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Revision as of 06:07, 12 March 2022 editSergeant Curious (talk | contribs)402 edits Added citation on creaky voice occurring at various pitches.Tag: Visual edit← Previous edit Revision as of 06:18, 12 March 2022 edit undoSergeant Curious (talk | contribs)402 edits Social aspects: Added information regarding a study of findings of authoritativeness of creaky voice.Tag: Visual editNext edit →
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Researcher Ikuko Patricia Yuasa found that "college-age Americans ... perceive female creaky voice as hesitant, nonaggressive, and informal but also educated, urban-oriented, and upwardly mobile."<ref name=Yuasa>{{cite journal | author = Yuasa, I. P. | title = Creaky Voice: A New Feminine Voice Quality for Young Urban-Oriented Upwardly Mobile American Women? | journal = American Speech | year = 2010 | volume = 85 | issue = 3 | pages = 315–337 | doi = 10.1215/00031283-2010-018 }}</ref> However, according to a 2012 study in ''PLOS ONE'', young women using creaky voice are viewed as less competent, less educated, less trustworthy, less attractive and less employable. Creaky voice is characterised as a speech pathology or voluntary vocal affectation, noting that its use as a “fashion trend” can be off-putting and damage the professional image of young women.<ref>{{cite journal |last1=Anderson |first1=Rindy C. |last2=Klofstad |first2=Casey A. |last3=Mayew |first3=William J. |last4=Venkatachalam |first4=Mohan |editor1-last=Snyder |editor1-first=Joel |title=Vocal Fry May Undermine the Success of Young Women in the Labor Market |journal=PLOS ONE |date=28 May 2014 |volume=9 |issue=5 |pages=e97506 |doi=10.1371/journal.pone.0097506 |publisher=]|pmid=24870387 |pmc=4037169 |bibcode=2014PLoSO...997506A |doi-access=free }}</ref> Some suggest that creaky voice can function as a marker of parentheticals in conversations; utterance of certain phrases in creaky voice may suggest that they carry less important information.<ref>{{Cite journal|last=Lee|first=Sinae|date=2015-06-01|title=Creaky voice as a phonational device marking parenthetical segments in talk|journal=Journal of Sociolinguistics|volume=19|issue=3|pages=275–302|doi=10.1111/josl.12123|issn=1467-9841}}</ref> Researcher Ikuko Patricia Yuasa found that "college-age Americans ... perceive female creaky voice as hesitant, nonaggressive, and informal but also educated, urban-oriented, and upwardly mobile."<ref name=Yuasa>{{cite journal | author = Yuasa, I. P. | title = Creaky Voice: A New Feminine Voice Quality for Young Urban-Oriented Upwardly Mobile American Women? | journal = American Speech | year = 2010 | volume = 85 | issue = 3 | pages = 315–337 | doi = 10.1215/00031283-2010-018 }}</ref> However, according to a 2012 study in ''PLOS ONE'', young women using creaky voice are viewed as less competent, less educated, less trustworthy, less attractive and less employable. Creaky voice is characterised as a speech pathology or voluntary vocal affectation, noting that its use as a “fashion trend” can be off-putting and damage the professional image of young women.<ref>{{cite journal |last1=Anderson |first1=Rindy C. |last2=Klofstad |first2=Casey A. |last3=Mayew |first3=William J. |last4=Venkatachalam |first4=Mohan |editor1-last=Snyder |editor1-first=Joel |title=Vocal Fry May Undermine the Success of Young Women in the Labor Market |journal=PLOS ONE |date=28 May 2014 |volume=9 |issue=5 |pages=e97506 |doi=10.1371/journal.pone.0097506 |publisher=]|pmid=24870387 |pmc=4037169 |bibcode=2014PLoSO...997506A |doi-access=free }}</ref> Some suggest that creaky voice can function as a marker of parentheticals in conversations; utterance of certain phrases in creaky voice may suggest that they carry less important information.<ref>{{Cite journal|last=Lee|first=Sinae|date=2015-06-01|title=Creaky voice as a phonational device marking parenthetical segments in talk|journal=Journal of Sociolinguistics|volume=19|issue=3|pages=275–302|doi=10.1111/josl.12123|issn=1467-9841}}</ref>


It is subsequently theorized that creaky voice may be a way for women to sound more "authoritative" and credible by using it to emulate the deeper male register;<ref>{{cite journal|last1=Dilley |first1=L. |last2=Shattuck-Hufnagel |first2=S. |last3=Ostendorf |first3=M. |title=Glottalization of word-initial vowels as a function of prosodic structure |journal=Journal of Phonetics |date=1996 |volume=24 |issue=4 |pages=423–444 |url=http://speechlab.cas.msu.edu/PDF/Old%20Publications/Dilley,%20Shattuck-Hufnagel%20&%20Ostendorf%201996.pdf |doi=10.1006/jpho.1996.0023}}</ref><ref>{{cite book |last1=Coates |first1=Jennifer |title=Women, men and language: a sociolinguistic account of gender differences in language |date=2016 |publisher=Routledge |location=London |isbn=9781138948785 |edition=3rd |doi=10.4324/9781315645612 |series=Routledge Linguistics Classics}}</ref><ref>{{cite journal |last1=Hollien |first1=Harry |last2=Moore |first2=Paul |last3=Wendahl |first3=Ronald W. |last4=Michel |first4=John F. |title=On the Nature of Vocal Fry |journal=Journal of Speech and Hearing Research |date=1966 |volume=9 |issue=2 |pages=245–247 |doi=10.1044/jshr.0902.245 |publisher=] |pmid=5925528}}</ref><ref>{{cite journal |last1=Borkowska |first1=Barbara |last2=Pawłowski |first2=Bogusław |title=Female voice frequency in the context of dominance and attractiveness perception |journal=] |date=2011 |volume=82 |issue=1 |pages=55–59 |doi=10.1016/j.anbehav.2011.03.024 |publisher=], Elsevier|s2cid=53275785 }}</ref> Pennock-Speck<ref>{{cite conference |url=https://www.uv.es/pennock/2005_Changing_voice_of_women.pdf |title=The changing voice of women |first=Barry |last=Pennock-Speck |date=2005 |conference=Congreso Internacional de AEDEAN |editor-first=Juan José |editor-last=Calvo García de Leonardo |book-title=Actas del XXVIII Congreso Internacional de AEDEAN |publisher=Asociación Española de Estudios Anglo-Norteamericanos |location=Valencia, Spain |pages=407–415 |via=Universitat de València |isbn=84-3706-3159}}</ref> finds that creaky voice is sometimes seen as sexually desirable in American culture, by those who don't find it off-putting for the reasons given above. It has been suggested that there may be biological reasons as to why women produce creaky voice more than men, specifically their shorter vocal cords, making the bunching of their vocal cords easier.<ref>{{cite book |last1=Henton |first1=Caroline G. |last2=Bladon |first2=Anthony |editor1-last=Hyman |editor1-first=Larry M. |editor2-last=Li |editor2-first=Charles N. |editor1-link=Larry Hyman |title=Language, speech, and mind: studies in honour of Victoria A. Fromkin |date=1988 |publisher=Routledge |location=London |isbn=9780415003117 |pages=3–29 |chapter=Creak as a socio-phonetic marker}}</ref> Yuasa<ref name=Yuasa/> further theorizes that because California is at the center of American popular culture and much of the entertainment industry is rooted there, young Americans may unconsciously be using creaky voice more because of the media they consume. She concludes that further research is needed in analyzing creaky voice in other regions of the country. It is subsequently theorized that creaky voice may be a way for women to sound more "authoritative" and credible by using it to emulate the deeper male register.<ref>{{cite journal|last1=Dilley |first1=L. |last2=Shattuck-Hufnagel |first2=S. |last3=Ostendorf |first3=M. |title=Glottalization of word-initial vowels as a function of prosodic structure |journal=Journal of Phonetics |date=1996 |volume=24 |issue=4 |pages=423–444 |url=http://speechlab.cas.msu.edu/PDF/Old%20Publications/Dilley,%20Shattuck-Hufnagel%20&%20Ostendorf%201996.pdf |doi=10.1006/jpho.1996.0023}}</ref><ref>{{cite book |last1=Coates |first1=Jennifer |title=Women, men and language: a sociolinguistic account of gender differences in language |date=2016 |publisher=Routledge |location=London |isbn=9781138948785 |edition=3rd |doi=10.4324/9781315645612 |series=Routledge Linguistics Classics}}</ref><ref>{{cite journal |last1=Hollien |first1=Harry |last2=Moore |first2=Paul |last3=Wendahl |first3=Ronald W. |last4=Michel |first4=John F. |title=On the Nature of Vocal Fry |journal=Journal of Speech and Hearing Research |date=1966 |volume=9 |issue=2 |pages=245–247 |doi=10.1044/jshr.0902.245 |publisher=] |pmid=5925528}}</ref><ref>{{cite journal |last1=Borkowska |first1=Barbara |last2=Pawłowski |first2=Bogusław |title=Female voice frequency in the context of dominance and attractiveness perception |journal=] |date=2011 |volume=82 |issue=1 |pages=55–59 |doi=10.1016/j.anbehav.2011.03.024 |publisher=], Elsevier|s2cid=53275785 }}</ref> When Stanford linguist Penny Eckert asked more than 500 people to rate how authoritative a female reporter sounded speaking on creaky voice, those under 40 found the voice quite authoritative while older people did not. Pennock-Speck<ref>{{cite conference |url=https://www.uv.es/pennock/2005_Changing_voice_of_women.pdf |title=The changing voice of women |first=Barry |last=Pennock-Speck |date=2005 |conference=Congreso Internacional de AEDEAN |editor-first=Juan José |editor-last=Calvo García de Leonardo |book-title=Actas del XXVIII Congreso Internacional de AEDEAN |publisher=Asociación Española de Estudios Anglo-Norteamericanos |location=Valencia, Spain |pages=407–415 |via=Universitat de València |isbn=84-3706-3159}}</ref> finds that creaky voice is sometimes seen as sexually desirable in American culture, by those who don't find it off-putting for the reasons given above. It has been suggested that there may be biological reasons as to why women produce creaky voice more than men, specifically their shorter vocal cords, making the bunching of their vocal cords easier.<ref>{{cite book |last1=Henton |first1=Caroline G. |last2=Bladon |first2=Anthony |editor1-last=Hyman |editor1-first=Larry M. |editor2-last=Li |editor2-first=Charles N. |editor1-link=Larry Hyman |title=Language, speech, and mind: studies in honour of Victoria A. Fromkin |date=1988 |publisher=Routledge |location=London |isbn=9780415003117 |pages=3–29 |chapter=Creak as a socio-phonetic marker}}</ref> Yuasa<ref name=Yuasa/> further theorizes that because California is at the center of American popular culture and much of the entertainment industry is rooted there, young Americans may unconsciously be using creaky voice more because of the media they consume. She concludes that further research is needed in analyzing creaky voice in other regions of the country.


Another potential reason young women are the highest demographic to be speaking with creaky voice is rooted in "conversational entrainment". Borrie & Delfino (2017)<ref>{{cite journal |last1=Borrie |first1=Stephanie A. |last2=Delfino |first2=Christine R. |title=Conversational Entrainment of Vocal Fry in Young Adult Female American English Speakers |journal=Journal of Voice |date=July 2017 |volume=31 |issue=4 |pages=513.e25–513.e32 |doi=10.1016/j.jvoice.2016.12.005 |pmid=28087123 |publisher=The Voice Foundation |location=Philadelphia, PA}}</ref> analyze "conversational entrainment", or the natural inclination people have to modulate their voices to match their conversational mate. They hypothesize that participants in their study will use creaky voice more when engaging with a partner who frequently uses creaky voice, as opposed to someone using creaky voice minimally. They further posit that the more entrainment occurs, the more successful the conversation will be in both efficiency and enjoyment. To test these hypotheses, they gave two participants different pictures and asked them to work together to find the ten small differences between their images. One conversational partner spoke with vocal fry often, while the other conversational partner did not speak it much. They found that the more participants attempted to mirror their conversational partner in vocal fry, the better the participants were able to communicate successfully. Further, vocal fry entrainment led to greater likeability between the partners. Another potential reason young women are the highest demographic to be speaking with creaky voice is rooted in "conversational entrainment". Borrie & Delfino (2017)<ref>{{cite journal |last1=Borrie |first1=Stephanie A. |last2=Delfino |first2=Christine R. |title=Conversational Entrainment of Vocal Fry in Young Adult Female American English Speakers |journal=Journal of Voice |date=July 2017 |volume=31 |issue=4 |pages=513.e25–513.e32 |doi=10.1016/j.jvoice.2016.12.005 |pmid=28087123 |publisher=The Voice Foundation |location=Philadelphia, PA}}</ref> analyze "conversational entrainment", or the natural inclination people have to modulate their voices to match their conversational mate. They hypothesize that participants in their study will use creaky voice more when engaging with a partner who frequently uses creaky voice, as opposed to someone using creaky voice minimally. They further posit that the more entrainment occurs, the more successful the conversation will be in both efficiency and enjoyment. To test these hypotheses, they gave two participants different pictures and asked them to work together to find the ten small differences between their images. One conversational partner spoke with vocal fry often, while the other conversational partner did not speak it much. They found that the more participants attempted to mirror their conversational partner in vocal fry, the better the participants were able to communicate successfully. Further, vocal fry entrainment led to greater likeability between the partners.

Revision as of 06:18, 12 March 2022

Type of phonation
Creaky voice
◌̰
Encoding
Entity (decimal)&#816;
Unicode (hex)U+0330

In linguistics, creaky voice (sometimes called laryngealisation, pulse phonation, vocal fry, or glottal fry) is a special kind of phonation in which the arytenoid cartilages in the larynx are drawn together; as a result, the vocal folds are compressed rather tightly, becoming relatively slack and compact. They normally vibrate irregularly at 20–50 pulses per second, about two octaves below the frequency of modal voicing, and the airflow through the glottis is very slow. Although creaky voice may occur with very low pitch, as at the end of a long intonation unit, it can also occur with a higher pitch.

Short demonstration of vocal fry/creaky voice

In phonology

In the Received Pronunciation of English, creaky voice has been described as a possible realisation of glottal reinforcement. For example, an alternative phonetic transcription of attempt could be .

In some languages, such as Jalapa Mazatec, creaky voice has a phonemic status; that is, the presence or absence of creaky voice can change the meaning of a word. In the International Phonetic Alphabet, creaky voice of a phone is represented by a diacritical tilde U+0330  ̰ COMBINING TILDE BELOW, for example . The Danish prosodic feature stød is an example of a form of laryngealisation that has a phonemic function. A slight degree of laryngealisation, occurring in some Korean language consonants for example, is called "stiff voice".

Social aspects

Main article: Vocal fry register

Researcher Ikuko Patricia Yuasa found that "college-age Americans ... perceive female creaky voice as hesitant, nonaggressive, and informal but also educated, urban-oriented, and upwardly mobile." However, according to a 2012 study in PLOS ONE, young women using creaky voice are viewed as less competent, less educated, less trustworthy, less attractive and less employable. Creaky voice is characterised as a speech pathology or voluntary vocal affectation, noting that its use as a “fashion trend” can be off-putting and damage the professional image of young women. Some suggest that creaky voice can function as a marker of parentheticals in conversations; utterance of certain phrases in creaky voice may suggest that they carry less important information.

It is subsequently theorized that creaky voice may be a way for women to sound more "authoritative" and credible by using it to emulate the deeper male register. When Stanford linguist Penny Eckert asked more than 500 people to rate how authoritative a female reporter sounded speaking on creaky voice, those under 40 found the voice quite authoritative while older people did not. Pennock-Speck finds that creaky voice is sometimes seen as sexually desirable in American culture, by those who don't find it off-putting for the reasons given above. It has been suggested that there may be biological reasons as to why women produce creaky voice more than men, specifically their shorter vocal cords, making the bunching of their vocal cords easier. Yuasa further theorizes that because California is at the center of American popular culture and much of the entertainment industry is rooted there, young Americans may unconsciously be using creaky voice more because of the media they consume. She concludes that further research is needed in analyzing creaky voice in other regions of the country.

Another potential reason young women are the highest demographic to be speaking with creaky voice is rooted in "conversational entrainment". Borrie & Delfino (2017) analyze "conversational entrainment", or the natural inclination people have to modulate their voices to match their conversational mate. They hypothesize that participants in their study will use creaky voice more when engaging with a partner who frequently uses creaky voice, as opposed to someone using creaky voice minimally. They further posit that the more entrainment occurs, the more successful the conversation will be in both efficiency and enjoyment. To test these hypotheses, they gave two participants different pictures and asked them to work together to find the ten small differences between their images. One conversational partner spoke with vocal fry often, while the other conversational partner did not speak it much. They found that the more participants attempted to mirror their conversational partner in vocal fry, the better the participants were able to communicate successfully. Further, vocal fry entrainment led to greater likeability between the partners.

See also

References

  1. Titze, I. R. (2008). "The Human Instrument". Scientific American. 298 (1): 94–101. Bibcode:2008SciAm.298a..94T. doi:10.1038/scientificamerican0108-94. PMID 18225701.
  2. Titze, I. R. (1994). Principles of Voice Production. Prentice Hall. ISBN 978-0-13-717893-3.
  3. Kuang, Jianjing (2017-09-01). "Covariation between voice quality and pitch: Revisiting the case of Mandarin creaky voice". The Journal of the Acoustical Society of America. 142 (3): 1693–1706. doi:10.1121/1.5003649. ISSN 0001-4966.
  4. Roach, Peter (2004). "British English: Received Pronunciation" (PDF). Journal of the International Phonetic Association. 34 (2): 241. doi:10.1017/S0025100304001768. S2CID 144338519.
  5. Ashby, M.; Maidment, J. A. (2005). Introducing Phonetic Science. Cambridge University Press. p. 98. ISBN 978-0-521-00496-1. Retrieved 2012-06-30.
  6. Basbøll, Hans (2005). The Phonology of Danish. Oxford University Press. ISBN 978-0-19-824268-0. p. 24: The Danish stød is a syllable prosody manifested by laryngealization.
  7. Ahn, Sang-cheol; Iverson, Gregory K. (October 2004). "Dimensions in Korean Laryngeal Phonology*". Journal of East Asian Linguistics. 13 (4): 345–379. doi:10.1007/s10831-004-4256-x. ISSN 0925-8558. S2CID 123061263.
  8. ^ Yuasa, I. P. (2010). "Creaky Voice: A New Feminine Voice Quality for Young Urban-Oriented Upwardly Mobile American Women?". American Speech. 85 (3): 315–337. doi:10.1215/00031283-2010-018.
  9. Anderson, Rindy C.; Klofstad, Casey A.; Mayew, William J.; Venkatachalam, Mohan (28 May 2014). Snyder, Joel (ed.). "Vocal Fry May Undermine the Success of Young Women in the Labor Market". PLOS ONE. 9 (5). PLOS: e97506. Bibcode:2014PLoSO...997506A. doi:10.1371/journal.pone.0097506. PMC 4037169. PMID 24870387.
  10. Lee, Sinae (2015-06-01). "Creaky voice as a phonational device marking parenthetical segments in talk". Journal of Sociolinguistics. 19 (3): 275–302. doi:10.1111/josl.12123. ISSN 1467-9841.
  11. Dilley, L.; Shattuck-Hufnagel, S.; Ostendorf, M. (1996). "Glottalization of word-initial vowels as a function of prosodic structure" (PDF). Journal of Phonetics. 24 (4): 423–444. doi:10.1006/jpho.1996.0023.
  12. Coates, Jennifer (2016). Women, men and language: a sociolinguistic account of gender differences in language. Routledge Linguistics Classics (3rd ed.). London: Routledge. doi:10.4324/9781315645612. ISBN 9781138948785.
  13. Hollien, Harry; Moore, Paul; Wendahl, Ronald W.; Michel, John F. (1966). "On the Nature of Vocal Fry". Journal of Speech and Hearing Research. 9 (2). American Speech–Language–Hearing Association: 245–247. doi:10.1044/jshr.0902.245. PMID 5925528.
  14. Borkowska, Barbara; Pawłowski, Bogusław (2011). "Female voice frequency in the context of dominance and attractiveness perception". Animal Behaviour. 82 (1). Association for the Study of Animal Behaviour, Elsevier: 55–59. doi:10.1016/j.anbehav.2011.03.024. S2CID 53275785.
  15. Pennock-Speck, Barry (2005). "The changing voice of women" (PDF). In Calvo García de Leonardo, Juan José (ed.). Actas del XXVIII Congreso Internacional de AEDEAN. Congreso Internacional de AEDEAN. Valencia, Spain: Asociación Española de Estudios Anglo-Norteamericanos. pp. 407–415. ISBN 84-3706-3159 – via Universitat de València.
  16. Henton, Caroline G.; Bladon, Anthony (1988). "Creak as a socio-phonetic marker". In Hyman, Larry M.; Li, Charles N. (eds.). Language, speech, and mind: studies in honour of Victoria A. Fromkin. London: Routledge. pp. 3–29. ISBN 9780415003117.
  17. Borrie, Stephanie A.; Delfino, Christine R. (July 2017). "Conversational Entrainment of Vocal Fry in Young Adult Female American English Speakers". Journal of Voice. 31 (4). Philadelphia, PA: The Voice Foundation: 513.e25–513.e32. doi:10.1016/j.jvoice.2016.12.005. PMID 28087123.

Further reading

Phonation
Glottal states (from open to closed)
BreathBreathySlack voiceModal voiceStiff voiceCreaky voiceGlottalizedBallistic
(full airstream)(murmur,
whispery voice)
(intermediate)(maximum vibration)(intermediate)(restricted airstream)(blocked airstream)(fortis)
Supra-glottal phonation
Non-phonemic phonation
Category: