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| Because of the film's success, the word "Rashomon" has come to refer to (in English and in other languages) a situation wherein the truth of an event becomes difficult to verify due to the conflicting nature of different witnesses. | Because of the film's success, the word "Rashomon" has come to refer to (in English and in other languages) a situation wherein the truth of an event becomes difficult to verify due to the conflicting nature of different witnesses. | ||
| The film has been remade, officially and unofficially, many times; in the ] a ] remake, credited to Kurosawa and named ''The Outrage'', was made in ] with ], ] and ]. | The film has been remade, officially and unofficially, many times; in the ] a ] remake, credited to Kurosawa and named ''The Outrage'', was made in ] with ], ] and ]. | ||
| '''See also''': ] | '''See also''': ] | ||
Revision as of 07:53, 8 May 2003
Rashomon (羅生門) is a Japanese 1950 motion picture and one of Akira Kurosawa's masterpieces, starring Toshiro Mifune. Based on the story by Akutagawa Ryunosuke, it describes a crime through the widely differing accounts of half a dozen witnesses, including the perpetrator.
Because of the film's success, the word "Rashomon" has come to refer to (in English and in other languages) a situation wherein the truth of an event becomes difficult to verify due to the conflicting nature of different witnesses.
The film has been remade, officially and unofficially, many times; in the United States a Western remake, credited to Kurosawa and named The Outrage, was made in 1964 with Paul Newman, Claire Bloom and Edward G. Robinson.
See also: Rashomon