K. Arun Prakash: Difference between revisions

Browse history interactively ← Previous edit Next edit →Content deleted Content addedVisual WikitextInline

Revision as of 18:06, 7 November 2022 editZeytoonwiki (talk \| contribs)460 edits corrupted links/errors removedTags: Reverted Visual edit Newcomer task Newcomer task: copyedit ← Previous edit		Revision as of 23:08, 7 November 2022 edit undoSpinningspark (talk \| contribs)89,216 edits Reverted good faith edits by Zeytoonwiki (talk): red links are not errorsTags: Twinkle Undo nowiki addedNext edit →
Line 52:		Line 52:
	His career awards include		His career awards include

	1984 - I prize from Shri Krishna Gana Sabha during their Gokhulashtami Series		1984 - I prize from Shri ] during their Gokhulashtami Series

	1994 - Vishwapriya award for excellence		1994 - Vishwapriya award for excellence

	1996 - Yuva Kala ~~Bharathi~~ from Bharat Kalachar Chennai.		1996 - ]<nowiki/>i from Bharat Kalachar Chennai.
	2000 - Kalki Memorial Award from Kalki Krishnamurthy trust (the first percussionist to receive the same).<ref>{{Cite journal\|last=Barathi\|date=24 September 2000\|title=Rasiga Ullangal\|url=http://www.kalkiweekly.com\|journal=Kalki Tamil Magazine\|volume=2000\|pages=12–15}}</ref>		2000 - Kalki Memorial Award from Kalki Krishnamurthy trust (the first percussionist to receive the same).<ref>{{Cite journal\|last=Barathi\|date=24 September 2000\|title=Rasiga Ullangal\|url=http://www.kalkiweekly.com\|journal=Kalki Tamil Magazine\|volume=2000\|pages=12–15}}</ref>
	1994, 1996, 1999, 2002, 2005, 2013 - Best Mridangist prizes from Music Academy Chennai, Tamil Nadu India		1994, 1996, 1999, 2002, 2005, 2013 - Best Mridangist prizes from Music Academy Chennai, Tamil Nadu India

	2012 - Vani Kala Nipuna award from Shri Thyaga Brahma Gana Saba (Vani Mahal).		2012 - Vani Kala Nipuna award from Shri Thyaga Brahma Gana Saba (]).

	Arun's mridangam artistry combines the best of tradition and modernity.<ref>{{Cite web\|url=https://karunprakash.weebly.com/bio-data.html\|title=Bio data}}</ref> While his technique of handling the instrument is very traditional, his playing is characterized by mathematical innovation, brilliance, and modernity. His playing is aesthetically satisfying and helps in enriching the overall vocal or instrument concert experience of the audience.		Arun's mridangam artistry combines the best of tradition and modernity.<ref>{{Cite web\|url=https://karunprakash.weebly.com/bio-data.html\|title=Bio data}}</ref> While his technique of handling the instrument is very traditional, his playing is characterized by mathematical innovation, brilliance, and modernity. His playing is aesthetically satisfying and helps in enriching the overall vocal or instrument concert experience of the audience.

Revision as of 23:08, 7 November 2022

This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and when to remove these messages)

This biography of a living person needs additional citations for verification. Please help by adding reliable sources. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.
Find sources: "K. Arun Prakash" – news · newspapers · books · scholar · JSTOR (October 2018) (Learn how and when to remove this message)

This article may be written from a fan's point of view, rather than a neutral point of view. Please clean it up to conform to a higher standard of quality, and to make it neutral in tone. (October 2018) (Learn how and when to remove this message)

This article contains wording that promotes the subject in a subjective manner without imparting real information. Please remove or replace such wording and instead of making proclamations about a subject's importance, use facts and attribution to demonstrate that importance. (October 2018) (Learn how and when to remove this message)

This article is an orphan, as no other articles link to it. Please introduce links to this page from related articles; try the Find link tool for suggestions. (December 2018)

(Learn how and when to remove this message)

Mridangam VidvanK. Arun Prakash
"Thinking" Musician
Born	Kumbakonam, Tamil Nadu, India
Nationality	Indian
Alma mater	University of Madras
Known for	Mridangam Carnatic Music
Style	Embellishing and Highlighting the music

K. Arun Prakash (born 1968) is a Carnatic Musician, Percussionist, Composer and well known for playing Mridangam, a principal accompanying percussion instrument in South Indian Classical Carnatic Music.

Early life

K. Arun Prakash was born in Kumbakonam, Tamil Nadu, India in 1968 to famous music composer Kalai Mamani L. Krishnan (1938-2009, a disciple of Sangeeta Kalanidhi G N Balasubramaniam) and Vasantha Krishnan.

Arunprakash started his training in mridangam at the age of nine under the late Kalaimamani Ramanathapuram M. N.Kandaswamy (a disciple of the mridangam maestro [[Palani M.Subramania Pilla|Palani M.Subramania Pillai).

Arunprakash showed an immediate interest in playing Mridangam and started playing in concerts from the young age of eleven, just two years after the start of his training. Since then, he has given performances all over the world.

Career

His career awards include

1984 - I prize from Shri Krishna Gana Sabha during their Gokhulashtami Series

1994 - Vishwapriya award for excellence

1996 - Yuva Kala Bharathi from Bharat Kalachar Chennai. 2000 - Kalki Memorial Award from Kalki Krishnamurthy trust (the first percussionist to receive the same). 1994, 1996, 1999, 2002, 2005, 2013 - Best Mridangist prizes from Music Academy Chennai, Tamil Nadu India

2012 - Vani Kala Nipuna award from Shri Thyaga Brahma Gana Saba (Vani Mahal).

Arun's mridangam artistry combines the best of tradition and modernity. While his technique of handling the instrument is very traditional, his playing is characterized by mathematical innovation, brilliance, and modernity. His playing is aesthetically satisfying and helps in enriching the overall vocal or instrument concert experience of the audience.

His playing style is incredibly musical, and he enhances the music to a different level altogether. His presence of mind and his composing skills merge to give a different dimension to the kriti niraval and swara that is rendered on stage. His cheerful nature brings a pleasant atmosphere to the concerts.

An A Grade artist of AIR & TV, Arunprakash has also participated in jugal bandhis and musical encounter concerts with American artists and Hindustani musicians organized by ICCR and Sampradaya Chennai Arunprakash can also sing well and has a natural flair for composing music. He has lent his composing skills in many devotional recordings as well as composing the theme music for the millennium show presented by the YACM for The Music Academy on 31 December 1999.

Works

Arun Prakash is also a composer and has composed tillanas and numerous pallavis sung by many musicians.
Arun Prakash conducted a program with Vidushi Sudha Ragunathan and Vidushi Aruna Sairam Titled " AIKYA 2017", where he designed, composed and conducted the show with a 21 member orchestra.
Arun Prakash has released a CD titled ‘Sri Rama Jayarama,’ featuring 13 artistes, which featured compositions on lord rama composed by various composers.Arun composed musical interludes,arranged orchestrated the programme which was received very well.

References

Barathi (24 September 2000). "Rasiga Ullangal". Kalki Tamil Magazine. 2000: 12–15.
"Bio data".
"Why Gandhi's favourite bhajan 'Vaishnav Jan To' is so important in Modi's hate-filled India".
Krishnan, Lalithaa (19 July 2018). "Musical, themed on Rama". The Hindu. Retrieved 22 November 2018.
Krishnan, Lalithaa (20 July 2018). "Creativity at a different level". The Hindu.

External links

Rendezvous with Arunprakash Krishnan - a conversation recorded in Cupertino, CA, Nov 2015

I am a big fan of Ilaiyaraaja

Categories:

Misplaced Pages