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'''''Chain Reaction''''' is a peace monument and ] sculpture composed of a metal framework of stainless steel and fiberglass surrounded by concrete, depicting a ] created by a ].<ref>{{Cite web|title="Chain Reaction" (1991) by Paul Conrad|url=https://www.publicartinpublicplaces.info/chain-reaction-1991-by-paul-conrad|last=|first=|date=May 13, 2020|website=Public Art in Public Places|url-status=live|archive-url=|archive-date=|access-date=May 18, 2020}}</ref> Designed by American editorial cartoonist ] and built by Peter M. Carlson, the 5.5-ton, 8-meter (26-foot) high sculpture was installed in 1991 adjacent to the Santa Monica Civic Center in ].<ref>. Santa Monica Convention and Visitors Bureau. 2011. Retrieved October 7, 2014.</ref><ref name="Rogers">Rogers, J. (July 15, 2012). {{webarchive |url=https://web.archive.org/web/20140112031226/http://www.local8now.com/news/thismorning/headlines/Aging_anti-war_sculpture_prompts_explosive_debate_162557016.html |date=January 12, 2014 }}. Associated Press. WVLT. Retrieved October 7, 2014.</ref> '''''Chain Reaction''''' is a peace monument and ] sculpture composed of a metal framework of stainless steel and fiberglass surrounded by concrete, depicting a ] created by a ]. Designed by American editorial cartoonist ] and built by Peter M. Carlson, the 5.5-ton, 8-meter (26-foot) high sculpture is adjacent to the Santa Monica Civic Center in ]<ref name=":0">{{Cite web|title="Chain Reaction" (1991) by Paul Conrad|url=https://www.publicartinpublicplaces.info/chain-reaction-1991-by-paul-conrad|last=|first=|date=May 13, 2020|website=Public Art in Public Places|url-status=live|archive-url=|archive-date=|access-date=May 18, 2020}}</ref><ref>. Santa Monica Convention and Visitors Bureau. 2011. Retrieved October 7, 2014.</ref>


The inscription at the base of the sculpture reflects the themes of ] and ]: "This is a statement of peace. May it never become an epitaph."<ref name="HH"/> The inscription at the base of the sculpture reflects the themes of ] and ]: "This is a statement of peace. May it never become an epitaph."<ref name=":0" /><ref name="HH">Hill-Holtzman, N. (December 29, 1991) . ''Los Angeles Times'', p. J5.</ref>


== Background == == History ==


Conrad became the editorial cartoonist at the ''Denver Post'' in 1950.<ref name="Jones">Jones, A. (October 26, 2001). . ''National Catholic Reporter'', 38 (1): 12 – 13. Retrieved October 7, 2014.</ref> While at the ''Denver Post'' he first began to draw cartoons about peace and nuclear weapons. His cartoon depicting the ending of the atmospheric nuclear testing moratorium in 1961 was categorized by Gamson and Stuart (1992) as falling under the universal “Common Security” media frame popularized by the peace movement in the United States. These types of cartoons emphasized progress towards disarmament and “mutual cooperation, trade, cultural interaction, problem solving, and peacemaking” towards other nations, such as the Soviet Union.<ref>Gamson, W. A., & Stuart, D. (1992). . ''Sociological Forum'', 7 (1): 55–86. Retrieved October 7, 2014. {{subscription required}}</ref> Known for his nuclear war-themed cartoons, Conrad began working as a sculptor and often donated smaller works for fundraisers.<ref name="Jones">Jones, A. (October 26, 2001). . ''National Catholic Reporter'', 38 (1): 12 – 13. Retrieved October 7, 2014.</ref> After giving a lecture, Conrad was introduced to philanthropist Joan Kroc, widow of Ray Kroc, the founder of the ] corporation. Kroc was active in the ] and was known as a generous patron of the arts. After becoming friends with Conrad and his wife, she anonymously contributed $250,000 to build the anti-nuclear sculpture that would become ''Chain Reaction''.<ref name="WWLA">Napoli, L. (August 26, 2013). . Which Way L.A.? KCRW. Retrieved October 7, 2014.</ref><ref name="Pike">Pike, I. (October 6, 2013). ''San Diego Reader''. Retrieved October 7, 2014.</ref><ref>Napoli, L. (March 20, 2012). KCRW. Retrieved October 7, 2014.</ref><ref>Napoli, L. (October 18, 2013). . The California Report. KQED Public Radio. Retrieved October 7, 2014.</ref>


⚫ === Proposal ===
]


⚫ Conrad first expressed interest in building the sculpture in either Beverly Hills or Santa Monica in 1988. He built the sculpture with the help of an anonymous donation of $250,000 and donated the sculpture to the city of Santa Monica after it was approved by the city. It was later revealed that the donation came from philanthropist ], widow of Ray Kroc, the founder of the ] corporation. Joan Kroc spent millions campaigning for nuclear disarmament in the 1980s.<ref name="WWLA" /><ref name="Pike" /><ref>Harris, S. (October 13, 1985). . ''Los Angeles Times''. Retrieved October 7, 2014.</ref>
He joined the ''Los Angeles Times'' in 1964 where he spent the next four decades until he retired. After criticizing president ] during the ], Conrad was the only cartoonist to appear on ]. In the 1980s, Conrad criticized the military buildup and arms race advocated by president ], and the involvement of the Reagan administration in the ], the illegal covert operation which sold weapons to Iran to secure the release of hostages while funding the contras in Nicaragua with the proceeds from the arms sales.<ref name="Multer">Multer-Wellin, B. (2006). ''Paul Conrad: Drawing Fire''. Documentary, Public Broadcasting Service (PBS). Event occurs at 35:40: "But it wasn't just Reagan's domestic policies that Conrad drew about, he was equally incensed by the enormous arms race celebrated by this president, and the growing controversy surrounding his arms for hostage deal with Iran and the secret diversion of the proceeds to the contras in Nicaragua."</ref>


⚫ In 1988, he created a two-foot model of the sculpture and proposed his work to the Santa Monica Art Commission.<ref name="ICF">ICF International. (July 2012). . Evaluation Report. Retrieved October 8, 2014.</ref> Santa Monica debated the proposal for the next four years.<ref name="Rohit" /> While Santa Monica considered the proposal, Conrad proposed the sculpture to the Beverly Hills Fine Arts Committee in early 1989. The committee, appointed by the Beverly Hills City Council, deliberated Conrad's proposed sculpture for three months. During that time, Conrad was attacked as an ] by several residents of Beverly Hills because of his recent editorial cartoons depicting the ] during the ]. The Beverly Hills committee eventually turned down the proposal for the Chain Reaction sculpture on April 12, 1989, citing the lack of a suitable site in Beverly Hills that could accommodate the structure. "It is a piece of monumental proportions that needs a very large, large area," committee chairwoman Ellen Byrens told the ''Los Angeles Times''.<ref>Chazanov, M. (April 16, 1989). . ''Los Angeles Times''. Retrieved October 8, 2014.</ref>
Conrad later began working as a sculptor, often donating smaller works for fundraisers.<ref name="Jones"/> After giving a lecture, Conrad was introduced to philanthropist Joan Kroc, widow of Ray Kroc, the founder of the ] corporation. Kroc was active in the ] and was known as a generous patron of the arts. After becoming friends with Conrad and his wife, she anonymously contributed $250,000 to build the anti-nuclear sculpture that would become ''Chain Reaction''.<ref name="WWLA">Napoli, L. (August 26, 2013). . Which Way L.A.? KCRW. Retrieved October 7, 2014.</ref><ref name="Pike">Pike, I. (October 6, 2013). ''San Diego Reader''. Retrieved October 7, 2014.</ref><ref>Napoli, L. (March 20, 2012). KCRW. Retrieved October 7, 2014.</ref><ref>Napoli, L. (October 18, 2013). . The California Report. KQED Public Radio. Retrieved October 7, 2014.</ref>


⚫ === Design ===
<br />


⚫ The sculpture is based on a cartoon sketch by Conrad.<ref name="HH" /> According to the Chain Reaction City Landmark Assessment Report by ICF International:
⚫ == Proposal ==


⚫ <blockquote>the sculpture has a disheveled quality akin to the sketch-like markings and distorted proportions Paul Conrad's political cartoons...this quality is conveyed by the...treatment of the stem, the irregular placement of the links, and a subtle distortion of scale between the tall stem, its pronounced bulges, and a relatively small mushroom cloud. The ability of the large brass links to catch light and define pockets of random shadow in the small spaces between them is similar in effect to the stark treatment of light dark that Conrad often employed in his political cartoons.<ref name="ICF" /></blockquote>
⚫ Conrad first expressed interest in building the sculpture in either Beverly Hills or Santa Monica in 1988. He built the sculpture with the help of an anonymous donation of $250,000 and donated the sculpture to the city of Santa Monica after it was approved by the city. It was later revealed that the donation came from philanthropist ], widow of Ray Kroc, the founder of the ] corporation. Joan Kroc spent millions campaigning for nuclear disarmament in the 1980s.<ref name="WWLA" /><ref name="Pike" /><ref>Harris, S. (October 13, 1985). . ''Los Angeles Times''. Retrieved October 7, 2014.</ref>


⚫ Custom fabricator Peter M. Carlson, who also created sculptures for artists ], ], ], ], and ], assembled the 26-foot high sculpture depicting an upwardly expanding nuclear mushroom cloud in the form of a "large metal chain".<ref name="Morell">Morell, John (April 16, 1993). . ''Los Angeles Times''. Retrieved December 10, 2014.</ref> The look and structure of the chain was created by linking 38,000 hollow brass ] used for plumbing fixtures. The pipes are welded together and attached by screws and wire to fiberglass covering a steel frame.<ref name="Knight" /><ref>Moody, L. (July 26, 1995). . ''Daily News''. Retrieved October 8, 2014. {{subscription required}}</ref><ref name="ICF" />
⚫ In 1988, he created a two-foot model of the sculpture and proposed his work to the Santa Monica Art Commission.<ref name="ICF">ICF International. (July 2012). . Evaluation Report. Retrieved October 8, 2014.</ref> Santa Monica debated the proposal for the next four years.<ref name="Rohit" /> While Santa Monica considered the proposal, Conrad proposed the sculpture to the Beverly Hills Fine Arts Committee in early 1989. The committee, appointed by the Beverly Hills City Council, deliberated Conrad's proposed sculpture for three months. During that time, Conrad was attacked as an ] by several residents of Beverly Hills because of his recent editorial cartoons depicting the ] during the ]. The Beverly Hills committee eventually turned down the proposal for the Chain Reaction sculpture on April 12, 1989, citing the lack of a suitable site in Beverly Hills that could accommodate the structure. "It is a piece of monumental proportions that needs a very large, large area," committee chairwoman Ellen Byrens told the ''Los Angeles Times''.<ref>Chazanov, M. (April 16, 1989). . ''Los Angeles Times''. Retrieved October 8, 2014.</ref>


=== Controversy ===
At the same time in Santa Monica, 730 Santa Monica residents in an informal survey by the Santa Monica Art Commission expressed their recommendation that the city should not accept the sculpture for display, while 392 agreed that it should be installed.<ref name="Rohit">Rohit, P. M. (February 3. 2012). ''Santa Monica Mirror''. Retrieved October 8, 2014.</ref> Despite the negative public reaction, the Art Commission voted four separate times to accept the work, with the final vote taking place in 1990.<ref>Rivera, J. (October 11, 1990). . ''Los Angeles Times'', p.&nbsp;1. Retrieved October 8, 2014.</ref> The City Council finally approved the work in 1991. Funds were donated to the Santa Monica Arts Foundation to build it and the sculpture was given to the city as a gift.<ref name="SNS627" /> The city's acceptance of the controversial peace sculpture reflected the progressive views of some Santa Monica's councilmembers, who had become a majority in 1981 just after the conservative Reagan administration took office. At the time of Conrad's proposal, the councilmembers were supportive of anti-war positions reflected in the theme of Conrad's sculpture.<ref name="ICF" /> In 2002, 730 Santa Monica residents in an informal survey by the Santa Monica Art Commission expressed their recommendation that the city should not accept the sculpture for display, while 392 agreed that it should be installed.<ref name="Rohit">Rohit, P. M. (February 3. 2012). ''Santa Monica Mirror''. Retrieved October 8, 2014.</ref> Despite the negative public reaction, the Art Commission voted four separate times to accept the work, with the final vote taking place in 1990.<ref>Rivera, J. (October 11, 1990). . ''Los Angeles Times'', p.&nbsp;1. Retrieved October 8, 2014.</ref> The City Council finally approved the work in 1991. Funds were donated to the Santa Monica Arts Foundation to build it and the sculpture was given to the city as a gift.<ref name="SNS627" /> The city's acceptance of the controversial peace sculpture reflected the progressive views of some Santa Monica's councilmembers, who had become a majority in 1981 just after the conservative Reagan administration took office. At the time of Conrad's proposal, the councilmembers were supportive of anti-war positions reflected in the theme of Conrad's sculpture.<ref name="ICF" />


In 2012, the sculpture became the first work of public art designated as a ] in the City of Santa Monica. In 2012, the sculpture became the first work of public art designated as a ] in the City of Santa Monica.
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Several locations were initially considered for the sculpture. In 1989, the Arts Commission approved a site located at 14th Street and Olympic Boulevard, while a site facing the Memorial Park Gymnasium was also considered and approved.<ref>. ''Los Angeles Times''. April 22, 1989. Retrieved October 10, 2014.</ref> ''Chain Reaction'' was finally installed in 1991 on the lawn of the Santa Monica Civic Center. It resides on the east side of Main Street between the Santa Monica Courthouse and the ], across the street from the campus headquarters of the ].<ref name="Gluck">Gluck, M. (February 3, 2012). ''LA Weekly''. Retrieved October 10, 2014.</ref><ref name="Boyarsky">Boyarsky, B. (July 23, 2013). . ''Truthdig''. Retrieved October 8, 2014.</ref><ref name="Scheer">Scheer, R. (August 6, 2013). . ''Truthdig''. Retrieved October 8, 2014.</ref> The sculpture is located approximately four city blocks away from Santa Monica beach and the Pacific Ocean, just east of the ].<ref name="Rogers"/> Several locations were initially considered for the sculpture. In 1989, the Arts Commission approved a site located at 14th Street and Olympic Boulevard, while a site facing the Memorial Park Gymnasium was also considered and approved.<ref>. ''Los Angeles Times''. April 22, 1989. Retrieved October 10, 2014.</ref> ''Chain Reaction'' was finally installed in 1991 on the lawn of the Santa Monica Civic Center. It resides on the east side of Main Street between the Santa Monica Courthouse and the ], across the street from the campus headquarters of the ].<ref name="Gluck">Gluck, M. (February 3, 2012). ''LA Weekly''. Retrieved October 10, 2014.</ref><ref name="Boyarsky">Boyarsky, B. (July 23, 2013). . ''Truthdig''. Retrieved October 8, 2014.</ref><ref name="Scheer">Scheer, R. (August 6, 2013). . ''Truthdig''. Retrieved October 8, 2014.</ref> The sculpture is located approximately four city blocks away from Santa Monica beach and the Pacific Ocean, just east of the ].<ref name="Rogers">Rogers, J. (July 15, 2012). {{webarchive|url=https://web.archive.org/web/20140112031226/http://www.local8now.com/news/thismorning/headlines/Aging_anti-war_sculpture_prompts_explosive_debate_162557016.html|date=January 12, 2014}}. Associated Press. WVLT. Retrieved October 7, 2014.</ref>


Two plaques appear at the base of the sculpture, with one bearing the name of the artist (Paul Conrad), the title of the work and date (''Chain Reaction'', 1991), a description of the material used to construct the sculpture (Copper chain link and stainless steel) and information about the work (Collection of the City of Santa Monica. A donation from an anonymous donor. A project of the Santa Monica Arts Commission). The inscription on the second plaque reads, "This is a statement of peace. May it never become an epitaph."<ref name="Senn">Senn, E. (August 13, 2013). {{Webarchive|url=https://web.archive.org/web/20131224102659/http://www.kcet.org/arts/artbound/counties/los-angeles/chain-reaction-santa-monica-paul-conrad.html |date=2013-12-24 }}. ''Artbound''. KCET. Retrieved October 8, 2014.</ref> Two plaques appear at the base of the sculpture bearing the name of the artist (Paul Conrad), the title of the work and date (''Chain Reaction'', 1991), a description of the material used to construct the sculpture (Copper chain link and stainless steel), information about the work (Collection of the City of Santa Monica), and Conrad's inscription.<ref name="Senn">Senn, E. (August 13, 2013). {{Webarchive|url=https://web.archive.org/web/20131224102659/http://www.kcet.org/arts/artbound/counties/los-angeles/chain-reaction-santa-monica-paul-conrad.html |date=2013-12-24 }}. ''Artbound''. KCET. Retrieved October 8, 2014.</ref>


''Chain Reaction'' was formally dedicated the next year at the "Peace Day" festival at the Santa Monica Civic Center on August 1, 1992. Hiroshima survivor ] spoke at the dedication.<ref>Sculpture made with peaceful designs. ''Daily Breeze''. (August 1, 1992)</ref><ref>SM Peace Day ceremony unveils Conrad's sculpture. ''Daily Breeze''. August 2, 1992.</ref> ''Chain Reaction'' was formally dedicated the next year at the "Peace Day" festival at the Santa Monica Civic Center on August 1, 1992. Hiroshima survivor ] spoke at the dedication.<ref>Sculpture made with peaceful designs. ''Daily Breeze''. (August 1, 1992)</ref><ref>SM Peace Day ceremony unveils Conrad's sculpture. ''Daily Breeze''. August 2, 1992.</ref>

⚫ == Design ==

⚫ The sculpture is based on a cartoon sketch by Conrad.<ref name="HH">Hill-Holtzman, N. (December 29, 1991) . ''Los Angeles Times'', p. J5.</ref> According to the Chain Reaction City Landmark Assessment Report by ICF International:

⚫ <blockquote>the sculpture has a disheveled quality akin to the sketch-like markings and distorted proportions Paul Conrad's political cartoons...this quality is conveyed by the...treatment of the stem, the irregular placement of the links, and a subtle distortion of scale between the tall stem, its pronounced bulges, and a relatively small mushroom cloud. The ability of the large brass links to catch light and define pockets of random shadow in the small spaces between them is similar in effect to the stark treatment of light dark that Conrad often employed in his political cartoons.<ref name="ICF"/></blockquote>

⚫ Custom fabricator Peter M. Carlson, who also created sculptures for artists ], ], ], ], and ], assembled the 26-foot high sculpture depicting an upwardly expanding nuclear mushroom cloud in the form of a "large metal chain".<ref name="Morell">Morell, John (April 16, 1993). . ''Los Angeles Times''. Retrieved December 10, 2014.</ref> The look and structure of the chain was created by linking 38,000 hollow brass ] used for plumbing fixtures. The pipes are welded together and attached by screws and wire to fiberglass covering a steel frame.<ref name="Knight"/><ref>Moody, L. (July 26, 1995). . ''Daily News''. Retrieved October 8, 2014. {{subscription required}}</ref><ref name="ICF"/>

The theme of the sculpture reflects the subject of ].<ref>Lollis, E. (2013). ''Monumental Beauty: Peace Monuments and Museums Around the World''. Bookstand Publishing. p. 37. {{ISBN|9781618635433}}.</ref>


== Maintenance and restoration == == Maintenance and restoration ==

Revision as of 19:14, 18 May 2020

Sculpture by Paul Conrad in Santa Monica, USA

Chain Reaction
File:Paul Conrad, Chain Reaction.JPG
ArtistPaul Conrad
Year1991, dedicated 1992
TypeSculpture
MediumCopper chain link and stainless steel
Dimensions8 metres (26 ft) tall
LocationSanta Monica, California, United States
Coordinates34°00′35″N 118°29′24″W / 34.009768°N 118.490096°W / 34.009768; -118.490096
OwnerAdministered by City of Santa Monica Arts Department
WebsiteConradProjects.com

Chain Reaction is a peace monument and public art sculpture composed of a metal framework of stainless steel and fiberglass surrounded by concrete, depicting a mushroom cloud created by a nuclear explosion. Designed by American editorial cartoonist Paul Conrad and built by Peter M. Carlson, the 5.5-ton, 8-meter (26-foot) high sculpture is adjacent to the Santa Monica Civic Center in Santa Monica, California.

The inscription at the base of the sculpture reflects the themes of nuclear warfare and nuclear disarmament: "This is a statement of peace. May it never become an epitaph."

History

Known for his nuclear war-themed cartoons, Conrad began working as a sculptor and often donated smaller works for fundraisers. After giving a lecture, Conrad was introduced to philanthropist Joan Kroc, widow of Ray Kroc, the founder of the McDonald's corporation. Kroc was active in the anti-nuclear movement in the United States and was known as a generous patron of the arts. After becoming friends with Conrad and his wife, she anonymously contributed $250,000 to build the anti-nuclear sculpture that would become Chain Reaction.

Proposal

Conrad first expressed interest in building the sculpture in either Beverly Hills or Santa Monica in 1988. He built the sculpture with the help of an anonymous donation of $250,000 and donated the sculpture to the city of Santa Monica after it was approved by the city. It was later revealed that the donation came from philanthropist Joan Kroc, widow of Ray Kroc, the founder of the McDonald's corporation. Joan Kroc spent millions campaigning for nuclear disarmament in the 1980s.

In 1988, he created a two-foot model of the sculpture and proposed his work to the Santa Monica Art Commission. Santa Monica debated the proposal for the next four years. While Santa Monica considered the proposal, Conrad proposed the sculpture to the Beverly Hills Fine Arts Committee in early 1989. The committee, appointed by the Beverly Hills City Council, deliberated Conrad's proposed sculpture for three months. During that time, Conrad was attacked as an antisemite by several residents of Beverly Hills because of his recent editorial cartoons depicting the Israeli–Palestinian conflict during the intifada. The Beverly Hills committee eventually turned down the proposal for the Chain Reaction sculpture on April 12, 1989, citing the lack of a suitable site in Beverly Hills that could accommodate the structure. "It is a piece of monumental proportions that needs a very large, large area," committee chairwoman Ellen Byrens told the Los Angeles Times.

Design

The sculpture is based on a cartoon sketch by Conrad. According to the Chain Reaction City Landmark Assessment Report by ICF International:

the sculpture has a disheveled quality akin to the sketch-like markings and distorted proportions Paul Conrad's political cartoons...this quality is conveyed by the...treatment of the stem, the irregular placement of the links, and a subtle distortion of scale between the tall stem, its pronounced bulges, and a relatively small mushroom cloud. The ability of the large brass links to catch light and define pockets of random shadow in the small spaces between them is similar in effect to the stark treatment of light dark that Conrad often employed in his political cartoons.

Custom fabricator Peter M. Carlson, who also created sculptures for artists Ellsworth Kelly, Jeff Koons, Roy Lichtenstein, Robert Rauschenberg, and Charles Ray, assembled the 26-foot high sculpture depicting an upwardly expanding nuclear mushroom cloud in the form of a "large metal chain". The look and structure of the chain was created by linking 38,000 hollow brass J-shaped pipes used for plumbing fixtures. The pipes are welded together and attached by screws and wire to fiberglass covering a steel frame.

Controversy

In 2002, 730 Santa Monica residents in an informal survey by the Santa Monica Art Commission expressed their recommendation that the city should not accept the sculpture for display, while 392 agreed that it should be installed. Despite the negative public reaction, the Art Commission voted four separate times to accept the work, with the final vote taking place in 1990. The City Council finally approved the work in 1991. Funds were donated to the Santa Monica Arts Foundation to build it and the sculpture was given to the city as a gift. The city's acceptance of the controversial peace sculpture reflected the progressive views of some Santa Monica's councilmembers, who had become a majority in 1981 just after the conservative Reagan administration took office. At the time of Conrad's proposal, the councilmembers were supportive of anti-war positions reflected in the theme of Conrad's sculpture.

In 2012, the sculpture became the first work of public art designated as a historic landmark in the City of Santa Monica.

Location and installation

Several locations were initially considered for the sculpture. In 1989, the Arts Commission approved a site located at 14th Street and Olympic Boulevard, while a site facing the Memorial Park Gymnasium was also considered and approved. Chain Reaction was finally installed in 1991 on the lawn of the Santa Monica Civic Center. It resides on the east side of Main Street between the Santa Monica Courthouse and the Santa Monica Civic Auditorium, across the street from the campus headquarters of the RAND Corporation. The sculpture is located approximately four city blocks away from Santa Monica beach and the Pacific Ocean, just east of the Santa Monica Pier.

Two plaques appear at the base of the sculpture bearing the name of the artist (Paul Conrad), the title of the work and date (Chain Reaction, 1991), a description of the material used to construct the sculpture (Copper chain link and stainless steel), information about the work (Collection of the City of Santa Monica), and Conrad's inscription.

Chain Reaction was formally dedicated the next year at the "Peace Day" festival at the Santa Monica Civic Center on August 1, 1992. Hiroshima survivor Kaz Suyeishi spoke at the dedication.

Maintenance and restoration

The sculpture was surveyed and considered "well maintained" by the Smithsonian's "Save Outdoor Sculpture!" program in March 1995. After Conrad died in 2010, the city of Santa Monica began to reevaluate the structural integrity of the sculpture. In June 2011, an inspector observed children climbing the sculpture. Safety tests were performed showing that the underlying structure built using fiberglass and copper chains was stable. However, questions were raised about the long term integrity of the fiberglass. An inspection found rust and corrosion on the steel frame skeleton and the revealed that the anchor bolts holding the sculpture to the base were weakened. Shortly after the inspection, the city installed a safety fence around the sculpture to protect the public.

The city's Arts Commission voted in February 2012 to allow the work to be removed from public display. The Santa Monica City Council approved the Arts Commission's recommendation the next month. The city council delayed taking action to allow supporters time to raise funds to cover the cost of repairs. Los Angeles Times art critic Christopher Knight defended the sculpture, citing a 2012 report commissioned by the city from a structural engineer who concluded that "the sculpture is not an imminent hazard nor should it be considered dangerous".

While fundraising to preserve the work was underway, the city of Santa Monica filed an application in May 2012 to nominate the sculpture for landmark status. After a public hearing in July, the Santa Monica Landmarks Commission selected the sculpture as a landmark. Chain Reaction is the first work of public art named a landmark by the city of Santa Monica.

The City Council set a deadline of February 1, 2014, for supporters of the sculpture to contribute to restoration funds, otherwise the sculpture could face decommissioning. Community activists debated how to pay for needed repairs and a series of fundraisers were held to contribute to the restoration project. On February 25, the Santa Monica City Council voted 6–1 to use $100,000 in public donations to finish refurbishing the work.

Reception and criticism

UCLA professor Paul Von Blum places Conrad and his sculpture in the category of late 20th and early 21st century contemporary American political public art in the tradition of commemorative works, calling it "a powerful warning about the continuing dangers of nuclear war." Von Blum compares Conrad's work to that of American public sculptors such as Beniamino Bufano, George Segal, Luis Jimenez and Maya Lin.

Other private commissions by Conrad

  • Trinity (Statue, Marymount California University)
  • Risen Christ (Altar piece, St. John Fisher Church, Rancho Palos Verdes, CA.)
  • Otis Chandler (Bust, Los Angeles Times building)

See also

References

  1. ^ ""Chain Reaction" (1991) by Paul Conrad". Public Art in Public Places. May 13, 2020. Retrieved May 18, 2020.{{cite web}}: CS1 maint: url-status (link)
  2. Santa Monica Art Trek Map. Santa Monica Convention and Visitors Bureau. 2011. Retrieved October 7, 2014.
  3. ^ Hill-Holtzman, N. (December 29, 1991) Disputed Sculpture Finally in Place. Los Angeles Times, p. J5.
  4. Jones, A. (October 26, 2001). Pen-and-ink prophet. National Catholic Reporter, 38 (1): 12 – 13. Retrieved October 7, 2014.
  5. ^ Napoli, L. (August 26, 2013). The artist, the philanthropist, the sculpture: Paul Conrad, Joan Kroc and the secret history of Chain Reaction. Which Way L.A.? KCRW. Retrieved October 7, 2014.
  6. ^ Pike, I. (October 6, 2013). Goodbye, "Chain Reaction"? San Diego Reader. Retrieved October 7, 2014.
  7. Napoli, L. (March 20, 2012). Updated: City council to unravel Chain Reaction? KCRW. Retrieved October 7, 2014.
  8. Napoli, L. (October 18, 2013). The Secret Behind a Piece of Anti-Nuclear Public Art. The California Report. KQED Public Radio. Retrieved October 7, 2014.
  9. Harris, S. (October 13, 1985). Dismayed by Nuclear Arms Race: McDonald's Fortune Fuels Joan Kroc's Peace Effort. Los Angeles Times. Retrieved October 7, 2014.
  10. ^ ICF International. (July 2012). Chain Reaction, Santa Monica, California, City Landmark Assessment Report. Evaluation Report. Retrieved October 8, 2014.
  11. ^ Rohit, P. M. (February 3. 2012). End Of Days For Chain Reaction? Santa Monica Mirror. Retrieved October 8, 2014.
  12. Chazanov, M. (April 16, 1989). Mushroom-Cloud Statue Bombs in Beverly Hills. Los Angeles Times. Retrieved October 8, 2014.
  13. Morell, John (April 16, 1993). Assembly Crew for Sculptors. Los Angeles Times. Retrieved December 10, 2014.
  14. ^ Knight, C. (September 19, 2013). Santa Monica bid to remove Paul Conrad's "Chain Reaction" nonsensical. Los Angeles Times. Retrieved October 8, 2014.
  15. Moody, L. (July 26, 1995). Some assembly required. Daily News. Retrieved October 8, 2014. (subscription required)
  16. Rivera, J. (October 11, 1990). Mushroom Cloud Sculpture OKd for Santa Monica Site. Los Angeles Times, p. 1. Retrieved October 8, 2014.
  17. ^ Chain Reaction sculpture to be assessed. (June 27, 2011). States News Service. Retrieved October 8, 2014. (subscription required)
  18. Statue of Cartoonist Conrad Wins OK. Los Angeles Times. April 22, 1989. Retrieved October 10, 2014.
  19. Gluck, M. (February 3, 2012). Can Paul Conrad's Mushroom Cloud Sculpture in Santa Monica Be Saved? LA Weekly. Retrieved October 10, 2014.
  20. Boyarsky, B. (July 23, 2013). Why 'Chain Reaction' Must Be Preserved. Truthdig. Retrieved October 8, 2014.
  21. Scheer, R. (August 6, 2013). A Statement of Peace, or an Epitaph. Truthdig. Retrieved October 8, 2014.
  22. Rogers, J. (July 15, 2012). Aging anti-war sculpture prompts explosive debate Archived January 12, 2014, at the Wayback Machine. Associated Press. WVLT. Retrieved October 7, 2014.
  23. Senn, E. (August 13, 2013). The Contested Fate of Santa Monica's 'Chain Reaction' Archived 2013-12-24 at the Wayback Machine. Artbound. KCET. Retrieved October 8, 2014.
  24. Sculpture made with peaceful designs. Daily Breeze. (August 1, 1992)
  25. SM Peace Day ceremony unveils Conrad's sculpture. Daily Breeze. August 2, 1992.
  26. ”Chain Reaction (sculpture)”. Smithsonian Institution. Retrieved October 8, 2014.
  27. Archibald, A. (March 7, 2012). "Chain Reaction" is galvanizing local activists. Santa Monica Daily Press. Retrieved October 8, 2014.
  28. Tata, S. Tokumatsu, G. (June 30, 2011). Iconic Santa Monica Sculpture Threatened by Erosion. NBC. Retrieved October 10, 2014.
  29. Pool, B. (June 29, 2011). Paul Conrad's "Chain Reaction": Controversial Santa Monica sculpture may need repair. Los Angeles Times. Retrieved October 8, 2014.
  30. "City Council Report". February 25, 2014. Retrieved 23 February 2015.
  31. Staff. (September 22, 2013). Chain Reaction Petition Surpasses 1,000 Online Signatures. Santa Monica Mirror. Retrieved October 8, 2014.
  32. Romero, D. (July 10, 2012). 'Chain Reaction' by Paul Conrad Now a Santa Monica Landmark. LA Weekly. Retrieved October 8, 2014.
  33. Bach, M. (December 2012). Landmarks Commission Report: Three Iconic New Landmarks. Santa Monica Conservancy News, 10(4): 6. Retrieved October 8, 2014.
  34. Echavaria, V. (January 31, 2013). Santa Montica City Council gives on-year extension for anti-nuclear sculpture fundraising. The Argonaut. Retrieved October 8, 2014.
  35. Groves, M. (February 26, 2014). Santa Monica City Council votes to save 'Chain Reaction' sculpture. Los Angeles Times. Retrieved October 8, 2014.
  36. Von Blum, P. (August 27, 2013). Saving Paul Conrad's Chain Reaction Archived 2016-03-04 at the Wayback Machine. Truthdig. Retrieved October 8, 2014.
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