Misplaced Pages

Second Empire architecture: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 12:39, 5 October 2019 editParis91 (talk | contribs)Extended confirmed users1,380 editsNo edit summary← Previous edit Revision as of 14:39, 5 October 2019 edit undoAnomieBOT (talk | contribs)Bots6,558,457 editsm Dating maintenance tags: {{Mergeto}}Next edit →
Line 1: Line 1:
{{mergeto|Napoleon III style|discuss=Talk:Napoleon III style#Merger proposal}} {{mergeto|Napoleon III style|discuss=Talk:Napoleon III style#Merger proposal|date=October 2019}}
{{for|Second Empire architecture in Europe|Second Empire architecture in Europe}} {{for|Second Empire architecture in Europe|Second Empire architecture in Europe}}
{{for|Second Empire architecture in the United States and Canada|Second Empire architecture in the United States and Canada}} {{for|Second Empire architecture in the United States and Canada|Second Empire architecture in the United States and Canada}}

Revision as of 14:39, 5 October 2019

It has been suggested that this article be merged into Napoleon III style. (Discuss) Proposed since October 2019.
For Second Empire architecture in Europe, see Second Empire architecture in Europe. For Second Empire architecture in the United States and Canada, see Second Empire architecture in the United States and Canada.
The Palais Garnier in Paris

Second Empire is an architectural style, most popular in the latter half of the 19th century and early years of the 20th century. It was so named for the architectural elements in vogue during the era of the Second French Empire. As the Second Empire style evolved from its 17th-century Renaissance foundations, it acquired a mix of earlier European styles, most notably the Baroque, often combined with mansard roofs and/or low, square-based domes.

The style quickly spread and evolved as Baroque Revival architecture throughout Europe and across the Atlantic. Its suitability for super-scaling allowed it to be widely used in the design of municipal and corporate buildings. In the United States, where one of the leading architects working in the style was Alfred B. Mullett, buildings in the style were often closer to their 17th-century roots than examples of the style found in Europe.

References

  1. Copplestone, Trewin, ed., World Architecture: An illustrated history from earliest times, Crescent Books, New York, 1963 pp.310-311
  2. Copplestone, p. 310.
  3. Copplestone, p. 311.
Historicism and Revivalism in architecture and decorative arts
International
France
Germany, Austria-Hungary
Great Britain
Greece
Italy
Netherlands
Nordic countries
Portugal
Poland
Romania
Russian Empire and USSR
Serbia
Spain
United States
Architecture of the United States
Native and indigenous
Colonial and post-colonial
Early Republic
Mid-19th century
Victorian
Late-19th to
mid-20th century
Post–World War II
Building types and vernacular
Cities
States
Categories: