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Thanks to the series, Popeye became even more of a sensation. During the mid-1930s, theater owner polls proved the ''Popeye'' series more popular than the ''Mickey Mouse'' series. The series was noted for its urbane feel (the Fleischers operated out of ]), its manageable variations on its simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. The voices for pre-] Fleischer cartoons were recorded after the animation was completed, so the actors, and Mercer in particular, would improvise lines that were not on the storyboards or prepared for the lip-sync. | Thanks to the series, Popeye became even more of a sensation. During the mid-1930s, theater owner polls proved the ''Popeye'' series more popular than the ''Mickey Mouse'' series. The series was noted for its urbane feel (the Fleischers operated out of ]), its manageable variations on its simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. The voices for pre-] Fleischer cartoons were recorded after the animation was completed, so the actors, and Mercer in particular, would improvise lines that were not on the storyboards or prepared for the lip-sync. | ||
Fleischer Studios produced 108 Popeye cartoons; 105 of them were produced in black and white. The remaining three were two-reel (double-length) ] specials billed as "Popeye Color Features": ''Popeye the Sailor Meets Sindbad the Sailor'', ''Popeye the Sailor Meets Ali Baba's Forty Thieves'', and ''Aladdin and His Wonderful Lamp.'' | Fleischer Studios produced 108 Popeye cartoons; 105 of them were produced in black and white. The remaining three were two-reel (double-length) ] specials billed as "Popeye Color Features": ''Popeye the Sailor Meets Sindbad the Sailor'', ''Popeye the Sailor Meets Ali Baba's Forty Thieves'', and ''Aladdin and His Wonderful Lamp.'' A number of these cartoons have entered the ], their ] having expired. These can be downloaded from the ]. | ||
The Fleischers moved their studio to ] in ] to weaken union control and take advantage of tax breaks. The ''Popeye'' series continued production, although a marked change was seen in the Florida-produced shorts: they were brighter and less detailed in their artwork, with attempts to bring the character animation closer to a ] style. Mae Questel refused to move to Florida, and ], the wife of Jack Mercer, voiced Olive Oyl through the end of ]. | The Fleischers moved their studio to ] in ] to weaken union control and take advantage of tax breaks. The ''Popeye'' series continued production, although a marked change was seen in the Florida-produced shorts: they were brighter and less detailed in their artwork, with attempts to bring the character animation closer to a ] style. Mae Questel refused to move to Florida, and ], the wife of Jack Mercer, voiced Olive Oyl through the end of ]. |
Revision as of 02:52, 20 February 2005
Popeye the Sailor is a cartoon figure and comic strip character created by Elzie Crisler Segar in 1929 and syndicated by the Hearst newspaper's King Features Syndicate. Popeye is a merchant sailor with a gravelly voice who smokes a corn-cob pipe and mutters to himself under his breath; he has pronounced, muscular arms. When in trouble, he eats spinach, which gives him superhuman strength, usually to save his sweetheart Olive Oyl from his nemesis Bluto/Brutus. Although Popeye is short, odd-looking, uneducated, inarticulate, belligerent, and has one eye and no teeth, many consider him a precursor to the super heroes which would eventually come to dominate the world of comic books.
Such has been Popeye's cultural impact that the medical profession often refer to the biceps as the "Popeye muscle".
The comic strip
Popeye first appeared on January 17, 1929 as a minor character in Segar's newspaper cartoon strip Thimble Theatre, which had been running for years with protagonists Olive Oyl, her brother Castor Oyl, and boyfriend Ham Gravy. The Popeye character became so popular that he was given a larger and larger part in the strip; then the strip was renamed after him.
Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in the cartoons (King Blozo for example). Spinach usage was rare and Bluto only made one appearance. The original newspaper strips were collected in multiple volumes by Fantagraphics.
Another regular character in the strip was J. Wellington Wimpy, a moocher and hamburger lover. The character's name was later borrowed for the Wimpy restaurant chain, which was one of the first overseas fast food restaurants featuring hamburgers, which they call Wimpy Burgers.
The strip is also responsible for popularising although not inventing the word 'goon' (meaning a thug or lackey).
Popeye and other characters from the strip appeared in many Tijuana Bibles, unauthorized of course.
After Segar's death in 1938, many different artists were hired to draw the strip, the most notable being Bud Sagendorf beginning in 1958.
The sailor in the media
Theatrical cartoons
Fleischer Studios
Thimble Theatre was adapted into an animated cartoon series originally produced for Paramount Pictures by Fleischer Studios, run by brothers Max Fleischer (producer) and Dave Fleischer (director) in 1933. Popeye made his film debut in Popeye the Sailor, a 1933 Betty Boop cartoon (Betty only makes a brief appearance in the short). It was for this short that Sammy Kerner's famous "I'm Popeye the Sailor Man" song was written. I Yam What I Yam became the first entry in the regular Popeye the Sailor series.
The character of Popeye was originally voiced by William Costello (Red Pepper Sam). When Costello's behavior became a problem, he was replaced by former in-between animator Jack Mercer, beginning with King of the Mardi Gras in 1935. Olive Oyl was voiced by Mae Questel, who also voiced Betty Boop. Bluto was voiced by a number of actors, including Gus Wickie, William Pennell, and Pinto Colvig. Other characters from the strip would appear briefly in the shorts, including Poopdeck Pappy, Eugene the Jeep, George W. Geezil, and the Goons.
Thanks to the series, Popeye became even more of a sensation. During the mid-1930s, theater owner polls proved the Popeye series more popular than the Mickey Mouse series. The series was noted for its urbane feel (the Fleischers operated out of New York City), its manageable variations on its simple theme (Popeye loses Olive to bully Bluto and must eat his spinach and defeat him), and the characters' "under-the-breath" mutterings. The voices for pre-1940 Fleischer cartoons were recorded after the animation was completed, so the actors, and Mercer in particular, would improvise lines that were not on the storyboards or prepared for the lip-sync.
Fleischer Studios produced 108 Popeye cartoons; 105 of them were produced in black and white. The remaining three were two-reel (double-length) Technicolor specials billed as "Popeye Color Features": Popeye the Sailor Meets Sindbad the Sailor, Popeye the Sailor Meets Ali Baba's Forty Thieves, and Aladdin and His Wonderful Lamp. A number of these cartoons have entered the public domain, their copyright having expired. These can be downloaded from the Prelinger Archive.
The Fleischers moved their studio to Miami, Florida in 1938 to weaken union control and take advantage of tax breaks. The Popeye series continued production, although a marked change was seen in the Florida-produced shorts: they were brighter and less detailed in their artwork, with attempts to bring the character animation closer to a Disney style. Mae Questel refused to move to Florida, and Margie Hines, the wife of Jack Mercer, voiced Olive Oyl through the end of 1943.
In 1941, with World War II becoming more and more of an issue in America, Popeye was (re-)enlisted into the U.S. Navy, as depicted in the 1941 short The Mighty Navy. His costume was changed from the black shirt and red neckerchief to an official white Navy suit, and Popeye cotinued to wear the Navy suit in animated cartoons until the 1960s. Popeye periodically wore his original costume when he was at home on shore leave, as in the 1942 entry Pip-Eye, Pup-Eye, Poop-Eye, An' Peep-Eye, which introduced his four identical nephews.
Famous Studios
Fleischer Studios was dissolved in early 1942, when Max and Dave were both forced to resign from the company. Paramount purchased the studio and renamed it Famous Studios. Appointing Seymour Knietel and Isadore Sparber as its heads, production was continued on the shorts. The early Famous-era shorts were often World War II propaganda, featuring Popeye fighting Nazis and Japanese soldiers.
In late 1943, the Popeye series was moved to all-Technicolor production, beginning with Her Honor the Mare. Paramount moved the studio back to New York at this time, and Mae Questel re-assumed voice duties for Olive Oyl. Jack Mercer was drafted into the Navy during World War II, and, when he was unavailable to record his dialogue, Mae Questel stood in as the voice of Popeye, in addition to her role as Olive Oyl. Jackson Beck voiced Bluto in the color Famous shorts, which began to adhere even closer to the standard Popeye formula.
Famous/Paramount continued production on the Popeye series until 1957, with Spooky Swabs being the final of the 125 Famous shorts in the series.
Paramount sold the Popeye film backlog to Associated Artists Productions (AAP) at this time. AAP was bought out by United Artists (UA), which merged with Metro-Goldwyn-Mayer (MGM), which was purchased by Turner Entertainment in 1986. Turner sold off the production end of MGM/UA in 1988, but retained the film catalog, giving it the rights to the theatrical Popeye library. The black-and-white Popeye shorts were shipped to Korea in 1988, where artists retraced them into color. The process made the shorts more marketable in the modern television era, but disallowed the viewers from seeing the original Fleischer pen-and-ink work, as well as the three-dimensional backgrounds created by Fleischer's "Tabletop" process. Turner merged with Time Warner in 1997, and Warner Bros. therefore controls the rights to the Popeye shorts to this day.
Television cartoons
In 1960, King Features Syndicate commisioned a new series of Popeye cartoons, but this time for television syndication. Mercer, Questel ,and Beck returned for this series, which was produced by a number of companies, including Jack Kinney Studios, Rembrandt Studios, and Paramount Cartoon Studios (formerly Famous Studios). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years' time, with the first set of them premiering in the fall of 1961.
For these cartoons, Bluto's name was changed to "Brutus", as it was believed at the time that Paramount owned the rights to the name "Bluto".
On September 9, 1978, The All-New Popeye Hour debuted on the CBS Saturday morning lineup. It was an hour-long animated series produced by Hanna-Barbera Productions, which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus was re-named Bluto), while complying with the prevailing content restrictions on violence. The All-New Popeye Hour ran on CBS until 1981, when it was cut to a half-hour and called The Popeye and Olive Show. It was removed from the CBS lineup in 1982.
Popeye briefly returned to CBS in 1987 for Popeye and Son, another Hanna-Barbera series which featured Popeye and Olive as a married couple with a son named Popeye Jr., who hates spinach. Maurice LaMarche performed Popeye's voice; Jack Mercer had died in 1984. The show lasted for one season on CBS.
Other media
Popeye and most of the major supporting cast members were also was featured in a thrice-weekly 15-minute radio program named "Popeye the Sailor". It was sponsored by Wheetena, a whole wheat grain breakfast cereal, which would routinely replace the spinach references. The show was broadcast on Mondays, Wednesdays and Fridays at 7:15 - 7:30 pm on WABC. The show ran from August 31, 1936 to February 26, 1937, 78 episodes in all.
Director Robert Altman used the character in Popeye, a 1980 live-action musical feature film starring Robin Williams (as Popeye) and Shelley Duvall (as Olive Oyl), with songs penned by Harry Nilsson. It was mainly influenced by the cartoons, but drew on some of the style of the original strips. Many of the characters from the original Segar strip appeared in the film, which was a co-production of Paramount Pictures and Walt Disney Productions.
Nintendo created a video game based on the Popeye characters in 1982. The game was originally released as an arcade game and was fairly popular. The game was later ported to the Commodore 64 home computer as well as various home game consoles (Intellivision, NES, Atari 2600, ColecoVision, and Odyssey). The goal was to avoid Bluto and the Sea Hag while collecting hearts, musical notes, or letters (depending on the level). Punching a spinach can gave Popeye a brief chance to strike back at Bluto. Other characters such as Wimpy and Swee' Pea appeared in the game, but did not affect gameplay.
In 2004, a computer-animated television special, Popeye's Voyage: The Quest for Pappy, was made to coincide with the 75th anniversary of Popeye. Billy West performed the voice of Popeye; after the first day of recording, his voice was so sore he had to return to his hotel room and drink honey. It was released on DVD on November 9, 2004; and was aired on FOX on December 17, 2004. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee'Pea, Wimpy, Bluto, Olive Oyl, Poopdeck Pappy, and The Sea Hag as its characters.
Spinach
The reference to spinach comes from the publication of a study which, because of a misprint, attributed to spinach ten times its actual iron content. Nevertheless, the popularity of the character helped boost sales of the vegetable and the spinach-growing community of Crystal City, Texas erected a statue of the character in gratitude. There is another Popeye statue in Segar's hometown, Chester, Illinois.
It has also been claimed that the "spinach" Popeye used was a reference to marijuana. Spinach was a slang term for marijuana at the time of Popeye's creation, and it was believed by some during that time period that marijuana could give users superhuman strength.
Currently Popeye Fresh Foods markets bagged fresh spinach with Popeye characters on the package. Allens Canning markets Popeye-branded canned spinach.
Marketing/Tie-ins
Popeye's Chicken and Biscuits, a U.S. fast food restaurant chain, is not named after Popeye the sailor, but rather after the character "Popeye" Doyle from the 1971 film The French Connection – who was in turn named after real police detective Eddie Egan who was called "pop eye" because of his keen observational skills. The chain would later license the cartoon characters for use as a promotional tool, causing some confusion as to the source of the name. Recently, Popeye's Chicken and Biscuits has omitted the use of "Popeye the Sailor" in promotions; one reason given was the difficulty of effectively marketing their food with a sailor character.
In 1995, the strip was one of 20 included in the Comic Strip Classics series of commemorative US postage stamps.
From early on, Popeye was heavily merchandised - everything from soap to razor blades to spinach was available with Popeye's likeness on it. Most of these items are rare and sought-after by collectors, but some merchandise is still being produced - for example Mezco Toys makes classic-style Popeye figures in two sizes and KellyToys produces plush stuffed Popeye characters.
Quotation
- "I yam what I yam and that's all I yam." -- Popeye the Sailor
Characters in Popeye Comics/Cartoons
Thimble Theatre Characters
- Olive Oyl
- Castor Oyl (Olive Oyl's brother)
- Nana Oyl (Olive Oyl's mother) - A play on the slang term "Banana Oil"
- Ham Gravy (Olive Oyl's original boyfriend)
- Popeye the Sailor
- The Sea Hag
- Bernard (Sea Hag's Vulture)
- J. Wellington Wimpy
- George W. Geezil (the local cobbler who hates Wimpy)
- Rough House (a cook who runs a local restaurant, The Rough House)
- Swee' Pea (Popeye and Olive's "adopted" baby son)
- King Blozo
- Toar
- Goons, Specifically Alice the Goon
- Poopdeck Pappy (Popeye's 99-year old long lost father, also a sailor)
- Eugene the Jeep
- Oscar
- Brutus (named after the classical Brutus; an adaptation of the animated Bluto character)
- Dufus
- Granny
- Bernice
- O. G. Watasnozzle
Popeye Cartoon Characters
- Bluto
- Pipeye, Pupeye, Poopeye, Peepeye (Popeye's identical nephews)
- Shorty (Popeye's shipmate during the World War II period)
External links
- Official Popeye Website
- official King Features Syndicate Popeye page
- the lyrics to "I'm Popeye the Sailor Man"
- "What's in Popeye's Pipe" - about the "spinach" marijuana theory