Misplaced Pages

Robert Evans: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 03:15, 17 July 2019 edit2601:40d:8100:3b15:81ed:cb67:b3e1:b00a (talk) →Personal life← Previous edit Revision as of 02:53, 7 August 2019 edit undo65.93.134.110 (talk)No edit summaryTag: Visual editNext edit →
Line 16: Line 16:
| years_active = 1950s–present | years_active = 1950s–present
}} }}
'''Robert Evans''' (born '''Robert J. Shapera'''; June 29, 1930) is an American ] and former ], best known for his work on '']'', '']'', '']'' and '']''. '''Robert Evans''' (born '''Robert J. Shapera'''; June 29, 1930) is an American ] and former ], best known for his work on '']'', '']'', '']'', and '']''.


Evans began his career in a successful business venture with his brother, selling women's apparel. In 1956, while on a business trip, he was by chance spotted by actress ], who thought he would be right to play the role of her late husband ] (appropriately, another film mogul) in '']''. Thus he began a brief film acting career. In 1962, Evans decided to go into film producing instead, using his accumulated wealth from the clothing business, and began a meteoric rise in the industry; he was installed as the head of ] in 1967. While there, he improved the ailing Paramount's fortunes through a string of commercially and critically acclaimed films. In 1974 he stepped down in order to produce films on his own. Evans began his career in a successful business venture with his brother, selling women's apparel. In 1956, while on a business trip, he was by chance spotted by actress ], who thought he would be right to play the role of her late husband ] (appropriately, another film mogul) in '']''. Thus he began a brief film acting career. In 1962, Evans decided to go into film producing instead, using his accumulated wealth from the clothing business, and began a meteoric rise in the industry; he was installed as the head of ] in 1967. While there, he improved the ailing Paramount's fortunes through a string of commercially and critically acclaimed films. In 1974 he stepped down in order to produce films on his own.
Line 60: Line 60:
On May 6, 1998, during a dinner party in honor of director ], Evans suffered a stroke while giving a toast, and was rushed to nearby ]. Evans flatlined in the ambulance, but was resuscitated. Suffering a series of three strokes in quick succession, he was left paralyzed on his right side and completely unable to speak.<ref name="nytimes.com">{{cite web|url=https://www.nytimes.com/2013/12/26/books/the-fat-lady-sang-a-robert-evans-memoir.html|title=A Honcho in Winter With More Tales to Tell|date=26 December 2013|work=The New York Times}}</ref> During his hospital stay, he was encouraged by media mogul and friend ], who stayed at his bedside, to work on his speech and recovery. A few days after Evans' stroke, ] died from a heart attack in one of the adjoining rooms at Cedars-Sinai Medical Center. Witnessing his body being taken away, Evans said it was an event that furthered his desire to recover.<ref>{{cite web|url=https://www.nytimes.com/2010/02/11/theater/11evans.html|title=A Hollywood Player Inspires a Broadway Play|date=11 February 2010|work=The New York Times}}</ref> On May 6, 1998, during a dinner party in honor of director ], Evans suffered a stroke while giving a toast, and was rushed to nearby ]. Evans flatlined in the ambulance, but was resuscitated. Suffering a series of three strokes in quick succession, he was left paralyzed on his right side and completely unable to speak.<ref name="nytimes.com">{{cite web|url=https://www.nytimes.com/2013/12/26/books/the-fat-lady-sang-a-robert-evans-memoir.html|title=A Honcho in Winter With More Tales to Tell|date=26 December 2013|work=The New York Times}}</ref> During his hospital stay, he was encouraged by media mogul and friend ], who stayed at his bedside, to work on his speech and recovery. A few days after Evans' stroke, ] died from a heart attack in one of the adjoining rooms at Cedars-Sinai Medical Center. Witnessing his body being taken away, Evans said it was an event that furthered his desire to recover.<ref>{{cite web|url=https://www.nytimes.com/2010/02/11/theater/11evans.html|title=A Hollywood Player Inspires a Broadway Play|date=11 February 2010|work=The New York Times}}</ref>


Evans eventually regained his ability to talk and returned to producing. As of 2013,<ref name="nytimes.com"/> he relies on a cane for shorter walks and has limited mobility. Evans eventually regained his ability to talk and returned to producing. As of 2013, he relies on a cane for shorter walks and has limited mobility.<ref name="nytimes.com"/>


==Evans as a character in film and theater== ==Evans as a character in film and theater==

Revision as of 02:53, 7 August 2019

For other people named Robert Evans, see Robert Evans (disambiguation).
Robert Evans
Evans in July 2012
BornRobert J. Shapera
(1930-06-29) June 29, 1930 (age 94)
New York City, U.S.
NationalityAmerican
Occupation(s)Film producer, studio executive
Years active1950s–present
Spouse(s) Sharon Hugueny ​ ​(m. 1961; div. 1962)​
Camilla Sparv ​ ​(m. 1964; div. 1967)​
Ali MacGraw ​ ​(m. 1969; div. 1973)​
Phyllis George ​ ​(m. 1977; div. 1978)​
Catherine Oxenberg ​ ​(m. 1998; ann. 1998)​
Leslie Ann Woodward ​ ​(m. 2002; div. 2004)​
Victoria, Lady White ​ ​(m. 2005; div. 2006)​
ChildrenJosh Evans

Robert Evans (born Robert J. Shapera; June 29, 1930) is an American film producer and former studio executive, best known for his work on Rosemary's Baby, Love Story, The Godfather, and Chinatown.

Evans began his career in a successful business venture with his brother, selling women's apparel. In 1956, while on a business trip, he was by chance spotted by actress Norma Shearer, who thought he would be right to play the role of her late husband Irving Thalberg (appropriately, another film mogul) in Man of a Thousand Faces. Thus he began a brief film acting career. In 1962, Evans decided to go into film producing instead, using his accumulated wealth from the clothing business, and began a meteoric rise in the industry; he was installed as the head of Paramount Pictures in 1967. While there, he improved the ailing Paramount's fortunes through a string of commercially and critically acclaimed films. In 1974 he stepped down in order to produce films on his own.

In 1980 Evans' career, and life, took a downturn after he pleaded guilty to cocaine trafficking; over the next 12 years, he produced only two films, both financial flops: The Cotton Club and the Chinatown sequel The Two Jakes. In 1993 he began to produce films on a more regular basis, with a mixed track record that included both flops (such as Jade in 1995) and hits (such as How to Lose a Guy in 10 Days in 2003, his most recent film).

Early life and acting career

Evans was born in New York City, New York, the son of Florence, a housewife who came from a wealthy family, and Archie Shapera, a dentist in Harlem. He has described both of his parents as "second-generation Jews." He grew up on New York City's Upper West Side during the 1930s, where he was better off than most people living during the Great Depression. In his early years, he did promotional work for Evan-Picone, a fashion company founded by his brother Charles, in addition to doing voice work on radio shows.

He was spotted by actress Norma Shearer next to the pool at The Beverly Hills Hotel on Election Day, 1956. She successfully touted him for the role of her late husband Irving Thalberg in Man of a Thousand Faces. The same year, Evans also caught the eye of Darryl F. Zanuck, who cast him as Pedro Romero in the 1957 film adaptation of Ernest Hemingway's The Sun Also Rises, against the wishes of co-star Ava Gardner and Hemingway himself. In 1959, he appeared in Twentieth Century Fox's production of The Best of Everything with Hope Lange, Diane Baker and Joan Crawford.

Career as producer

Dissatisfied with his own acting talent, he was determined to become a producer. He got his start as head of production at Paramount by purchasing the rights to a 1966 novel titled The Detective which Evans made into a movie starring Frank Sinatra, Lee Remick, Jack Klugman, Robert Duvall and Jacqueline Bisset, in 1968. Peter Bart, a writer for The New York Times, wrote an article about Evans' aggressive production style. This got Evans noticed by Charles Bluhdorn, who was head of the Gulf+Western conglomerate, and hired Evans as part of a shakeup at Paramount Pictures (which included Bart, whom Evans would recruit as a Paramount executive).

When Evans took over as head of production for Paramount, the floundering studio was the ninth largest. Despite his inexperience, Evans was able to turn the studio around. He made Paramount the most successful studio in Hollywood and transformed it into a very profitable enterprise for Gulf+Western. During his tenure at Paramount, the studio turned out films such as Barefoot in the Park, The Odd Couple, Rosemary's Baby, The Italian Job, True Grit, Love Story, Harold and Maude, The Godfather, The Godfather Part II, Serpico, On a Clear Day You Can See Forever, Save the Tiger, The Conversation, Chinatown, The Great Gatsby, and many others.

Dissatisfied with his financial compensation and desiring to produce films under his own banner, Evans struck a deal with Paramount that enabled him to stay on as studio head while also working as an independent producer. Other producers at Paramount felt this gave Evans an unfair advantage. After the huge critical and commercial success of the Evans-produced Chinatown, he stepped down as production chief, which enabled him to produce films on his own. From 1976 to 1980, working as an independent producer, he continued his streak of successful films with Marathon Man, Black Sunday, Popeye and Urban Cowboy. After 1980, his film output became both more infrequent and less critically acclaimed. He produced only two films over the next twelve years: The Cotton Club and The Two Jakes. From 1993 to 2003 he produced the films Sliver, Jade, The Phantom, The Saint, and How to Lose a Guy in 10 Days.

Evans continues to produce, although the last film that he produced was released in 2003. He produced and provided the voice for his eponymous character in the 2003 animated series Kid Notorious. In 2004 Evans hosted a Sirius Satellite Radio show, In Bed with Robert Evans.

In 2009, Evans was in talks to produce a film about auto executive John DeLorean, as well as an HBO miniseries titled The Devil and Sidney Korshak. Neither project has yet come to fruition.

Personal life

Evans has been married seven times but all of his marriages have lasted three years or less. His first was to Sharon Hugueny (1961–1962). After his first divorce came Camilla Sparv (1964–1967), Ali MacGraw (1969–1973), Phyllis George (1977–1978), Catherine Oxenberg (1998), Leslie Ann Woodward (2002–2004), and Victoria White (2005–2006). Evans' marriage to Oxenberg was annulled after nine days. He married his seventh wife, Victoria White O'Gara (widow of Lord White), while in Mexico, on August 2005 shortly after his 75th birthday. She filed for divorce on June 16, 2006, citing irreconcilable differences. In the film adaptation of the autobiography The Kid Stays in the Picture, only Ali MacGraw is discussed, and their relationship is discussed at length. Evans has one son, Josh Evans, also a producer, from his marriage to MacGraw, and one grandson, Jackson, born in 2010 to Josh Evans and daughter-in-law Roxy Saint, a singer. Evans had one brother, Charles Evans, a New York real estate developer and film producer (Tootsie, 1982, Monkey Shines 1988), and has one sister, Alice Shure, a New York independent producer. Evans is the uncle to documentary producer Charles Evans, Jr., Al Jazeera America Political Correspondent Michael Shure and Tony Shure founder of Chop't Salad.

Joe Eszterhas repeatedly describes Evans, who is a friend, as "the devil" in his book, Hollywood Animal, and says that "all lies ever told anywhere about Robert Evans are true." His autobiography also goes into detail about a cocaine addiction that plagued Evans in the 1980s. Eszterhas's book The Devil's Guide to Hollywood: The Screenwriter as God includes an anecdote about Evans showing his appreciation for one of Eszterhas's scripts by sending him a woman with a "congratulatory note" inside her vagina.

Meredith Rhule, his personal in-home movie projectionist, indicates that Robert Evans absolutely knows how to impress potential movie backers. "I have seen almost every movie star, top models, heads of studios and heads of states walk into his home. Bob Evans is the Godfather of Hollywood."

Cocaine trafficking

Evans was convicted of cocaine trafficking in 1980. He entered a guilty plea to a misdemeanor in federal court after being arrested after engineering a large cocaine buy with his brother Charles. As part of his plea bargain, he filmed an anti-drug TV commercial. The alleged drug dealing, which Evans continues to deny (the misdemeanor was later wiped from his record), came out of his own involvement with the drug. He told the Philadelphia Inquirer in a 1994 interview, "Bob 'Cocaine' Evans is how I'll be known to my grave". He argues that he never should have been convicted of federal selling and distribution charges, as he was only a user.

Cotton Club murder

Evans was introduced to theatrical impresario Roy Radin, a producer of traveling musical and comedy revues, by cocaine dealer Karen Greenberger (aka Lanie Jacobs). Radin was trying to break into the film industry with a movie about the legendary New York nightclub, the Cotton Club. Radin's financial situation was reportedly quite challenged due to him both neglecting his live tours and drug-related situations. The deal arranged on the film The Cotton Club mandated that Evans and Radin establish a production company in which each would own 45% of the film with the remaining 10% split between two other parties. Radin offered Greenberger (aka Jacobs) a $50,000 finder's fee for her efforts, which she found unsatisfactory.

As The Cotton Club film financing was being arranged, the 33-year-old Radin was murdered in 1983. Contract killer William Mentzer was among four people sentenced for shooting Radin multiple times in the head and using dynamite to make identification by authorities more challenging. At the trial, Karen Greenberger was convicted of second-degree murder and kidnapping. Her involvement was said to be over a fear of being cut out of a producer's role and potential profits from the Cotton Club. As a result, the murder court case of Radin was dubbed the "Cotton Club" murder trial.

Under the advice of his attorney Robert Shapiro, Evans refused to testify during a May 1989 preliminary hearing, invoking the Fifth Amendment to avoid incriminating himself. Police reports that had been submitted to obtain search warrants indicated at least two witnesses said Evans was involved in the Radin murder.

Greenberger testified during her 1991 trial that Evans was not involved in the murder. She also claimed during her trial that she had been Evans' lover.

Health

On May 6, 1998, during a dinner party in honor of director Wes Craven, Evans suffered a stroke while giving a toast, and was rushed to nearby Cedars-Sinai Medical Center. Evans flatlined in the ambulance, but was resuscitated. Suffering a series of three strokes in quick succession, he was left paralyzed on his right side and completely unable to speak. During his hospital stay, he was encouraged by media mogul and friend Sumner Redstone, who stayed at his bedside, to work on his speech and recovery. A few days after Evans' stroke, Frank Sinatra died from a heart attack in one of the adjoining rooms at Cedars-Sinai Medical Center. Witnessing his body being taken away, Evans said it was an event that furthered his desire to recover.

Evans eventually regained his ability to talk and returned to producing. As of 2013, he relies on a cane for shorter walks and has limited mobility.

Evans as a character in film and theater

Actors have admitted imitating Evans' distinctive mannerisms.

Orson Welles' unfinished final film, The Other Side of the Wind (1970–6), a scathing satire on 1970s Hollywood, has a young studio boss "Max David" played by Geoffrey Land, who Welles admitted was a spoof of Evans.

In the 1997 movie Wag the Dog, a Washington, D.C. spin doctor distracts the electorate from a U.S. presidential sex scandal by hiring a Hollywood producer played by Dustin Hoffman. Hoffman's character was based directly upon Robert Evans. Hoffman emulated Evans' work habits, mannerisms, quirks, clothing style, hairstyle, and his large square-framed eyeglasses. The real Evans is said to have declared, "I'm magnificent in this film!"

Bob Ryan, a recurring character in the HBO series Entourage is said to be based on Evans. The character, portrayed by Martin Landau, was a successful movie producer in the 1970s who now chafes at no longer being considered a major Hollywood player. While Evans reportedly declined an offer to play the part himself, he did agree to allow his home to be used in the show as Bob Ryan's home.

Evans served as the inspiration for a Mr. Show sketch, in which Bob Odenkirk portrays God recording his memoirs, dressed as and speaking like Evans. Odenkirk also attributes Evans as his primary influence on his portrayal of lawyer Saul Goodman in Breaking Bad.

Evans plays himself in the movie An Alan Smithee Film Burn Hollywood Burn (1998).

He likewise voices a fictionalised caricature of himself in the animated series, Kid Notorious, alongside his real-life butler, Alan "English" Selka, and next-door neighbor, former Guns N' Roses lead guitarist Saul "Slash" Hudson.

Evans also appears in the 2005 Bruce Campbell novel Make Love! The Bruce Campbell Way, with Bruce impersonating him to infiltrate the Paramount Studios lot.

In 2010, Smuggler Films acquired the stage rights to Evans' memoirs, The Kid Stays in the Picture and its sequel, The Fat Lady Sang (which was eventually published in 2013). The play was to be written by Jon Robin Baitz. No further information has been released on the production.

Bill Hader played a character inspired by Evans in the two-part season two finale of Documentary Now! that parodies The Kid Stays in the Picture.

Filmography

As Head of Production at Paramount

As Producer

Actor

Publications

References

  1. Jerome, Jim (August 12, 2002). "The Real Deal". People.
  2. "Robert Evans Biography ((?)-)".
  3. ^ Evans, Robert (1994). The Kid Stays in the Picture. Hyperion. p. 13. ISBN 978-0786860593.
  4. "Robert Evans biopic studies producer fated to the screen". Archived from the original on 2012-10-25. {{cite news}}: Unknown parameter |dead-url= ignored (|url-status= suggested) (help)
  5. Fleming, Michael (April 1, 2009). "HBO gets to work on 'Korshak'". Variety.
  6. ^ Archerd, Army. "Evans and Oxenberg saying 'I do.'" Variety, July 1998. Retrieved September 9, 2008.
  7. Archerd, Army. "Evans and Oxenberg untie knot." Variety, July 1998. Retrieved September 9, 2008.
  8. "Divorce No. 7 for Producer Robert Evans". PEOPLE.com.
  9. Josh Evans - Biography - IMDb
  10. "The Nerve Interview: Joe Eszterhas". Nerve.com. 2006-09-15. Retrieved 2014-04-11.
  11. Rea, Steven (8 September 1994). "A Mogul's Moguls Life's Been A Bumpy Ride For Producer Robert Evans, Who Went, In His Words, From "Legend To Leper"; It's All In His New Book, Even The Part About His Getting In Touch With God". The Philadelphia Inquirer. Retrieved 8 December 2013.
  12. "Jury Finds Four Guilty in 'Cotton Club' Murder Case." Sun-Sentinel, 23 July 1991.
  13. Kasindorf, Jeanie. "The Cotton Club Murder". New York magazine, 24 July 1989, p. 27.
  14. Daly, Michael. "The Making of Hollywood: A True Tale of Hollywood". New York Magazine, 7 May 1984, p. 47.
  15. "'Cotton Club' Defendant Says Evans Not Involved : Trial". Los Angeles Times, 27 April 1991.
  16. "'Cotton Club' Jury Convicts 4 of Murder". latimes.
  17. "Producer Evans Refuses to Testify". Associated Press, 13 May 1989
  18. McDougal, Dennis. "Producer Robert Evans Invokes 5th at Hearing in Murder Case". Los Angeles Times. Retrieved 8 December 2013.
  19. "'Cotton Club' Defendant Says Evans Not Involved : Trial: The film producer had no role in Roy Radin's murder, woman testifies; She professes innocence and says Radin planned to kill her". Los Angeles Times. 27 April 1991. Retrieved 8 December 2013.
  20. ^ "A Honcho in Winter With More Tales to Tell". The New York Times. 26 December 2013.
  21. "A Hollywood Player Inspires a Broadway Play". The New York Times. 11 February 2010.
  22. Charles Champlin, 'Faltaff in King Hollywood's Court: An Interview Concerning "The Other Side of the Wind"', in Ronald Gottesman (ed.), Focus on Orson Welles (Prentice-Hall, Englewood Cliffs, New Jersey, 1976) p.196
  23. "Double Takes". Newsweek. The Washington Post Company. 1998-03-02. Retrieved 2008-10-17.
  24. WENN. "Robert Evans Fumes Over 'Entourage' Character". Hollywood.com.
  25. "No Kid, but Robert Evans Still Stays in the Picture". The New York Times. 3 September 2006.
  26. "Television News, Reviews and TV Show Recaps - HuffPost TV". The Huffington Post.
  27. Cieply, Michael (February 11, 2010). "A Hollywood Player Inspires a Broadway Play". The New York Times. Retrieved May 22, 2010.
  28. "The fat lady sang". Library of Congress Catalog Record. Retrieved 2014-04-12.

External links

Golden Globe Award for Best Motion Picture – Drama
1943–1975
1976–2000
2001–present
Categories: