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'''Hercules''' is the ] name used in ] for the divinity corresponding to the ] hero ''']''' (or '''Herakles'''). Hercules is the son of ], the Roman counterpart to the Greek ] ], and the mortal ]. He was made to perform twelve great tasks, called '']'', to become a god. | '''Hercules''' is the ] name used in ] for the divinity corresponding to the ] hero ''']''' (or '''Herakles'''). Hercules is the son of ], the Roman counterpart to the Greek ] ], and the mortal ]. He was made to perform twelve great tasks, called '']'', to become a god. | ||
==Birth== | |||
Hercules was the Roman name for the greatest hero of Greek mythology -- Heracles. Like most authentic heroes, Heracles had a god as one of his parents, being the son of the supreme deity Zeus and a mortal woman. Zeus's queen Hera was jealous of Heracles, and when he was still an infant she sent two snakes to kill him in his crib. Heracles was found with a strangled serpent in each hand. | |||
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<sub><small><small>''''''Bold text'''==Etymology== | |||
Hercules' ] name is not directly borrowed from Greek ''Herakles'', but is a modification of the ] name ''Hercle'', which derives from the Greek name via ]. An oath invoking Hercules (''Hercle!'' or ''Mehercle!'') was a common interjection in ].'''</small></small></sub> | |||
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Boarium|Hercules, found near the Theatre of Pompey]] in 1864, (], Rome)]] | |||
==Roman cult== | ==Roman cult== |
Revision as of 05:56, 2 February 2007
For other uses, see Hercules (disambiguation).Hercules is the Latin name used in Rome for the divinity corresponding to the Greek mythological hero Heracles (or Herakles). Hercules is the son of Jupiter, the Roman counterpart to the Greek god Zeus, and the mortal Alcmena. He was made to perform twelve great tasks, called The Twelve Labours of Hercules, to become a god.
Roman cult
In popular culture the Romans adopted the Etruscan Hercle, a hero-figure that had already been influenced by Greek culture— especially in the conventions of his representation— but who had experienced an autonomous development. Etruscan Hercle appears in the elaborate illustrative engraved designs on the backs of Etruscan bronze mirrors made during the fourth century BC, which were favoured grave goods. Their specific literary references have been lost, with the loss of all Etruscan literature, but the image of the mature, bearded Hercules suckling at Uni/Juno's breast, engraved on a mirror back from Volterra, is distinctively Etruscan. Also a two way mirror.
This Hercle/Hercules— the Hercle of the ejaculation "Mehercle!"— remained a popular cult figure in the Roman legions. The literary Greek versions of his life and works were appropriated by literate Romans from the 2nd century BC onwards, essentially unchanged, but Latin literature of Hercules added anecdotal detail of its own, some of it linking the hero with the geography of the Western Mediterranean. Details of the Greek cult, which mixed chthonic libations and uneaten holocausts with Olympian services, were adapted to specifically Roman requirements as well, as Hercules became the founding figure of Herculaneum and other places, and his cult became entwined with Imperial cult, as shown in surviving frescoes in the Herculanean collegium that was devoted to Hercules.
The cult of Hercules may have been the first foreign one to be adopted in Rome. According to legend, Hercules is said to have founded his most important shrine in Rome, the Great Altar of Hercules (Ara Maxima Herculis), later housed within the Forum Boarium, the cattle market of Rome, within Rome's original Palatine settlement. This altar has been dated to the 6th or 5th century BC. It stood near the Temple of Hercules Victor. Hercules became popular with merchants, who customarily paid him a tithe of their profits.
Mark Antony identified himself with Hercules, and even invented a son of Hercules, called Anton, from whom Antony claimed descent. In response, his enemy Octavian identified with Apollo.
Some early emperors took up the attributes of Hercules (eg Trajan), and later Roman Emperors, in particular Commodus and Maximian, went further and often identified or compared themselves with him and supported his cult; Maximian styled himself "Herculius".
The cult of Hercules spread through the Roman world. In Roman Egypt, what is believed to be the remains of a Temple of Hercules are found in the Bahariya Oasis.
Myths of Hercules
The Romans adopted the Greek version of Heracles' life and works essentially unchanged, but added anecdotal detail of their own, some of it linking Hercules with the geography of the Western Mediterranean.
In Roman mythology, Acca Larentia was Hercules' mistress. She was married to Tarutius, a wealthy merchant. When he died, she gave his money to charity. In another version, she was the wife of Faustulus.
Art
Roman images of Hercules were modelled upon Hellenistic Greek images and might be contrasted with the images of Heracles that appear in Attic vase-painting (see Heracles). One aspect of Greek Heracles was not adopted by Roman culture: the ambivalent relationship with his patroness/antagonist Hera that was an archaic aspect of "Hera's man", Heracles.
==The Italian HERCULES Film Series (1957 to 1965)==
A series of 19 Italian Hercules movies were made in the late 50's/ early 60's. The actors who played Hercules in these films were Steve Reeves, Gordon Scott, Kirk Morris, Mickey Hargitay, Mark Forest, Alan Steel, Dan Vadis, Brad Harris, Reg Park, Rock Stevens and Michael Lane. The films are listed below by their American release titles, and the titles in parentheses are the original Italian titles (if they were different).
- Hercules (Le Fatiche di Ercole/ The Labors of Hercules, 1957) starring Steve Reeves
- Hercules Unchained (Ercole e la regina di Lidia/ Hercules and the Queen of Lydia, 1959) starring Steve Reeves
- Goliath and the Dragon (La Vendetta di Ercole/ The Revenge of Hercules, 1960) (this Hercules film had its title changed to "Goliath" when it was distributed in the USA for some reason)
- Hercules Vs The Hydra (Gli Amori di Ercole/ The Loves of Hercules, 1960) co-starring Jayne Mansfield
- Hercules and the Captive Women (Ercole alla conquista di Atlantide/ Hercules at the Conquest of Atlantis, aka Hercules and the Haunted Women) 1961
- Hercules in the Haunted World (Ercole al centro della terra/ Hercules at the Center of the Earth) 1961 (directed by Mario Bava)
- Hercules in the Vale of Woe (Maciste contro Ercole nella valle dei guai/ Maciste Vs. Hercules in the Vale of Woe) 1961 (this was made as a semi-comedy/ satire on peplums)
- Ulysses Vs. The Son of Hercules (Ulisse contro Ercole/ Ulysses Vs. Hercules) 1962
- The Fury of Hercules (La Furia di Ercole/ The Fury of Hercules, aka The Fury of Samson) 1962
- Hercules, Samson and Ulysses (Ercole sfida Sansone/ Hercules Challenges Samson) 1963
- Hercules Vs. the Moloch (Ercole contro Molock/ Hercules Vs. Moloch, aka The Conquest of Mycene) 1963
- Son of Hercules in the Land of Darkness (Ercole l'invincibile/ Hercules, the Invincible) 1964 (this was originally a Hercules film that was retitled to "Son of Hercules" so that it could be included in the "Sons of Hercules" TV syndication package)
- Hercules Vs. The Giant Warrior (il Trionfo di Ercole/ The Triumph of Hercules, aka Hercules and the Ten Avengers) 1964
- Hercules Against Rome (Ercole contro Roma, 1964)
- Hercules Against the Sons of the Sun (Ercole contro i figli del sole, 1964)
- Hercules and the Tyrants of Babylon (Ercole contro i tiranni di Babilonia, 1964)
- Samson and the Mighty Challenge (Ercole, Sansone, Maciste e Ursus: gli invincibili, aka Combate dei Gigantes) 1964 (this was more of a comedy/ satire on peplums & featured Hercules prominently in the plot)
- Hercules and the Princess of Troy (no Italian title, aka "Hercules vs. the Sea Monster", 1965) (this 48-minute Italian/U.S. co-production was made as a pilot for a Charles Band-produced TV series that never materialized)
- Hercules, the Avenger (Sfida dei giganti/Challenge of the Giants, 1965) a cheaply made-for-TV quickie that consisted mostly of re-edited stock footage from 2 earlier Hercules films, “Ercole alla conquista di Atlantide” and “Ercole al centro della terra”.
Note* - A number of English-dubbed Italian films that featured the Hercules name in their title were never intended to be Hercules movies by their Italian creators.
- "Hercules, Prisoner of Evil" was actually a retitled Ursus film.
- "Hercules and the Black Pirate" and "Hercules and the Treasure of the Incas" were both retitled Samson movies.
- "Hercules and the Masked Rider" was actually a retitled Goliath movie.
- "Hercules Against the Moon Men", "Hercules Against the Barbarians", "Hercules Against the Mongols" and "Hercules of the Desert" were all originally Maciste films.
None of these films in their original Italian versions were connected to the Hercules character in any way. Likewise, most of the "Sons of Hercules" movies shown on American TV in the 1960's had nothing to do with Hercules in their original Italian incarnations.
See also
Notes
- The various founders of this altar, including Hercules himself, are discussed at the Lacus Curtius website.
References
- Etruscan mirror illustrated Uni and Hercle
- Hercle and Menerva on an Etruscan mirror from Città di Castello, c 300 BCE: Badisches Landesmuseum
- Images of Hercules