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Malay gamelan

A Malay gamelan performance in Malaysia
Other names	Gamelan Melayu
Classification	Percussion instrument Idiophone Gong
Developed	Malaysia
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The Malay gamelan (Malay: gamelan Melayu; Jawi: ݢاميلن ملايو) which exists today only in Malaysia (particularly in Pahang, Terengganu and Johor) is basically from royal passed down through heritage. The Malay gamelan has developed an identity that is distinct from the Javanese, Balinese and Sundanese gamelan. According to the Kamus Dewan, gamelan is a set of musical instruments derived from several types of hammered instruments, such as saron, bonang, gambang, gong and others.

History

In 1811, it was first performed in public in the royal town of Pekan, Pahang, accompanied by the classical Joget Pahang during the wedding ceremony of Tengku Hussain, the son of Sultan Abdul Rahman who ruled Riau-Lingga, with Wan Esah, the younger sister of Bendahara Ali from Pahang. In Pahang, Malay gamelan and Joget Pahang was maintained with royal patronage. Malay gamelan was then introduced in Terengganu after Tengku Mariam, a princess of Pahang, married Tengku Sulaiman, the prince of Sultan Zainal Abidin from Terengganu. By 1913, the Malay Gamelan tradition completely disappeared in Indonesia from the abolition of the Riau-Lingga Sultanate, but flourished in Pahang, and then in Terengganu. In Terengganu, the name Joget Gamelan is used to replace the name Joget Pahang, which was commonly used in Pahang at that time. While in Terengganu, the current form of Malay gamelan and Joget Gamelan took formed. The Malay gamelan was first brought to Kuala Lumpur in 1969 in a public performance. Since then, it has become a part of the Malaysian arts and cultural heritage.

Instruments

Based on the classical royal gamelan set discovered in 1966 at Istana Kolam, Terengganu, a set of Terengganu Malay gamelan consists of these basic instruments:

1. Keromong, also known as bonang
2. Gambang, (a wooden xylophone)
3. Saron perkin, (another set of metallophones, slightly smaller than saron kecil)
4. Saron kecil, also known as saron barung (a set of metallophones)
5. Saron besar, also known as saron demung (another set of metallophones, slightly bigger than saron kecil)

Joget Gamelan

Joget Gamelan or Joget Pahang

Dancers performing a Joget Gamelan dance
Instrument(s)	Malay gamelan
Origin	Malaysia

The classical Malay Joget Gamelan always tells a hidden story. The classical Malay song of Timang Burung tells the story of Hikayat Panji Semirang, a romantic Javanese tale of Raden Galuh Chendera Kirana and Raden Inu Karpati. According to Tengku Mariam, this dance repository originally consisted of 77 types of gamelan songs and 60 types of dances. This classical dance is performed exclusively by female dancers and can be staged internally or openly. Javanese elements can be seen in terms of the art of dance. In aesthetics, this dance is very beautiful and is a form of dance that is the richest in terms of its type in the most traditional Malay dance.

Besides Panji stories, Malay gamelan songs are also inspired by the classical Malay Hikayat Seri Rama. Among popular songs and dances are such as Topeng, Timang Burung, Ayak-ayak, Perang Manggong, Perang Besar, Nongga, Kunang-kunang Mabuk, Gambuh Menyanyi, Lambang Sari, Ulit Seri Rama, Togok, Kilas Dayung , Seri Rama Balik, Kendung Gajah Mati, Tongkang Masuk, Ketawang, Gambuh (Turun Gambang), Ketam Renjong and Perang Seri Rama

See also

• Gamelan

References

1. "The Malay Gamelan". themalaygamelan. Retrieved 11 November 2020.
2. "The History of Gamelan's Origin". Retrieved 11 November 2020.
3. "The History of Gamelan's Origin". Retrieved 11 November 2020.
4. "Carian Umum - Gamelan". prpm.dbp.gov.my (in Malay). Retrieved 2020-11-11.
5. "Sanggar Seni Gamelan". Retrieved 11 November 2020.
6. https://ir.unimas.my/id/eprint/20248/1/Joget%20Gamelan%20Terengganu%20dari%20aspek%20penceritaan...(24%20pages).pdf
7. http://studentsrepo.um.edu.my/6465/1/yiing_siing.pdf
8. https://www.hmetro.com.my/nuansa/2019/04/440348/memartabatkan-gamelan
9. http://www.jkkn.gov.my/ms/gema-warisan-gamelan-melayu

v t e Gamelan
Theory	Pelog Slendro Pathet Cengkok Seleh Sekaran Imbal & kotekan Gatra Colotomy Gendhing structures Irama Gamelan notation
Genres & ensembles	American gamelan Angklung gamelan Bebonangan gamelan Beleganjur gamelan Degung gamelan Gadhon gamelan Gambang gamelan Gender wayang gamelan Gong gede gamelan Gong kebyar gamelan Gong Si Bolong Jegog gamelan Joged bumbung gamelan Malay gamelan Munggang gamelan Salendro gamelan Sekaten gamelan Selunding gamelan Semar pegulingan gamelan Siteran gamelan Surakartan gamelan
Musicians	K. P. H. Notoprojo Nartosabdo Martopangrawit Rahayu Supanggah Sumarsam I Nyoman Windha Evan Ziporyn Gamelan Sekar Jaya Gamelan Son of Lion List of U.S. gamelan ensembles Michael Tenzer
Instruments	Colotomic or phrase-making Gong Gong ageng Kempul Kempyang Kenong Ketuk Balungan or melody Bonang Bonang barung Bonang panerus Bonang panembung Saron Saron peking Saron panerus Saron barung Saron demung Slentem Slentho Panerusan or elaborating Gambang Gender Gender panerus Rebab Siter Celempung Suling Unpitched Bedug Kecer Kemanak Kendang Kendang gending Kendang ciblon Kendang ketipung Kepyak Vocals and clapping Gerongan Sindenan Pesinden Alok Senggakan Keplok

• Gamelan
• Gamelan ensembles and genres
• Malay culture
• Malaysian culture