Misplaced Pages

Bachir Attar: Difference between revisions

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.
Browse history interactively← Previous editNext edit →Content deleted Content addedVisualWikitext
Revision as of 19:24, 17 February 2007 edit70.18.25.156 (talk) Further reading: There is now no typo in the spelling of the name of the group on this page.← Previous edit Revision as of 21:54, 17 February 2007 edit undoEmerman (talk | contribs)Extended confirmed users2,679 edits clarity, will come back with more info laterNext edit →
Line 1: Line 1:
{{Not verified}} {{Not verified}}


'''Bachir Attar''' is the leader of ], who record under the name The Master Musicians of Jajouka featuring Bachir Attar. His father, Hadj Abdesalam Attar, recorded groundbreaking albums with ] and Joel Rubiner released in 1971 and 1974, respectively. Bachir Attar carries on his father's Attar family traditions with a new generation of "master musicians" descended from members of his father's group. '''Bachir Attar''' is the leader of ], who since 1990 have sometimes recorded under the name The Master Musicians of Jajouka featuring Bachir Attar. Attar's father, Hadj Abdesalam Attar, led the group at the time of their groundbreaking albums produced by ] and Joel Rubiner in the early 1970s. The group recorded under the shorter name "Master Musicians of Jajouka" on soundtracks for films including ''The Cell'', appearances with the Rolling Stones on ''Steel Wheels'', the second album of the group from 1974 produced by Rubiner, and the 1995 reissue of the group's first album, ]. Bachir Attar carries on his father's Attar family traditions with a new generation of "master musicians" descended from members of his father's group.


He has recorded a couple of ]s in addition to his work with Master Musicians of Jajouka. Attar was a guest performer on ]'s 1993 album, ''Ekstasis''. Attar's manager and official photographer during his group's 1990s recording career was his wife, ], whom he had married in 1989. The two parted in 1996, but she was managing him and his band again by the mid-2000s. He has recorded a couple of ]s in addition to his work with Master Musicians of Jajouka. Attar was a guest performer on ]'s 1993 album, ''Ekstasis''. Attar's manager and official photographer during his group's 1990s recording career was his wife, ], whom he had married in 1989. The two parted in 1996, but she was managing him and his band again by the mid-2000s.
Line 22: Line 22:


==External links== ==External links==
* *
* *
* *

Revision as of 21:54, 17 February 2007

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.
Find sources: "Bachir Attar" – news · newspapers · books · scholar · JSTOR (Learn how and when to remove this message)

Bachir Attar is the leader of Master Musicians of Jajouka, who since 1990 have sometimes recorded under the name The Master Musicians of Jajouka featuring Bachir Attar. Attar's father, Hadj Abdesalam Attar, led the group at the time of their groundbreaking albums produced by Brian Jones and Joel Rubiner in the early 1970s. The group recorded under the shorter name "Master Musicians of Jajouka" on soundtracks for films including The Cell, appearances with the Rolling Stones on Steel Wheels, the second album of the group from 1974 produced by Rubiner, and the 1995 reissue of the group's first album, Brian Jones Presents The Pipes of Pan at Jajouka. Bachir Attar carries on his father's Attar family traditions with a new generation of "master musicians" descended from members of his father's group.

He has recorded a couple of solo albums in addition to his work with Master Musicians of Jajouka. Attar was a guest performer on Nicky Skopelitis's 1993 album, Ekstasis. Attar's manager and official photographer during his group's 1990s recording career was his wife, Cherie Nutting, whom he had married in 1989. The two parted in 1996, but she was managing him and his band again by the mid-2000s.

Solo Discography

  • The Next Dream (1992)
  • In New York (With Elliott Sharp, 1994)

Further reading

  • Template:Fr Alaoui, Mehdi Sekkouri. "Souvenirs. Sur les traces des Rolling Stones". Telquel Online. Retrieved Jan. 14, 2007.
  • Bowles, Paul (1991). Days. The Ecco Press. ISBN 0-88001-269-2.
  • Davis, Stephen (1993). Jajouka Rolling Stone. Random House. ISBN 0-679-42119-X.
  • Gross, Jason (June 2000). "Master Musicians of Jajouka: Bachir Attar Interview". Perfect Sound Forever. Retrieved Jan. 22, 2007.
  • Harris, Craig. "Bachir Attar". Retrieved Jan. 14, 2007.
  • Kinney, Glenn (June 20, 1993). "Bachir Attar: The Next Dream". The New York Times, p. H841.
  • Nutting, Cherie, with Bowles, Paul. (2000). Yesterday's Perfume: An Intimate Memoir of Paul Bowles. Clarkson Potter, at p. 199. ISBN 0-609-60573-9.
  • Pareles, Jon (December 9, 1993). "Pop and Jazz in Review: Bachir Attar and Trilok Gurtru". The New York Times, p. C14.
  • Ranaldo, Lee (August 1996). "Into The Mystic". The Wire. Retrieved Jan. 14, 2007.

External links

Categories: