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| single1date = 1974<ref>{{cite web|url=https://www.discogs.com/master/495501-Bob-Marley-The-Wailers-I-Shot-The-Sheriff|title=I Shot The Sheriff|publisher=discogs.com}}</ref>
| single2 = ]
| single2 = ]
| single2date = 1973
| single2date = 1973<ref>{{cite web|url=https://www.discogs.com/release/1752932-The-Wailers-Get-Up-Stand-Up|title=Get Up, Stand Up|publisher=discogs.com}}</ref>
}}
}}
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==Recording==
==Recording==
The album was recorded at ]'s studio in ], Jamaica, with Bob Marley and the Wailers produccing.<ref name=Congress>{{cite web |url=http://www.loc.gov/rr/record/nrpb/registry/essays/Burnin.pdf |title="Burnin'"—TheWailers (1973) |author=RogerSteffens|publisher=Libraryof Congress |year=2006 |archive-url=https://web.archive.org/web/20141024052747/http://www.loc.gov/rr/record/nrpb/registry/essays/Burnin.pdf |archive-date=24 October 2014 |url-status=dead}}</ref> It was mixed and overdubbed by ] at Island Records’ Basing Street Studios in London during the spring of 1973 while the band were touring in support of their previous album, '']''.<ref name=Congress/>
The album was recorded at ]'s studio in ], Jamaica, with Bob Marley and the Wailers produccing.<ref name="Congress">{{cite web|first= Roger |last= Steffens |year= 2006 |title= "Burnin'"—The Wailers (1973) |publisher= ] |url= http://www.loc.gov/rr/record/nrpb/registry/essays/Burnin.pdf |url-status= dead |archive-date= 24 October 2014 |archive-url=https://web.archive.org/web/20141024052747/http://www.loc.gov/rr/record/nrpb/registry/essays/Burnin.pdf}}</ref> It was mixed and overdubbed by ] at Island Records' Basing Street Studios in London during the spring of 1973 while the band were touring in support of their previous album, '']''.<ref name="Congress"/>
==Music and lyrics==
==Music and lyrics==
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In 2007 the album was added to the ]' ] for its historical and cultural significance.<ref>{{cite news|title= Recordings by Historical Figures and Musical Legends Added To the 2006 National Recording Registry |date= 6 March 2007 |url= https://www.loc.gov/today/pr/2007/07-039.html |publisher= ] |access-date= 7 January 2014}}</ref>
In 2007 the album was added to the ]' ] for its historical and cultural significance.<ref>{{cite news|title= Recordings by Historical Figures and Musical Legends Added To the 2006 National Recording Registry |date= 6 March 2007 |url= https://www.loc.gov/today/pr/2007/07-039.html |publisher= ] |access-date= 7 January 2014}}</ref>
==Trivia==
American singer ]'s album cover for her debut '']'' was inspired by the album cover of ''Burnin{{'}}''.{{citation needed|date=January 2022}}
Burnin' is the sixth album by Jamaican reggae band Bob Marley and the Wailers, released in October 1973. It was written mostly by Bob Marley and recorded and produced by Bob Marley and the Wailers in Jamaica, and then mixed and overdubbed by Chris Blackwell in London. It contains the song "I Shot The Sheriff", which was later covered by Eric Clapton. It was the last album before Peter Tosh and Bunny Wailer departed for solo careers. A commercial and critical success in the United States, Burnin' was certified Gold and later added to the National Recording Registry, with the Library of Congress deeming it historically and culturally significant.
Recording
The album was recorded at Harry J's studio in Kingston, Jamaica, with Bob Marley and the Wailers produccing. It was mixed and overdubbed by Chris Blackwell at Island Records' Basing Street Studios in London during the spring of 1973 while the band were touring in support of their previous album, Catch a Fire.
Music and lyrics
Burnin' opens with one of Marley's best known songs, the call to action "Get Up, Stand Up" and includes a more confrontational and militant tone than previous records, such as in another Marley standard turned into a number one hit by Eric Clapton, "I Shot the Sheriff". The songs "Duppy Conqueror", "Small Axe", and "Put It On" are re-recordings of songs previously released.
Critical reception
The Wailers' gold record award for Burnin' in Nine Mile, Jamaica
Reviewing in Christgau's Record Guide: Rock Albums of the Seventies (1981), Robert Christgau wrote: "This is as perplexing as it is jubilant—sometimes gripping, sometimes slippery. It's reggae, obviously, but it's not mainstream reggae, certainly not rock or soul, maybe some kind of futuristic slow funk, War without the pseudo-jazz. What's inescapable is Bob Marley's ferocious gift for melodic propaganda. It's one thing to come up with four consecutive title hooks, another to make the titles 'Get Up Stand Up,' 'Hallelujah Time,' 'I Shot the Sheriff,' 'Burnin' and Lootin'.'"
