and magazine layouts for numerous groups – The Rolling Stones, The Mamas and the Papas, The Beach Boys, The Byrds, The Doors, Simon & Garfunkel among many others – he also photographed film legends like Rita Hayworth, Dean Martin, and Natalie Wood. As the primary celebrity photographer for dozens of magazines worldwide, Webster captured such luminaries as Igor Stravinsky, Barbra Streisand, Jack Nicholson and American presidents’ Ronald Reagan and Bill Clinton. Webster’s work was collected in the award-winning book, Big Shots: The Photography of Guy Webster, published by Insight Editions. His passion for photography was matched by his love of Italian motorcycles; his personal collection of bikes considered among the world’s finest. He spent the later part of his life in Ojai, California, where he volunteered and taught photography at the Oak Grove School (Ojai, California). He died there on February 5, 2019 as a result of complications arising from diabetes and liver cancer.(2)

Early Life

Guy Webster was born on September 14, 1939 in Los Angeles. into a Jewish show business family. His parents were Gloria Benguiat Webster and Paul Francis Webster, an Academy Award winning songwriter who won Oscars for his lyrics to “Secret Love,” “Love is a Many-Splendored Thing,” and “The Shadow of Your Smile.” Webster grew up in the heart of celebrity-studded Beverly Hills, on North Crescent Drive. His neighbors included the Marx Brothers and Fred Astaire. Dean Martin’s children were part of Webster’s own “Rat Pack.” Composers like Sammy Cahn were regulars for dinner; many nights spent at the family piano while Cahn, Duke Ellington, or Andre Previn joined Webster senior to work on songs as Guy took notes. His mother liked to paint and sketch but her primary concern was making sure her husband was well-attended to.

Education

He attended Beverly Hills High School, with the expectation that upon graduation he’d follow his father’s admonition to enroll at Yale University and pursue a stable career in finance. He rejected that path; having come under the corrupting influence of rock ‘n’ roll and blues music, he was keen to chart his own path. (3) He earned a Bachelor’s degree from Whittier College and then reported for his military duty at Fort Ord in Monterey, California.(4) Owing to his deeply felt philosophical beliefs he declared himself a conscientious objector. His superiors responded by directing him away from more martial concerns, assigning him the task of teaching new recruits how to use a camera. “They asked if I knew anything about photography. I lied and said I did… I was absolutely clueless.” Upon leaving the army Webster enrolled at the Art Center College of Design in Pasadena, California. He studied fine-art photography, inspired by the work of Irving Penn. In the early ‘70s, while living in Europe, Webster resumed his study of art history at the University of Florence, Italy.

Life and Career

A childhood friend, Terry Melcher, son of Doris Day, was a record producer in the burgeoning music industry. He asked Guy to photograph a band he was working with - The Rip Chords - for the Columbia Records label. Another chance encounter with producer Lou Adler led to Webster shooting the cover of the Mamas and Papas debut album, If You Can Believe Your Eyes and Ears for Adler’s Dunhill Records. The image became a cause célèbre; it depicted the band lounging in a bathtub next to a toilet. Record distributors found it distasteful and threatened to pull it; it was Adler’s idea to slap a sticker on it, playing into the notoriety but also making it palatable for family-friendly stores to stock. Webster quickly became an in-demand photographer, credits accumulating like the hit artists he was documenting. He shot Bob Dylan’s legendary 1965 press conference at Columbia Records studio on Sunset Blvd; he framed Simon & Garfunkel in L.A.’s Franklin Canyon Park for the cover of their iconic Sounds of Silence album. In December, 1965, and again in March, 1966, Webster corralled The Rolling Stones for two photo sessions which resulted in the covers for Big Hits (High Tide and Green Grass) and the world-wide (except the United States) album Aftermath. His most famous cover shoot was for the Doors first album in 1967. The group’s charismatic front man, Jim Morrison, had already earned a reputation for being an inscrutable, hard-to- manage presence. Webster found an artful way to balance the group’s identity against Morrison’s renegade tendencies. Jac Holzman, the head of their label, Elektra Records, took the cover and repurposed it as a billboard on Sunset Boulevard, the first time a rock group had been so celebrated.

A flight of stone steps leads from an asphalt car park up to the main entrance of a white two-story building. The ground floor has two sash windows, the first floor has three shorter sash windows. Two more windows are visible at basement level. The decorative stonework around the doors and windows is painted grey.

Webster’s artistry came to define much of what came to-be-called, The Summer of Love. He was present at the Monterey International Pop Festival; his pictures of Laura Nyro, Janis Joplin and The Who captured their era-defining stature. Similarly, his shot of Jimi Hendrix at the Hollywood Bowl in August, 1967, showcased both artists’ at their creative best. After Monterey, Webster was contacted by Herb Alpert, the head of A&M Records, to head up their graphic design department. He stayed there for the next few years, overseeing a golden age in album art work, as listeners became as enamored with the record sleeves as much as the music. It was a demanding job, keeping musician’s hours, managing corporate responsibilities with creative challenges. “The musicians treated me with great respect and I treated them exactly the same. I always said to them, ‘Let’s have fun, because you’ll probably never want to pose together again. You’re going to get into arguments over money. And this time next year you may well be gone.’ I hope I said it with humor… “I never got sucked into the entertainment lifestyle that destroyed some of my friends. I had some emotional distancing –no doubt a gift from my father… I had my life with a wife, three kids, and blues on the stereo. Howlin’ Wolf was my escape.” In the early ‘70s, Webster left Los Angeles and decamped for Europe, taking up residence first in Spain, then Italy. He would on occasion accept an assignment to shoot actors on location – Jack Nicolson, Sean Connery, Jeff Bridges, John Belushi among them. It was during his time there that his love of motorbikes took center stage. He began collecting Italian cycles from the ‘50s, ‘60s and ‘70s, riding them down to North Africa. His first vintage purchase was a Moto Guzzi Falcone racer which he found in Florence, Italy. His collection would come to include rarefied models from Ducati, Gilera, Laverda. Tired of flying back and forth from Europe to the States for work, he returned to America and Southern California for good in 1979. Befitting his wide-ranging interests, subjects for his photo shoots expanded into the realm of the other fine arts: writers Ray Bradbury, Truman Capote, classical giants Igor Stravinsky and Zubin Mehta submitted to the Webster treatment. It was during this period that Webster joined Leonard Koren, founder of Wet: The Magazine of Gourmet Bathing, as president and chief photographer. Guy moved to Ojai, California in 1981 but continued to work weekly at his studio in Venice Beach, California. When in Ojai he volunteered and taught photography to students at Oak Grove School. Health issues dogged him in his last years, including a stroke and heart surgery in 2015. He remained, nonetheless, a vital presence in his adopted home town since 1981 of Ojai.

He died on February 5, 2019.

Noted Album Covers

Personal Life

Children

Webster has three children from his first marriage: Erin, Michael and Sarah Webster; and two daughters from his second marriage: Jessie and Merry Webster.

Relationships

Webster's first marriage was to Bettie Beall, and his second marriage in 1980 was to model Leone James in 1980. Webster has a brother, Roger Webster.

Religion

Webster described himself as a “left-winger, atheist, and a Buddhist.” Both of his parents were of Jewish ancestry although through the years they also studied Bahai, Presbyterianism, and Christian Science.

References

1. Marble, Steve (February 22, 2019). "Guy Webster, who ruled the world of album covers, dies at 79". Los Angeles Times. Retrieved March 31, 2019.
2. Marinucci, Steve (February 7, 2019). "Guy Webster, Photographer of Album Covers by The Doors and Rolling Stones, Dies at 79". Variety. Retrieved February 8, 2019.
3. Jagger, Juliett (February 6, 2019). "Famed Photographer & Album Artist Guy Webster Passes". CelbrityAccess. Retrieved February 7, 2019.
4. Horst, Carole (November 20, 2014). "Showbiz Photographer Guy Webster Captured Hollywood Zeitgeist". Variety. Retrieved February 7, 2019.
5. Fleming, Charles (January 26, 2017). "No longer able to ride, famed Hollywood photographer to auction his rare motorcycles". Los Angeles Times. Retrieved February 7, 2019.
6. Boot, William (November 30, 2014). "American Rock Gods: Guy Webster's Intimate Portraits". The Daily Beast. Retrieved February 7, 2019.
7. "See Guy Webster's Iconic Portraits of the Stones, Jack Nicholson and More". Rolling Stone. November 27, 2014. Retrieved February 7, 2019.
8. Kreps, Daniel (February 9, 2019). "Rock Photographer Guy Webster Dead at 79". Rolling Stone. Retrieved February 12, 2019.
9. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.
10. Fleming, Charles (January 26, 2017). "No longer able to ride, famed Hollywood photographer to auction his rare motorcycles". LA Times. Los Angeles. Retrieved April 27, 2019.
11. https://www.nytimes.com/2019/02/19/obituaries/guy-webster-dead.html
12. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.
13. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.
14. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.
15. kubernik, Harvey (2017). 1967: A Complete Rock Music History of the Summer of Love. New York City: Sterling Publishing Company. ISBN 1454920521.
16. kubernik, Harvey and Kenneth (November 1, 2011). A Perfect Haze: The Illustrated History of the Monterey International Pop Festival. Santa Monica: Santa Monica Press. ISBN 1595800603.
17. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.
18. kubernik, Harvey and Kenneth (November 4, 2014). Big Shots: The Photography of Guy Webster. San Francisco: Insight Editions. ISBN 1608872408.

• 1939 births
• 2019 deaths
• 20th-century American photographers
• Deaths from liver cancer
• Deaths from diabetes